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Yulia Nevskaya
Yulia Nevskaya
Yulia Nevskaya

Yulia Nevskaya

Country: Russian Federation
Birth: 1986

Yulia Nevskaya is a documentary photographer and photojournalist from Moscow. For her, photography is a way to tell people's stories and talk about the problems they face throughout Russia.

Yulia works on her own projects and materials ordered by the editorials. In recent years, the key topics for her have been the problem of preserving cultural heritage, ecology, as well as pressing social issues. In her projects, she explores the connection between person and place, the formation and preservation of cultural codes, as well as the principles of organization and functioning of communities of people tied to the territory. Yulia is a member of the international association "Women Photograph". Collaborates with leading Russian and foreign editorials, including National Geographic (Rus), Reporterre (Fr), Liberation (Fr) and others. Since 2020, she has been working in parallel as a producer, screenwriter and director of projects in the format of video journalism, and also teaches her own course "Algorithms for creating documentary photo stories".

"I am sure that documentary is a profession that can only be chosen for love. You just feel the inner urge to hit the road and tell stories. And you do it because you cannot but do it".
 

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More Great Photographers To Discover

Giles Duley
United Kingdom
1971
Giles Duley was born in 1971 in London. After 10 years as an editorial photographer in the fashion and music industries in both the US and Europe, Duley now focuses his work on humanitarian projects. Working with well respected charities such as Medecins sans Frontiers, IOM and UNHCR to highlight lesser known stories deserving of public attention and action. Although documenting challenging, and at times, horrific situations, Duley captures the strength of those who fight their adversity rather than succumb. His photographs draw the viewer to the subject, creating intimacy and empathy for lives differing from ours only in circumstance.In 2011, whilst on patrol with 75th Cavalry Regiment, United States Army in Afghanistan, Duley stepped on an improvised explosive device. He was severely injured, losing both legs and an arm.Source: www.gilesduley.com Artist Statement "In 2011 I was injured whilst working as a photographer in Afghanistan. I spent the next 46 days of my recovery fighting for my life in intensive care. During that period, I was often awake for days, unable to move or communicate as I was incubated and my remaining shattered hand was in a cast. My mind wandered, drifting on a mixture of morphine, exhaustion and fear and so battling to keep my sanity and to pass the dragging hours I’d challenge myself with mental exercises. My favourite was thinking of portraits I wished I could do, creating a list of the 100 people I most wanted to photograph. My first love in photography was portraiture. I love telling someone’s story through an image, trying to capture some essence of character in a frozen moment. For ten years I worked as a portrait photographer before cynicism with celebrity culture and a desire to document humanitarian issues took me in a different direction. I had always hoped to return to portraiture in time. Lying there, trapped in my body, I imagined all the portraits I wanted to take, aware that now I’d probably never get the chance. This wasn’t just a list of heroes or inspirations; more a collection of people who had shaped my cultural identity or whose large personas drew me in. Ben Okri whose writing first opened my eyes to Africa and storytelling; Tom Waits with his gnarled voice; Natalie Portman, hypnotic in the last film I’d seen before my accident; Don McCullin who inspired me to first pick up the camera. The list grew in my mind; eclectic, eccentric characters I wished I’d captured in frame. I resolved that if by some chance I made it through, I’d contact the names on my list and ask them to sit for a portrait. I would not waste my second chance at life. I have no idea where this project will lead, who will say yes, who will say no, or what I will learn about the people I meet and about myself. I’m aware I’ll face practical difficulties brought on by my injuries and the challenges of working within a celebrity culture, but through this journey I hope to develop my abilities in portraiture, to explore my own cultural identity and broaden my understanding of photography. Most importantly to fully regain my life and identity post accident, with more than a little fun along the way! As for the list? From PJ Harvey to Dead Prez, from Samantha Morton to Jean Paul Belmondo, the names on the list are united by a common trait. When I thought I was going to die and when I had to come to terms with my new life, one thing kept me going, my photography. It is my lifeblood. The sitters for my portraits may all be famous, but I believe they have become that because of what they do, not because they craved celebrity. I believe for each one their craft is also their lifeblood. So here I am. It’s taken two years, 30 operations and a long rehabilitation, but I’m ready to start. 100 Portraits Before I Die: A Photographers Odyssey..."
Jorge Pozuelo
Spain
1977
Born in León in 1977, he began his photographic career in the 90s. He quit his job as a telecommunications technician to devote himself to photography where he did an MA in photography from the University of Canterbury. He always wanted to find the human side in all his photographs, playing with visual aggression and silence of space. In 2009 he took an year off and traveled the world and published “Picture Easy”, a book for all rules of photography, affordable for anyone to start in the world of photography. He worked for an year as a digital photographic technician, where he met all professional teams and medium format digital market issues resolved color management studies like Ricky Dávila and Isabel Muñoz. He has done work for companies like Unidental photographic, Silken Hotels, Tinkle, Adecco, AD, Truhko Make Up, FX Magazine, Life Smile or artistic bodies festival in Spain. In October 2011 he traveled to Doha for several editorials for the magazine “Qultura” for the government of Qatar. He has done several photo exhibitions, “BodyArt”, “TattooArt” or “walls of silence”, joint exhibition of great impact in the press and on TV Carabanchel prison. He has made a joint project with the photojournalist Ervin Sarkisov titled “Back to Life” where they follow up drug abusers. His presentation was in the 2011 grenade Alandaluz Photofestival double pass and very well received. In the course of months he has now approached to teaching, he runs a photography school in Madrid and tries to instill his passion for photography. He has given seminars on photographic lighting as both white and black, making the latter a small obsession in Madrid, Cordoba and Barcelona for different associations, municipalities and companies like Elincrom and Fotocasión.Source Artphotofeature.com
Alice De Kruijs
The Netherlands
1981
Alice de Kruijs is a fine-art photographer based in The Netherlands. She frequently touches the subject of identity and diversity and aims to go against the standard ideals and showcase stories through culture and different ethnic backgrounds, her work is a celebration of these differences in culture. As her way of life, she loves to conceptually and symbolically tell stories. Usually by showing a different perspective on personal daily life struggles. Born in 1981 in the east of The Netherlands she grew up in an artistic family. Nevertheless her true artistic passion in photography started in her late twenties. After graduating from Internation Fashion Design and later on from Applied Photography Design with a specialisation in Fine-art portraits she dedicated her life to conceptual photography. In her early thirties she gradually moved to fine-art photography in combination with story telling photography. Family Member(s) In this serie I honour my beloved grandmother. She has been a friend and inspiration my entire life. Although she passed away in 1994, when I was just 13 year old my memories are vibrant. This year (2020), August 2nd she would have celebrated her 100th birthday. On this day, I have publish the complete body of work existing of 18 images plus 10 original images. In some images, I copied the old photo from our family photo books. The story starts with an images from my great grandma before and after pregnancy of her 5 children (see family picture), following with an image of my grandmother at age 3. It continues with images of her when she was a young teenager and as a young adult just before World war II. During the war, not many pictures were taken of her. The first image after WWII is the marriage photo. She struggled with a lot of miscarriages in the late 1940's but finally my father was born in May 1950, I would be her only child. During the 1980's she started having breast cancer and later on bone cancer. After many years trying to fulfill life as much as possible, she died from bone bone cancer at age 74. The last image represents her death. As this is a very personal project and shot during COVID 19 period I only photographed myself or my direct family members for the duo image. This created an even stronger bound. This serie is dedicated to Jeanne Margaretha de Kruijs - Slotboom 02/08/1920 - 14/01/1994
Michele Zousmer
United States
Michele Zousmer is a humanitarian and fine art photographer. The camera is her tool to give voice to marginalized communities and witness the human experience. Michele's work celebrates each individual's strength and beauty, as well as their vulnerability and spirit, going beyond how one presents oneself to the world. They are infused with her almost overwhelming empathy. Michele believes a photograph can create a lasting impression of emotion, curiosity, love, and ultimately hope of mankind. It can help people heal, give them dignity, and feel empowered. Her photographs reveal insights into the lives of people we wouldn't otherwise meet. Through her world travels, Michele meets people from different walks of life, listening to their stories and sharing intimate moments with them. The permission they grant and openness they offer by inviting them into their world never ceases to move Michele. The soulfulness of her images comes from developing relationships with the people she engages with. Michele truly believes that even though we may have differences on the outside, inside we are all the same. The images are infused with her almost overwhelming empathy. Artist Statement "My mind, my eyes, and my heart have been opened by my experiences. My life has been forever changed. I hope my work inspires others to feel we all matter and to care more profoundly. Engaging in the world and becoming open to different cultures and traditions allows for more conversation on diversity and equality. Photographs hold the power to connect people and create understanding. This is why I do what I do." Article Mis(s)Understood
Jim Ferguson
United States
1954
Recently I "remerged" back into the fine art photography world, but this is my second round of showing and selling work. Years back I received a BFA from San Francisco Art Institute and MFA from the School of the Art Institute of Chicago. After getting my BFA, I started contacting galleries. I was successful from the very start with three galleries representing my work and acquisitions by major museums and numerous private collections. In the fall of 2017 I re-emerged into the fine art world full time, introducing my work again to galleries and museums. Since "reemerging" I’ve had a number of successes. I was in an exhibition at Catherine Edelman Gallery and am represented in their Chicago Project. I’ve been included in exhibitions curated by April Watson, Elizabeth Houston, Douglas Beasley and Robert Klein. I’ve also had a One Person exhibition at Workspace Gallery, and was selected for the Top 200 in Critical Mass 2018. Wide Range Statement Traveling through the Southwest for the first time I was photographically hot. My imagery gelled into the beginning of a body of work. This first trip was truly life changing. The Southwest appealed to me so much that I moved to Albuquerque. It served as home base for travels in the West; thus beginning my Wide Range series. I call this series Wide Range because of the open range nature of the American West and the wide variety of subjects I choose to photograph. Man's isolated impacts on the environment stood out more in the broad expanses of the landscape. I sought not to highlight the negative impacts but to utilize the man-made objects to create my images. The juxtaposition of these man-made objects vs. dramatic backgrounds allowed me to visually compact space into layered unity. This series began the visual journey I've traveled with my photography. Unfamiliar Places Statement Unfamiliar Places is a body of autobiographical memories that have been altered by the passage of time rather than by a proactive chemical or digital process. The images were stored on undeveloped film for 20 years, resulting in the degradation of the "latent" image. This work reflect the serendipity that is unique to working with the analogue process and highlights its inherent materiality. The unique process of the degradation of the film over 20 years mirror the historical content of the images. The images are a result of my photographic journey, the degradation of the emulsion in the negatives and the layering of history with the film wrapper's film numbers and dots. They were taken in France Mexico and the U.S. Over the past two decades I continued to photograph, standing guard against the instinct for gratification and instead allowing the pictures to rest peacefully in a dark place. It is now thrilling to finally see that the choice to wait offers its rewards: here are the both subtle diminishments and vital revelations in the aging process. Time has left marks on these images just as the events of a life do.
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Call for Entries
AAP Magazine #57 Portrait
Publish your work in our printed magazine and win $1,000 cash prizes