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Ralph Gibson
Ralph Gibson
Ralph Gibson

Ralph Gibson

Country: United States
Birth: 1939

Ralph Gibson is an American art photographer best known for his photographic books. His images often incorporate fragments with erotic and mysterious undertones, building narrative meaning through contextualization and surreal juxtaposition. Ralph Gibson studied photography while in the US Navy and then at the San Francisco Art Institute. He began his professional career as an assistant to Dorothea Lange and went on to work with Robert Frank on two films. Gibson has maintained a lifelong fascination with books and book-making.

Since the appearance in 1970 of The Somnambulist, his work has been steadily impelled towards the printed page. To date he has produced over 40 monographs, his most current projects being State of the Axe published by Yale University Press in Fall of 2008 and Nude by Taschen (2009). His photographs are included in over one hundred and fifty museum collections around the world, and have appeared in hundreds of exhibitions. Gibson has received fellowships from the National Endowment for the Arts (1973, 1975, 1986), a Deutscher Akademischer Austauschdienst (D.A.A.D.) Exchange, Berlin (1977), a New York State Council of the Arts (C.A.P.S.) fellowship (1977), and the John Simon Guggenheim Memorial Foundation (1985). The Rencontres d'Arles festival presented his work in 1975, 1976, 1977, 1979, 1989 and 1994.

I embrace the abstract in photography and exist on a few bits of order extracted from the chaos of reality.

-- Ralph Gibson


His book Syntax received a mention for the Rencontres d'Arles Book Award in 1983. He was decorated as an Officier de L'Ordre des Arts et des Lettres (1986) and appointed, Commandeur de L'Ordre des Arts et des Lettres (2005) by the French government. His awards include: Leica Medal of Excellence Award (1988), "150 Years of Photography" Award, Photographic Society of Japan (1989), a Grande Medaille de la Ville d'Arles (1994) and the Lucie Award for lifetime achievement (2008). Gibson also received an honorary doctorate of Fine Arts from the University of Maryland (1991), and a second honorary doctorate from the Ohio Wesleyan University (1998). He has worked exclusively with Leica for almost 50 years. Gibson currently lives in New York and travels frequently to Europe and Brazil.

Source: Wikipedia


Having begun his acclaimed photographic career as an apprentice to the great documentarians Dorothea Lange and Robert Frank, Ralph Gibson is known for his highly distinctive vision in still photography.

By intensifying contrast and emphasizing the grain of the film in his prints, Gibson concentrates on the minute details: the edge of a café table, the arc of a hip, the glint of a fork. Gibson’s works are both formally vigorous and eternally evocative.

His photographs are in major private and public collections worldwide, including the Metropolitan Museum of Art, the Museum of Modern Art, and the Bibliothèque Nationale de France.

Source: Weston Gallery

I’m interested in producing truncated shapes in proportion to the frame and composition, shapes that are preferably luminous. I’m not interested in the full-figure. I want to abstract forms.

-- Ralph Gibson



 

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Bob Richardson
United States
1928 | † 2005
Robert George Richardson was an American fashion photographer. He was born in Long Island, New York, to an Irish Catholic family. Originally a graphic designer in New York City, Bob Richardson did not pick up a camera until age 35. His rise to fashion fame was swift, although not without some battle on his part: "I wanted to put reality in my photographs. Sex, drugs and rock 'n' roll. That's what was happening. And I was going to help make it happen. Boy they did not want that in America. Some of those editors were still wearing white gloves to couture." Richardson developed a reputation for being very difficult to work with. He brought his personal life, which was tumultuous, into his art. He battled with bouts of schizophrenia throughout his life. After making it to the top of the often catty and vicious world of fashion, getting paid up to $15,000 for a single image, he succumbed to his illness and ended up homeless on the streets of San Francisco. In 1989, an art historian researching fashion photography tracked Richardson down living in a flophouse, opening the door to Richardson's reestablishing contact with his son and eventually returning to New York City, where with the help of Richard Avedon and Steven Meisel, he was able to obtain teaching positions at International Center of Photography and the School of Visual Arts. Richardson restarted his career in his sixties, once again working for such magazines as Italian Vogue and British GQ. He was the father of photographer Terry Richardson and Margaret "Meg" Richardson (9/30/1957-5/8/2015).Source: Wikipedia Bob Richardson, a fashion photographer of the 1960's and 70's who transmitted the excitements and regrets of a generation of free spirits before disappearing into a shadow land of mental illness and homelessness, died on Dec. 5 at his home in Manhattan. He was 77. He died of natural causes, said his son, Terry. Robert George Richardson, born to Irish-Catholic parents on Long Island, was attracted to the messy, tempestuous, desolating quality of human relations. He was one of the first photographers to recognize that these emotions were not outside the world of 60's fashion but were in fact vital to it. In a 16-page spread in French Vogue in 1967, he evoked the sex idyll, the gloom and the sudden all-obliterating passions of two lovers on a Greek island. In one shot, the model Donna Mitchell is seen crying; in another she lies on a rocky shore, her face turned away, with her nude lover in the water before her. Mr. Richardson's pictures were radical because, more than showing youthful fashion in a liberated way, they sought to expose the life dramas that were then consuming young people. "Which were not about being applauded as you made your entrance to the opera," said Joan Juliet Buck, the writer and fashion editor, who first met Mr. Richardson in 1969 and later introduced him to her friend Anjelica Huston, with whom he had an intense four-year relationship. "They were about crying in your room, feeling lonely, hoping for sex." To photographers like Bruce Weber, Steven Meisel and Peter Lindbergh, Mr. Richardson was a pathfinder. As Mr. Weber said, describing his influence: "There's no textbook, no award, but there is this Bob Richardson school of photography. And it's an anti school. He was the first guy who said it was O.K. to underexpose the film, to not show the clothes." Mr. Weber added: "So many photographers when I first started out idolized Bob. He was sort of an underground figure." In a 1995 profile in The New Yorker, when Bob Richardson had resurfaced after more than a decade of drifting around Southern California and living in cheap motels or at times on the beach, he told the writer Ingrid Sischy: "I wanted to put reality in my photographs. Sex, drugs, and rock 'n' roll -- that's what was happening. And I was going to help make it happen. Boy, they did not want that in America. Some of those editors were still wearing white gloves to couture." Bob Richardson was as overbearing and opinionated as he was seductive and handsome. Terry Richardson said his father's schizophrenia was diagnosed in the 1960's. Years of drug and alcohol abuse added to his instability and increasing rootlessness, especially in the 80's, when he had mostly cut off ties with his family. Terry Richardson, also a photographer, said he first helped get his father off the streets in 1984, and by then he had been homeless for two years. "He had lost everything," his son said. After growing up in Rockville Centre, N.Y., Mr. Richardson studied art at the Parsons School of Design and Pratt Institute without graduating. His first marriage, to Barbara Mead, produced a daughter, Margaret, but soon collapsed; according to The New Yorker article, Mr. Richardson did not maintain contact with them. (Terry Richardson said he had not seen his half-sister in a decade and did not know her whereabouts. There are no other immediate survivors.) By the early 60's, Bob Richardson was taking fashion photographs and had resolved, he told Ms. Sischy, to "photograph my kind of woman." Harper's Bazaar gave him his first commission in 1963, and the magazine's art directors, Ruth Ansel and Bea Feitler, seemed especially attuned to his loose, unencumbered style. Around this time, he married an actress named Norma Kessler (from whom he was later divorced), and Terry, their only child, was born in 1965. Norma served as the assistant for the Greek island shoot two years later. "It was just my mom, Dad and me with a bag of clothes," Terry said. "They just went off together and did these pictures." By 1970, Richardson was deeply involved with Ms. Huston, who was 18 when they met, and together they would produce some of the most wistful portraits of the era. Certainly no photographer ever made Ms. Huston look more beautiful. Terry Richardson said the two last saw each other at an airport in 1973, when they went their separate ways. With much of Mr. Richardson's original work lost or buried in magazine archives, a number of individuals, including Mr. Meisel and the art historian Martin Harrison, tried to help restore at least his reputation as an groundbreaking photographer. And in the 90's he received some new assignments from magazines like Italian Vogue. But Mr. Richardson could be hardest on the people who loved him. "It was his way or the highway," his son said. Early this year, Bob Richardson, who had been living in Los Angeles, decided to return to New York, driving across the country in an old Mercedes with his dog, Mick, and taking pictures. He had a publishing deal to produce his first monograph, with Greybull, but through some orneriness, it fell through. Terry Richardson said he would do the book, which includes an autobiography. And in deference to his father's wishes, it will not have any color pictures: "My dad always said, 'I see the world in black and white.' "Source: The New York Times
Wenxin Zhang
China
1989
Wenxin Zhang lives and works in San Francisco. She received her MFA at California College of the Arts. Zhang creates non-linear photographic novels. In her writings and photography, she describes her experiences of growing up in China, her current life in San Francisco, and her personal relationships. Zhang's work has exhibited widely in United States and China. Zhang was selected as a finalist in 2014 Three Shadows Photography Award, Leica Oskar Barnack Newcomer Award, and Photographic Museum of Humanity New Generation Award. Also, Zhang was selected as an artist in residence by Rayko Photo Center and The Center for Photography at Woodstock. Zhang's first monograph will be published in early 2015 by Jiazazhi Press. Statement: "Five Nights, Aquarium is a non-linear narration weaved by photographs and five short written works. I try to reconstruct my inner journey from trips I’ve made between my home country China and San Francisco during these two years in a truthful way, but the overloaded feelings of estrangement and desolation created by the journey have transformed my memories into illusions of confinement. Due to this confinement, my journey story became a space-time, which resembles an aquarium. In this aquarium, cityscapes are fish tank decorations, people are fish, and writings are tank labels. I chose five nights in the whole reconstructed journey story, using five semi-fictional short stories as clue, to portray the imaginary aquarium. The stories are cold yet intimate, sensual yet intangible. The narration of journey moves from real to imagined spaces, exploring the boundaries between autobiography and fiction."
Max Waldman
United States
1919 | † 1981
Max Waldman was a well-known American photographer who made significant contributions to the field of performing arts photography. Waldman, who was born in 1919 in Brooklyn, New York, developed an early interest in photography. He became well-known for capturing the energy, emotion, and theatricality of the performing arts. In the 1940s, Waldman's career took off when he began photographing Broadway shows, ballet performances, and opera productions. His photographs provided a one-of-a-kind visual documentation of the performing arts, immortalizing iconic performances and highlighting the talents of renowned actors, dancers, and musicians. Waldman's photographs captured the essence of live performances, providing viewers with a glimpse into the stage's magic. He had an extraordinary ability to anticipate and freeze moments that encapsulated the performers' emotion and energy. His images captured the theatrical lighting, expressive gestures, and dynamic movement that defined each performance, conveying a sense of drama. Aside from the stage, Waldman documented the world of the performing arts behind the scenes. His photographs provided an up-close look at rehearsals, costume fittings, and the camaraderie between performers. He revealed the human side of the performers through his lens, emphasizing their dedication, passion, and vulnerability. Waldman's work was widely exhibited in galleries and museums throughout his career, and his photographs graced the pages of prestigious publications. He rose to prominence as one of the most sought-after performing arts photographers of his generation, working with well-known artists and institutions. Waldman experimented with other genres besides performing arts photography, such as portraiture and street photography. His diverse body of work demonstrated his photographic versatility and ability to capture the essence of his subjects, whether on stage or in everyday life. Waldman's influence went beyond his photographs. As a teacher, he also shared his knowledge and expertise, inspiring aspiring photographers through workshops and lectures. He wrote several books about photography, offering insights and advice to other photographers. Max Waldman's photographs continue to captivate audiences because they capture the ephemeral nature of live performances as well as the timeless beauty of the performing arts. His photographs bear witness to the power of the stage and the talents of those who bring it to life. Waldman has left an indelible mark on the world of performing arts photography with his exceptional skill and artistic vision, preserving the magic and emotion of the stage for future generations.
Michael Wolf
Germany/United States
1954 | † 2019
The focus of the German photographer Michael Wolf’s work is life in megacities. many of his projects document the architecture and the vernacular culture of metropolises. Wolf grew up in Canada, Europe, and the United States, studying at UC Berkeley and at the Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994 where he worked for 8 years as a contract photographer for Stern Magazine. Since 2001, Wolf has been focusing on his own projects, many of which have been published as books. Wolf’s work has been exhibited in numerous locations, including the Venice Bienniale for Architecture, Aperture Gallery, New York; Museum Centre Vapriikki, Tempere, Finland, the Museum for Work in Hamburg, Germany, Hong Kong Shenzhen Biennial, the Museum of Contemporary Photography, Chicago. His work is held in many permanent collections, including the metropolitan museum of art in New York the Brooklyn Museum, the San Jose Museum of Art, California; the Museum of Contemporary Photography, Chicago; the Museum Folkwang, Essen, Germany and the German Museum for Architecture, Frankfurt, Germany. He has won first prize in the World Press Photo Award competition on two occasions (2005 & 2010) and an honorable mention (2011) In 2010, Wolf was shortlisted for the Prix Pictet photography prize. He has published more than 13 photo books including Bottrop Ebel 1976 (Peperoni Press, 2012), Tokyo Compression Three (Peperoni Press / Asia One, 2012), Architecture of Density (Peperoni Press / Asia One, 2012), Hong Kong Corner Houses (Hong Kong University Press, 2011), Portraits (Superlabo, Japan, 2011), Tokyo Compression Revisited (Peperoni Press / Asia One, 2011), Real Fake Art (Peperoni Press / Asia One, 2011), FY (Peperoni Press, 2010), A Series of Unfortunate Events (Peperoni Press, 2010), Tokyo Compression (Peperoni Press / Asia One, 2010), Hong Kong Inside-Outside (Peperoni Press / Asia One, 2009), The Transparent City (Aperture, 2008) and Sitting in China (Steidl, 2002). Source: photomichaelwolf.com Michael Wolf’s work examines life in the layered urban landscape, addressing juxtapositions of public and private space, anonymity and individuality, history, and modern development. In a diverse array of photographic projects, from street views appropriated from Google Earth, to portraits capturing the crush of the Tokyo Subway, and dizzying architectural landscapes, Wolf explores the density of city life. Wolf currently lives and works in Hong Kong and Paris. His photographs are in the permanent collections at the Metropolitan Museum of Art, New York; the Folkwang Museum, Essen, Germany; The Brooklyn Museum; the Cleveland Museum of Art; the Nelson-Atkins Art Museum, Kansas City; and the Museum of Contemporary Photography, Chicago among others, and have been exhibited at the Museum of Photographic Arts, San Diego (2011), Goethe Institute in Hong Kong (2010), Fotographie Museum, Amsterdam (2010), Museum of Contemporary Photography, Chicago (2008), Victoria and Albert Museum, London (2008), and the Massachusetts Museum of Contemporary Art (2008), among others. Wolf was awarded First Place in the 2010 World Press Photo Award contest in the Daily Life category, and was shortlisted for the 2010 Prix Pictet. Wolf's numerous monographs include Tokyo Compression Revisited (Peperoni Books, 2011), Real Fake Art (Peperoni Books, 2011), Tokyo Compression (Peperoni Books, 2010), Hong Kong: Inside/Outside (Peperoni Books, 2009), The Transparent City (Aperture and MoCP, 2008), Hong Kong: Front Door/Back Door, (Thames & Hudson, 2005), and Sitting in China (Steidl, 2002). Source: Robert Koch Gallery Michael Wolf was born in 1954 in Munich, Germany. He grew up in the United States, Europe, and Canada, and studied at UC Berkeley and at the Folkwang School in Essen, Germany. In 1994, Wolf moved to Hong Kong and worked for eight years as a contract photographer for Stern magazine, until he left to pursue his own projects. Wolf's photographic work in Asia focuses on the city and its architectural structures and follows on from his interest in people and human interaction. He has published seven photobooks to date. Wolf's work has been exhibited extensively in galleries and art fairs throughout the world since 2005 and is held in permanent collections across the US and Germany. Wolf has won previously won a World Press Photo award, the first prize in Contemporary Issues stories in 2005. Source: World Press Photo
Jennifer Baron
The Netherlands
1971
Jennifer Baron is a Dutch photographer based in Amsterdam. After many years in the field of education, she has decided to pursue her passion for photography. Her journey into the world of visual storytelling has culminated in the recent publication of her self published debut book, ‘Frozen August.’ ‘I translate my feelings in my work using universal themes that deal with grief, trauma, loss and healing. There is always an autobiographical element present. Making visible experiences, pain and traces left behind. In my work, abstraction alternates with intimacy and emotion.’ Statement Jennifer’s photographic work is a visual dance that encourages the viewer to explore the subtle balance between the intangible and the tangible, the distant and the immediate. It’s in the contrasting elements of her art that a strong feeling emerges, motivating people to explore their own feelings and experiences. She believes that black and white photography has a unique ability to capture the raw essence of human emotions and experiences. It gives the viewers the opportunity to fill in the colors of their own emotions and interpretations. Her work is deeply rooted in her personal experiences and emotions. ‘I translate my feelings in my work using universal themes that deal with grief, trauma, loss and healing. There is always an autobiographical element present. Making visible the experiences, the pain and the traces left behind. In my work, abstraction alternates with intimacy and emotion.’ Frozen August When you have experienced a loss, you can go a long time without dealing with it. You get carried away by everyday life. Suddenly that grief is there again. Why you can still grieve intensely even years after the death of a loved one. ‘My work gives an insight into my grieving process over the sudden death of my brother in August 1990. After 33 years of keeping silent about this, this wound is still so palpable. My world in darkness invites you to follow the trail of emotions. Body and nature become landscapes of mourning. Light and dark are about hope and despair. By combining various media; photography, sketches and publication book, my project Frozen August came about.’
Mark Citret
United States
1949
Mark Citret was born in 1949 in Buffalo, New York, and grew up in San Francisco. He began photographing seriously in 1968 and received both his BA and MA in Art from San Francisco State University. Most of Citret's work is not specific to any locale or subject matter. Still, he has worked on many photographic projects over the course of his career and continues to do so. From 1973 to 1975 he lived in and photographed Halcott Center, a farming valley in New York's Catskill Mountains. In the mid to late 1980s, he produced a large body of work with the working title of "Unnatural Wonders", which is his personal survey of architecture in the national parks. He spent four years, 1990 to 1993, photographing "Coastside Plant", a massive construction site in the southwest corner of San Francisco. Since he moved to his current home in 1986, he has been photographing the ever-changing play of ocean and sky from the cliff behind his house. Currently, he is in the midst of a multi-year commission from the University of California San Francisco, photographing the construction of their 43 acre Mission Bay life-sciences campus. He has taught photography at the University of California Berkeley Extension since 1982 and the University of California Santa Cruz Extension since 1988, and for organizations such as the Center for Photography at Woodstock, the Ansel Adams Gallery, and Santa Fe Workshops. His work is represented by prominent photography galleries in the United States, and is in many museums, corporate, and private collections, including the San Francisco Museum of Modern Art, the Los Angeles County Museum of Art, the New Orleans Museum of Art, the Santa Barbara Museum of Art, the University of Arizona's Center for Creative Photography, and the Monterey Museum of Art. A monograph of his photographs, Along the Way, was published by Custom & Limited Editions, San Francisco, in 1999. He lives in Daly City, California. About Parallel Landscapes
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