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Debbie Smyth
Debbie Smyth
Debbie Smyth

Debbie Smyth

Country: United Kingdom
Birth: 1959

Debbie is an avid travel and documentary photographer, always on the move, with eyes and lens constantly in action. The camera allows her to tell the stories she sees, portraying both the physical and cultural aspects of the places she visits. Her working life started as researcher in the British Library Reading Rooms, moving on to designing library systems for use around Europe, and from there into the payments industry. With her daughter now grown up, exploration and photography are getting a larger share of her life. Whilst travel has been limited for the last 18 months, Debbie has had time to concentrate on her photography projects, currently focussing on the traditions and architecture of the British coast, and Cold War architecture.
 

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Alamsyah Rauf
Indonesia
1982
Alamsyah Rauf was born in a small district in south sulawesi precisely in Kab.Sinjai, maybe that's why this photographer is less known among photographers in Indonesia but his work has won dozens of world-class photo contest. After graduating high school, this man married in 2001 on the will of his parents, this makes him unable to continue college. After married Alamsyah worked in his parents' photo studio. Alamsyah Learning DSLR cameras just look at the camera manual and learn self-taught to techniques of composition, tone, and lighting via internet. In 2004 Alamsyah Rauf set up his own Photo Studio and hire 3 photographers. As a freelance photographer, Alamsyah takes part in various photography communities, photo exhibitions and participate in various national and international photo contest. Awards: 2nd Place (Best of Show) 2012 Photoshare Photo Contest (Baltimore USA) 2nd Price Sony WPO 2013 category National Award Best in Action at Australian Art Sales (Australia) FIAP GOLD MEDAL in Photo Salon Soul 2013 (Macedonia) FIAP Silver Medal 4th International Photo Exhibition Photo Focus 2013 (Russia) PAM Gold Medal at 2nd International exhibition of art photography SOUL 2014 (Macedonia) Second Winner General category HIPA 2014 Dubai 1st Place Portrait at 7th Annual Masters Cup 2014 (Beverly Hills USA) 1st Place (Portrait category) the 7th Annual International Color Awards 2014 FIAP Gold Medal at 38th EX HIBITION OF PHOTOGRAPHY "CHILD 2014" Serbia SALON praise 38th EXHIBITION OF PHOTOGRAPHY "CHILD 2014" Serbia FIAP Gold medal, FIAP Silver medal, PSA Gold Medal, PSA Ribbon in 2nd Cairo Int. Photographic Art Exhibition - CIPAE 2014 Awards (Cairo, Egypt) Ozone zone Gold Medal (Happiness), FIAP Ribbon (monochrome) Ozone zone International Photo Contest 2014 (Canada) RPS Gold Medal, 2nd Photovivo Singapore International Photography Award (PIPA) 2014 FIAP Silver Medal (Open Color) 1St GIFSAD INTERNATIONAL PHOTO CONTEST 2014 (TURKEY) Champaign 1 colorful alfaink photo contest nusantara 2015. "Grand Prize" Winner at The Shutterview International Photography Competition 2015 (Australia ) 2nd Place (people category) Fine Art Photography Award 2015 Grand Winner Xposure International photo contest 2016 (Sharjah UAE) First Place Proify Annual International Photography Awards 2016 Merit Medal Recipient "THE CHALLENGE" HIPA 2017 UAE 5th Place All About Photo Awards 2018
Maxime Du Camp
France
1822 | † 1894
Maxime Du Camp was born on February 8, 1822, in Paris, France, into a prosperous family. His father, a successful surgeon, ensured that young Maxime received a thorough education, which was typical for children of the bourgeoisie. Du Camp's early years were marked by a strong inclination towards literature and the arts. He studied at the Collège Bourbon (now Lycée Condorcet), where he developed a keen interest in literature, history, and languages. His education extended beyond formal schooling; he was an avid reader, absorbing a wide array of subjects that later influenced his literary and journalistic career. In the early 1840s, Maxime Du Camp embarked on extensive travels that profoundly shaped his worldview and literary work. His first significant journey was to the Near East in 1844, where he visited Greece, Turkey, and Egypt. Traveling with a sense of adventure and a desire to document the cultures and landscapes he encountered, Du Camp honed his skills in photography, an emerging technology at the time, and became one of its early pioneers as a documentary tool. This journey had a substantial influence on Du Camp. The cultures, histories, and landscapes of the Near East provided rich material for his later writings. He published his travel experiences in "Souvenirs et paysages d'Orient" (1848), which combined vivid descriptions with keen observations of the places he visited. This work marked the beginning of his career as a travel writer and established his reputation in literary circles. One of the most significant relationships in Du Camp's life was his friendship with the famous French novelist Gustave Flaubert. The two met in 1843 and quickly formed a strong bond based on their mutual interests in literature and travel. In 1849, they embarked on a journey to the Middle East, which took them to Egypt, Palestine, Syria, and Turkey. This expedition was particularly important for Du Camp as it allowed him to combine his passion for travel with his budding interest in photography. During this trip, Du Camp took numerous photographs of ancient monuments, landscapes, and people. These images were later published in "Egypte, Nubie, Palestine and Syrie" (1852), one of the earliest photographic travel books. The collaboration with Flaubert during this journey also had a lasting impact on both men's work. Du Camp's photographs provided valuable visual documentation for Flaubert's future literary works, while Flaubert's meticulous approach to writing influenced Du Camp's style. Du Camp's literary career was diverse, encompassing travel writing, novels, poetry, and journalism. His early works, such as "Souvenirs et paysages d'Orient" and "Egypte, Nubie, Palestine et Syrie," were primarily travelogues that showcased his ability to capture the essence of distant lands through both words and images. In the 1850s, Du Camp turned his attention to fiction. His first novel, "Mémoires d'un suicidé" (1853), was a reflection on the social and moral issues of his time. Although not as commercially successful as his travel writings, this novel demonstrated his versatility as a writer and his willingness to explore different genres. Du Camp also made significant contributions to poetry. He published several collections, including "Les Chants modernes" (1855) and "Convictions" (1858), which were characterized by their reflection on contemporary society and politics. His poetic style was influenced by the Romantic movement, but he also incorporated elements of realism, a reflection of his broader literary interests. In addition to his literary pursuits, Du Camp was an active journalist. He contributed to various newspapers and magazines, including "La Revue des Deux Mondes" and "Le Constitutionnel." His journalistic work covered a wide range of topics, from politics to culture, showcasing his ability to engage with contemporary issues. Du Camp was also known for his critiques of French society, often addressing the tensions and contradictions of his time. Maxime Du Camp was not only a man of letters but also an engaged citizen. He was a staunch supporter of the Second French Empire under Napoleon III and was involved in the political discourse of his time. In 1851, he joined the ranks of the Saint-Simonians, a socialist group that advocated for social reform and the improvement of the working class's conditions. His political views were reflected in his writings, where he often addressed social justice and the need for societal progress. Du Camp's political engagement extended to his role as an editor. In 1862, he co-founded the influential literary magazine "Revue des Deux Mondes" with Charles Buloz. This publication became a significant platform for intellectual and literary debate in France, featuring contributions from leading writers and thinkers of the time. Despite his busy career, Du Camp continued to travel extensively throughout his life. His later travels took him to North Africa and Europe, where he continued to document his experiences through writing and photography. His later works, such as "Le Nil: Égypte et Nubie" (1877), reflected his ongoing fascination with the places he visited and his desire to share these experiences with a wider audience. Maxime Du Camp's contributions to literature, photography, and journalism have left a lasting legacy. His pioneering use of photography in travel writing helped establish the medium as a legitimate form of documentation and artistic expression. His travel books remain valuable records of the places and cultures he encountered, providing insights into the 19th-century world. Du Camp's literary works, though not as widely known today as those of his contemporaries like Flaubert, offer a rich exploration of the social and political issues of his time. His ability to blend personal reflection with broader societal commentary makes his writings relevant to contemporary readers. As a journalist, Du Camp's contributions to French intellectual life were significant. His engagement with political and cultural debates helped shape public discourse in 19th-century France. The "Revue des Deux Mondes," under his editorial guidance, became a cornerstone of French literary and cultural life. Maxime Du Camp passed away on February 8, 1894, on his 72nd birthday, leaving behind a diverse body of work that continues to be appreciated for its depth and breadth. His life was marked by a relentless curiosity and a desire to explore and understand the world, qualities reflected in his writings and photographs. Du Camp's legacy is that of a true Renaissance man, whose contributions spanned multiple fields and left an indelible mark on the cultural landscape of his time.
Vytenis Jankūnas
United States
1961
Vytenis Jankūnas is a Lithuanian-American artist who in his latest work uses mostly photography as a medium for his artistic projects, which include books, photo and video installations. He has shown in numerous group and solo exhibitions nationally and internationally. Recent exhibits include one-man shows at Contemporary Art Centre, Vilnius (Lithuania) (his second solo show in CAC Vilnius), Tallinn Art Hall Gallery, (Estonia), Undercurrent Gallery, New York City (USA) and Prospekto Gallery, Vilnius (Lithuania). He won the 1st place in Self Published Books category of the IPA - int'l photography awards, has been a recipient of the Fellowship award from the New York Foundation for the Arts, New York City (USA) and was awarded a residency at Nordic Arts Centre (HIAP), Helsinki (Finland). Vytenis Jankūnas lives and works in New York City, USA. Urban Portraits - NYC Edition My latest photography project is called ''Urban Portraits - NYC Edition.'' I have lived in New York City for over 25 years and always been asking myself: what keeps me here for so long? Is it cultural richness, or the career opportunities this city can offer, or maybe the ability to experience most of what the world can offer without leaving the city? I guess everything at once, but one thing became certain to me: I fell in love with the people, the way they look, the way they dress, the way they talk. It is hard to find another city in the world with such, or similar diversity within its population. This is what my project is about, just walking the streets and capturing people with my camera religiously. The result is something in between street photography and portraits of people in the vulnerable state of everyday life. It is still an ongoing project
Andrew Keedle
United Kingdom
1969
Marsel van Oosten
The Netherland
1967
Dutch-born Marsel van Oosten began his career in advertising. Photography started as a means of escaping fast-paced advertising life, but it was during a trip to Tanzania and close encounters with the animals of the Serengeti, where Marsel developed a passion for wildlife photography. Five years later, Marsel left advertising to become a full-time photographer and hasn’t looked back. Marsel’s images, which feature in galleries and museums across the globe, are famed for their composition, lighting, color and perspective. In his work, he tries to keep his images clean and uncluttered, enabling the viewer to focus on the image’s inherent graphic qualities. As a result, he has been decorated with many prestigious awards, including winning the overall titles for: Wildlife Photographer of the Year (Natural History Museum), Travel Photographer of the Year (TPOTY), and International Nature Photographer of the Year (2x in the International Photography Awards).Source: Nikon UK After graduating from the Academy of Arts with a BA in Art Direction and Graphic Design, Dutch-born Marsel van Oosten started a career in advertising. As an Art Director at various renowned agencies, he won numerous awards for his work, amongst which are one silver and two gold Lions at the prestigious International Advertising Festival in Cannes. The acclaimed TV commercial he made for a Dutch nature conservation organization is representative of both his creative and emotional approach to communication, as well as for his love for the natural world and his concern for the environment. Taking photographs began as a way for Marsel to escape from life in the fast lane. After a trip to Tanzania, however, things started getting more serious. Close encounters with the animals of the Serengeti fueled his passion for wildlife photography, which soon became his specialty. Five years later, Van Oosten took the plunge and swapped his established advertising career for the precarious life of a nature photographer, a move that demands unyielding devotion and commitment. His images are featured in galleries and museums, are used worldwide in advertising and design, and he is a regular contributor to National Geographic. When Marsel is not traveling, he lives in South Africa, with producer and videographer Daniella Sibbing. Together they run specialized nature photography tours for all experience levels to exciting destinations worldwide.Source: Squiver
Rafał Michalak
Poland
1971
Lives and works in Wroclaw, Poland. He studied political science and public relations. Graduate of Academy of Art and Design in Wroclaw with a Master of Arts (Media Art Department). A member of The Association of Polish Art Photographers (ZPAF). He has been associated with the advertising industry and commercial photography for years. In his everyday work he deals with brand communication issues as well as visual identity development for companies and corporations. At the same time, he is actively engaged in creating his own original photography, thereafter presented in exhibitions and published in trade magazines. Winner of many photographic praises and commendations. Human being as individuality and its place in the so fast altering world are the key factors of Michalak’s photographic research. In his photography he is mostly consumed with transgression understood as a conscious and intentional exceeding of bounds and limits that we impose on ourselves or encounter. At the same time, it provides a way to learn more about the hidden depths and makes it possible to experience reality from different points of view. Transgressive approach has characterised Michalak’s personal style of representation, regardless of used technique and medium, ever since he knowingly engaged in fine-art photography. Transgression determines his personal choices in terms of subjects he approaches, and even more so, the message, i.e. the idea behind a photograph, which he believes to be essential.
Janet Sternburg
United States
1943
Janet Sternburg is a fine art photographer, a writer of literary books, a maker of theatre and films, and an educator. Since 1998 when she began taking photographs, her work has appeared in Aperture (2002), that same year on the cover of Art Journal, and in 2003 in The Utne Reader (“A New Lens,” 2003), in which she was selected as one of forty international artists and writers who “with depth, resonance, ideas and insights, challenge us to live more fully.” A monograph of her photographs, Overspilling World: The Photographs of Janet Sternburg, was published in 2016–17 by Distanz Verlag with a Foreword by Wim Wenders, in which he writes, “Photographers don’t have eyes in the back of their heads. Janet Sternburg does.” A second monograph followed in 2021, also from Distanz, I’ve Been Walking: Janet Sternburg Los Angeles Photographs, taken by Sternburg during the COVID-19 pandemic. Her photography has been exhibited in solo shows in New York, Los Angeles, Berlin, Milan, Munich, Mexico, and Korea, where she received a commission for a full-building installation at Seoul Institute of the Arts. In 2018, the USC Fisher Museum of the Arts presented her solo show LIMBUS. She pioneered in the use of disposable cameras to create images in which elements interpenetrate, a visual world without borders. Her literary books include the classic two volumes of The Writer on Her Work (W.W. Norton, 1981 and 1991), called “landmarks” and “groundbreaking” by Poets & Writers magazine; her papers for that book are now archived at the Harry Ransom Center, University of Texas. Other critically praised books followed, among them Phantom Limb (University of Nebraska American Lives Series, 2002) and White Matter (Hawthorne Books, 2016), both using a hybrid form of memoir and essay to probe family, neurology, and history, as well as a collection of poetry, Optic Nerve: Photopoems (Red Hen Press, 2005). Other creative work includes her film, El Teatro Campesino, a feature-length documentary on the Chicano theatre troupe (1969) selected for the New York Film Festival at Lincoln Center; her film Virginia Woolf: The Moment Whole (1971), broadcast on National Educational Television and winner of a Cine Golden Eagle, as well as her play, The Fifth String (2011–2014), about Arab and Jewish expulsions throughout history, produced in Berlin, New York, and Los Angeles. Sternburg lives in San Miguel de Allende, Mexico, and also has a residence in Downtown Los Angeles’ Little Tokyo. She has been the recipient of numerous grants, fellowships, and artist residencies, among them from the National Endowment for the Humanities and MacDowell. She has taught in the Graduate Media Program at The New School University and in the Critical Studies School at the California Institute of the Arts. In 2016, she was co-recipient of the REDCAT Award, given to “individuals who exemplify the creativity and talent that define and lead the evolution of contemporary culture.”
Candy Lopesino
Spanish photographer and cinematographer born in Madrid 1958, Candy Campesino lives and works in Madrid. She is a member of the global community Women Street Photographers and a member of DOCMA Documentary Filmmakers Association. "The first time I saw the black and white image appear in the developer tank, I knew that photographing was what I wanted to do for a lifetime. Photography helps me discover the world around me, to know better myself and to express myself. With which I manage to unite two of my passions, photography and traveling. My professional career begins as a graphic reporter under the signature of Hidalgo-Lopesino photographers collaborating with the Incafo publishing house and in collaboration with the UNESCO it realizes articles for the collection of books 'The Heritage of the Humanity' in Mexico, Bulgaria, Tunis, Portugal, Italy, Great Britain, Spain, France, Panama… I have collaborated with others magazines: GEO Spain, GEO Japan, Viajes National Geographic, Traveler, Volta ao Mundo, Saveur Magazine New York, Rutas del Mundo, Península, Descubrir, Altaïr… There was a first photography exhibition that made a huge impact on me. They were the portraits that Edward Sheriff Curtis had made of the North American Indians and to which he had dedicated 30 years of his life. The portraits were impressive, and the time spent on the project blew me away. I left the showroom wanting to do a long-term personal project. This is how I start my personal project 'The Iberians' in which I have been working for the first two decades of the 21st century and in which I continue to photographing. " The Iberian: The Iberian Peninsula is a geographical concept formed by Spain and Portugal, two geographically united countries but separately by an invisible border. THE IBERIANS is an essay about my travels through this territory visually narrating the things that happen while wandering around Iberia, how to write in a sketchbook. The knowledge of a specific territory gives depth and meaning to my project, that is why my work is a continuous journey through Spain and Portugal. They are places where I explore the concepts of territory, border, light, memory and identity through the observation of the other. In The Iberians I rediscover the common places, their people, their culture, their realities circumscribed to geography, in short, I explore the human condition.
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Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
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Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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