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LAST CALL TO Win a Solo Exhibition in July 2026 + An Exclusive Interview!
LAST CALL TO Win a Solo Exhibition in July 2026 + An Exclusive Interview!
James Hayman
James Hayman
James Hayman

James Hayman

Country: United States

After attending The American University for photojournalism, Hayman's first photography assignment was to photograph Nixon and Brezhnev at the 1973 Washington Summit in the White House Rose Garden. Disenchanted with the paparazzi-like frenzy, Hayman went on to study film at the University of California, Santa Barbara, and post-graduate work at New York University, though his photojournalistic roots still inform his practice today. Both his photojournalism and film education led him to travel around the world. He notably traveled to Central America, working for the UN's disaster relief efforts after the 1976 earthquake in Guatemala. This led to several series of photographic work in the region. In the 1980s, Hayman began shooting various independent films in New York City, gaining recognition as the cinematographer for An Autumn's Tale, starring Chow Yun-Fat, which swept the Hong Kong Film Awards in 1987. This led to several years of Hayman working as a cinematographer in China, Japan, and more series of photographic work documenting Asia in the 1980s.

As indie film production in New York City began to end in 1989, he moved to Los Angeles, where he went on to direct and produce multiple television shows and films. Since then, he has directed numerous pilots, including Dangerous Minds and Drop Dead Diva, as well as episodes of The Sopranos, ER, Law & Order, House, Desperate Housewives, and others. Hayman has also worked as an executive producer, most notably on Ugly Betty, which led to winning a Golden Globe Award. He has also been nominated for two Emmy Awards, and a Director's Guild Award.

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More Great Photographers To Discover

Nelli Palomäki
Finland
1981
Nelli Palomäki was born 1981 in Forssa, Finland. At the moment she lives and works in Karkkila and Helsinki, Finland. Her timeless portraits of children and young people reveal the fragility of the moment shared with her subject. Palomäki’s photographs deal with the growth, memory and our problematic way of seeing ourselves. One of the crucial themes in her portraiture is our mortality. She describes: “We fight against our mortality, denying it, yet photographs are there to prove our inescapable destiny. The idea of getting older is heart-rending.” She is a graduate of Aalto University School of Art, Design and Architecture in Helsinki. Palomäki’s works have been exhibited in numerous international solo and group exhibitions. Selected solo shows: Shared (Galerie Les Filles du Calvaire, Paris 2018), Shared (Gallery Taik Persons, Berlin 2017), Jaettu (Forum Box, Helsinki 2016), Breathing the Same Air (Ordrupgaard Art Museum, Copenhagen 2013), Nelli Palomäki (The Finnish Museum of Photography, Helsinki 2013), Sons of Nakhimov (The Wapping Project Bankside, London 2012), As time consumes us (Les Rencontres d’Arles, Discovery Award 2012), As time consumes us (Kulturhuset, Stockholm 2011), Elsa and Viola (Next Level Projects, London 2011), Elsa and Viola (Gallery TAIK, Berlin 2009), I, Daughter (Turku Art Museum, Turku 2008). Her photographs have been shown in several group shows including Helsinki City Art Museum, Hasselblad Foundation in Gothenburg, Bruce Silverstein Gallery in New York, Daegu Photo Biennale in South Korea, The National Museum of Photography in Copenhagen, Purdy Hicks Gallery in London and Aperture Gallery in New York. Palomäki’s photography has been featured in several publications such as TIME magazine, British journal of photography, Independent magazine, New York Magazine, Zoom and Exit. Her book Breathing the Same Air was published spring 2013 by Hatje Cantz. In spring 2010 Palomäki placed 2nd in Sony World Photography Awards in portraiture category and the same year Hasselblad Foundation awarded her the Victor Fellowship Grant for the studies in London. She has been selected as one of the young emerging artist for the reGeneration2–Tomorrow's Photographers Today project. In summer 2012 Palomäki was nominated for the Discover Award at the Rencontres d’Arles in France. Permanent collections include: Moderna Museet in Stockholm; The Hague Museum of Photography, Hasselblad Foundation in Gothenburg and Helsinki Art Museum. Palomäki is represented by Gallery Taik Persons (Berlin), Galerie Les filles du calvaire (Paris) and Jackson Fine Art (Atlanta). Source: nellipalomaki.com About The Work Seen and captured by someone else’s eyes reminds us that the image we have of ourselves is not absolute, it is not truthful. In many senses the mirror lies more than a photograph. We learn to see ourselves in such a one-dimensional way, that hardly any image can satisfy us anymore. While time gnaws away at the faces of us and our close ones, we return to look at the pictures from our past. As beautiful or poignant as an image may be; as much as we could garner from it emotionally, the feeling for which we search remains intangible and elusive. We will never fully comprehend or recreate the moment, it died at the moment of its’ birth. Sadly, the portrait is just a shadow of our meeting, a small stain of the time we spend together. Each and every portrait I have taken is a photograph of me too. What I decide to see, or more likely, how I confront the things that I see, inevitably determines the final image. But more than that, the intensity of the moment shared with the subject, controls the portrait. As we stand there, with our grave faces, breathing the same heavy air; never so aware of each other’s details. One blind and lost without seeing his own appearance, one desperately trying to reach the perfect moment. The complexity of portraiture, its greatest trap, eventually always lies on its power relationships. What I desire to find and to reveal might be someone’s secret. These secrets, finally shown to the viewers, as they were mine. A portrait remains forever. It is a desperate way to stay connected to someone who, though possibly a stranger, remains so familiar. It is my way of preserving a part of that person, embalming them. Through the portrait I build a relationship with my subject. I carry my subject’s memories with me, memories, as they are, being so intimately connected with photographs. Secretly I study their faces. This is how I remember them. I wonder how they remember me. As the time eats slowly away at us, I still hold these images of them, like they are the only way I ever knew, or will know these people. And that ever pervasive feeling; I met them. They will die and eventually I too will die.
Nicolas Dhervillers
Nicolas Dhervillers is a French artist who works in the field of photography. After multimedia and photography studies, he made a name for himself after an historic commission from the Centre Pompidou in Metz. Inspired by cinematic, theatrical and pictorial writing, Nicolas Dhervillers's approach decompartmentalizes the photographic medium.He works with French Galleries, collaborates with Art Centers and International Museums. He was invited to show his work in many countries like Switzerland, Germany, Korea, China, Netherlands, Usa and to Paris Photo for the past 5 years.In 2014 and 2015 he will have a solo exhibition at the Helmond Gemeente Museum (NL) then he will be in Australia for an International Festival and in Belgium for the "triennale de Photographie et d’architecture".All about Nicolas Dhervillers:AAP: Where did you study photography?I studied cinema first, then theater, and then I came to Paris to make a master in Photography and mixed media. I studied with Mr Jean Claude Moineau, my "chief" in terms of theory.AAP:Do you have a mentor or role model?No, but Jeff Wall influence me off course. AAP: How long have you been a photographer?10 years, but not a Photographer, maybe an artist is more correct, in a way.AAP: What or who inspires you?History of art in generalAAP: How could you describe your style?It is a mix between the painting spirit (about the white page), the cinematographic light and the pose of theater.AAP: What are your projects?Retrospective exhibition in Netherlands.
Alexandro Pelaez
Venezuela
1977
Alexandro Pelaez is a Caracas-born analogue photographer based in London with a BA in Communication (Advertising) at Jacksonville University in Florida and was headhunted as an art director in the advertising agency BVK Meka in Miami. Having moved to London in 2001, where he completed his second BA (Hons) in Graphic at Central Saint Martins, University of the Arts London, Alexandro has worked over the years on various photography projects with different clients in the UK, Latvia, Germany, Italy, France, Vietnam, Hong Kong, Shanghai and USA. In 2014 Alexandro received the Highly Commended Award by the London Photographic Association for his "HEROES & VILLAINS". In 2017 Alexandro was the finalist with the "Londoners" series at the ACCI "Art of Living" Photography Competition in California, and won two Honourable Mentions by International Photographer of the Year for both categories of Fine Art: Conceptual and People: Portrait; and by Density Neutral Photography Awards for the category Fine Art: Conceptual. Recently, Alexandro received three Honourable Mention Awards by the IPA International Photography Awards in New York (2019) with the OneShot Street Photography competition New York (single image) Category: Specials; also received the Finalist Award by the Fine Art Photography Awards (2019) Category: Cityscape (series). Alexandro received the 2nd place award by the IPA International Photography Award 2019 in New York in the category of: Analogue/ Film, Other. Artist Statement "When I am shooting in double exposure with my 35mm film camera, in my way and style, I am trying to capture the true essence of a city or an area. What I want to convey is my perspective of “what you see is what you get" by capturing those unique moments when I catch an image. The double exposure allows me to capture all that but can take my images to a different level where I can be more creative by holding double layered scenarios that will give the viewer a magical, almost surreal perspective and sense of unnatural futurism." Alexandro Pelaez and the Magical in the Realism
Maia Flore
France
1988
Maia Flore was born in 1988, in France. She is currently living in Paris. Graduated from Ecole des Gobelins in 2010, she joined Agence VU' in 2011. Her approach fits into a research of coincidences between reality and her imagination. Her world is a complete fabrication in form of touching and enchanting narrations, even surrealistic. This is in Sweden she begins her first series "Sleep Elevations", a journey that indulges in childhood memories. During the summer of 2012, while her first residence in Finland, Maia Flore explores new methods of representation and narration. These researches will then continue at the Arts Center of Berkeley, California. Resulting two series (Situations and Morning Sculptures) that continue to explore the feelings of confusion in which the photographer places her characters as her audience. She is exposed for the first time in February 2011 at the festival Circulation (s) of the Young European Photography in Paris. More recently, as part of a White Card from Atout France and the French Institute, Maia Flore depicts the French heritage through her dreamy world in the series "Imagine France – Le voyage fantastique" exposed in Bercy Village until September 2014. In 2015, she wins Le prix HSBC pour la photographie. Source: Agence VU Situations (2012) In the Situations series, a girl runs through varyingly weathered landscapes donning a striking red outfit. In search of a sublime freedom, she travels to find fleeting moments of communion with nature. Draped in red, she catches the light of the sun or buries herself in the fog. As though she were attempting to rediscover this space, she roams on land-locked clouds that evaporate into the landscape upon the return of the sun as it chases away their mystery. Like a game between reality and fantasy, the clash between clairvoyance and a moment of madness, the girl is amused by her emotional confusion. Sleep Elevation (2010) "Those who dream by day are cognizant of many things which escape those who dream only by night," Edgar Allan Poe. This is how these girls, carried away in the air by objects, let themselves travel through boundless landscapes. Flying towards dreamed lands, making real a complete attraction between the character, his ideal universe and the world they live in: that is where these girls lead us. Their contorted movements are merging with the shape of the one revealing their passion. Mix of an imaginary realism and childhood memories, these beings in levitation invite us to dream, limitlessly.
David Johndrow
United States
David Johndrow is a fine art photographer living in Austin, Texas. After studying photography the University of Texas, he began shooting commercial work as well as pursuing his more personal fine art photography.David’s continuing series, Terrestrials, combines his passion for gardening and photography and features macro nature photographs of animals and plants that inhabit his Hill Country, Texas garden. To realize his vision, he prints with silver gelatin, platinum/palladium, gum-bichromate and gumoil.His photographs are part of the Wittliff Collection of Southwestern and Mexican Photography, as well as in many private collections.All about David Johndrow:AAP: When did you realize you wanted to be a photographer?I took a darkroom class in art school and fell in love with the process. The first roll of film I shot I processed and printed myself.AAP: Where did you study photography?I learned photography at The University of Texas, but I built my own darkroom and started working on my own. I really honed my printing skills working as a printer in a photo lab. Just the shear volume of work I printed during that time made me a better printer.AAP: Do you have a mentor or role model?I can’t say I had any mentors except for photographers like Irving Penn who I loved and was inspired by.AAP: How long have you been a photographer?I’ve been a photographer for 30 years.AAP: Do you remember your first shot? What was it?My first shot was of my friends who were in a band. I had other friends who were actors and comedians, so I started taking lots of portraits for peoples publicity shots.AAP: What or who inspires you?I am inspired creatively by many different kinds of artists, but my biggest inspiration is the natural world. Rarely do I go in search of photographs; rather things just appear to me when I spend enough time outdoors. Gardening is my biggest obsession next to art.AAP: How could you describe your style?I have lots of styles but my most well know work is done in macro. I guess the one common thing in all my work is a simple graphic composition.AAP: Do you have a favorite photograph or series? I love Matt Mahurin, especially his portraits of Tom Waits. AAP: What kind of gear do you use?I shoot with a Hasselblad on 120 film.AAP: Do you spend a lot of time editing your images?Although I shoot on film, I edit my images on the computer. It helps me group images in a series or arrange them for exhibition.AAP: Favorite(s) photographer(s)?My favorite photographer is Irving Penn.AAP: What advice would you give a young photographer?I would tell young photographers to shoot a lot of images, do a lot of experiments, and try to learn some different printing processes.AAP: What mistake should a young photographer avoid?Don’t try and shoot photos of things you think others would like but shoot subjects you are most interested in. Every subject has been done before, so try and put your own spin on it.AAP: What are your projects?The project I’m working on is close-ups of natural textures.AAP: Your best memory as a photographer?My best memory is of shooting the pyramid at Chichen Itsa. It was at the solstice and I wanted a photo of the serpent shadow on the steps, but it was a cloudy, rainy day. Suddenly, right before closing, the sun burst out and I got some great shots.AAP: Your worst souvenir as a photographer?Don’t knowAAP: The compliment that touched you most?“Every time I look at your photograph I see something different”.AAP: If you were someone else who would it be?No one else.AAP: Your favorite photo book?Irving Penn: Passages
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AAP Magazine #59 Shapes
Win a Solo Exhibition in July
AAP Magazine #59 Shapes

Latest Interviews

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