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Cardell Phillips
Cardell Phillips
Cardell Phillips

Cardell Phillips

Country: United States
Birth: 1952

I'm a photographer living in Chicago. I discovered photography when I was in high school. My uncle was a photographer, and he showed me what the world looked like through a viewfinder. What I enjoyed the most about it was the freedom to explore the world and then show everyone what I found. When I got a job, I bought my first camera, an Olympus Trip 35, and learned how to use it by taking photographs of family and friends. Basically, anyone who would put up with me taking their picture when they weren't expecting it. When I was in grammar school, my two sisters and I spent our summer vacations at our grandparents' farm in Michigan. It was there that I experienced what it was like to live close to the land. So, when I thought about what kind of photography I wanted to specialize in, I chose landscape photography. Enchanted by the images taken by Ansel Adams and others, I traveled to the Canadian Rockies for a weeklong workshop where I learned some of the finer aspects of photography and gained confidence as a photographer. For years, I only shot portraits and landscapes. My interest in street photography began around 2008, when I came across the work of Walker Evans. His vision of the beauty in everyday life led me to other masters like Henri Cartier-Bresson, Vivian Maier, Roy DeCarava, and Wayne Miller. Their humanist approach to photography, to explore what it means to be human, inspired me. It's what I think about when I'm out with my camera and immersing myself in the flow of life, seeking to capture its disillusionment, solitude, and indigence but also the beauty, joy, and everyday wonders. In September 2021, the Praxis Gallery in Minneapolis chose one of my images for its "Shape of Things," exhibit. It was my first gallery showing.

Statement
One of the best places to take photographs in Chicago is the Lakefront. There, the beaches are strung out along Lake Michigan, from north to south, like pearls on a string, where there are many opportunities to photograph both people and landscapes. The 57th Street Beach is my favorite. It's a small beach with trees at the north and south ends that give it a touch of wilderness. As I photographed there, I noticed the people who came out to the lake in the early morning to engage in creative or spiritual work. As I began photographing them, I got the idea for a project about the power of the lake and the people who go there to resonate with the sky and water and to energize their hopes and dreams.
 

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More Great Photographers To Discover

Lotte Ekkel
Netherlands
1988
Lotte Lisa Ekke is a self-taught photographer based in Amsterdam. She works without a fixed plan, capturing poetic and intuitive images using only natural light. She finds beauty in quiet, often overlooked moments, creating photographs that invite reflection. Light is both her subject and her guide. Photography captures light, yet light itself has no sense of time—it moves in a constant now. Time only takes shape when light touches something, enters an eye, or sparks a memory. Ekkel’s images exist in that moment, where light and the world come together to create meaning. Her compositions are precise and graphic, often with a painterly flatness that makes spaces feel abstract. She is drawn to in-between places, where time seems to pause and emptiness has a quiet presence. Her work explores the balance between what we see and what we sense, encouraging the viewer to slow down and notice fleeting beauty. Saurabh Sirohiya is a graphic designer by profession and a visual storyteller by passion, specializing in travel, street, and documentary photography. Despite living with hearing and speech impairments, he has self-taught and mastered the art of photography, particularly excelling in capturing the raw and spontaneous essence of streets and journeys. Saurabh believes that while every frame tells a story, creating a story within a frame is what truly brings an image to life. With a deep-rooted passion for travel, he continues to explore and document the diverse cultures, rituals, heritage, and traditions of India through his lens. His work has earned him more than 550 national and international photography awards, and his photographs have been featured in numerous prestigious newspapers and magazines worldwide. In recognition of his artistic excellence, Saurabh has been honored with several distinguished titles and accolades, including: EFIP, EFIAP/b, C*MoL, A.APG, M.NPS, SSS/W, IIG/S4, IIG/P5, GM.APS, E.CPE, E.SSP, GE.APU, B.WPAI, BE.APF, ES.CPE, Hon.CPE, Hon.PESGSPC, GPA.PESGSPC, Hon.Fellowship.APG, Hon.Fellowship.APF, Hon.Fellowship.FBCA
Benita Suchodrev
United States
1975
Benita Suchodrev was born in the former Soviet Union and immigrated to the United States where she received her Bachelor's degree in Liberal Arts with a focus on Art History from SUNY Purchase, New York, continuing to a Master of Arts in English Literature, graduating with high honors. It was in the university darkroom where Benita developed and produced her first black and white prints. In 2008 Benita relocated to Berlin where she began an extensive documentation of the cosmopolitan city's multifaceted art scene while working on diverse photographic projects. Later she studied at the Neue Schule für Fotografie in the class of Eva Bertram. Her portrait and documentary work has been exhibited in solo and group shows nationally and internationally and is part of the Rafael Tous Foundation for Contemporary Art in Barcelona, the Michael Horbach Stiftung in Cologne as well as private collections in Moscow, Berlin and New York. She has published Of Lions and Lambs (2019) and 48 Hours Blackpool (2018) with KEHRER Verlag. Her photographs have appeared in NACHTLEBEN BERLIN 1974 – BIS HEUTE (Metrolit Verlag, 2013), BERLIN NOW (teNeues Verlag, 2009) and have been covered by various media including ARTE, THE GUARDIAN, ZEIT ONLINE, ARD, RBB24 Kulturradio, Frankfurter Allgemeine Zeitung, Berliner Zeitung, STERN.DE, AMICA Italy, ART, MARE Magazine, Neues Deutschland, Die Tageszeitung, Tagesspiegel, MIND China, The Moscow Times, Искусство – The Art Magazine Russia, among others. Benita currently lives and works in Berlin. Artist Statement "I am attracted to the poetic and the bizarre, the bold and the vulnerable. But of all things I am interested in the transitional moment between states, between blinks; that elusive split of a second between what was, what is to come, and the traces it leaves behind. The drama and ambiguity of human expression and gesture during this transitional moment is what fascinates me the most."
Mike Brodie
United States
1985
Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew. In 2004, two years into his journeying, he acquired a camera and began photographing this gritty youth subculture. His intimate portraits, saturated with color and often set against moving backgrounds, capture the reality of this life in raw detail—its dirt-encrusted bodies, sickness and exhilaration, dangers and comforts. After traveling more than 50,000 miles through 46 states, Brodie has since become an itinerant mechanic. He says he has abandoned photography—at least for now. Source: Artsy Mike Brodie, best known by his pseudonym "Polaroid Kidd", is a self-trained American photographer from Pensacola, Florida. In 2003 Brodie left home at 18 to travel the rails across America. A friend gave him a camera and he found himself spending three years photographing the friends and companions he encountered with the Polaroid SX-70. Polaroid discontinued SX-70 film, so now he shoots on 35mm on a Nikon F3. His photographs have been featured in exhibits in Milwaukee, at Get This! Gallery in Atlanta and in Los Angeles at M+B Gallery. His work was also selected to appear in the 2006 edition of the Paris International Photo Fair at the Louvre. In November 2007 he collaborated with Swoon and Chris Stain to mount an installation at Gallery LJ Beaubourg in Paris. He also has had collaborative shows with artist Monica Canilao. His photographs largely depict what he refers to as "travel culture", train-hoppers, vagabonds, squatters and hobos. Critic Vince Aletti of artsandantiques.net says of Brodie's work: "Even if you're not intrigued by Brodie’s ragtag bohemian cohort—a band of outsiders with an unerring sense of post-punk style—the intimate size and warm, slightly faded color of his prints are seductive. His portraits... have a tender incisiveness that is rare at any age." Source: Wikipedia Born in 1985, Mike Brodie began photographing when he was given a Polaroid camera in 2004. Working under the moniker 'The Polaroid Kidd,' Brodie spent the next four years circumambulating the United States, amassing an archive of photographs that make up one of the few, true collections of American travel photography. Brodie made work in the tradition of photographers like Robert Frank, William Eggleston and Stephen Shore, but due to never having undergone any formal training he always remained untethered to the pressures and expectations of art market. Brodie compulsively documented his exploration of the tumultuous world of transient subcultures without regard to how the photographs would exist beyond him. After feeling as though he documented all that he could of his subject, his insatiable wanderlust found a new passion, and as quickly as he began making photographs, he has left the medium to continue in his constant pursuit of new adventures. In 2008, Brodie received the Baum Award for American Emerging Artists and has a forthcoming book to be published by Steidl, as well as numerous international shows. Brodie recently graduated from the Nashville Auto Diesel College (NADC) and is now working as a diesel mechanic. Although Brodie has stopped making photographs, the body of work he made in only four short years has left a huge impact on the photo world, and is now being made available to the public. Source: M+B
Hugo Thomassen
Netherlands
1972
Shadow of Truth In his search for shadow, Hugo Thomassen found light. It is not the play of light that intrigues, but the richness of shadow. The bottles are what they are, yet they inadvertently evoke associations. Are we looking at a nocturnal cityscape with figures? Are we witnessing a chance encounter, a moment frozen in time, or simply an elegant composition with one or more bottles as the photographic subject? The bottle as a shape. In actual fact, the bottle has been constructed down in minute detail. Although the associations may suggest coincidence, the composition itself makes no such assumption. After all, it was built layer by layer. Painstakingly so. It is rich in its simplicity. No expense is spared. Each line is deliberate, considered. So much is expressed through so little. Without warning, this piece sends you soaring into the void - at least it had that effect on me. The void in which there is no time, and the severity of silence reigns. From a compositional standpoint, you have no reference point for space and time. As such, you go on your instincts and create a story yourself. Or you experience it in a meditative sense. What am I feeling? Is it abandonment, bottomless loneliness? Or am I experiencing silence, light, and intimacy? The image is poetic, still, melancholy, and harmonious. Reassurance emanates from the strict imposition of order. Coincidence is out of the question. The meaning of the work is hidden in the order that it projects. The interplay of lines formed by light and shadows never becomes a labyrinth, instead forming a guide pointing out the right direction. The photo has a reassuring effect on me which does not indicate a lack of thought. It makes me wander off in my mind’s eye while deciding my own perspective. This piece puts me outside of time. I can find no links to a memory, something which photography usually excels at. The image is new, though I believe I see a shade of art history through which the influence of Giorgio de Chirico, Morandi, and Night Shadows by Edward Hopper subtly shine through. The photograph distils the bottle to its purest form. It lays bare its essence. An idea. Is it truth that we see? Reality being exposed? Or are these simply shadows created by shapes? It is this that Thomassen plays with. Is it a single photograph or a picture composed of several images, a multitude of shots? In a sense, the photographic image is attempting to transcend the flatness of the paper. Photography is the means by which Thomassen explores the world. He exposes order in chaos or reveals an event through an ordering. He is the author of a visual story. His work is a narrative without words. It is excitement without something taking place. It represents an ode to emptiness, silence, and form. The bottle as the bearer of meaning. Everything has been translated into a language that one does not necessarily need to understand, but that one feels. He finds beauty in the composition of things, of objects. Naturally, a bottle is just a bottle, but in a composition and in relation to other bottles, by sheer coincidence a story is created. Thomassen brings light and shadow as nuances to that composition. He does not impose hierarchy onto the image. The background, the negative space, is just as important as the bottle. This piece is so streamlined that there are no secondary subjects. Light and shadow are of equal importance, because they need one another. Hugo Thomassen provides a context to the bottles. It is up to the viewer to make a story out of them - or not, of course. Because what is simply a charming image to one may appear to another as a story about existence and appearances. Ludo Diels
Dougie Wallace
Dougie Wallace, also known as 'Glasweegee', is a Scottish street photographer, based in east London. He was born and raised in Glasgow, lived in Blackpool for a couple of years in the 1980s before enlisting in the army, and has lived in Shoreditch, east London, for 15 years. For two-and-a-half years beginning in October 2010 Wallace made 30 trips to Blackpool to complete his first book Stags, Hens & Bunnies: A Blackpool Story (2014), photographs of the stag and hen parties that visit the town, "lads and lasses on their worst behaviour, partying away in a bawdy sea of L-plates, handcuffs, blow-up dolls and uniformed fancy dress in various states of undress and drunkenness; revelling in bars, puking in the street, refuelling at chip shops." Wallace spent 15 years photographing in the Shoreditch area of East London, a series published in his second book, Shoreditch Wild Life (2014). He photographed the disappearing Premier Padminis in Mumbai for his series Road Wallah.Source: Wikipedia Scottish photographer Dougie Wallace is internationally recognised for his long-term social documentary projects and a distinct direct style of expressive street photography. He has won prestigious awards, exhibited as a solo artist or in joint exhibits in world-renowned institutions and photographic festivals, authored a number of books, all critically acclaimed. London-based, his assignments and personal work take him around the world. To coincide with BBC Season of Photography, in March 2017, BBC4 broadcast a 30-minute programme about Dougie, as part of the What Artists Do All Day series, providing insights into the lives of outstanding artists. The programme follows Dougie on the streets of Knightsbridge, as he completes the photographs for the book Harrodsburg. Available here to watch. More recently, Dougie was commissioned by Sky Art 50 to create a film, which explored what it means to be British in the light of the EU referendum. It was showcased at The BALTIC Centre for Contemporary Art and the Barbican. It was also broadcast on Sky Arts channel on the night of the original Brexit leaving date (March 29th, 2019). Dougie attributes his unique vision to his Glasgow up-bring and experiences lived or perceptively witnessed over two decades of residing in east London, from the uninhibited party days, when the area was a cultural wasteland through to its on-going urban regeneration, turning this district into a fashionable destination and tourist Mecca. "Living in Shoreditch has helped me develop an eye for the tragi-comic, messy side of uninhibited human behaviour. My Glasgow upbringing has shaped my style, which has been described as 'visually exaggerated' and 'hard-edged'. What motivates my pictures is human behaviour. People’s interactions and emotions fascinate me. My stories are thematic. They have similarities of expressions running through them. My work is informed by societies’ trends and incongruities and translating what I see through the lens into wit, criticism and humorous vignettes. I’d like to think that my photos convey a point of view that believable and absurd." This idiosyncratic point of view comes to life in his books, which have all equally generated critical attention and viral buzz. His books Stags, Hens and Bunnies: A Blackpool Story (Dewi Lewis Media, 2014) and Shoreditch Wild Life (Hoxton Mini Press, 2014), each a distinctive spin on hedonism and excess, turned Dougie into a household name among taste-makers. Road Wallah (Dewi Lewis, 2016), which offers a unique insight into the world of Bombay cab drivers has been exhibited at numerous photo festivals and gallery shows and was shortlisted for 2015 European Book Publisher’s Award. Followed Harrodsburg, which won the inaugural 'Magnum Photography Award 2016'. Well Heeled (Dewi Lewis, 2017) is an observation about the cultural shift among dog owners (Dewi Lewis, 2017). Goan to the Dogs is to be published by Dewi Lewis in 2020. East Ended is a reflection on gentrification and its ambiguous and fraught relationship with street art and local communities. Newly published by Dewi Lewis. Dougie is sought after for opinion, project assignments, editorial features and ad-hoc opportunities. His work has been featured in assignments and publications for magazines and newspapers, including, The Sunday Times Magazine, D Repubblica, The Economist, Le Monde, The New Yorker, Stern, The Guardian, New York Times, The Independent, International New York Times, Observer, GQ, Dazed, Hunger, Vice, BBC, CNN, Itsnicethat, Marie Claire, Die Zeit, Süddeutsche Zeitung, El País, Der Spiegel, Macleans, NZZ, Die Tageszeitung, Neon, dS Magazine - De Standaard. As well as numerous photography magazines, BJP, GUP, Amateur Photographer, Professional Photographer, F2, Fotografia Magazine, Lens Culture, Leica LFI, L’Oeil, Fotomagazine, European Photography and Photo International. Dougie continues to shoot fashion for the likes of Tatler, Balenciaga and Dazed. Dougie Wallace has conducted workshops both in the UK and overseas. He regularly donates his work to his chosen charities each year.Source: www.dougiewallace.com
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry