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Cardell Phillips
Cardell Phillips
Cardell Phillips

Cardell Phillips

Country: United States
Birth: 1952

I'm a photographer living in Chicago. I discovered photography when I was in high school. My uncle was a photographer, and he showed me what the world looked like through a viewfinder. What I enjoyed the most about it was the freedom to explore the world and then show everyone what I found. When I got a job, I bought my first camera, an Olympus Trip 35, and learned how to use it by taking photographs of family and friends. Basically, anyone who would put up with me taking their picture when they weren't expecting it. When I was in grammar school, my two sisters and I spent our summer vacations at our grandparents' farm in Michigan. It was there that I experienced what it was like to live close to the land. So, when I thought about what kind of photography I wanted to specialize in, I chose landscape photography. Enchanted by the images taken by Ansel Adams and others, I traveled to the Canadian Rockies for a weeklong workshop where I learned some of the finer aspects of photography and gained confidence as a photographer. For years, I only shot portraits and landscapes. My interest in street photography began around 2008, when I came across the work of Walker Evans. His vision of the beauty in everyday life led me to other masters like Henri Cartier-Bresson, Vivian Maier, Roy DeCarava, and Wayne Miller. Their humanist approach to photography, to explore what it means to be human, inspired me. It's what I think about when I'm out with my camera and immersing myself in the flow of life, seeking to capture its disillusionment, solitude, and indigence but also the beauty, joy, and everyday wonders. In September 2021, the Praxis Gallery in Minneapolis chose one of my images for its "Shape of Things," exhibit. It was my first gallery showing.

Statement
One of the best places to take photographs in Chicago is the Lakefront. There, the beaches are strung out along Lake Michigan, from north to south, like pearls on a string, where there are many opportunities to photograph both people and landscapes. The 57th Street Beach is my favorite. It's a small beach with trees at the north and south ends that give it a touch of wilderness. As I photographed there, I noticed the people who came out to the lake in the early morning to engage in creative or spiritual work. As I began photographing them, I got the idea for a project about the power of the lake and the people who go there to resonate with the sky and water and to energize their hopes and dreams.
 

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More Great Photographers To Discover

Tom Zimberoff
United States
1951
A classically-trained clarinetist, Zimberoff studied music at the University of Southern California before pivoting to photography. As a photojournalist, he has covered hundreds of historical and breaking news stories published worldwide, from the renegotiation of the Panama Canal Treaties; to NATO war games, a trip to Beijing with Secretary of State Alexander Haig opening trade talks with China; the eruption of Mount St. Helens; Super Bowl XIV; to documenting East LA gangs. One plum assignment from Esquire had him photographing "The Most Eligible Women in America." He's shot many hundreds of portraits, including magazine covers from John Lennon to Steve Jobs plus two sitting American presidents (Carter and Reagan) for the covers of Time Magazine and Fortune, as well as advertising campaigns for Fortune 500 companies, Hollywood movie studios, and the US Navy. Zimberoff was nineteen when he shot his first photo assignment for Time magazine: the farewell public recital of violin virtuoso Jascha Heifetz - a personal hero. By the time he turned twenty-one, Zimberoff had toured with the Jackson-5, the Rolling Stones, and Stevie Wonder, spent a day photographing John Lennon, and shot the first cover of People magazine. (It was the 1973 proof-of-concept issue featuring Olympic swimmer Mark Spitz.) Zimberoff has fun describing his pursuit as a predatory sport: hunting big game. "We don't 'load' cameras much anymore," he says, "but we still 'aim' them and 'shoot' pictures." He doesn't stalk his prey but gets close enough for a good clean shot (close enough for rapport as much as proximity), to avoid inflicting gratuitous wounds. He bags his quarry with a lens instead of looking down the barrel of a gun but, he also says, "I hang their heads on a wall to admire like trophies." His hunting license was a press pass. His portraits can be found in private collections and museums, including the National Portrait Gallery in London; the Los Angeles County Museum of Art; and the San Francisco Museum of Performance and Design. Recently, his entire career archive - literally a ton of film - was acquired by the Briscoe Center for American History at the University of Texas at Austin. His first two formal portraits were Marx and Lennon - Groucho and John. Tom's expertise with the business side of photography is evidenced by the articles he's had published in leading industry journals. He is also the author of Photography: Focus on Profit (Allworth Press, 2002), which has been used as a textbook at colleges throughout the country. He also taught briefly at several San Francisco Bay Area colleges. He taught himself to write code and developed PhotoByte®, the pioneering business-management software for commercial photographers. It has been used to teach at colleges across the country. After a ten-year hiatus from shooting pictures to pursue his software business and writing, Tom picked up his cameras once again to illustrate another book, Art of the Chopper (Bulfinch Press, 2003), his tribute to a decades-long affinity for custom motorcycles. It became a best-seller, followed by a second volume (Hachette, 2006), with forewords by Sonny Barger of the Hells Angels and James Hetfield of the band Metallica, respectively. As an encore to the Art of the Chopper books, Zimberoff was invited to curate an exhibition at the William J. Clinton Presidential Library in 2008, where thirty of the actual motorcycles illustrated in print were displayed on pedestals as works of sculpture. They were juxtaposed with Zimberoff's photographs large-format black-and-white portraits plus documentary (candid) photos of the moteuriers who built each chopper. The "Art of the Chopper" exhibition traveled to the Appleton Art Museum in Ocala, Florida and to Union Station in Kansas City, Missouri. Tom's most recent venture is a startup dedicated to creating the first data-driven marketplace for commercial and editorial photography. Zimberoff was born in Los Angeles in 1951 to a family with three grown siblings already a generation older - "like growing up with five parents," he says. His mother owned a boutique in Las Vegas, during the 50s and 60s; and his father was a musician who played the Vegas hotel orchestras that backed up Sinatra, Nat King Cole, and Bobby Darrin et al. Young "Tommy" grew up in Las Vegas, returning to California, on and off, to live with his older sister and two years in military school), finally leaving Las Vegas for his senior year at Beverly Hills High School when his parents retired. Then he received his music scholarship to USC. Zimberoff now lives in San Francisco, where he says he is ready to throw his lens cap back in the ring, as soon as the Covid-19 pandemic ends. In the meantime he is writing a memoir, an anthology of stories about his career. The title is A Photographic Memory. Each chapter juxtaposes one portrait with equally compelling prose about the events surrounding its creation. Articles Haut Moteur Principles of Portraiture on Camera AAP Magazine Portrait #40 B&W #41 Portrait #48
Deb Schwedhelm
United States
Born in Detroit, Michigan, Deb Schwedhelm was originally trained as a Registered Nurse and subsequently spent 10 years employed as an Air Force Nurse. Although she has been passionate about photography since her early 20s, it wasn't until Deb left the military that she was able to pursue the medium as a full-time career.Deb's photographs have been exhibited widely and featured in numerous publications throughout the world. She has received awards from Photolucida, Portland, OR; PhotoNOLA, New Orleans, LA; MPLS Photo Center, Minneapolis, MN; The Perfect Exposures Gallery, Los Angeles, CA; A. Smith Gallery, Johnson City, TX; Santa Fe Photographic Workshops, Santa Fe, NM; and The Art of Photography Show, San Diego, CA. Her photographs have also been selected for the permanent collection of The Center for Fine Art Photography, Fort Collins, CO.Deb is married to a Naval Explosive Ordnance Disposal Officer and she is the mother to three children, who are often the subjects of her photographs. Deb is currently based in Tampa, Florida and will be moving to Yokosuka, Japan summer 2014. All about Deb Schwedhelm:AAP: Where did you study photography?I purchased a DSLR and began teaching myself photography in 2006. Prior to that, I was a Registered Nurse in the U.S. Air Force for 10 years.AAP: Do you have a mentor or role model?Jock Sturges has been mentoring me for the past few years and I'm so grateful for all that he has shared with me.AAP: Do you remember your first shot? What was it?While I don't remember my first shot (because I was too busy trying to learn photography at that time), I do remember my first commissioned portrait session. It was with a family that lived down the street. One of the photographs (boxer boy) still remains one of my favorites, especially remembering back to how new I was to photography.AAP: What or who inspires you?As cliche as it may sound, I truly draw so much inspiration from my children. My middle child (10 yo) very much gets me. When I take her out to photograph, I leave with a vision and a plan, but based on her actions, I typically end up dumping any plan that I had and we just mesh with one another. She'll tell you that I often say to her, "just keep doing what you're doing." I also am very much inspired by dance and music.AAP: How could you describe your style?Raw, real and emotive.AAP: What kind of gear do you use? Camera, lens, digital, film?Above water: Nikon D3S, 35mm f/1.4, 50mm f/1.4 and 85mm f/1.8In the water: SPL housing,Nikon D700 and a 35mm f/2.0.AAP: Do you spend a lot of time editing your images? For what purpose?No, I don't really spend a lot of time editing my digital images. I do my best to get it right in camera, which makes the editing process very simple. I work mostly in Lightroom but I do bring my black and white images into Photoshop for a bit of fine-tuning. Basically, I want my editing to look pure, while gently enhancing the overall essence and feeling of the photograph.AAP: Favorite(s) photographer(s)?Sally Mann, Jock Sturges and Mary Ellen Mark have been my favorites from the very beginning.AAP: What advice would you give a young photographer?Work to master your technique -- and your artistry. Work really hard. Be dedicated, committed and determined. Never stop exploring, reflecting, learning and growing. Have patience. Know that the journey of photography is not always an easy one, but it is an absolutely amazing one. Be authentic and make genuine connections. Remember to be grateful, kind and giving. Do your best and don't ever give up!AAP: What mistake should a young photographer avoid?The greatest gifts a photographer could give themselves is allowing time and being patient. AAP: An idea, a sentence, a project you would like to share?I would love to share a couple of photography projects that I recently learned about and am inspired by...I had the opportunity to take a workshop from Mary Ellen Mark and I'm greatly inspired by her work and authenticity (both professionally and personally). She and her husband recently launched a kickstarter campaign, which I am thrilled to support: STREETWISE: Tiny RevisitedAnd 'The Return' kickstarter is another project I am happy to support. It is so incredibly beautiful and heartfelt: The return: Book ProjectLove these words shared in the project video: "State the intention for spirit to be present in your finished object, it will be. My soul need these images."AAP: What are your projects?For the past few years, I have been working on my 'From the Sea' series. This summer, I am planning to travel the US for a few months and will not only be photographing in various bodies of water across the US, I am also planning to launch a new project. While I'm not quite ready to release details of my new project, I hope you'll stay tuned.AAP: Your best memory as a photographer?Wow, that's a tough question. Receiving that first message from Jock Sturges was pretty darn amazing and winning photoNOLA was such an incredible gift. I never saw either coming.AAP: The compliment that touched you most?Every compliment greatly touches me. I truly am so appreciative for all that others share with me.AAP: If you were someone else who would it be?I'm quite happy being me and can't imagine being anyone else. AAP: Your favorite photo book?Oh how I love photography books. I have so many that proudly grace my bookshelves -- books which I've collected over the years. Sally Mann's Immediate Family was the first photography book I owned so it's pretty special. I also had the opportunity to have Sally Mann sign my books last summer, while attending her talk at the University of Michigan.AAP: Anything else you would like to share?No matter what your personal journey, don't be afraid to dream and dream big -- you just never know what's possible with a little dreaming and a lot of hard work. Don't forget the importance of authenticity and don't ever forget to share your gratitude with those who have assisted you.Thank you so much for this wonderful opportunity to share. This has been the most amazing journey and I'm beyond grateful.
Dougie Wallace
Dougie Wallace, also known as 'Glasweegee', is a Scottish street photographer, based in east London. He was born and raised in Glasgow, lived in Blackpool for a couple of years in the 1980s before enlisting in the army, and has lived in Shoreditch, east London, for 15 years. For two-and-a-half years beginning in October 2010 Wallace made 30 trips to Blackpool to complete his first book Stags, Hens & Bunnies: A Blackpool Story (2014), photographs of the stag and hen parties that visit the town, "lads and lasses on their worst behaviour, partying away in a bawdy sea of L-plates, handcuffs, blow-up dolls and uniformed fancy dress in various states of undress and drunkenness; revelling in bars, puking in the street, refuelling at chip shops." Wallace spent 15 years photographing in the Shoreditch area of East London, a series published in his second book, Shoreditch Wild Life (2014). He photographed the disappearing Premier Padminis in Mumbai for his series Road Wallah.Source: Wikipedia Scottish photographer Dougie Wallace is internationally recognised for his long-term social documentary projects and a distinct direct style of expressive street photography. He has won prestigious awards, exhibited as a solo artist or in joint exhibits in world-renowned institutions and photographic festivals, authored a number of books, all critically acclaimed. London-based, his assignments and personal work take him around the world. To coincide with BBC Season of Photography, in March 2017, BBC4 broadcast a 30-minute programme about Dougie, as part of the What Artists Do All Day series, providing insights into the lives of outstanding artists. The programme follows Dougie on the streets of Knightsbridge, as he completes the photographs for the book Harrodsburg. Available here to watch. More recently, Dougie was commissioned by Sky Art 50 to create a film, which explored what it means to be British in the light of the EU referendum. It was showcased at The BALTIC Centre for Contemporary Art and the Barbican. It was also broadcast on Sky Arts channel on the night of the original Brexit leaving date (March 29th, 2019). Dougie attributes his unique vision to his Glasgow up-bring and experiences lived or perceptively witnessed over two decades of residing in east London, from the uninhibited party days, when the area was a cultural wasteland through to its on-going urban regeneration, turning this district into a fashionable destination and tourist Mecca. "Living in Shoreditch has helped me develop an eye for the tragi-comic, messy side of uninhibited human behaviour. My Glasgow upbringing has shaped my style, which has been described as 'visually exaggerated' and 'hard-edged'. What motivates my pictures is human behaviour. People’s interactions and emotions fascinate me. My stories are thematic. They have similarities of expressions running through them. My work is informed by societies’ trends and incongruities and translating what I see through the lens into wit, criticism and humorous vignettes. I’d like to think that my photos convey a point of view that believable and absurd." This idiosyncratic point of view comes to life in his books, which have all equally generated critical attention and viral buzz. His books Stags, Hens and Bunnies: A Blackpool Story (Dewi Lewis Media, 2014) and Shoreditch Wild Life (Hoxton Mini Press, 2014), each a distinctive spin on hedonism and excess, turned Dougie into a household name among taste-makers. Road Wallah (Dewi Lewis, 2016), which offers a unique insight into the world of Bombay cab drivers has been exhibited at numerous photo festivals and gallery shows and was shortlisted for 2015 European Book Publisher’s Award. Followed Harrodsburg, which won the inaugural 'Magnum Photography Award 2016'. Well Heeled (Dewi Lewis, 2017) is an observation about the cultural shift among dog owners (Dewi Lewis, 2017). Goan to the Dogs is to be published by Dewi Lewis in 2020. East Ended is a reflection on gentrification and its ambiguous and fraught relationship with street art and local communities. Newly published by Dewi Lewis. Dougie is sought after for opinion, project assignments, editorial features and ad-hoc opportunities. His work has been featured in assignments and publications for magazines and newspapers, including, The Sunday Times Magazine, D Repubblica, The Economist, Le Monde, The New Yorker, Stern, The Guardian, New York Times, The Independent, International New York Times, Observer, GQ, Dazed, Hunger, Vice, BBC, CNN, Itsnicethat, Marie Claire, Die Zeit, Süddeutsche Zeitung, El País, Der Spiegel, Macleans, NZZ, Die Tageszeitung, Neon, dS Magazine - De Standaard. As well as numerous photography magazines, BJP, GUP, Amateur Photographer, Professional Photographer, F2, Fotografia Magazine, Lens Culture, Leica LFI, L’Oeil, Fotomagazine, European Photography and Photo International. Dougie continues to shoot fashion for the likes of Tatler, Balenciaga and Dazed. Dougie Wallace has conducted workshops both in the UK and overseas. He regularly donates his work to his chosen charities each year.Source: www.dougiewallace.com
Meg McKenzie Ryan
United States
Los Angeles resident Meg McKenzie Ryan married young, before graduating from college. Her husband's job involved flying to Hong Kong, so one day Meg surprised him by flying there. Asking friends what she should shop for there, buying a camera was the unanimous suggestion. So that's what happened. She didn't know how to use it, so she enrolled in a not-for-credit class at the University of California, Los Angeles. Jerry McMillan was her instructor there and later at California State University, Northridge where she earned her Bachelor in photography. In the early 70s, McMillan was active in the Los Angeles art scene, and he was particularly interested (it seemed) in helping photography to be recognized as an art form. Non-traditional subjects and alternative presentations were encouraged. I was game. Then, Meg remarried and moved to Burkina Faso, a country in West Africa, and then to neighboring Lome, Togo where her daughter was born. The culture there was incredibly different than her Los Angeles home. Religion, work and working conditions, poverty, homes, clothing, food, etc. were all new. It was a lot to digest, and more than she was prepared to face with her camera. Next, the young family moved to Bloomington, Indiana where Meg was able to study for a Masters degree in photography. Jeff Wolin was her primary instructor, and he was shooting an 8" x 10" field camera, so Meg decided to acquire one. Mostly she shot landscapes at the time. Wolin, on the other hand, was shooting beautiful shots of the rock quarries around Bloomington, and later did a project on Holocaust survivors and later still on homelessness. Moving again to the lower desert of California (city of El Centro), Meg landed a full-time photography job at the local daily newspaper. It was excellent experience for the young and somewhat shy photographer because she learned to shoot pictures of people. And this was the start of her project featured here, The lives of others. Her home was just ten miles north of the Mexicali, Mexico border town and capital of the state of Baja California, Mexico. It was easy (at the time) to cross the border, find the poorer neighborhoods, and ask to shoot their pictures. It's no accident that her photography became more documentary-like at its heart. The newspaper work and living in such a foreign place as West Africa pulled her in that direction. And at some point she realized that photos of people interested her the most. The work was wonderful, rewarding, and rich with experience and learning. Meg hopes you'll take time to look at the photos here.
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