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Win a Solo Exhibition this October, Open Theme. Juror Aline Smithson.
Win a Solo Exhibition this October, Open Theme. Juror Aline Smithson.
Cardell Phillips
Cardell Phillips
Cardell Phillips

Cardell Phillips

Country: United States
Birth: 1952

I'm a photographer living in Chicago. I discovered photography when I was in high school. My uncle was a photographer, and he showed me what the world looked like through a viewfinder. What I enjoyed the most about it was the freedom to explore the world and then show everyone what I found. When I got a job, I bought my first camera, an Olympus Trip 35, and learned how to use it by taking photographs of family and friends. Basically, anyone who would put up with me taking their picture when they weren't expecting it. When I was in grammar school, my two sisters and I spent our summer vacations at our grandparents' farm in Michigan. It was there that I experienced what it was like to live close to the land. So, when I thought about what kind of photography I wanted to specialize in, I chose landscape photography. Enchanted by the images taken by Ansel Adams and others, I traveled to the Canadian Rockies for a weeklong workshop where I learned some of the finer aspects of photography and gained confidence as a photographer. For years, I only shot portraits and landscapes. My interest in street photography began around 2008, when I came across the work of Walker Evans. His vision of the beauty in everyday life led me to other masters like Henri Cartier-Bresson, Vivian Maier, Roy DeCarava, and Wayne Miller. Their humanist approach to photography, to explore what it means to be human, inspired me. It's what I think about when I'm out with my camera and immersing myself in the flow of life, seeking to capture its disillusionment, solitude, and indigence but also the beauty, joy, and everyday wonders. In September 2021, the Praxis Gallery in Minneapolis chose one of my images for its "Shape of Things," exhibit. It was my first gallery showing.

Statement
One of the best places to take photographs in Chicago is the Lakefront. There, the beaches are strung out along Lake Michigan, from north to south, like pearls on a string, where there are many opportunities to photograph both people and landscapes. The 57th Street Beach is my favorite. It's a small beach with trees at the north and south ends that give it a touch of wilderness. As I photographed there, I noticed the people who came out to the lake in the early morning to engage in creative or spiritual work. As I began photographing them, I got the idea for a project about the power of the lake and the people who go there to resonate with the sky and water and to energize their hopes and dreams.
 

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More Great Photographers To Discover

Willie Anne Wright
United States
1924
Willie Anne Wright is an American photographer known for her colorful cibachrome and grayscale Pinhole Photography. Willie Anne Wright was born Willie Anna Boschen, in Richmond, Virginia. Her father was a musician and sometime-artist. She graduated from the College of William & Mary in 1945 with a BS in Psychology, and from Virginia Commonwealth University in 1964 with an MFA in Painting. She later studied at the Maine photographic workshops in Rockport, Maine and the Visual Studies Workshop in Rochester, New York. She married and had three children. Willie Anne Wright began her artistic career as a painter, teaching art classes at the Jewish Community Center, and was influenced by one of her painting instructors, Theresa Pollak. For a while, she experimented with printmaking. By 1973, she began to focus more and more on photography. Inspired by her surroundings and personal life, her first works incorporated images of her family, friends, and Civil War reenactors. Well known for her use of the old technique of pinhole, she is also an exceptional master in lensless photography, solar printing, and photograms. Some of her more well known works include her Civil War Redux series, which focuses on local Civil War reenactors whom she followed around for several years, her Pregnant Women series, which features pregnant friends of hers, and The Swimmer series, which features women lounging by poolsides or in pools. Willie Anne first experimented with pinhole photography in 1985. For a class project she had to create and use a pinhole camera. She used Cibachrome paper for use in a sixteen by twenty inch pinhole camera. With color-correcting filters she created wide-angle color prints by placing the pinhole close to the film plane. Her images were whimsical with bright colors and a vignette border.Source: Wikipedia Willie Anne Wright is a native and resident in Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography — pinhole and photogram — have been exhibited nationally and internationally, and have been included among numerous publications such as Art News, The Oxford American, Le Stenope, and The Book of Alternative Processes. Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.Source: www.willieannewright.com
Larry Fink
United States
1941 | † 2023
Larry Fink is an American photographer best known for his black-and-white images of people at parties and in other social situations. Fink was born in 1941 in Brooklyn, New York. His father, Bernard Fink, was a lawyer, and his mother, Sylvia Caplan Fink, was an anti-nuclear weapon activist and an elder rights activist for the Gray Panthers. His younger sister was noted lawyer Elizabeth Fink (1945–2015). He grew up in a politically conscious household and has described himself as "a Marxist from Long Island." He studied at the New School for Social Research in New York City, where photographer Lisette Model was one of his teachers and encouraged his work. He has been on the faculty of Bard College since 1986. Earlier he taught at other institutions including the Yale University School of Art (1977–1978), Cooper Union School of Art and Architecture (1978–1983), Parsons School of Design, and New York University. Fink's best-known work is Social Graces, a series of photographs he produced in the 1970s that depicted and contrasted wealthy Manhattanites at fashionable clubs and social events alongside working-class people from rural Pennsylvania participating in events such as high school graduations. Social Graces was the subject of a solo exhibition at the Museum of Modern Art in 1979 and was published in book form in 1984. A New York Times reviewer described the series as exploring social class by comparing "two radically divergent worlds", while accomplishing "one of the things that straight photography does best: provid[ing] excruciatingly intimate glimpses of real people and their all-too-fallibly-human lives." In 2001, for an assignment from The New York Times Magazine, Larry Fink created a series of satirical color images of President George W. Bush and his cabinet (portrayed by stand-ins) in scenes of decadent revelry modeled on paintings by Weimar-era painters Max Beckmann, Otto Dix and George Grosz. The planned publication of the series was canceled after the September 11 attacks, but was displayed in the summer of 2004 at the PowerHouse Gallery in New York, in a show titled The Forbidden Pictures: A Political Tableau. Larry Fink was the recipient of Guggenheim Fellowships in 1976 and 1979 and National Endowment for the Arts Individual Photography Fellowships in 1978 and 1986. In 2002 he received an honorary doctorate from the College for Creative Studies in Detroit.Source: Wikipedia Working as a professional photographer for over fifty-five years, Larry Fink has had one-man shows at New York’s Museum of Modern Art, and the Whitney Museum of American Art amongst others. On the European continent, he has had one-man shows at the Musee de l’Elysee in Lausanne, Switzerland, the Musee de la Photographie in Charleroi, Belgium, and in 2019 a retrospective at Fotografia Europea in Italy. He was awarded the “Best of Show” for an exhibition curated by Christian Caujolle at the Arles Festival of Photography in France. In recent years retrospective shows have been shown at the Museo de Arte Contemporaneo in Panama City as well as six different museums in Spain. This past year in 2018, Larry had a solo show featuring The Boxing Photographs at The Philadelphia Museum of Art, and at the deCordova Sculpture Park and Museum with the show Primal Empathy. Larry was the recipient of the Lucie Award for Documentary Photography in 2017, and in 2015, he received the International Center of Photography (ICP) Infinity Award for Lifetime Fine Art Photography. He has also been awarded two John Simon Guggenheim Fellowships and two National Endowment for the Arts, Individual Photography Fellowships. He has been teaching for over fifty-two years, with professorial positions held at Yale University, Cooper Union, and lastly at Bard College, where he is an honored professor emeritus. Larry’s first monograph, the seminal Social Graces (Aperture, 1984) left a lasting impression in the photographic community. There have been twelve other monographs with the subject matter crossing the class barrier in unexpected ways. Two of his most recently published books were on several “Best Of” lists of the year: The Beats published by Artiere /powerhouse and Larry Fink on Composition and Improvisation published by Aperture. As an editorial photographer, The New Yorker and Vanity Fair have been amongst a long list of accounts. He is currently collaborating with fashion house Jil Sander based in Milan, Italy. In the summer of 2017, Larry’s work from The Beats and The Vanities was on display at Giorgio Armani’s beautiful Armani/Silos exhibition space in Milan, Italy. This exhibition was the first of its kind for the space. Additionally, the Newport Museum of Art in Rhode Island exhibited pictures from his monograph Somewhere There’s Music. Fink On Warhol: New York Photographs of the 1960s, Larry’s latest monograph was released Spring 2017 featuring rare photographs of Andy Warhol and his friends at the Factory interspersed with street scenes and the political atmosphere of 1960s New York. Also released in 2017 was The Polarities chronicling five years of recent work, and The Outpour containing images taken at and around the Women’s March on Washington, D.C. Source: www.larryfinkphotography.com
Jodi Champagne
United States
Born in Phoenix Arizona, Jodi Champagne had a passion for drawing from a very young age. While other children drew flowers and smiley faces Jodi´s artistic interest was more in the eyes and character of a person. At the age of 15 Jodi became a mother, so her creative ventures were put on hold while she raised her family and devoted herself to the corporate world of engineering. As her family grew older she found herself becoming the designated photographer and videographer of all their family vacations and outings. One day she realized that she had replaced her pencil and paper with a Canon DSLR camera.Jodi began working as a portrait, wedding, family and sports photographer and quickly discovered her true passion in documentary and street photography. Telling a story, bringing awareness and making a difference with her work is what she strives for. She has traveled to the corners of Myanmar to the corners of downtown Los Angeles to capture humanity with compassion and heart.Jodi´s award winning work has been featured in group exhibitions in the U.S., Europe and Latin America. Her photographs have been widely published in books, magazines, and used for editorial and commercial work. Along with a myriad of other honors, Jodi’s work has recently been shown in Sports Illustrated, Corbis Images, Getty Images and is available with National Geographic Creative. Jodi lives and works in Palmdale, California. Interview by Tera Bella Media TBMPN: What best describes your particular style of photography? JC: I have sampled various genres of photography, but ultimately my style and passion is documentary work. I incorporate that style in my imagery when I do street or travel work. I am primarily a “candid” photographer. TBMPN: What equipment do you regularly use? JC: When I shoot documentary or the streets I use a Canon 50D for reach and a 5D Mk3 for close ups. I use various lenses, but for my main “go to” lenses I use a 24-70mm 2.8L and a 70-200mm 2.8L. TBMPN: Who or what do you consider your major influences? JC: I am an “emotional” photographer, and my goal is to evoke emotion in an image or a series of images. With that said, my major influences have been James Nachtwey and Dorothea Lange. Just one of James Nachtwey’s images is so passionately powerful and exudes more than words can. Dorothea Lange is yet another strong influence, as she took her street photography of the depression and poverty and made it her passion to create a difference. TBMPN: Why did you choose photography as your method of expression? JC: From a very young age I painted and drew. I did not like to limit myself and found that my camera gave me a larger canvas. It’s not easy to capture the decisive moment, but with my camera I can show the world what I see. TBMPN: What do you wish to accomplish with your photography? JC: Whether it is in my street, travel or documentary photography I wish to make a difference. I would like to show others certain issues of which they may be unaware. I wish to reveal cultures they might not have a chance to see and the hardship of others of which they may not be aware. TBMPN: What are your current projects? JC: I am currently working on the completion of my “Life Lines” and “Obsessions” series. I do have other projects such as “Waiting on a Friend” and “Silent Cries” which I feel I will always continue to work on as society changes. I also just published my first documentary book, “Courage Under Wraps”, which has taken two years to complete. It’s a photographic documentary of a young boy named Nicholas Zahorcak who has a rare, genetic disorder called Recessive Dystrophic Epidermolysis Bullosa. TBMPN: What are your plans for future projects? JC: I will continue to work with the Epidermolysis Bullosa organizations on some future work in order to raise awareness. Though “Courage Under Wraps” is my first published documentary, it is not my last.In the works is an amazing project called “Diminishing Generations.” This is a documentary of our Veterans of WWII, Korea and Vietnam. It’s a powerful, emotional and very personal experience, as you will hear stories that have never been told. I will also be collaborating with Jim Dailey of Digital Delta Design to help put the book into reality and to give a real voice to the subjects. The book(s) will be published early 2015. I’m also working with an amazing composer, Marco De Bonis, from Italy. We are collaborating on a few projects together. With his music you can feel the emotions which will enhance my work.
Kim Watson
United States
A multi-dimensional artist with decades of experience, Kim Watson has written, filmed, and photographed subjects ranging from the iconic entertainers of our time to the ''invisible'' people of marginalized communities. A highly influential director in music videos' early days, Watson has directed Grammy winners, shot in uniquely remote locations, and written across genres that include advertising, feature films for Hollywood studios such as Universal (Honey), MTV Films, and Warner Brothers, and publishers such as Simon & Schuster. His passionate marriage of art and social justice has been a life-long endeavor, and, in 2020, after consulting on Engagement & Impact for ITVS/PBS, Kim returned to the streets to create TRESPASS, documenting the images and stories of LA's unhoused. TRESPASS exhibited at The BAG (Bestor Architecture Gallery) in Silver Lake, Los Angeles, September 17, 2022 - October 11, 2022. Statement ''I'm gonna be an artist!'' That was my childhood mantra—even before I knew what it meant. You see, growing up in St. Albans, Queens and with family roots firmly planted in Harlem, I was surrounded by artistic expression, much of it created by my own family and much more blooming from the talented artists like Count Basie, James Brown and others who lived in our community—a community that would also bring us Run DMC, LL Cool J and Tribe Called Quest. Yes, I knew the path I would take but had no idea of the journey it would become. Untethered by labels, I have scratched my creative itch through writing, filmmaking, photography, and music; always aspiring to tell a story that touches and inspires us to see the world a little bit differently and with a little more empathy. It was while living in Brooklyn as a ''struggling artist'' that I truly saw art being used as a powerful social and political tool, capable of engaging, influencing and changing hearts and minds for the better. Since then, I have had the good fortune of both performing and producing music on the New York scene, and following a return to film school, directing a variety of projects, including over 40 music videos with Hip-Hop innovators and Grammy winners alike, from Roxanne Shante to Al Jarreau, receiving Best Music Video nominations from MTV and the Soul Train Awards, as well as NAACP recognition for my presentation of positive images of African Americans. Did I mention a move to Los Angles? Oh well... My passion for writing led to assignments for Disney Channel, Nickelodeon, Simon & Schuster, Warner Brothers Films, MTV Films, Kidz Bop, movies of the week and the Universal Pictures hit HONEY, starring Jessica Alba. I have partnered on entertainment and tech ventures, consulted on engagement and impact for ITVS/PBS and written, blogged, filmed and photographed around the world, often on assignment and sometimes merely to feed my soul. I guess you could say that I am in love with everything about the creative process, no matter the medium. For these opportunities I am eternally grateful. For the past year I have been immersed in TRESPASS... photographs and writing which bring focus to Los Angeles' homeless community; sharing the stories we need to hear and connecting with those too often unseen and unheard. I am thankful for the many relationships that have grown out of TRESPASS and the amazing individuals who share their world with me. Please take a look at Trespass as well as the other photo-essays, articles and more, I hope I have found a way to touch your heart, feed your soul and bring us all closer together. Exclusive Interview with Kim Watson
Robert Doisneau
France
1912 | † 1994
Born in April 1912 in an upper middle class family, in the Parisian suburbs (Gentilly), Robert Doisneau started showing an immoderate interest in the arts at a very early age. Robert Doisneau lost his parents at an early age and was raised by an unloving aunt. Aged 14, he enroled at the Ecole Estienne a craft school where he graduated in 1929 with diplomas in engraving and lithography. A year later, he started working for « Atelier Ullmann » as a publicity photographer. In 1931, Robert Doisneau met his future wife Pierrette Chaumaison, with whom he will have three children and also started working as an assistant for modernist photographer, André Vigneau. André Vigneau will introduce Robert Doisneau to a « new objectivity in Photography ». In 1932, Robert Doisneau sold his first photographic story to Excelsior magazine. In 1934, car manufacturer Renault hired Robert Doisneau as an industrial photographer in the Boulogne Billancourt factory. He was fired in 1939 as he was consistantly late. Without a job, Robert Doisneau became a freelance photographer trying to earn his living in advertising, engraving and in the postcard industry. Shortly before WWII, Robert Doisneau was hired by Charles Rado, founder of the Rapho Agency. His first photographic report on canoeing in Dordogne was abruptly interrupted by the war declaration. Drafted into the French army as soldier and photographer he was relieved from duty in 1940. Until the end of the war, he used his skills to forge passports and identification papers for the French Resistance. After the war, Robert Doisneau became a freelance photographer and rejoined with the Rapho agency (1946). It is probably at this time that mutual influence with Jacques-Henri Lartigue found its origin. He started producing numerous photographic stories on various subjects: Parisian news, popular Paris, foreign countries (USSR, United-States...). Some of his stories will be published in prestigious magazines, LIFE, PARIS MATCH, REALITES... In 1947, Robert Doisneau met Robert Giraud with whom he will have a life long friendship and a fruitful collaboration. Doisneau will publish more than 30 albums such as “La Banlieue de Paris” (The suburbs of Paris, Seghers 1949) with texts written by French Author Blaise Cendrars. From 1948 to 1953, Robert Doisneau also worked for Vogue Magazine as a fashion photographer. It is also at that time that he joined Group XV and participated alongside Rene Jacques, Willy Ronis and Pierre Jahan in promoting photography and its heritage preservation. In 1950, Robert Doisneau created his most recognizable work, le Baiser de l’Hôtel de Ville for Life magazine. Although Doisneau’s most recognized work dates from the 1950’s and old style magazine interest was declining in Europe in the early 1970’s, Doisneau continued to produce children’s books, advertising photography and celebrity portraits. His talent as a photographer has been rewarded on numerous occasions: Kodak prize 1947 Niepce Prize recipient in 1956 In 1960, he held his first solo exhibition in Chicago (Museum of Modern Art) In 1975 he is the guest of honour of les “Rencontres d’Arles” Grand prix National de la Photographie 1983 Balzac Prize recipient 1986 In 1991, the Royal Photographic Society awarded Robert Doisneau an Honorary Fellowship (HonFRPS) Robert Doisneau died in 1994, six months after his wife. He is buried alongside her in Raizeux.
Emma Powell
United States
Emma Powell is an artist in residence and lecturer in photography at Iowa State University. Powell graduated from the College of Wooster in Ohio and received her MFA from Rochester Institute of Technology. Her work often examines photography's history while incorporating historic processes and or devices within the imagery. In her series In Search of Sleep, Powell uses the cyanotype process to create a visual lullaby in wish she explores personal narratives and metaphors.In Search of SleepFrom my earliest days I have had a difficult relationship with sleep. As a child I avoided it at all costs, especially at night. To get me back to bed, my father used to tell me stories. They were not traditional children’s bedtime stories, but invented tales that began on our quiet street and journeyed down open drains to a dream-world of caverns, forests, and oceans full of unexpected animals and dangers. The story would always find its way back to the real world and end where it had begun, hopefully but doubtfully with me that much closer to sleep.In Search of Sleep recreates this shadowy realm and allows me to explore my real-life questions, from personal dramas to romantic doubts. The cyanotype process, with its distinctive blue tones, visually traverses the distance between waking and sleeping. These images are also toned with tea and wine to both dull the blues and add warmth. Tea, wine, cyanide – all three of these substances relate to different levels of consciousness that often mirror the mental states evoked by my photographs. In Search of Sleep creates a visual lullaby that allows me to safely explore what I love, what I fear, what I remember, and what I imagine.
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