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Solo Exhibition Extended Deadline: November 22, 2024
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Brad Jones
Brad Jones
Brad Jones

Brad Jones

Country: United States
Birth: 1973

I was born in Springfield, Missouri, and raised in the suburbs of Memphis, TN where I studied illustration and photography. I earned my degree in photography in Memphis and have been a photographer for almost 20 years. In 2018, I began documenting my everyday life here in New York. This became the project A Fragile Utopia. I reside in Brooklyn with my wife and young son.

About A Fragile Utopia Series
I began A Fragile Utopia with the belief that I was creating a project where I would document my daily life in Brooklyn. Understanding at the time that this city was a refuge for me culturally and politically as I grew up in a rural small town.

I've come to realize more and more that A Fragile Utopia is a construction of a world that I want to see in my mind. Using the common spaces that I share with my fellow New Yorkers.

Websites

bradjones.myportfolio.com

@jones_of_nyc

 

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More Great Photographers To Discover

Shahar Tishler
Shahar Tishler
Israel
1992
I am 28 years old, newly married and live in Haifa, Israel. BFA graduate of the NB Haifa School of Design. I am a professional photographer and artist whose work derives from this medium. Also, I teach photography in high school. I was born in a small town in the northern Galilee, a peaceful city. When I was 14, a hard incident had struck my family. My father had passed away and left me and my mother alone at home. This is an important part of my life, both as an adult and as an artist. This event influenced the way I approach my art and the way I express my feelings through it. Statement: For me, photography is modus operandi for self-expression and discovery of one's self-identity through it. It is a tool for making human connections, an instrument that reflects realty and at the same time is a reality with its own guidelines.
Elliott Wilcox
Elliott Wilcox
United Kingdom
Elliott Wilcox is a London based, British photographer who recently graduated from the University of Westminster, MA Photographic Studies program. He has been the recipient of several awards including a Judges Award at the Nikon Discovery Awards and a New York Photo Award. Elliott recently won a prestigious Lucie Award for the Discovery of the Year at the International Photography Awards. Elliott has exhibited internationally and in the UK, his first major series 'Courts' was part of the show ‘PRUNE – Abstracting Reality’ at FOAM Gallery Amsterdam with guest curator Kathy Ryan, editor of the New York Times Magazine. Wilcox was also part of the BBC’s documentary series – School of Saatchi. His art work beat thousands of emerging art talents to the top ten artists involved in the show. Source www.elliottwilcox.co.uk
Deborah Turbeville
Deborah Turbeville
United States
1938 | † 2013
Deborah Turbeville was born in 1938, in Boston. Summers were spent in Ogunquit, Maine. 'Beautiful Place by the Sea' is the oceanside township's motto. 'Very bleak, very stark, very beautiful,' was Turbeville's description of it. Life was comfortable - she went to private school. Yet her mother described her as a 'shy and scary child'. Which is as it should be. The uneasy shuffle of ambiguity is the essence of Turbeville and her work - which itself shuffles between fashion magazine and art gallery, never fully at peace in either place. Like her near contemporaries, Helmut Newton and Guy Bourdin, she rethought and recast fashion photography in the 1970s. Perhaps even more than those two louche Europeans, though, she injected narrative and mystery into what is, after all, an unabashedly commercial process. Her pictures are as much riddles as they are images. Consciously damaged goods, they are blurry, grainy, tormented into painterly colours, scratched, marked, sellotaped - post-production work often done with her long-term assistant and collaborator Sharon Schuster. 'I destroy the image after I've made it,' said Turbeville. 'Obliterate it a little so you never have it completely there.' It's a quite un-American world, a view through the rear window, fascinated by the beaten, worn and forgotten. She has photographed her own house in Mexico as if she were a time-travelling visitor in her own intimate landscape, slightly drunk in exploration and contemplation of the rooms and their objects - tin retablos, wooden boxes, a painted carving of the Virgin Saint Maria Candelaria. She has photographed old Newport and the lost St Petersburg. One of her books was called 'Les Amoureuses du Temps Passe' - (female) lovers of times past. 'The idea of disintegration is really the core of my work.' When Jackie Onassis commissioned her to photograph the unseen Versailles, the late president's wife urged the photographer to 'evoke the feeling that there were ghosts and memories.' Turbeville began by researching the palace's 'mistresses and discarded mistresses', then photographed not just the palace's grand chambers and vistas but its store rooms and attics. She came to photography late. Arriving in New York at 19, with dreams of a stage career, she worked as a model and assistant to Claire McCardell - the fashion designer who brought wool jersey and denim to the catwalk. She joined Harper's Bazaar in 1963, working with its fashion editor, Marvin Israel, and his crew of photographers which included Diane Arbus, Richard Avedon and Hiro. She took her first pictures in Yugoslavia in 1966. They were blurry. She showed them to Avedon. He liked them, blurs and all. So he taught her technique. In 1972, she became a photographer. Like other adventurous photographers of the era, she worked for Nova magazine. She took some pictures for Vogue of girls in bikinis at a cement works. 'The most revolutionary pictures of the time,' said Conde Nast's editorial director Alexander Liberman. The work that made her name was the 'bathhouse' series she took for American Vogue in 1975 - fashion photographs of barely dressed women, wet and languid, almost kitsch. The oddest thing, though, is the sense that the women are prisoners - of what is not clear, of course. It's been said they look like they're in gas chambers. 'I go into a women's private world, where you never go,' Turbeville said. 'It's a moment frozen in time. I like to hear a clock ticking in my pictures.' If one of photography's most honourable impulses is to subvert - or flee from - the medium's inherent voyeurism, Turbeville collapses this paradox by succumbing to it. Victorian academic paintings presented unclothed women in bathing pools as if the painter were not there - the illusion of pornography. Turbeville's naked, wet women are under no such illusion. They know the photographer is there. They acknowledge her presence. They maybe even watch us, the viewer. The bathouse pictures were collected, with others, in her 1978 book 'Wallflower' - arrestingly and sympathetically designed by her mentor, Israel. In it are all the essentials of her work: a feeling that you are somewhere in the past; a languid, barely sexual sexuality; white, willowy women; distressed prints; a luminous quality; a sense of a narrative interrupted. Yet she's a jobbing photographer, too. She's worked for American Vogue and its British, French, Italian, and Russian counterparts. She's done ads for Ungaro, editorial photographic essays for Harper's Bazaar and portraits of Julia Roberts for the New York Times Magazine. She wears black, mostly. She has reddish hair. She has homes in Mexico, New York and Russia. She teaches in Russia. She's been married at least once. When she lived in Paris, at the turn of the 1980s, she'd rummage through the streets every evening, between 6 and 8 o'clock. 'I'm a voyeur,' she said. (Source: Pete Silverton - www.professionalphotographer.co.uk)
David Gray
David Gray
Canada
David Gray was born and raised in North Carolina and trained at Penland School of Craft and at ArtCenter College of Design in Los Angeles. David moved to Canada in 1980 to pursue a career as an on-set still photographer for film and television as well as advertising and editorial work. Throughout 47 years in photography, his fine art projects have remained his first love as he continues to refine his vision and exhibit occasionally in Los Angeles and Vancouver. Most recently, his personal work has seen a return to basics, to simple minimalist black & white studies of details in the natural world as far away as Africa and Scotland and as close as the pond in his own backyard. His latest series grew out of a fascination with the reflective, elastic properties of water and with the abstract shapes of reeds, leaves, and lily pads. He works only at dusk, in the fleeting moments before the light disappears and when the lake water is glassy-calm. What has remained constant in all his work is a keen eye for composition, the interplay of light and shadow and a reverence for the finely crafted print.
Christina McFaul
Christina McFaul
United States
1979
Christina McFaul graduated with a BA from Brooks Institute of Design in 2001 with a concentration in interior design. In 2007, she circumnavigated the world in 90 days onboard the MV Explorer with Semester at Sea. With the arrival of her first son, her interest in photography was rekindled. In 2012 she founded Christina McFaul Photography, a portraiture studio in Chicago, IL. She was president of the “Women in Focus” photography group in Chicago, where she lived for five years before returning to California. In 2023 she was certified by the Association of Nature and Forest Therapy. Her work has been included in shows at Borders Art Fair (Venice, Italy) Southeast Center for Photography (Greenville, SC), Chicago Botanic Garden, Museum of Art (Arlington, TX), La Jolla Art Association (CA), and The Los Angeles Center for Photography, as well as others. She lives with her husband and two children in San Diego, CA. Statement I was raised on a lake nestled in the Santa Monica Mountains, where fences were non-existent and I roamed freely. It is where my bond with nature took root. I wish to convey this sense of wonder and discovery in my portrait, still life, and landscape photography.
Chris Steele-Perkins
Chris Steele-Perkins
United Kingdom
1947
At the age of two, Chris Steele-Perkins moved to England from Burma with his father. He went to school at Christ's Hospital. At the University of Newcastle-upon-Tyne, he studied psychology and worked for the student newspaper; he graduated with honors in 1970 and started to work as a freelance photographer, moving to London in 1971. Apart from a trip to Bangladesh in 1973, he worked mainly in Britain in areas concerned with urban poverty and subcultures. In 1975 he worked with EXIT, a collective dealing with social problems in British cities. This involvement culminated in the book Survival Programmes in 1982. He joined the Paris-based Viva agency in 1976. In 1979 he published his first solo book, The Teds; he also edited the Arts Council of Great Britain's book, About 70 Photographs. Steele-Perkins joined Magnum Photos in 1979 and soon began working extensively in the developing world, in particular in Africa, Central America and Lebanon, as well as continuing to take photographs in Britain: The Pleasure Principle explores Britain in the 1980s. In 1992 he published Afghanistan, the result of four trips over four years. After marrying his second wife, Miyako Yamada, he embarked on a long-term photographic exploration of Japan, publishing Fuji in 2000. A highly personal diary of 2001, Echoes, was published in 2003, and the second of his Japanese books, Tokyo Love Hello, in March 2007. He continues to work in Britain, documenting rural life in County Durham, which was published as Northern Exposures in 2007. In 2009 he published a collection of work from 40 years of photographing England - England, My England. A new book, on British centenarians, Fading Light will be published at the end of July. Steele-Perkins has two sons, Cedric, born 16th November 1990, and Cameron, born 18th June 1992. With his marriage to Miyako Yamada he has a stepson, Daisuke and a grand-daughter, Momoe. Source Magnum Photos
Vitaly Golovatyuk
Vitaly Golovatyuk
Russian Federation
1986
Vitaly Golovatyuk is self-taught filmmaker/photographer from Russia with over 10 years of experience in industry. Worked with many big brands as well as some of the biggest music acts. After 10 years living in Chinese Shanghai and frequently traveling for work, in 2020 he moved back to Russia and started new chapter, exploring motherland and creating new stories as multi-award winning creator.
Gautam Narang
Gautam Narang
United Kingdom
1984
I found photography by mistake, when doing my GCSE, I was sitting in the study room, then heard a teacher describe the subjects they taught at the school. As he was going through the subjects, he mentioned photography. I thought to myself was this a subject? Photography! It's so easy, all you do is click (How, wrong I was, how very wrong) *sigh*. As a child I used to play around with cameras. I always looked through them as was interested In them. So I sat in the lesson and was very enthusiastic to start a creative art. The journey had begun. One of the first subjects I started to picture was boats .....mmm yes boats. I lived near a canal and started to photograph boats. I don't know why I picked boats, it's quite sad when I look back, but that was one of my subjects. I took thousands of photographs, trying to make the subjects look Interesting. I remember one day I took all my photographs and filled up a whole table. The obsession had started but I hadn't known. Pictures now filled my room. From the start I always wanted to show my best. I would keep a box of my best photographs and then throw away all the one's I didn't like. I always feel the next picture is my favorite picture, wanting to create new work. As I progressed through my studies, I became distracted. There were so many subjects to do and I tried them all. One week I was doing art of history, then chemistry. I then dropped them all and just focused on photography. To this day, I follow photography. I have learned a lot but I am still confused on what to do next. I love what I do, but everybody tells me go into other things. Photography is more than clicking a button. From my first trip In India I have learned more about life then I would from anything. It teaches you to look, understand and observe rather then just walk away.All about Gautam Narang:AAP: When did you realize you wanted to be a photographer?Well after high school, I pretty much knew that is something that I’ve wanted to do, and it’s pretty much all that I’ve pictured myself doing. I’ve tried office jobs, but they usually don’t work, for example being an assistant was not a great experience. Order wold be forgotten and i’m not a office type or person, the stress kills me. So i’ve always gratiated to something creative.AAP: Where did you study photography?I studied at HND Photography at City and islington. Was the youngest student, out of the program my closet friend was Robert Harper who does amazing fashion photography. We used to chill and take pictures, it was really nice experience. Education to me, especially in the arts isn’t what i’ve expected it to be. The real learning happens when your out of school, and making friends with like minded pepole, finding who you are, I know it sounds like a really simple question, but you get asked “Who are you? What is your favorite movie? Favorite Artist and etc.” These days things are getting competitive and to really stand out is to have strong connections with people. AAP:Do you have a mentor?Yes, the teacher at my school. He was in 60’s and was my best friend, he taught me a lot on business, being an artist, encouraged me, let me use his studio and gave experience in the studio with while doing still life photography. He would also make all his own equipment, was really cool learning from him. My other mentor was Jasper James, he introduced me to style. He showed me that movies could be arty, before that I didn’t really watch any arty stuff. We also traveled around the UK on projects and that was a lot of fun. AAP: How long have you been a photographer?12 years.AAP: Do you remember your first shot? What was it?They were pictures of cannel boats, in England I used to live near a cannel.AAP: What or who inspires you?Well Edward Hooper is a great inspiration. His images feel like movie scenes, they have such a powerful mood to them. Artist have always inspired me. William Eggleston is someone would really inspires me.AAP: How could you describe your style?As simple and bold. I’m a huge fan of bold colors and like to keep things simple.AAP: What kind of gear do you use? Camera, lens, digital, film?I use the Canon 5D Mark II and my iPhone 4, it’s great, you can take it anywhere and pepole aren’t imitated by it, you look like a tourist. The iPhone has a look, in 20 years when we have images that are so sharp that you can’t tell if your looking at something real. Images from are primitive cameras and mobile devices will be called “Retro” they come with a time stamp, the actually medium is a time capsule. It’s not about the quality, it’s about the message, that will last longer.AAP: Do you spend a lot of time editing your images?I’m not a fan of editing, i’ve never liked it, only the darkroom.AAP: Favorite(s) photographer(s)?Steve McCurry, Willam Eggleston, Dorothea Lange. AAP: What advice would you give a young photographer?Go out and find your own vision, and all this likes and things mean nothing. It’s hard putting yourself out there, and pepole don’t usually respond. You start to want to appeal to others and worry if you posting to much. Do it for yourself, who cares about all this fame? Who knows if these websites will be around, this data? One day, you might be recognized.AAP: What mistake should a young photographer avoid?Don’t point fingers, point them at yourself first. Don’t blame others, really look at yourself first.AAP: An idea, a sentence, a project you would like to share?My work is constantly changing and I like that. To keep evolving you need to keep changing.AAP: Your best memory has a photographer?Working on location in India, working in a old Indian palace, documenting Indian folk singers. It’s an experience the kings once enjoyed.AAP: Your worst souvenir has a photographer?A broken camera lens.AAP: If you could have taken the photographs of someone else who would it be?Steve McCurry he has my dream jobAAP: Anything else you would like to share?I’m into film making now, really want to be a DOP or camera operator. Currently i’m based in Toronto.
Antoine D’Agata
Antoine D'Agata
France
1961
Born in Marseilles, Antoine d'Agata left France in 1983 and remained overseas for the next ten years. Finding himself in New York in 1990, he pursued an interest in photography by taking courses at the International Center of Photography, where his teachers included Larry Clark and Nan Goldin. During his time in New York , in 1991-92, D'Agata worked as an intern in the editorial department of Magnum, but despite his experiences and training in the US, after his return to France in 1993 he took a four-year break from photography. His first books of photographs, De Mala Muerte and Mala Noche, were published in 1998, and the following year Galerie Vu began distributing his work. In 2001 he published Hometown, and won the Niépce Prize for young photographers. He continued to publish regularly: Vortex and Insomnia appeared in 2003, accompanying his exhibition 1001 Nuits, which opened in Paris in September; Stigma was published in 2004, and Manifeste in 2005. In 2004 D'Agata joined Magnum Photos and in the same year, shot his first short film, Le Ventre du Monde (The World's Belly); this experiment led to his long feature film Aka Ana, shot in 2006 in Tokyo. Since 2005 Antoine d'Agata has had no settled place of residence but has worked around the world. Source: Magnum Photos
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