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Jason Au
Jason Au
Jason Au

Jason Au

Country: Hong Kong
Birth: 1994

Born in 1994, Jason Au is an award-winning street photographer based in Hong Kong. His black & white photography incorporates creative, geometric and balanced compositions with prominent use of contrasting light and shadows. He thinks black & white has the mesmerizing quality to transform ordinary things from everyday life into something dramatic and powerful, so he is intrigued to seize those fleeting street moments around.

In 2021, Jason's high-aesthetic works won him 2nd Place in LensCulture Street Photography Awards (Single Image), 1st Place in International Photography Awards (IPA) Street Photography Category, 1st Place in IPA - One Shot (Isolation Category), 1st Place in ND Awards Street Photography Category and 2nd Place in Fine Art Photography Awards Street Photography Category.

His street photography series "Geometric Hong Kong" comes with the compositional approach of isolating urban subjects, geometric elements and forms from the chaotic urban environment of his hometown. The series portrayed the way of life of different urban subjects in the context of their surrounding geometric environment, which were all culled from mundane everyday scenes. Nevertheless, those subjects look trapped and lost inside an artificial geometric labyrinth without realizing it - perhaps this series is also a metaphorical view of urbanity and the hectic contemporary way of life within a metropolis like Hong Kong.

Websites

jasonaucs.com

@jasonaucs

 

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More Great Photographers To Discover

Erik Hadife
Erik Hadife
Lebanon
1998
Erik Hadife (b. 1998) is a Lebanese street photographer and filmmaker whose work explores the quiet strangeness of urban life at night. After studying at LSE and MIT, and working in strategy consulting in New York, he left the corporate world to focus fully on his practice. Hadife’s latest work responds to cities that move faster than our ability to notice them. In public spaces shaped by speed, his images slow the pace, drawing attention to fleeting interactions and unguarded moments caught in artificial light. His work has been exhibited internationally, including in New York, Venice, Athens, and Beirut. Statement Erik Hadife photographs cities at night, drawn to the quiet moments where something subtle shifts – where the ordinary starts to feel slightly off, and a glance or gesture reveals something beneath the surface. He works instinctively, following artificial light as it cuts through the dark, isolating people and briefly pulling them into focus before they disappear again. His work lingers on a tension at the heart of urban life: being surrounded, yet alone. These images hold on to fleeting encounters – where people cross paths without really meeting – and sit in that strange space between who we are and the environments we’ve built around us. Awarded Photographer of the Week - Week 14, 2026
Avarino Caracò
Avarino Caracò
Italy
1974
My Love for Photography comes from an anthropological background that over the years has led me to observe every aspect of the cultural expressions that I happened to observe. The leitmotif of each of my projects always has an identity basis, whether it is collective or individual expressions, through travel or personal experiences, conceptual representations or close portraits. I live my photographic experiences as a continuous revolution, as if it were a magnet that projects me towards a future, partly visible, but mostly to be discovered. The commitment in my projects is mainly to establish a relationship with a social context, through the technique of participating observation, trying each time to establish an honest balance between what my gaze is able to see and what the subject that photographer wants to convey. T Life T life is a very intimate project in which I wanted to know the daily life of some transgender people in Palermo (Sicily). The aim of my project is to emphasize the dignity and strength that the people I present here have every day facing all the difficulties that there are in their social contexts that have a binary structure of gender identity. Gabriel is 22 years old and has just undergone a mastectomy, the very important support of his mother Caterina has made this path very serene and she herself declared that her son's body must be shown to the world to allow them to understand what it means to face a path of identity reassignment. Rashmi is 19 years old and is a non-binary person, she recognizes herself as both a man and a woman. During my interview I got to know the different aspects of her personality, her way of seeing herself as a woman and a man, the most problematic aspects of her relationship with her family and her dreams. Fed and Giorgia are 18 years old. Fed is a transgender person in a pre-hormonal phase, but his family does not allow him to complete the transition by putting a deep communication barrier between them. Giorgia is cisgender and bisexual but has not come out with her family because she is afraid in their violent reaction. They live a hidden love and are planning to go and live in France where they can study at university and feel freer.
Dominik Schulze
Dominik Schulze
Germany
1993
Dominik Schulze is a 29 year old enthusiastic amateur photographer from Dresden, Germany. He has been shooting street photography for about seven years, but prefers to call it capturing unposed moments in our daily urban environment. Besides strong light/shadow situations, the integration of people into architecture, he also likes to experiment with abstract perspectives on everyday things. To get new impressions of street life, he likes to travel and combine this with his photography. Photographers such as Thomas Leuthard, Alex Webb, Siegfried Hansen and Josef Koudelka have particularly influenced his style. Currently, a Pixel 4a is his main camera.
Michael Kenna
Michael Kenna
United Kingdom
1953
Michael Kenna was born in Widnes, England in 1953. As one of 6 children born to a working class Irish-Catholic family, he initially aspired to enter the priesthood but his passion for the arts led him to The Banbury School of Art where he studied painting and then photography. Later he attended The London College of Printing and began working as a photographer and artist. He moved to San Francisco in 1977 where he was astounded by the number of galleries the city housed which allowed artists to showcase and sell their work. San Francisco has remained his home ever since. Michael Kenna's work has often been described as enigmatic, graceful and hauntingly beautiful much like the Japanese landscape. Kenna first visited Japan in 1987 for a one-person exhibition and was utterly seduced by the country's terrain. Over the years he has traveled throughout almost the entire country constantly taking photographs. From these many treks the book Japan, featuring 95 of these photographs, was conceived. The simplicity and clarity of Kenna's Japan alludes to rather than describes his subject allowing the viewer to have a completely unique and tailored interpretation. He has described this body of work as, "more like a haiku rather than a prose"; his work being like photographs written in short poem form. Kenna's photographs are often made at dawn or in the dark hours of night with exposures up to 10 hours. Kenna has said "you can't always see what's otherwise noticeable during the day... with long exposures you can photograph what the human eye is incapable of seeing". Michael Kenna's prints have been shown in numerous exhibitions throughout the world with permanent collections in the Bibliotheque, Paris; The Museum of Decorative Arts, Prague; The National Gallery of Art, Washington DC; and the Victoria and Albert Museum, London. Kenna has also done a great deal of commercial work for such clients as Volvo, Rolls Royce, Audi, Sprint, Dom Perignon and The Spanish Tourist Board. Japan is one of 18 books of Kenna's photography to have been published to date. Source: Supervision With more than fifty monographs documenting his travels, Michael Kenna shows no signs of slowing down in his endless pursuit of nature's haunting beauty. Whether working in his native England, Easter Island, the coastal towns of France or the islands in Japan, Kenna seeks places of solitude which speak volumes about humanity. Barren seascapes, abandoned fishing nets, fragmented piers, mysterious horizons, trees emerging from under snow drifts – these are just some of the images which dominate Michael Kenna's work from Japan. The result of his efforts can be seen in two books, Hokkaido (2006) and Japan (2002), both published by Nazraeli Press. His newest book, Mont St Michel, continues his passion for solace. Originally built as a community for Benedictine monks, Mont St Michel became a place of prayer, meditation and silence. Kenna made may journeys to Mont St Michel, staying for days at a time, living among the residents, following their codes of silence and prayer. Armed with a camera, Kenna walked the halls, crypts and towers, watching shadows sneak their way around columns and spires, recording the passing of time. Mont St Michel is dedicated to Michael's father who recently passed away. As Kenna states in his introduction: "My dad was a quiet man, he didn't seem to have a need to talk very much...We walked pretty much everywhere, and I liked to walk with my Dad...I think the time in-between destinations was most special for me. We didn't need to say very much to each other. Walking, observing, listening, waiting. Somehow I associate those walks with my time at Mont St Michel...He taught me that it's alright to walk alone sometimes." Whether photographing in Mont St Michel, Japan, China, or the United States, Michael Kenna invites the viewer to walk along with him as he captures moments between events, when human presence seems right around the corner and silence is always present... Source: Catherine Edelman Gallery
William Wegman
William Wegman
United States
1943
William Wegman is an artist best known for creating series of compositions involving dogs, primarily his own Weimaraners in various costumes and poses. Wegman reportedly originally intended to pursue a career as a painter. He received a Bachelor of Fine Arts in painting from Massachusetts College of Art in 1965 and a Master of Fine Arts degree in painting from the University of Illinois at Urbana-Champaign in 1967. While teaching at California State University, Long Beach, he acquired the first and most famous of the dogs he photographed, a Weimaraner he named Man Ray (after the artist and photographer). Man Ray later became so popular that the Village Voice named him "Man of the Year" in 1982. He named a subsequent dog Fay Ray (a play on the name of actress Fay Wray). On January 29, 1992, Wegman appeared on The Tonight Show Starring Johnny Carson and showed a video clip of Dog Duet, a short which he made in 1975 featuring Man Ray and another dog slowly and mysteriously peering around. Wegman explained that he had created the video by moving a tennis ball around, off-camera, thus capturing the dogs' attention. The same year, he did 3 network ID's for Nickelodeon starring the dogs on pedestals. William Wegman was artist-in-residence at Phillips Academy in Andover, Massachusetts in spring 2007 where his work featured on campus in the Addison Gallery of American Art. Wegman has also been an artist in residence at Massachusetts College of Art in Boston, Massachusetts where his Circus series was created with the College's 20x24 inch Polaroid camera. He received the College's Distinguished Alumni Award in 1987. William Wegman made his appearance on Animal Planet's "Dogs 101".(Source: en.wikipedia.org)
Joanna Borowiec
Joanna Borowiec
Poland
1971
Joanna Borowiec, a graduate of the European Academy of Photography in Warsaw, diploma thesis in the Creative and Expressive Photography Workshop, Dr Izabela Jaroszewska. Member of the Association of Polish Art Photographers (ZPAF). Scholarship holder of the Ministry of Culture and National Heritage 2020. Photography Workshop. Enthusiast of medium- and large-format analogue photography. Uses historic photographic processes like ambrotype – wet collodion technique, cyanotype e.c.t. The main topic of her photos is humanistic photography, human. Winner International Photography Awards IPA 2021- category Deeper Perspective Photographer of the Year. She was also awarded the third place in Photographer of the Year category of the Black& White Spider Awards competition. Prize-winner of the Portfolio Black + White Photography UK, the Portfolio Black & White for Collectors Of Fine Photography Canada, the Portfolio 2012 Shot Magazine USA. Her works and interviews with her were published in many magazines, i.a. the Black+ White Photography UK (the cover), the Shot Magazine USA, the Black and White Magazine Canada and in national magazines. Her photographs can be found in public and private collections at home and abroad, i.a. in Switzerland, Spain, Italy, Sweden, USA e.c.t. She has participated in individual and collective exhibitions at home and abroad, i.a. in Poland, Germany, Spain, Singapore, Canada, USA e.c.t. Blue Story Many of my cyanotypes are created by layering a combination of objects and film imagery with carefully timed light exposures for a depth of blue/indigo colors. Inspired by nature and how we interact with it, I arrange natural objects such as leaves, flowers and vines with human made objects or images of objects. I choose to work with cyanotypes "live", in sunlight for the spontaneity of arranging the objects and often have a general idea of what I want to do allowing for of-the-minute additions and subtractions of objects and timing of exposures. I sometimes add acryl paint, or colored pencil to a washed and dried print. Cyanotype is a contact print process using treated, UV light sensitive paper. It results in a Prussian blue final print. Also known as photogram, sun print. The English scientist and astronomer Sir John Herschel discovered this procedure in 1842. (...) Due to the coating and printing process Cyanotypes are always non reproducible unique items in itself. Dreams Unfinished It is a story about pain, love and longing. The photos were taken after the death of my father. He passed away suddenly in his sleep. I could not understand what happened, to come to terms with the loss. I looked for him everywhere and imagined he was asleep and dreaming. As a result, I have contact with him in the dream world he is with me. Works depict dreams, motifs, shards of memories which probably appear in everyone's dreams. Dreams - eternal companions of human life - encourage us to analyse our own experiences and understand our fate. They enable us to bring to surface deeply hidden secrets and go beyond the earthly matters. These records are born out of imagination and perishable ephemeral memory. They are not meant to be unambiguous; they should leave the door open for free interpretation and free reading to enable everyone to supplement them with their own story. Glass Faces "The eyes and faces all turned themselves towards me, and guiding myself by them, as by a magical thread, I stepped into the room" Sylvia Plath Glass Faces present unique, enchanting, climatic and hypnotising portraits. Bewitching with natural beauty and somewhat unreal, mysterious, silent and oozing various emotions. Faces of friends and people we have just met. Ambrotypes - positive images created on a sheet of glass using the 19th century wet collodion process - are the vital element of the project. The ambrotype is inimitable. You may try to reproduce it, but a piece created on black glass remains unique. Ambrotype - Ambrotos means immortal... I was born in a camp The story of Jan Chmiel, who was born in the Waltrop forced labor camp - a city in western Germany. According to a record issued by a German official, he was born in 1944. , according to information provided by the mother in 1942. Of the 143 children captured in the Waltrop camp, three survived, including Jan.
Justyna Neryng
Justyna Neryng
Poland
1981
Born in Poland in 1981, Justyna Neryng spent much of her childhood playing with her father’s cameras and dark room while roaming the forests of Chelmsko on the Czech boarder. As an adult, a mother and an immigrant to Britain, her photography has flourished into a substantial body of portraiture. Perhaps the most evocative of her works are her exquisitely emotive self-portraits that seem to carry the dark spirit of the forest from her childhood as well as potently baring the scares of modern womanhood. They show vulnerability and intimate eroticism as well as a deep sense of isolation and alienation. It is these portraits that have been most published and exhibited in both in her polish homeland and in the UK. More recently Justyna has begun to collaborate with her daughter Nell, on a project called Childhood Lost. Justyna currently produces her works in her adopted home town of Brighton and Hove, where she lives with her daughter. Artist Statement: Childhood Lost is an autobiographical ,self portrait in a different body, ongoing project exploring the nature of portraiture and memory. As a single mother I have found myself exploring notions and representations of childhood. I see my daughter’s experiences of growing up in urban England conflicting with my own experiences of growing up in rural Poland.I must confess that my own childhood is not a source of many happy memories, perhaps the most resonant of which are the times I escaped to a world of fantasy played out in the forests surrounding my home village of Chelmsko. Watching my daughter grow up has in a sense held a mirror to my own memories of the past while experiencing her childhood dreams enacted through play, and story telling. I find myself in a strange place where I can experience my own memories as well as see my daughter’s childhood through my adult eyes. It is these notions I am seeking to explore with the Childhood Lost project. Interweaving childhood nostalgia with the stories and myths of my Polish childhood and those that I share with my essentially British daughter. The project is using these ideas to produce a series of portraits that evoke characters that populate this world we know as childhood. A court of characters from myth and dreams. The images are aesthetically inspired by portraiture from the Golden Age of Dutch painting. By drawing on paintings as inspiration I am hoping to give a timeless feel to the final images. Also key to the project is also the painstaking styling and prop building, which I am using to evoke these different persona played out by my daughter. I want to develop the series in to a substantial set of portraits of my daughter playing the characters of childhood, as well as producing more elaborate set pieces embracing a theatricality that would take the project to the next level. Subject to funding it would also be a dream of mine to be able to revisit the forests of my own childhood and produce work there. Justyna Neryng is a multi-award winning self-taught photographer born in Poland and now living and working in the United Kingdom. She spent much of her childhood playing with her father’s cameras and dark room while roaming the forests of her hometown. She specialises in portraits and nudes, her photography has flourished into a substantial body of portraiture. She is mainly known for her enchanting theatrical portraits of her daughter, a gallery of triumphal characters, captured on a neutral and undefined background, with their fantastic ‘uniforms’ and imperious look . These images are aesthetically inspired by portraiture from the Golden Age of Dutch painting. And her exquisitely emotive self-portraits that seem to carry the dark spirit of the forest from her childhood as well as potently baring the scars of modern womanhood. They show vulnerability and intimate eroticism as well as deep sense of isolation and alienation.Source: justynaneryng.com
Lucianio Gerini
Lucianio Gerini
Italy
1956
With a varied photographic background, I started taking photos as a child because my father loved it too — he was my first teacher. Like Cartier-Bresson, the camera is like a notebook to me, so I shoot often, at any time and in any weather. I love lines and light, the way they play with shapes, so I photograph mainly buildings, but also landscapes, still lifes, and, more rarely, people. As a civil engineer, I've taken many photos at various construction sites to document their progress. As a geographer, I document them during my travels in Italy and abroad, for myself or as a tour guide. I also have three ongoing projects on the stone quarries around Rome and on two old, disused buildings (an aqueduct and a work area). I've also photographed a few weddings, and some of my articles have been published online by a photography magazine. So, a mix of work and hobby — and... I love it! AAP Magazine: AAP Magazine 49: B&W
Landry Major
Landry Major
United States
Landry Major is an American artist based in Los Angeles, California. Her work explores the ideas of home, culture and our relationship to the land and animals that we steward. Her work has led her to connect her family's heritage ranching in Canada, with the family-owned ranches in the American West. It is this connection that brings the grace and poetry to her images. Her work has been exhibited in a number of notable exhibitions, including a solo exhibition at The Griffin Museum of Photography in Boston, Massachusetts. Keepers of the West My childhood summers were spent on a family dairy farm in Nova Scotia. Waking at dawn and herding cows alone in the field, where the only sounds were the birds waking and the gentle murmurs of the cows. The smell of fresh milk and fields of grass were the touchstones of my youth. The barn where I helped my uncle hand-milk the cows is now gone back into the earth. My ongoing series Keepers of the West took me back to fields at dawn, this time on the family-run ranches of the American West. Visions of the West have long been central to our culture, but the way of life of the cowboy and the family-run ranch is fast disappearing. Over half of all family owned ranches in Montana are run by people over 65 and many of their children are not choosing to remain in ranching. It is because I recognize these struggles that my series celebrates the beauty of family-run ranches. The lives of these people are framed by hardship, yet they thrive in the simpler way of life that remains their routine, and in the stewardship of the land and the animals they tend. Over the past four years I have witnessed the strength, determination and commitment of these families to continue this way of life, and pass it on to their children. The images are made up of the places, people, and creatures that have welcomed me into their world to remind us of the arresting moments of grace and beauty found in a life lived under the wide-open western skies. Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed ... We simply need that wild country available to us, even if we never do more than drive to its edge and look in. Wallace Stegner, The Sound Of Mountain Water
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Exclusive Interview with Jan Janssen
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