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Win a Solo Exhibition this February. Juror: Harvey Stein
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Francis A. Willey
Francis A. Willey
Francis A. Willey

Francis A. Willey

Country: Canada
Birth: 1969

Francis A. Willey is part indigenous and is proud of his Cree Ancestors on his mother's side and respects the history, languages, and cultures of the First Nations, Métis, Inuit, and all First Peoples of Canada, whose presence continues to enrich his practice.

Francis A. Willey acknowledges that he is located on the traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Niitsitapi (inclusive of the Siksika, Piikani, and Kainai First Nations), the Tsuut’ina First Nation, and the Iyarhe Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations). The City of Calgary is also home to the Métis Nation of Alberta, Region III.

Francis A. Willey Canadian (Born, July 21st, 1969) Self-taught, 35mm film photographer. He is deeply fascinated by fabric and historical textiles and is a collector of rare books and antiquities. He writes poetry and also enjoys composing music on the piano in his spare time. All his images are created in-camera without post-production. He has been referred to as a portraitist or a neo-pictorialist in his photographic pursuits by the academic art world. He searches for depth in storytelling, continuity, and mystery to the narrative, and spirit of each individual, he has the pleasure of photographing.

He received his first KODAK camera when he was 12 years old from his mother June. The first frame ever captured with the aperture of his camera was a portrait of his mother.

He believes that a deeper, more compassionate culture can be created through the arts. As an outsider artist, he has always been questing for and seeking refuge in a higher beauty.

Francis composes on the piano and also writes songs and poetry, creates collages, and draws from life's observations. His school was the value of nature and dreams, people, intuition, that one develops by sharing empathy.
 

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More Great Photographers To Discover

Jaroslav Rössler
Czech Republic
1902 | † 1990
Jaroslav Rössler was a pioneer of Czech avant-garde photography and a member of the association of Czech avant-garde artists Devětsil (Butterbur). He was born to the Czech-German father, Eduard Rössler, and a Czech mother, Adéla Nollová. From 1917 to 1920, Rössler studied in the atelier of the company owned by renowned Czech photographer František Drtikol. Subsequently, he worked with the company as a laboratory technician. At 21 years old, he began a collaboration with the art theorist Karel Teige, who assigned him to create a typographic layout for magazines Pásmo, Disk, Stavba and ReD (Revue Devětsilu). While working on these tasks, Rössler deepened his knowledge of photographic methods. In his works he utilized and combined the techniques of photogram, photomontage, collage and drawing. The beginnings of his photographic work were influenced by Cubism and Futurism, but he also attempted to create the first abstract photographs. In 1923, he became a member of the avant-garde association Devětsil. In 1925, he went on a six-month study visit to Paris. The same year he began working as a photographer in the Osvobozené divadlo in Prague. Before his second departure to Paris, he co-worked as a commercial photographer with the pictorial magazine Pestrý týden. In 1927, Rössler moved to Paris together with his wife, Gertruda Fischerová (1894–1976). Initially, he focused on commercial photography. He collaborated with the experimental studio of Lucien Lorell, and worked on commissions for notable companies such as Michelin and Shell. However, later he found an interest in the "street life" of Paris, which influenced his future stay in the city. During a demonstration, he encountered the protesters and took photographs of the event. Shortly after that he was arrested, and after a six-month imprisonment, he was expelled from the country, in 1935. The alleged reason for his expulsion was his German-sounding surname. After his return from Paris, Rössler and his wife resided in Prague, Žižkov. He opened a small photographic atelier, but difficulties associated with the management of the studio caused a significant gap in his artistic work, lasting for almost two decades. In the 1950s, he resumed his previous activities and again began experimenting with the camera and photographic techniques. He created so-called prizmata (prisms), photographs taken through a birefringent prism. Additionally, he experimented with solarisation and explored the possibilities of the Sabatier effect. Jaroslav Rössler, together with František Drtikol, Josef Sudek and Jaromír Funke, is today considered an important exponent of Czech modern photography and avant-garde art.Source: Wikipedia Jaroslav Rössler was one of the most distinctive artists of the Czech avant-garde, known for fusing disparate elements of Symbolism, Pictorialism, Expressionism, Cubism, Futurism, Constructivism, New Objectivity and abstract art. From 1917 to 1920, Rossler studied and worked as a lab technician under František Drtikol, but he quickly abandoned the pictorialist style of his famous teacher, turning instead to more avant-garde techniques and compositional approaches, including experiments with photograms, enlarged detail, diagonal composition, photomontage, double exposure, and experiments with color advertising photographs and still lifes produced with the carbro print process. Jaroslav Rössler often photographed objects against stark backgrounds, or used long exposures, to reduce subjects to their elementary lines and geometric shapes. In 1923 he became a member of the assocation of Czech avant- garde artists Devětsil. From 1927 to 1935, he lived and worked in Paris, producing work influenced by Constructivism and New Objectivity. After his return to Prague, he was relatively inactive until the late 1950s, when he renewed experimentations with solarization and photographing through a prism.Source: Robert Koch Gallery
Slim Aarons
United States
1916 | † 2006
Slim Aarons was an American photographer noted for his images of socialites, jet-setters, and celebrities. At 18 years old, Aarons enlisted in the United States Army, worked as a photographer at the United States Military Academy, and later served as a combat photographer in World War II and earned a Purple Heart. Aarons said combat had taught him the only beach worth landing on was "decorated with beautiful, seminude girls tanning in a tranquil sun." After the war, Aarons moved to California and began photographing celebrities. In California, he shot his most praised photo, Kings of Hollywood, a 1957 New's Year's Eve photograph depicting Clark Gable, Van Heflin, Gary Cooper, and James Stewart relaxing at a bar in full formal wear. Aaron's work appeared in Life, Town & Country, and Holiday magazines. Aarons never used a stylist, or a makeup artist. He made his career out of what he called "photographing attractive people doing attractive things in attractive places." An oft-cited example of this approach is his 1970 Poolside Gossip shot at the Kaufmann Desert House designed by Richard Neutra, with owner Nelda Linsk as one of the models in the photo. "I knew everyone," he said in an interview with The (London) Independent in 2002. "They would invite me to one of their parties because they knew I wouldn't hurt them. I was one of them." Alfred Hitchcock's film, Rear Window (1954), whose main character is a photographer played by Jimmy Stewart, is set in an apartment reputed to be based on Aarons' apartment. When you photograph a lot of women, you get to know things. -- Slim Aarons In 1997, Mark Getty, the co-founder of Getty Images, visited Aarons in his home and bought Aarons' entire archive. In 2017, filmmaker Fritz Mitchell released a documentary about Aarons, called Slim Aarons: The High Life. In the documentary, it is revealed that Aarons was Jewish and grew up in conditions that were in complete contrast to what he told friends and family of his childhood. Aarons claimed that he was raised in New Hampshire, was an orphan, and had no living relations. After his death in 2006, his widow and daughter learned the truth that Aarons had grown up in a poor immigrant Yiddish-speaking family on the Lower East Side of Manhattan. As a boy his mother was diagnosed with mental health issues and admitted to a psychiatric hospital, which caused him to be passed around among relatives. He resented and had no relationship with his father and had a brother, Harry, who would later commit suicide. Several documentary interviewees postulate that if Aarons's true origins had been known, his career would have been unlikely to succeed within the restricted world of celebrity and WASP privilege his photography glamorized.Source: Wikipedia Slim Aarons was a celebrated American photographer who chronicled the leisurely lifestyle of the rich and famous in his captivating shots of beguiling figures in luxurious environments. The glamorous world of his photographs, in which effortlessly beautiful and wealthy people lounge poolside, became an iconic series that allowed Aarons access to shoot some of the most candid portraiture of the 20th century. We love how Aarons worked without any need for stylists or elaborate lighting, instead preferring to photograph celebrities just as they were, creating alluring scenes that are a window into a different lifestyle. In presenting glimpses of the rich and famous engrossed in leisurely pursuits, the artist exposes elements of a life that would otherwise not be on view, allowing his audience to live the high life - vicariously. Born and raised in New York, Aarons began taking pictures at the age of eighteen, after enlisting in the US Army, where he served as an official combat photographer during WWII. In a career that spanned six decades, Aarons’ camera lens moved from soldiers to stars and celebrities, and the self-proclaimed realisation that the only beaches worth photographing were "decorated with beautiful, seminude girls tanning in a tranquil sun." Over the course of his 50 year career, Aarons was a regular contributor to magazines such as Life, Town & Country, Vogue and Holiday and received an exclusive look into the lives of figures such as the Kennedys, Marilyn Monroe and Grace Kelly. In 1997, Mark Getty of Getty Images bought Aarons’ entire archive of photographs, and published a book of his work Poolside with Slim Aarons a decade later. Aarons’ intimately candid scenes have given him an era-defining legacy as one of the most influential photographers of his generation. Source: Art Republic
Rafał Michalak
Poland
1971
Lives and works in Wroclaw, Poland. He studied political science and public relations. Graduate of Academy of Art and Design in Wroclaw with a Master of Arts (Media Art Department). A member of The Association of Polish Art Photographers (ZPAF). He has been associated with the advertising industry and commercial photography for years. In his everyday work he deals with brand communication issues as well as visual identity development for companies and corporations. At the same time, he is actively engaged in creating his own original photography, thereafter presented in exhibitions and published in trade magazines. Winner of many photographic praises and commendations. Human being as individuality and its place in the so fast altering world are the key factors of Michalak’s photographic research. In his photography he is mostly consumed with transgression understood as a conscious and intentional exceeding of bounds and limits that we impose on ourselves or encounter. At the same time, it provides a way to learn more about the hidden depths and makes it possible to experience reality from different points of view. Transgressive approach has characterised Michalak’s personal style of representation, regardless of used technique and medium, ever since he knowingly engaged in fine-art photography. Transgression determines his personal choices in terms of subjects he approaches, and even more so, the message, i.e. the idea behind a photograph, which he believes to be essential.
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All About Photo Awards 2026
Win a Solo Exhibition in February
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry