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Win a Solo Exhibition in June 2026 + An Exclusive Interview!
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Taisuke Sato
Taisuke Sato
Taisuke Sato

Taisuke Sato

Country: Japan
Birth: 1969

Taisuke was born in Nagoya, Japan in 1969.
After graduating from the Department of Sociology at Ritsumeikan University, Kyoto, Japan, he worked in housing sales and management for a major Japanese housing company. When he turned 50, he chose to spend his life exploring arts, photography and its philosophy, then turned to be a photographer.
He takes pictures in the style of street photography. They have some feelings, lonely, surreal, and humorous. He also has a unique sensitivity to the distance between society and people, and the perspective from which he views them. This is because when he was a boy, he moved every three years due to his father's job transfer.
As a result, he learned how to blend in quickly and get along with the existing community by observing closely and understanding the distance and atmosphere between people. This is because in Japan's collectivist and relationship-oriented society, it is difficult to join an existing group.
In addition, the fact that he himself is an existence that "Appears one day and disappears the next" has given him a subjective and objective perspective and thinking, but even so, in Japanese society dominated by the exclusivity of the community and "the Atmosphere of the place", his identity without a hometown or geographical ties is very uncertain and unstable.
For this reason, his works are photographed with a unique sensibility, and their atmosphere reflects his worldview.
His main theme is the relationship between himself, people, and society. In his work, he presents a methodology that takes a multifaceted view of human life and society and transforms it into a "Acceptance of impermanence".
And more, he has deep insights into social behavioral psychology, social science, mental health, social class, Japanese organizational philosophies, housing and family, which are largely reflected in his work.
 

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Michael Anker
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Louis Faurer
United States
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Teri Figliuzzi
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Leonor Benito de la Lastra
I was born in Barcelona. Yet my definitive connection to art and photography comes from Salamanca, where I studied at the Faculty of Fine Arts at its university until 1992. In 1997, I created a space entirely devoted to this medium, “El Fotógrafo,” which remained active until 2015. There I began to study the history of photography, the noble processes, optical devices… a way of seeing through photography. I have chosen analogue technique, black-and-white, the chemical process. These are my field of expansion. This attentive observation of the life of images is simultaneously an investigation into their nature, an attempt to delve into the invisible interiors of the photographic. Statement It is difficult to explain my work because it is difficult to explain oneself. Photographic practice, for me, constitutes an intimate act—an act of interpretation, definition, and expression of my own self. Photography has always been part of my life; it is my life. And I work alone with it. Solitude is the indispensable metaphor of the photographer. I work first as an observer and subsequently as a manipulator. It is within that solitary practice that I come to discover myself. My work assumes a distinctly experimental character: an approach to the nature of the photographic medium and an inquiry into my own presence within the work. I employ a technique of destruction, recomposition, and montage that intensifies ruptures and dissonance, generating a field of plasticity understood as the organic condition of representational space. It is a chemical black-and-white practice in which the darkroom becomes an encompassing space: a poetics of process—perhaps the true subject of my work. A return to emotion: photography as an art of the sensible. A return, as well, to the aura. AAP Magazine AAP Magazine 55 Women
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She was born in Bassano del Grappa, Italy, 1970. After finishing her studies in Venice, she teamed her work as an architect with her passion for Photography, making it her main expression medium. Monia currently works as a freelance photographer, her work is focused on fashion, including prestigious collaborations with famous brands. Her photos find inspiration in literature, poetry and her most inner feelings. They are means of creation, research and development of a work which undergoes a constant evolution, as well as being a way to represent, through fragile feminine bodies, the artist's search of herself.Source: www.moniamerlophotographer.com All the work of Italian photographer Monia Merlo is a feast for the eye: magical lighting, vulnerable intensely pale female bodies in a silent floral dreamscape. Sensuous and physical, yet innocent. Mystical femininity which verges on the sacred. It’s so beautiful you could almost drown in it. A view shared by many, since she has now collaborated with a number of prestigious fashion labels. Her work has been published in various international magazines including Italian Vogue, and has been displayed in leading galleries such as Art + Commerce in New York and Sakura Gallery in Paris. This is all the more remarkable when you consider that Monia only started working as a photographer 5 years ago. Monia’s work focuses on fashion and flowers. She uses only natural light, bringing out the contours and detail more beautifully and making her photographs resemble paintings. She finds her inspiration in literature, poetry and the idealised femininity of the Pre-Raphaelite movement. A period which is currently enjoying increasing popularity amongst the creative elite and trendsetters. She likes to use romantic flowers in delicate colours with an air of vulnerability, such as blossom, fragile roses and daisies.Source: The Green Gallery
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United Kingdom
1938
David Royston Bailey CBE (born 2 January 1938) is an English fashion and portrait photographer. David Bailey was born at Whipps Cross University Hospital in Leytonstone, to Herbert Bailey, a tailor's cutter, and his wife, Gladys a machinist. From the age of three he lived in East Ham. Bailey developed a love of natural history, and this led him into photography. Suffering from undiagnosed dyslexia, he experienced problems at school. He attended a private school, Clark's College in Ilford, where he says they taught him less than the more basic council school. As well as dyslexia he also has the motor skill disorder dyspraxia (developmental coordination disorder). In one school year, he claims he only attended 33 times. He left school on his fifteenth birthday, to become a copy boy at the Fleet Street offices of the Yorkshire Post. He raced through a series of dead-end jobs, before his call up for National Service in 1956, serving with the Royal Air Force in Singapore in 1957. The appropriation of his trumpet forced him to consider other creative outlets, and he bought a Rolleiflex camera. He was demobbed in August 1958, and determined to pursue a career in photography, he bought a Canon rangefinder camera. Unable to obtain a place at the London College of Printing because of his school record, he became a second assistant to David Ollins, in Charlotte Mews. He earned £3 10s (£3.50) a week, and acted as studio dogsbody. He was delighted to be called to an interview with photographer John French. In 1959, Bailey became a photographic assistant at the John French studio, and in May 1960, he was a photographer for John Cole's Studio Five, before being contracted as a fashion photographer for British Vogue magazine later that year. He also undertook a large amount of freelance work. Along with Terence Donovan and Brian Duffy, Bailey captured and helped create the 'Swinging London' of the 1960s: a culture of fashion and celebrity chic. The three photographers socialized with actors, musicians and royalty, and found themselves elevated to celebrity status. Together, they were the first real celebrity photographers, named by Norman Parkinson "the Black Trinity". The film Blowup (1966), directed by Michelangelo Antonioni, depicts the life of a London fashion photographer who is played by David Hemmings, whose character was inspired by Bailey. The "Swinging London" scene was aptly reflected in his Box of Pin-Ups (1964): a box of poster-prints of 1960s celebrities including Terence Stamp, The Beatles, Mick Jagger, Jean Shrimpton, PJ Proby, Cecil Beaton, Rudolf Nureyev and East End gangsters, the Kray twins. The Box was an unusual and unique commercial release. It reflected the changing status of the photographer that one could sell a collection of prints in this way. Strong objection to the presence of the Krays by fellow photographer, Lord Snowdon, was the major reason no American edition of the "Box" was released, and that a second British edition was not issued. The record sale for a copy of 'Box of Pin-Ups' is reported as "north of £20,000". At Vogue Bailey was shooting covers within months, and, at the height of his productivity, he shot 800 pages of Vogue editorial in one year. Penelope Tree, a former girlfriend, described him as "the king lion on the Savannah: incredibly attractive, with a dangerous vibe. He was the electricity, the brightest, most powerful, most talented, most energetic force at the magazine". American Vogue's creative director Grace Coddington, then a model herself, said "It was the Sixties, it was a raving time, and Bailey was unbelievably good-looking. He was everything that you wanted him to be – like the Beatles but accessible – and when he went on the market everyone went in. We were all killing ourselves to be his model, although he hooked up with Jean Shrimpton pretty quickly". Of model Jean Shrimpton, Bailey said: "She was magic and the camera loved her too. In a way she was the cheapest model in the world – you only needed to shoot half a roll of film and then you had it. She had the knack of having her hand in the right place, she knew where the light was, she was just a natural." Since 1966, Bailey has also directed several television commercials and documentaries. From 1968 to 1971 he directed and produced TV documentaries titled Beaton, Warhol and Visconti. As well as fashion photography, Bailey photographed album sleeve art for musicians including The Rolling Stones and Marianne Faithfull. One of Bailey's most famous works depicts the Rolling Stones including Brian Jones, who drowned in 1969 while under the influence of drink and drugs. He is seen standing slightly apart from the rest of the group. Bailey was hired in 1970 by Island Records' Chris Blackwell to shoot publicity photos of Cat Stevens for his upcoming album Tea for the Tillerman. Stevens, who is now known as Yusuf Islam maintains that he disliked having his photo on the cover of his albums, as had previously been the case, although he allowed Bailey's photographs to be placed on the inner sleeve of the album. In 1972, rock singer Alice Cooper was photographed by Bailey for Vogue magazine, almost naked apart from a snake. Cooper used Bailey the following year to shoot for the group's chart-topping 'Billion Dollar Babies' album. The shoot included a baby wearing shocking eye makeup and, supposedly, one billion dollars in cash requiring the shoot to be under armed guard. In 1976, Bailey published Ritz Newspaper together with David Litchfield. In 1985, Bailey was photographing stars at the Live Aid concert at Wembley Stadium. As he recalled later: "The atmosphere on the day was great. At one point I got a tap on my shoulder and spun round. Suddenly there was a big tongue down my throat! It was Freddie Mercury." In October 2020 Bailey's Memoir "Look Again" in co-operation with author James Fox was published by Macmillan Books a review on his life and work.Source: Wikipedia David Bailey is an English fashion photographer best known for his images of celebrities, models, and musicians. Though he is also known for his photography book NWI (1982), which documented the process of gentrification in the London neighborhoods of Primrose Hill and Camden. Born on January 2, 1938 in London, United Kingdom, Bailey dropped out of high school to serve in the Royal Air Force where he developed an interest in the photography of Henri Cartier-Bresson. Returning to England, Bailey began working as the fashion photographer John French’s assistant. Over the course of the 1960s and 70s, the artist gained attention from the press after a string of high-profile marriages to Jean Shrimpton, Catherine Deneuve, and Marie Helvin. In 1965, he published his first photography book Box of Pin-Ups, a collection of black-and-white images portraying Mick Jagger, The Beatles, Twiggy, and Andy Warhol, along with several other celebrity figures. Bailey has gone on to receive the title of Commander of the Order of the British Empire from Queen Elizabeth II, and in 2016 a Lifetime Achievement award from the International Center of Photography in New York. The artist’s photographs are held in the collections of the National Portrait Gallery and the Victoria and Albert Museum in London. Bailey currently lives and works in London, United Kingdom.Source: Artnet
Tomáš Neuwirth
Czech Republic
1972
Tomáš Neuwirth was born in Czech Republic in 1972. He is a freelance photographer specializing in drone photography. A major milestone in his life was the year 1995, when he began to devote himself to paragliding. As a pilot, he was fascinated by taking pictures of the bird's eye, then still on the 35mm film camera. The following year, he moved to the USA. His stay here after three and half years ended the paragliding incident and with serious injuries of the spine he returned to the Czech Republic. He then spent eight months in a sanatorium, learned not only to walk again, but also met his future wife Gabriela. Capturing of aerial footage continued to attract him. And with the advent of unmanned systems, new possibilities were opened. His first drone he folded in 2011, it was a kit. However, the desired shots were made by commercially produced drones in the following years. Today, Tomáš is involved in drone and classical photography professionally. By selecting extraordinary places and post-production processing, he is trying to shift drone photography to the next level. From capturing landscapes to a Fine Art expression. He received many awards from international competitions. In 2019 he succeeded to win with in the prestigious contest MIFA - Moscow International Fotography Awards (Nature Photographer of the Year). In the same year, The Independent Photographer Magazine included his image among the TOP 10 Most incredible landscapes from across the planet. And ranked him in the selection Talents of the Year 2018/2019. He was also nominated for a Personality of Czech Photography. Statement I generally regard art as a form of self-expression. An opportunity to share own opinion, own perception of the world, with others. Photography has become my means of expression. Its strength is in capturing a given moment - a unique, unrepeatable moment. Everything is different in a second. I focus mainly on drone photography which, by its very nature, is predestined for landscape, long-distance views, great depth of field etc. From the perspective of the photographer, there are fewer possibilities for artistic expression. Therefore it depends very much on the choice of location and how to capture it. I, therefore, try to find unusual locations - often places that do not seem that interesting on the first impression. However, a bird's eye view gives them a whole new dimension.
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