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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
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Alireza Sahebi
Alireza Sahebi
Alireza Sahebi

Alireza Sahebi

Country: Iran
Birth: 1994

Alireza Sahebi is an Iranian portrait photographer born in 1994. He became interested in photography as a teenager and when he started working in a photography studio. He then continued his studies in the field of visual communication at the University of Art and Architecture. He chose portrait photography because of his interest in exploring and recognizing the spirits and inner thoughts of human beings. He continues to photograph using different genres because it is a unique language with many dialects and it allows him to communicate with people around the world.

Statement
Have you heard a sound louder than the sound of your eyes? The eyes are alive٫ they understand٫ they talk٫ they fall in love٫ the eyes are all the existence and non-existence of people. The eyes have an identity card, and if they have the opportunity, they will ruthlessly expel all their presence and absence. I found photography as a way to discover and express the inner selves of human beings and I tried to find a non-verbal, universal and meaningful language and I did not find it except in my eyes
 

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More Great Photographers To Discover

Toby Old
United States
1945
Toby Old was born in Stillwater, Minnesota in 1945. He started out majoring in biology at Hamline University, then moved on to the University of Minnesota where he trained to be a dentist. At the height of the Vietnam War he was drafted into the Army Dental Core. While serving in North Carolina, he began to explore art history and photography. After a 1976 summer workshop at Apieron Photographic Workshops in Millerton, New York, Old moved to New York City. He began working on his first extended series of the disco scene in 1976-1981. For this body of work, Standard Deviation, he was awarded a grant from the New York State Council of the Arts. In 1981 he received an NEA Survey Grant to document lower Manhattan below Chambers Street, and has continued photographing this section of the city since, includes an extended series on the boxing world. In the late 1980s he moved to upstate New York, where he began to document local events including county fairs and Civil War reenactments. He also began photographing national events such as the Kentucky Derby, Frontier Days, Mardi Gras, and spring break. Toby Old’s book, Times Squared, was offered through the 2005 Subscription Program and is still available for purchase in the Light Work Shop. Old participated in Light Work’s Artist-in-Residence Program in 1980. Toby Old captures animation in his photography, depicting both realistic and exciting observations of human life. Drawing on the inspiration of photographers of the 1960s, he has traveled the country photographing in many different environments, including street performances, beaches, fairs, fashion shows, nightclubs, boxing events, parks, and Fourth of July celebrations. His images capture extraordinary moments in human action and social and cultural experiences as they unfold. His photographs are not the kind to be taken in quickly, but images to be examined and scrutinized for details. According to Ted Hartwell, curator of photography at the Minneapolis Institute of Arts, “Old’s work has always been characterized by a solid technical mastery of the medium-format camera as the tool for his wonderfully zany, insightful, and intelligent observations of the American scene.”Source: Light Work
Sem Langendijk
The Netherlands
1990
Sem Langendijk is a documentary photographer with an interest in communities and their habitat, the urban environment and spatial arrangements. He observes the identity of a place, the impact communities have on their environments, and how space functions within the structures of a city. Langendijk shoots on large and medium format cameras, and aims to imbue his subjects with a certain tranquility. He continues to balance his work on the very narrow edge between visual storytelling and poetic personal documentation. Langendijk studied documentary photography at the Royal Academy of Arts, The Hague. In 2018, he was a recipient of the Mondrian Fund Stipendium for Emerging Artists and his work is exhibited at multiple art fairs and festivals, most recently 'The American Landscape', a group show travelling the US with The Gallery Club. He is currently working in Amsterdam, Londen and New York, on a personal body of work, continuing his research about the former Docklands. As an artist I intend to raise questions about the concept of 'the city' in our time. What role does history play in the identity of place, and feeling of belonging? How does ownership of (private) property relate to the right of the city? Through working with communities and researching their habitats I try to reveal (economical and political) systems that influence today's city life. My visual work is loosely related to social geography and anthropology, as I do field research and create visual notes. I combine this with more structured and methodological work, such as typologies. With these approaches I mean to reflect upon, as well as creating a more personal excerpt of, reality.
Peter Nitsch
Peter Nitsch was part of the late eighties of the German Skater scene. He studied communication design in Munich and graduated as a designer from the University of Munich, Department of Design (specializing in motion design). As an on-air designer, he worked for clients such as Universal Studios, ProSieben, 13th Street, SciFi Channel, and the United Nations. He then began to concentrate on corporate design and photography. Nitsch has won several international awards both as a designer (New York Festival, BDA) and photographer (Los Angeles International Photography Award, Hasselblad Masters semifinalist). He is co-founder of 'Playboard Magazine', 'RUPA' and the former culture blog 'get addicted to'. In 2020 Nitsch became a lifetime member of The Royal Photographic Society of Thailand. Tango in the Big Mango For me, my photography has always been related to people, stories, and life's journey. Tango In The Big Mango is an attempt in observing moments of people in dialogue with life. The series explores Bangkok as a city in which the coexistence of different cultures and people from different countries, despite their peculiarities, have found a way to live together. Tango in the Big Mango photo book is a mixture of documentary/street and conceptual images. The series consists of four parts: documentary/street photography, and conceptual themes of greed, growth, and angst. Tango in the Big Mango captures the intensity of urban life and barrage of consumption, culture, and eccentricity in Bangkok. More about Tango in the Big Mango photo book
Anaïs Boileau
France
1992
Anaïs Boileau is from the south of France. She completed training in photography and visual communication at ECAL, the art school from Lausanne. She works in 2012 with the photographer Charles Freger and in 2014 she gets a residency at the Hong Kong Design Institute. Her photographic work is presented in various group exhibitions. In 2015, her photographic project Plein Soleil is part of the Black Mirror exhibition in New York, organized by Aperture Foundation, and is presented to Katmandu Photo festival in Nepal. It is selected to Boutographies 2016 projection of the jury and is one of ten finalists presented at the 31st edition of the international fashion and photography festival in Hyères at the Villa Noailles where she received the audience award and the Elie Saab grant.My work "Plein Soleil" is about a kind of community women taking the sun. These are women with golden skin exposing themselves under the omnipresent sun. They stay along the coast of the seaside towns marked by Latin, bright and colorful architecture. There is a temporality game beetween women and architectures because they are modeling in the same way by the sun light. These portraits represents a kind of happy idleness that exist in south. I try to bring a look a bit funny and tender about that women cause it was like a game with them about their image. Lost behind their sunglasses, accessories, women are distant, pensive as absorbed by the sun. We never see their eyes with their solarium glasses and that make them impersonal. Floating Between documentary and fiction, the portraits of this matriarchal community, reveal a desire for exoticism. There is a dimension of artificiality and something false in all that . The idea that they put forward, they refine and polish their bodies but also in the idea that all this is just a world of appearance, of surfaces.
Angela Bacon-Kidwell
Angela Bacon-Kidwell is an award winning photographer and visual artist that lives and works in Texas. Angela has a BFA from Midwestern State University, Wichita Falls, Texas, with specialization in painting and photography. Her work emerges from her journey of recovering a sense of self, strength and spirituality through an examination of her identities as daughter, granddaughter, wife, mother and artist. Her photographic work has received numerous awards and honors and has been exhibited and published both nationally and internationally. Recent awards and recognition’s include: nominated for the Santa Fe Prize for Photography in 2011, Finalist for the John Clarence Laughlin Award, First place in the Palm Springs Photo Festival, First Place in the Texas Photographic Society International Competition and 2012 lecture at the Annenberg Space for Photography in Los Angeles.She is currently represented by Afterimage Gallery, Dallas, Texas, Wallspace Gallery, Santa Barbara, CA and Galerie BMG, Woodstock, NYHome by Nightfall (2012-2014)Silence ceased for him in 2011 not a whisper, but a relentless roaring thunder molding his spirit into mourning In his misery, a new vaporous malice was brewing the ringing was a warning tinnitus and cancer were converging Every known eradication was pursued He and I, separated by many miles, shared a need for solitude cultivated by lucid country drives We drove separately through the dark districts of our minds invariably contemplating what was to come, a symbiotic transitory landscape emerged and the thunder soared in 2013 Questions, Answers, Questions, Answers Questions, Answers, Questions, Answers Questions, Answers, Questions, Answers all tedious throbbing answers How many miles in a life? What shape is the color grey? When does an echo become whole? During the three years of relentless discord, I created images of these ambiguous queries emoting, sensing, seeking There is a truth in "big" questions with small answers Clarity in the midst of chaos Hope in the face of despair Silence returned for him on May 24, 2014 He was my father.
Azim Khan  Ronnie
Bangladesh
1986
Azim Khan Ronnie was born in Dhaka and brought up in Bogra, Bangladesh. He has an utter passion for photography and photography has been his passion. As a photographer, his essential aim is to capture the moments of life and give them significance by making them static in time. He loves to travel and be in different places, meet new people, and enjoy the experience that photography offers, which is to capture Earth's beautiful and awe-inspiring moments. He also loves to experiment with his photography. He is working news channel as a senior camera person in Bangladesh. More than 15 years Azim Khan Ronnie working in TV Channel back to camera. That's why he was gain lot of photographic knowledge. He is completed foundation course from Pathshala South Asian Media Institute. He has taken part in many National and International Photography contest and till now he has won many national and international photography awards, including HIPA Merit Medal Award 2018, Andrei Stenin Press Photo Contest Winner, SIENA International Photography Award 2019, Two awards from Drone photo contest 2019, Asahi Shimbun award from Japan, Winner Agora images, Won Merit Awards from prestigious All About Photo Awards 2020, 2nd prize from HERITAGE for PLANET EARTH® travel photo competition 2018, BBC Wildlife Photo Contest winner 2017, Won the 1st prize in Securing Water For Food Global Water-Agriculture Photo Contest 2017, FIAP Bronze Medal from 15th Adana Rotary Club International Photography Contest. 3rd Place winner from Wiki Loves Monuments 2017 international photo contest organized by Wikipedia. PSS – Dr. Gibson Hill Memorial Gold Medal (Best of Section) from Singapore International Photography Awards (SIPA) 2017, 1st prize winner from COMPAS photo competition 2017, 1st Prize winner from 35AWARDS 2016 Russia, 2nd prize winner from The 4th Student Photography Contest, organized by Global Photography, China, Grand Prize winner of Endless Summer Photo Contest from Skylum, Two times MARUMI Photo Contest Silver Prize winner from Japan, Honorable mention award from ND Awards 2017, Top 10 Winners of Click India Photography Contest 2017, 3 awards winner from "Golden Orchid International Photo Awards" 2017, 1st & 3rd Prize winner from International photo contest & exhibition in China 2015, Achieve 2nd, 3rd, 5th, 8th & 9th total 5 awards from Bangladesh's Wiki Loves Earth 2017 Photo Contest, Achieve 1st, 2nd & 7th winner from Bangladesh's Wiki loves monuments 2017 photo contest, 3rd Prize from Dhaka-Kolkata International Photo Contest 2017, The Nature Conservancy's 2017 Top 100 Photo Contest, Anjan Kumar Majumder Memorial Trophy for Best Local Nature" from MahfuzUllah Memorial International Photo Contest 2017, Honorable Mention Award from Tokyo International Photo Award (TIFA). Honorable Mention Winner from IPA-The International Photo Awards. Gold Medal Award winners in the San Francisco Bay International Photo Show. Grand prize winner from Chania Photo Festival, Greece. Awards froms VOUBS are: 1st Prize in best Landscape, 1st Prize in best Lifestyle, 1st Prize in best Travel Photo, 1st Prize in best Eyes Photo, 1st Prize in best Pet Photo, 1st Prize in best Reflection Photo, 1st Prize in best Flower Photo, 1st Prize in best Sunrise/Sunset Photo, 1st Prize in best Spring photo, 1st Prize in best Travel photo 2018, 1st Prize in best People Photo, 1st Prize in best Waterfall Photo, 1st Prize in best Baby Photo. Finalist HIPA 2018, Finalist Smithsonian 15th annual photo contest, Finalist Siena International Photography Awards 2017 & 2018, Finalist dotART Urban 2017 photo awards, Hourly Winner of CBRE Urban Photographer of the Year Photo Competition 2018, Landscape Diversity' Expert Judge Winner from Photocrowd, Won Bursa PhotoFest Medal for Contest Special Award Winning Photographs from Bursa International Photo Festival,Turkey, 1st Prize Winner of We Said Go Travel Photo contest 2018, Grand prize winner in Chania Photo Festival, Greece. First place prize in the Social Life category in Ikei Photo Contest, Spain, 2019. Award Highly Commended CBRE Urban Photographer of the Year 2016, one of my photograph has been selected for the 2019 New Internationalist Almanac and many more. His photographs was published Switzerland, France, UK, Russia, Korea, Iran, China and many national & international newspaper & magazine include The Times, The Sun, The Guardian, Daily Mirror, The Telegraph, Daily Mail, New Atlas, BBC Wildlife Magazine, National Geographic Magazine, Smithsonian magazine, F-Stop Magazine (also cover photo), Edge of Humanity Magazine, Swiss newspaper Blickamabend, France daily newspaper (LaDépêche, 20minutes), France magazine Le Figaro, Le Parisien, View magazine in Germany, in China CCTV, Global Times, Beijing Television (BTV), Russian magazine Вокруг света (One of the oldest popular magazines in the world), GEO Magazine, The People, Popular news magazine Newsweek, SangSaeng Magazine, Korea, Canon (France, UK, Europe), Politiko, Iconstyle in Tirana, Albania, The Week Junior etc.
Iris Brito Stevens
United States
I was born and raised in Salinas, California (U.S.), a farming community known for its lettuce. As a daughter of Mexican immigrants, I became aware of, and sensitive to, the differences between the immigrant and non-immigrant communities and their perspectives, which at times felt narrow and somewhat limiting. Growing up surrounded by family grounded me deeply, yet an insatiable curiosity and passion for learning about the world beyond me, called out. I spread my wings and traveled to destinations that were completely foreign, often under the auspices of humanitarian and educational endeavors. The lens through which I saw the world opened-up and expanded my perspective, just like a camera. Through first-hand experience, I became aware of the lives and conditions of marginalized and oppressed peoples globally. This new dimensionality helped me to confront certain realities, to grow, and to self-reflect on what it means to be human. It also led me toward activism and social documentary photography, which enabled me to blend visual narrative with the stories of other people through projects or partnerships in Uganda, the Occupied Palestinian Territories, Spain, San Francisco and more. My photographic work is my passion, and it serves to create awareness and a more intimate human connection, by encouraging a path that looks beyond our limited and inherent perceptions and conditioning. Statement In America, we place so much value on individuality and independence, that we forget how truly interdependent we are on one another, both on a local and global scale. We have become hyper-focused on the self and are losing our ability to empathize and see the intense vulnerability around us—though considering recent events, this appears to be shifting. As a social documentary photographer, I am drawn towards people and the conditions that are relevant in their lives, as individuals and as members of a family, community, or society. Our perception of the world can be limited to our own multi-faceted forms of conditioning; I utilize the impact of visual narrative to bring awareness of the human condition worldwide. There is so much beauty in diversity. I want to validate that diversity through photography, to help others grow in that appreciation, to demonstrate that we are all a part of something collectively - that life's experience doesn't begin and end with us, as individuals. Dominance consciousness is so pervasive in society; it's like a box with thick walls and nothing to see, nowhere to go, devoid of any inspiration. It kills curiosity and ideas. I want us all to be inspired and curious by the diversity we see and experience in everyday life. Diversity is beautiful.
Frances Benjamin Johnston
United States
1864 | † 1952
Frances "Fannie" Benjamin Johnston (15 January 1864 – 16 May 1952) was an early American female photographer and photojournalist whose career lasted for almost half a century. She is most known for her portraits, images of southern architecture, and various photographic series featuring African Americans and Native Americans at the turn of the 20th century. The only surviving child of wealthy and well connected parents, she was born in Grafton, West Virginia, raised in Washington, D.C., and studied at the Académie Julian in Paris and the Washington Students League following her graduation from Notre Dame of Maryland Collegiate Institute for Young Ladies in 1883 (now known as Notre Dame of Maryland University). An independent and strong-willed young woman, she wrote articles for periodicals before finding her creative outlet through photography after she was given her first camera by George Eastman, a close friend of the family, and inventor of the new, lighter, Eastman Kodak cameras. She received training in photography and dark-room techniques from Thomas Smillie, director of photography at the Smithsonian. She took portraits of friends, family and local figures before working as a freelance photographer and touring Europe in the 1890s, using her connection to Smillie to visit prominent photographers and gather items for the museum's collections. She gained further practical experience in her craft by working for the newly formed Eastman Kodak company in Washington, D.C., forwarding film for development and advising customers when cameras needed repairs. In 1894 she opened her own photographic studio in Washington, D.C., on V Street between 13th and 14th Streets, and at the time was the only woman photographer in the city. She took portraits of many famous contemporaries including Susan B. Anthony, Mark Twain and Booker T. Washington. Well connected among elite society, she was commissioned by magazines to do "celebrity" portraits, such as Alice Roosevelt's wedding portrait, and was dubbed the "Photographer to the American court." She photographed Admiral Dewey on the deck of the USS Olympia,[6] the Roosevelt children playing with their pet pony at the White House and the gardens of Edith Wharton's famous villa near Paris. Her mother, Frances Antoinette Johnston, had been a congressional journalist and dramatic critic for the Baltimore Sun and her daughter built on her familiarity with the Washington political scene by becoming official White House photographer for the Harrison, Cleveland, McKinley, "TR" Roosevelt, and Taft presidential administrations. Johnston also photographed the famous American heiress and literary salon socialite Natalie Barney in Paris but perhaps her most famous work, shown here, is her self-portrait of the liberated "New Woman", petticoats showing and beer stein in hand. Johnston was a constant advocate for the role of women in the burgeoning art of photography. The Ladies' Home Journal published Johnston's article "What a Woman Can Do With a Camera" in 1897[9] and she co-curated (with Zaida Ben-Yusuf) an exhibition of photographs by twenty-eight women photographers at the 1900 Exposition Universelle, which afterwards travelled to Saint Petersburg, Moscow, and Washington, DC. She traveled widely in her thirties, taking a wide range of documentary and artistic photographs of coal miners, iron workers, women in New England's mills and sailors being tattooed on board ship as well as her society commissions. While in England she photographed the stage actress Mary Anderson, who was a friend of her mother. In 1899, she gained further notability when she was commissioned by Hollis Burke Frissell to photograph the buildings and students of the Hampton Normal and Agricultural Institute in Hampton, Virginia in order to show its success. This series, documenting the ordinary life of the school, remains as some of her most telling work. It was displayed at The Exhibit of American Negroes of the Paris Exposition Universelle in 1900. She photographed events such as world's fairs and peace-treaty signings and took the last portrait of President William McKinley, at the Pan-American Exposition of 1901 just before his assassination. With her partner, Mattie Edwards Hewitt, a successful freelance home and garden photographer in her own right, she opened a studio in New York in 1913 and moved in with her mother and aunt. Hewitt wrote Johnston love letters over the course of their relationship, which are chronicled in "The Woman Behind the Lens: The Life and Work of Frances Benjamin Johnston, 1864–1952." Many of the early letters focused on Hewitt's admiration for Johnston's work, but as their romance progressed, they became increasingly full of words of love: "...when I need you or you need me — [we] must hold each other all the closer and with your hand in mine, holding it tight..." She lectured at New York University on business for women and they produced a series of studies of New York architecture through the 1920s. In early 1920 her mother died in New York. In the 1920s, she became increasingly interested in photographing architecture, motivated by a desire to document buildings and gardens which were falling into disrepair or about to be redeveloped and lost. As her focus in architecture grew, she became specifically interested in documenting the architecture of the American South. Johnston was interested in preserving the everyday history of the American South through her art; she accomplished this by photographing barns, inns, and other ordinary structures. She was not interested in photographing the grand homes and estates of the American South, but rather the quickly deteriorating structures in these communities that portrayed the life of common southerners. Her photographs remain an important resource for modern architects, historians and conservationists. She exhibited a series of 247 photographs of Fredericksburg, Virginia, from the decaying mansions of the rich to the shacks of the poor, in 1928. The exhibition was entitled Pictorial Survey--Old Fredericksburg, Virginia--Old Falmouth and Nearby Places and described as "A Series of Photographic Studies of the Architecture of the Region Dating by Tradition from Colonial Times to Circa 1830" as "An Historical Record and to Preserve Something of the Atmosphere of An Old Virginia Town." Publicity from the display prompted the University of Virginia to hire her to document its buildings and the state of North Carolina to record its architectural history. Louisiana hired Johnston to document its huge inventory of rapidly deteriorating plantations and she was given a grant in 1933 by the Carnegie Corporation of New York to document Virginia's early architecture. This led to a series of grants and photographs of eight other southern states, all of which were given to the Library of Congress for public use. In December 1935, she began a year long project to capture the less evolved structures of the Colonial Era in Virginia. This was effort was intended to be a one year project, but evolved into an eight year extensive project, in which she surveyed 50,000 miles and 95 counties in Virginia. Johnston was named an honorary member of the American Institute of Architects for her work in preserving old and endangered buildings and her collections have been purchased by institutions such as the Metropolitan Museum of Art, the Virginia Museum of Fine Arts and the Baltimore Museum of Art. Although her relentless traveling was curtailed by petrol rationing in the Second World War the tireless Johnston continued to photograph. Johnston acquired a home in the French Quarter of New Orleans in 1940, retiring there in 1945, where she died in 1952 at the age of eighty-eight.Source: Wikipedia
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