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Win a Solo Exhibition in June 2026 + An Exclusive Interview!
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An-My Lê
An-My Lê

An-My Lê

Country: Vietnam / United States
Birth: 1960

An-My Lê is a Vietnamese American photographer and professor at Bard College. She is a 2012 MacArthur Foundation Fellow and has received the John Simon Guggenheim Memorial Foundation Fellowship (1997), the National Science Foundation Antarctic Artists and Writers Program Award (2007), and the Tiffany Comfort Foundation Fellowship (2010). Her work was included in the 2017 Whitney Biennial.

An-My Lê was born in Saigon, Vietnam, in 1960, and now lives and works in New York. Lê fled Vietnam with her family as a teenager in 1975, the final year of the war, eventually settling in the United States as a political refugee. She studied biology at Stanford University, receiving her BA in 1981 and her MA in 1985. She attended Yale School of Art, receiving her MFA in 1993.

Her book Small Wars was published in 2005. In November 2014, her second book, Events Ashore, was published by Aperture. Events Ashore depicts a 9-year exploration of the US Navy working throughout the world. The project began when the artist was invited to photograph US naval ships preparing for deployment to Iraq, the first in a series of visits to battleships, humanitarian missions in Africa and Asia, training exercises, and scientific missions in the Arctic and Antarctic.

Source: Wikipedia


In 1994 An-My Lê returned to Vietnam for the first time and began making a series of photographs informed by her own memories and by the stories and perceptions of her family. Since then her photographs and films have addressed the impact of war both environmentally and culturally. Whether in color or black-and-white, her pictures capture the disjunction between the natural landscape and the intervention of soldiers and machines meant for destruction.

Projects include Viêt Nam (1994–98), in which Lê's memories of a war-torn countryside are reconciled with the contemporary landscape; Small Wars (1999–2002), in which Lê photographed and participated in Vietnam War reenactments in Virginia; and 29 Palms (2003–04) in which United States Marines preparing for deployment playact scenarios in a virtual Middle East in the California desert.

Source: Guggenheim


 

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Sasha Stone
Russia/United States
1895 | † 1940
Sasha Stone was a Russian artist. A stateless photographer, he and his first wife, Cami Stone (born Wilhelmine Schammelhout 1892-1975), were successful photographers during the 1920s and 1930s. One of his most known work is the cover of Walter Benjamin's book One-Way Street published in 1928. Sasha was born as Aleksander Steinsapir to Jewish parents, Natan Steinsapir and Bella Meerson, in Saint Petersburg, Russia. He studied electrical engineering at Warsaw Technical Institute in Poland from 1911 to 1913. In 1913, he immigrated to New York and spent a few years working briefly at the Edison Company in New Jersey. In 1917, Sasha enlisted in the United States Army, served in WWI and was honorably discharged on June 14, 1919. While in the United States Army he was granted a stay at the American Expeditionary Forces (AEF) Art Training Centre in Paris after the war. After his military discharge, Sasha lived in the Rue de Plantes, Paris, and worked as a sculptor. In 1918, Sasha and Cami moved to Berlin together and later married in 1922. When he moved to Berlin, he kept his studio in Rue de Plantes for his cousin Harry Ossip Meerson to use; however, Meerson failed to pay rent and was evicted. In Berlin, Sasha was associated with the sculptor Aleksandr Archipenko, and was a contributor to the magazine G-Material für elementare Gestaltung. His work was published in Die Form, Das Kunstblatt, UHU, Berliner Illustrirte Zeitung, Der Querschnitt, Gebrauchsgraphik, and Die Dame as well. In 1924, Sasha and Cami opened their own studio in Berlin, named Atelier Stone, meaning “Studio Stone”. In 1928, he officially changed his name to Sasha Stone and became a painter. He had little success as an artist. Due to an economic downturn in Europe during this period, Sasha focused on photography as a main source of income. Sasha had become an extremely versatile photographer, working with portraits, journalism, feature images, advertising, property, fashion, and architecture photos. His photos appeared in Adolf Behne's edition of Berlin in Bildern, and Paul Cohen–Portheim's travel guide Paris. Sasha took images for surrealist journals like Varietés in Belgium and Bilfur in Paris. His work was presented in the first international photography exhibition called Fotografie der Gegenwart in Essen, Germany, and Werkbund's exhibition Film und Foto in Stuttgart, Germany. In 1931, Sasha and Cami moved to Brussels, Cami's hometown, where they lived until they divorced. In 1933, the couple were part of the Exposition Internationale de la Photographie in Brussels. A collection of nudes by Sasha and Cami Stone was published in Les Femmes through the French magazine Arts et Metiers Graphique in 1933. Throughout this time Sasha was connected with artists, celebrities and intellectuals of that period. Sasha and Cami divorced on February 15, 1939. They continued to work together until Sasha remarried. On April 29, 1939, Sasha Stone remarried, to Lydia Edens (born Alida Anna Edens). Sasha, Lydia and other families fled the German attack on Brussels on May 14, 1940. Their goal was to reach Spain and then go to the United States for safety. The group was en route through the Pyrénées in Perpignan, France. On August 6, 1940, Sasha died in Perpignan due to a serious ailment. The exact location of his grave is unknown. The only thing left is the graveyard book entry.Source: Wikipedia Best known for his photomontage reproduced on the cover of Walter Benjamin's book One-Way Street (1928), Stone was closely associated with the New Objectivity movement of the 1920s in Germany. From 1924 to 1931, he operated a successful photographic studio in Berlin. He contributed photo reportage to many of the major illustrated magazines, including Uhu, Die Dame, and Berliner Illustrierte Zeitung and was celebrated for his innovative advertising work. In 1933 the French magazine Arts et Metiers Graphique published Femmes, a portfolio of Stone's studies of female nudes, as the first in a series of three planned portfolios on the human body. (The other two, Hommes and Adolescents, were never realized.) Stone's photographs, with their fragmented figures, angular compositions, and use of raking light, are superb examples of avant-garde photographic aesthetics in Europe between the world wars.Source: The Met
Lisa Kristine
United States
1965
Acclaimed humanitarian photographer Lisa Kristine specializes in images of remote indigenous peoples. Best known for her evocative and saturated use of color, her fine art prints are among the most sought after and collected in the world. Lisa has documented in over 100 countries on six continents, using a 19th century 4×5” field view camera for the majority of her work. Lisa Kristine was born in San Francisco, California, on September 2, 1965. She developed an early interest in anthropology and photography. Lisa was mentored in her youth in Silver Gelatin and Cibachrome printing. Following graduation from the Fashion Institute of Design and Merchandising in San Francisco, Lisa photographed for nearly five years in Europe and Asia. Lisa has collaborated with international humanitarian organizations. When the State of the World Forum convened in San Francisco in 1999 and in New York in 2000, Lisa was asked to present her work to help inspire discussions on human rights, social change, and global security. Her work was auctioned by Christie’s New York to benefit the United Nations with Kofi Annan. She was also honored to be the sole exhibitor at the 2009 Vancouver Peace Summit with His Holiness the Dalai Lama, Reverend Tutu and award winning Nobel Laureates. In 2010 Lisa collaborated with Free the Slaves documenting modern-day slavery. She traveled into the heart of broiling brick kilns, down rickety mine shafts, and into hidden lairs of sex slavery. She bore witness to the most horrific abuses imaginable and the astonishing glimpses of the indomitable human spirit. A groundbreaking photographic book entitled Slavery in which Archbishop Desmond Tutu wrote the foreword was released in the fall of 2010. The sales of the book will help to end slavery. John C. Sweeney, Director of the United Nations, says of her work, “Lisa Kristine’s sensitive and beautiful portrayal of isolated and distant peoples helps us to better appreciate the diversity of the world. She captures the sheer beauty of the differences in people and places and allows us to comprehend the shared nature of the human condition: its hope, its joy and its complexity.” Her work is made distinctive by her passion and intuition and her intense interest in the humanity of her subjects. “I want a person to feel at ease with me, so that they remain who they are and are unchanged by a new, foreign element such as a stranger (myself) or a camera. In order for me to photograph a person in this unaffected environment of ‘self,’ there must be a firm trust between us. Without this, one might still create a beautiful image, but not a stirring one. I’m drawn to people who have been living closer to the earth, and who have very old traditions. People who have not, in any way, been altered by modernity.” “The saturation of color opens our eyes to those who are living in ways very different from our own,” says Paul Oppenheimer, a highly regarded philosopher and teacher. “Lisa invites each of us as humans to look into the eyes of those whom we cannot understand—in a setting that does not diminish our differences. In those differences, we find the roots of our unity.” The images, both inspiring and evocative, draw a connection between the viewer and the subject. Lisa Kristine’s art is her personal statement about the connection of humanity, and about the diversity, beauty, and hardship of our world. Published in 2003, Lisa’s limited edition hardcover monograph A Human Thread of 120 photographs sold out within a year. The accompanying short documentary film, A Human Thread, explores the process behind the photographs and includes interviews with Kristine as well as footage of her on location. Following on the success of her first book, Kristine published This Moment in 2007. This Moment won the bronze metal for the Independent Publisher Book Awards. The book consists of 62 full color plates showcasing her use of the large-format 4x5 field view camera. A second documentary film, Through the Lens, was produced in association with the book. The film illuminates her photographic and artistic process in using a 4x5 large-format view camera.
Alain Schroeder
Belgium
1955
Alain Schroeder is a Belgian photojournalist born in 1955. In 1989 he founded Reporters, a well-known photo agency in Belgium. He has illustrated over thirty books dedicated to China, Iran, the Renaissance, Ancient Rome, the Gardens of Europe, Thailand, Tuscany, Crete, Vietnam, Budapest, Venice, the Abbeys of Europe, Natural Sites of Europe, etc. Belgian book titles include, "Le Carnaval de Binche vu par 30 Photographes", and "Processions de Foi, Les Marches de l'Entre-Sambre-et-Meuse". Publications include National Geographic, Geo, Paris Match,... He has won many international awards including a Nikon Japan award for the Who Will Save the Rohingya series, the TPOTY (Travel Photographer of the Year) award with two series - Living for Death and Kushti, a World Press Photo 1st Prize Sport Stories for the series Kid Jockeys, 2 first prize World Press Photo in 2020 for the series Saving Orangutans, and participated in numerous exhibitions worldwide. He is represented in France by REA. Articles Alain Schroeder's Interview Saving Orangutans Who will save the Rohingyas? Exhibition Kim City Muay Thai Kids All About Photo Competitions All About Photo Awards 2018 AAP Magazine #1: Light AAP Magazine #3: Faces AAP Magazine #6: B&W AAP Magazine #9: Wild All About Photo Awards 2020 AAP Magazine #10: Portrait AAP Magazine #11: Travels All About Photo Awards 2021 AAP Magazine #20: Travels AAP Magazine #22: Streets All About Photo Awards 2022 AAP Magazine #31: Portrait AAP Magazine #32: B&W All About Photo Awards 2024 All About Photo Awards 2025
Jana Šantavá
Slovakia
1978
Jana Šantavá is a visual artist and fine art photographer based in Bratislava, Slovakia. Her work explores themes of introspection, identity, and the space between reality and dream, often through staged, cinematic imagery that invites the viewer into layered narratives. Using mirrors, duplicated figures, and subtle surreal elements, she creates photographs that function as both visual poetry and metaphorical self-portraits of the human psyche. Her photographs have been exhibited internationally in cities such as Paris, Milan, New York, Venice, Arles, Budapest, and Athens, as well as across Slovakia. She has received multiple awards, including the Gold Medal at the Budapest International Foto Awards 2023, Silver at the World Photo Annual 2023, and recognition from PX3 de la Photographie Paris 2023. In 2024, she presented her solo exhibition Echoes of Identity at the Slovak Institute in Berlin. In 2025, her works are featured at ImageNation London and ImageNation New York, continuing her presence on the international fine art photography scene. Through her distinctive visual language, Šantavá challenges the boundaries between staged reality and dreamlike fiction, offering viewers a space for reflection, emotion, and self-discovery. Artist Statement In my work, I explore silence, introspection, and the space between reality and dream. I am fascinated by the idea of the doppelgänger – the second self – reflecting our inner divisions and untold stories. In my photographs, a figure often turns away, gazes through a curtain, or into a mirror. This moment of indirect gaze becomes a key to intimacy – opening a space for the viewer to become the co-author of the narrative. I stage scenes where I work with mirrors, duplicated figures, and strong color contrasts. My aim is not only aesthetic but also metaphorical – a reflection of our inner dialogues, desires, and contradictions. Each photograph is, for me, a visual trace of an emotional movement that cannot be captured in words. My goal is to create images that awaken questions rather than provide answers, opening an inner conversation about what might be hidden behind an apparent calm. Awarded Photographer of the Week - Week 34, 2025
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