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Submit your Best Project to Win a Solo Exhibition this March!
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Lesia Maruschak
Lesia Maruschak
Lesia Maruschak

Lesia Maruschak

Country: Canada
Birth: 1961

Lesia Maruschak is a Canadian artist of Ukrainian descent. She holds a MA from the University of Saskatchewan, and a MBA from the University of Ottawa. She studied Fine Art in the US and Romania. Maruschak creates narrative-specific installations that include static and moving images and hard and soft sculptural elements. They explore the histories of colonized peoples and their manifestations of geopolitical shifts. These organic systems pivot on historic atrocities, creating immersive spaces facilitating audience engagement. This offering explores how the spaces between and within us—lived experience, memory, and perception—are mediated and reverberate. Her series often include intricate and highly coveted limited edition art books, fine art photographs and touring exhibitions. Maruschak current project Poems of Our Children explores the plight of children impacted trauma funded by the Canada Council of the Arts. She is also currently completing two books concerning Canada’s first world war internment operations funded by the Canada First World War Internment Recognition Endowment Council.

Select Collections
The National Art Library, Victoria and Albert Museum
Thomas Watson Library at the Metropolitan Museum of Art
Maison Européenne de la Photographie
Boston Athenaeum
City of Ottawa Art Collection
David M. Rubenstein Rare Book & Manuscript Library at Duke University
Green Library-Special Collections at Stanford University
Rare Books & Special Collections at the Library of Congress
Butler Library-Special Collections at Columbia University

About Project MARIA
Project MARIA memorializes the millions of victims of the 1932-33 genocide-famine in Soviet Ukraine. It functions as a mobile multimedia installation and includes artwork, film, and performance, inspired by a single vernacular photograph of a young girl, Maria F., who survived the Holodomor and currently resides in Canada. Holodomor refers to the genocide manufactured by Stalin and the Politburo in Soviet Ukraine during 1932-1933. Despite an estimated death toll of over four million by forced starvation the Holodomor, remains largely ignored in the context of global genocides.

Project MARIA has been shortlisted for numerous awards and won over 13 including 12th Pollux Award Human Rights and Segregation (2018), Director’s Choice CENTER Review Santa Fe (2019), Landskrona Foto (2020), 16th Julia Margaret Cameron Segregation and Human Rights (2021), and FORMAT22 Director’s Review (2022). Its exhibition record includes 11 solo and more than 15 group exhibitions, in seven countries (2018-2023). Project MARIA recognized by the National Holodomor Genocide Museum, Kyiv, as the most important exhibition on the Holodomor premiered there in 2020. Its multi-city tour of Ukraine which included the LVIV History Museum and the Henryk Siemiradzki Art Gallery, Karazin University, Kharkiv, was interrupted by Russia’s aggression. The tour will recommence this Fall at the Vinnytsia Regional Museum. Other international solo exhibitions include Musée Ukraina Museum, Saskatoon; Turchin Centre for the Visual Arts, Boone; Objectif Femmes, Paris; and the Embassy of Ukraine in the Kingdom of Sweden, Stockholm.

Websites

www.lesiamaruschak.com

lesiamaruschak

 

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More Great Photographers To Discover

Salvatore Valente
Salvatore Valente
Italy
1960
Salvatore Valente was born in Ostuni (Italy) on 10 June 1960. He began his career in the eighties, he discovered the passion for Ethnic groups in the world and above all for all those communities that are disappearing by organizing travels in search of populations in danger of extinction. During his professional growth as a photojournalist he has made several photo exhibitions, rich in lights and colors, natural landscapes, splits of everyday life and the expressiveness of the people who, with his looks, recount their lives. He has won more than 70 International Awards with a remarkable success in Mondo.
Robert Bonk
Robert Bonk
United States
1955
Robert Bonk is an American Photographer who lives outside of Los Angeles. A southerner by birth, he grew up on a lake in a subdivision outside of Jacksonville, Florida. The lake teemed with aligators and water moccasins. Spiders the size of soda cans waited in their webs for their next meal. Neighbors displayed trophies of marlin, swordfish and bluefish on their walls. It was a wild and viseral, poetic place which formed his imagination and layed the foundation for lifelong exploration of people and places.
Luigi Ghirri
Luigi Ghirri
Italy
1943 | † 1992
Luigi Ghirri, born on January 5, 1943, in Scandiano, Emilia-Romagna, Italy, was a trailblazing photographer renowned for his innovative use of color. Ghirri's early life in this picturesque region profoundly influenced his artistic vision. Initially trained as a surveyor, he began experimenting with photography in the early 1970s, a time when the medium was predominantly monochrome and used mainly for documentation and advertising. Ghirri diverged from the norm by embracing color photography as a legitimate artistic form. His work delved into the social and cultural changes sweeping through Italy during the 1970s, particularly the infiltration of advertising and the rise of leisure activities. His images often feature everyday scenes, landscapes, and urban environments, infused with a sense of nostalgia and contemplation. He had an uncanny ability to find beauty in the mundane, transforming ordinary moments into profound visual narratives. One of Ghirri's most significant contributions was his ability to convey the evolving identity of post-war Italy. His photographs from this era provide a vivid chronicle of the shifting social landscape, marked by consumerism and modernity, yet always maintaining a deep connection to the region's history and traditions. In 1978, Ghirri published his first book, "Kodachrome," which became a seminal work in the field of color photography. This collection showcased his unique perspective and solidified his reputation as a visionary artist. He continued to produce influential works throughout the 1980s, including notable projects like "Il Profilo delle Nuvole" and "Viaggio in Italia," which further explored themes of travel, memory, and the passage of time. Ghirri's approach was both methodical and poetic. He meticulously composed his shots, paying close attention to light, color, and composition. His photographs often feature elements of surrealism and irony, inviting viewers to see the world through his distinctive lens. Despite his untimely death on February 14, 1992, Ghirri's legacy endures. His work has been celebrated in numerous exhibitions and retrospectives worldwide, influencing generations of photographers. Luigi Ghirri remains a pivotal figure in the history of photography, revered for his pioneering use of color and his profound ability to capture the essence of a changing Italy.
Álvaro Vegazo
Álvaro Vegazo
Spain
Álvaro Vegazo was born in the city of Sanlúcar de Barrameda, south of Andalucia, in 1977. He's Civil Engineer, but his authentic passion is photography. From his adolescence he was involocruded with it, but since 2015 he has been working seriously about street and documentary photography. The mostly Alvaro's work is about the life in the streets around his closest environment, mainly in "La Costa de la Luz" in Andalucía, although in last years he was in Portugal practicing too. Really he takes advantage any place he goes, beacuse he always carry on his camera. Although he does not rule out the use of black and white, his work focuses more on color. As can be seen in his photos, the colors fill a large part of the frame and he also intends to play with different layers. In relation with his projects, Álvaro has finished two of them: "Tránsitos de Luz" (2018) in book format, where he show his photos during more of three years in the street. And the second one, "Carmen de Bonanza" is a documentary project that for four years documents the religious event that takes place in that coastal neighborhood and it was exhibited in different locations in Spain. On the other hand, the “Underxpose”, publishing house, published my her 37th fanzine dedicated to my serie "That time we coincide". His photographs and articles were published in some relevant media such as Street Photography Magazine, Inspired Eye , Lensculture or “El País”. He also showed his photos in collective exhibitions nationally and internationally: Seville, Florence, Miami, Siena, New York, Warsaw and Vienna. And among the most important awards we can mention: finalist in The Miami Street Photography Festival (MSPF, Miami 2019), finalist in Street Photography International (SPI, London 2020), finalist in Urban Photo Awards Contest, with a serie (Triestre, 2021), honorable mentions in Siena International Photography Awards (SIPA, Siena 2019) and International Photography Awards (IPA, New York 2019), Juror’s Pick’ Lensculture 2023, finalist and gold medalist Paris International Photo Awards 2023, second place Italian Street Photo Festival 2024, and finalist in Leica Street Photo 2025.
Sirli Raitma
Sirli Raitma
Estonia
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Sirli Raitma is a London based photographer. She was born and grew up in Suure-Jaani in Estonia. Sirli's images span portraiture, landscapes and interiors, but portraiture - especially involving ambiguity via costume or displacement - is her heartland. Project - Eha EHA is a series of portraits of my mother, portrayed in a series of unusual situations, poses and attire. Eha was born in Estonia in 1950. Widowed, suffering from epilepsy and lacking great command of English, Eha stayed tightly involved in our lives. In 2015 Eha began to suffer from depression. Life became bleaker. Something had to be done. I came up with a plan to give her something new to focus on, beyond her new procession of doctor's appointments and medications. The 'EHA' project was born. 'Eha revealed herself to be a natural model, happy to play along with my increasingly imaginative visual fantasies. The 'EHA' project has had an effect on both of us. It is encouraging to see that the results for us are also having a resonance for others. The project has featured in UK and Estonian magazines. The feedback from readers has been fantastic and is consistent it that it has prompted many to look at their own family situations and how they treat each other.'
Ralph Eugene Meatyard
Ralph Eugene Meatyard
United States
1925 | † 1972
Ralph Eugene Meatyard (May 15, 1925 – May 7, 1972) was an American photographer from Normal, Illinois, U.S. Meatyard was born in Normal, Illinois and raised in the nearby town of Bloomington. When he turned 18 during World War II, he joined the United States Navy, though he did not serve overseas before the war ended. After leaving the force he briefly studied pre-dentistry, before training to become an optician. He moved with his new wife Madelyn to Lexington, Kentucky to continue working as an optician for Tinder-Krausse-Tinder, a company which also sold photographic equipment. The owners of the company were active members of the Lexington Camera Club, for which the Art Department of the University of Kentucky provided exhibition space. Meatyard purchased his first camera in 1950 to photograph his newborn first child, and subsequently worked primarily with a Rolleiflex medium-format camera. He joined the Lexington Camera club and the Photographic Society of America in 1954. At the Lexington Camera Club he met Van Deren Coke, who exhibited work by Meatyard in an exhibition for the university entitled Creative Photography in 1956. During the mid-1950s, Ralph Eugene Meatyard attended a series of summer workshops run by Henry Holmes Smith at Indiana University, and also with Minor White, who fostered Meatyard's interest in Zen Philosophy. An autodidact and voracious reader, Meatyard worked in productive bursts, often leaving his film undeveloped for long stretches, then working feverishly in the makeshift darkroom in his home. "His approach was somewhat improvisational and very heavily influenced by the jazz music of the time." He used his children in his work addressing the surreal "masks" of identity. Much of his work was made in abandoned farmhouses in the central Kentucky bluegrass region during family weekend outings and in derelict spaces around Lexington. Some of his earliest camera work was made in the traditionally African-American neighborhood around Lexington's Old Georgetown Street. Meatyard was a close acquaintance of several well-known writers in the Kentucky literary renaissance of the 1960s and 1970s, including his neighbor Guy Davenport, who later helped compile a posthumous edition of his photos. In 1971, Meatyard co-authored a book on Kentucky's Red River Gorge, The Unforeseen Wilderness, with writer Wendell Berry. The two frequently traveled into the Appalachian foothills. Berry and Meatyard's book contributed to saving the gorge from destruction by a proposed Army Corps of Engineers dam. Meatyard's ashes were scattered in the gorge after his death. Meatyard was also a friend and correspondent of Catholic monk and writer Thomas Merton, who lived at the Abbey of Gethsemani, a Trappist monastery just west of Bardstown, Kentucky. Merton appeared in a number of Meatyard's experimental photographs taken on the grounds of the monastery, and they shared an interest in literature, philosophy, and Eastern and Western spirituality. Meatyard wrote Merton's eulogy in the Kentucky Kernel shortly after his death in Bangkok, Thailand, in December 1968. Meatyard died four years later, in 1972, of cancer. Though Lexington was not a well-established center of photography, Meatyard did not consider himself a "Southern" or regional photographer. His work was beginning to be recognized nationally at the time of his death, shown and collected by some prominent museums and published in magazines. He exhibited with photographers including Edward Weston, Ansel Adams, Minor White, Aaron Siskind, Harry Callahan, Robert Frank, and Eikoh Hosoe. By the late 1970s, his photographs appeared mainly in exhibitions of 'southern' art, but have since attracted renewed interest. His best-known photography featured dolls and masks, or family, friends and neighbors pictured in abandoned buildings or in ordinary suburban backyards.Source: Wikipedia Ralph Eugene Meatyard lived in Lexington, Kentucky, where he made his living as an optician while creating an impressive and enigmatic body of photographs. Meatyard’s creative circle included mystics and poets, such as Thomas Merton and Guy Davenport, as well as the photographers Cranston Ritchie and Van Deren Coke, who were mentors and fellow members of the Lexington Camera Club. Meatyard’s work spanned many genres and experimented with new means of expression, from dreamlike portraits—often set in abandoned places—to multiple exposures, motion-blur, and other methods of photographic abstraction. He also collaborated with his friend Wendell Berry on the 1971 book The Unforeseen Wilderness, for which Meatyard contributed photographs of Kentucky’s Red River Gorge. Meatyard’s final series, The Family Album of Lucybelle Crater, are cryptic double portraits of friends and family members wearing masks and enacting symbolic dramas. Museum exhibitions of the artist’s work have recently been presented at Art Institute of Chicago; The Philadelphia Museum of Art; the de Young Museum, San Francisco; The International Center of Photography, New York; Cincinnati Museum of Art, Ohio; the Center for Creative Photography, Tucson; and Blanton Museum of Art, Austin, Texas. His works are held in the collections of the Metropolitan Museum of Art, San Francisco Museum of Modern Art, J. Paul Getty Museum, The Eastman Museum, and Yale University Art Gallery, among others. Monographs include American Mystic, Dolls and Masks, A Fourfold Vision, and The Family Album of Lucybelle Crater and Other Figurative Photographs.Source: Fraenkel Gallery
Sinan Kiliç
Sinan Kiliç
Turkey
1979
Sinan Kiliç, living in Izmir, Turkey is one of the co-founders of Mahzen Photos. He has taken part in many photo festivals and exhibitions at national and international level. In the belief that photography has an important power in terms of witnessing time and the formation of social consciousness he takes photographs both in the field of street and documentary photography. He organizes photo workshops for children. He is also teaching in various photo workshops and is one of the co-founders of a photo art workshop named "No 238" in Izmir. MOTTO OF CITY AND LIFE A city is actually a visible or an invisible multitude; With its buildings, wracks and ruins, Lives glide from the walls, shadows, loneliness and crowds... The feelings of losing our eye sight that is disintegrated by this multitude... The connections and the contacts of the subjects which are similar to each other as you walk and as you contact, there is a connection of the bodies. The city and the body parts are with this connection, actual identities are lost and the new identity scenes are created!
Jason Au
Jason Au
Hong Kong
1994
Born in 1994, Jason Au is an award-winning street photographer based in Hong Kong. His black & white photography incorporates creative, geometric and balanced compositions with prominent use of contrasting light and shadows. He thinks black & white has the mesmerizing quality to transform ordinary things from everyday life into something dramatic and powerful, so he is intrigued to seize those fleeting street moments around. In 2021, Jason's high-aesthetic works won him 2nd Place in LensCulture Street Photography Awards (Single Image), 1st Place in International Photography Awards (IPA) Street Photography Category, 1st Place in IPA - One Shot (Isolation Category), 1st Place in ND Awards Street Photography Category and 2nd Place in Fine Art Photography Awards Street Photography Category. His street photography series "Geometric Hong Kong" comes with the compositional approach of isolating urban subjects, geometric elements and forms from the chaotic urban environment of his hometown. The series portrayed the way of life of different urban subjects in the context of their surrounding geometric environment, which were all culled from mundane everyday scenes. Nevertheless, those subjects look trapped and lost inside an artificial geometric labyrinth without realizing it - perhaps this series is also a metaphorical view of urbanity and the hectic contemporary way of life within a metropolis like Hong Kong.
Frieke Janssens
Frieke Janssens
Belgium
1980
Over the past 25 years, Frieke Janssens has acquired a reputation as a photographer of surreal staged tableaux and group portraits, often originating in a specific concept, and almost always stemming from an inexhaustible interest in human diversity. Her series often stand out because of their confrontational nature. Notable series include, among others, Smoking Kids, Your last shot, Diana's, Animalcoholics, and recently Lightness. In the same way that an oil painter builds up a work layer by layer, she too meticulously creates each image, down to the smallest detail. In every picture we can recognise the same artistic touch, the same technical perfection, combined with a playful duality between reality and fiction. At first glance, her images attract the viewer because of their pared-down beauty. Yet once one really starts to look in earnest, one realises that there are always multiple layers of meaning. It seems as if the people portrayed are trying to tell us something. However, they are silent, and consequently have to rely on the viewers to create the story for themselves. Frieke does not adopt any particular position, but aims to convey the feeling that one is not only looking at a photograph, but at a mirror as well. As such, she leaves the viewers free in their interpretation, yet never leaves them indifferent. She sometimes lends her pared-down style to clients with whom she has a good connection, like a cultural centre, or a campaign, or a newspaper or magazine. In recent years, Frieke Janssens has exhibited in New York, Chicago, London, Hull, Bilbao and obviously also in her own country, including in Antwerp and Knokke-Heist. Her work has appeared in The Guardian, The Atlantic, Huffington Post, Knack, De Morgen, De Tijd and NRC, among others. Her book The Sweetest Taboo won gold at the 2019 Henry Van De Velde awards. In 2022, her third book Lightness was published on the occasion of the eponymous exhibition in Foto Knokke-Heist.
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