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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Rico X.
Rico X.
Rico X.

Rico X.

Country: Grenada
Birth: 1986

"I am not great with words. I am a visual person and a straight shooter aka talker and not a fan of descriptions or bio's things that alienate many artists like me who aren't wordsmiths.

So we will keep it short and sweet.

I take photos, some will like them, some will not.

The End!"
 

Inspiring Portfolios

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More Great Photographers To Discover

Harry Benson
Scotland
1929
Scottish born photojournalist Harry Benson arrived in America with the Beatles in 1964. Harry has photographed every U.S. president from Eisenhower to Barack H. Obama; was just feet away from Bobby Kennedy the night he was assassinated; in the room with Richard Nixon when he resigned; on the Meredith march with Martin Luther King, Jr., next to Coretta Scott King at her husband's funeral; on maneuvers with the IRA; was there when the Berlin Wall went up and when it came down; and covered the aftermath of Katrina in New Orleans. In 2013 Harry received an Honorary Doctor of Letters from The University of St. Andrews, Scotland. On January 1, 2009, Harry was appointed a Commander of the Order of the British Empire by Her Majesty Queen Elizabeth II and received his honor at Buckingham Palace in March. In London in November 2009 Harry received an Honorary Fellowship in the Royal Photographic Society. Harry was honored with a Doctor of Letters from the Glasgow School of Art and Glasgow University in 2007. Twice named NPPA Magazine Photographer of the Year, Harry received the 2005 LUCIE Award for Lifetime Achievement in Portrait Photography; the 2005 AMERICAN PHOTO Magazine Award for Achievement in Photography; the 2006 Lifetime Achievement Award from the Scottish Press Photographers Association; and has twice received the Leica Medal of Excellence. He has had 40 gallery solo exhibitions and fourteen books of his photographs have been published. His photographs are in the permanent collection of the Scottish National Portrait Gallery in Edinburgh, and the Smithsonian National Portrait Gallery in Washington, DC, both museums hosted his Harry Benson: Being There exhibition (2006-7). A major retrospective exhibition of Harry's photographs was at Kelvingrove Museum in Glasgow from June to September, 2008. Harry was under contract to LIFE Magazine from 1970 to 2000. His photographs appear in major magazines including Vanity Fair, Town & Country, Architectural Digest, Time, Newsweek, Vice, Paris Match, and The London Sunday Times Magazine. Harry lives in Wellington, Florida with his wife, Gigi, who works with him on his book and exhibit
Jon Enoch
United KIngdom
1979
Jon Enoch discovered his love of photography on a round-the-world-trip, which he won in a competition while in his first year of university, studying geography. He bought a simple point-and-shoot camera and discovered a passion and a skill for portrait and lifestyle photography - looking for an unusual shot, rather than a standard tourist snap. He returned to university to complete his degree in geography, but was still out every weekend working on his own portraiture projects. After he left university, he did a one year course in newspaper photography and began a career in press photography. Jon started developing his bold portraiture style while freelancing at The Times, and now specialises in photo shoots for CEOs, sportspeople and celebrities, as well as advertising and lifestyle shoots. Describing his work as 'bold and uncomplicated', Jon loves playing with light, and how it affects the mood of the work. Jon still works on his own personal projects, and his 'Bikes of Hanoi' set of street images of moped delivery drivers earned him numerous industry accolades and awards, including the, Sony World Photography Awards 2020, Smithsonian Grand Prize Winner 2020, Portraits of Humanity 2020; Lens Culture Portrait Prize 2020 and a gold at the Prix de la Photographie Paris. Statement Jon said: "I continue to develop my skills and my style at every opportunity I get. I had some great personal photography projects in the planning before Covid-19 hit, so hopefully I will get to pick up those plans again before long. During the UK lockdown, I spent my time developing my directing skills. Mixing stills and moving images is something clients increasingly want and I find it an interesting creative challenge. The two worlds are in many ways so similar but at times so different. Being able to tackle both is something I really enjoy. Essentially I want to take stunning images that people connect with. " Exclusive Interview with Jon Enoch
Fausto Podavini
Fausto Podavini was born in Rome, where he still lives and works. His passion for photography began when he was 18, first as assistant and studio photographer, then working on ethnological and social reportage. In 1992, he worked at MIFAV, the photography museum at Tor Vergata University in Rome and then studied at the John Kaverdash photography academy in Milan, taking a master’s degree in reportage. Podavini left studio photography to dedicate himself exclusively to reportage, and is nowadays a freelance photographer, collaborating with a number of NGOs. He has covered issues in Italy, Peru, Kenya, and Ethiopia, where he is currently developing personal photographic projects.Italian social reportage photographer Fausto Podavini is honoured this year as both third place winner in the 2013 Sony World Photography Awards Lifestyle category as well as first prize for the 2013 World Press Photo's 'Daily Life' category. His winning series, follows the relationship of Mirella and Luigi as Mirella cared for for husband at home in Rome. Married for over 40 years, Luigi began experiencing symptoms of Alzheimer's disease. For six years, Mirella tended to her husband's needs due to the progressive degenerative illness. After five years of living with Alzheimers, Luigi no longer recongised his wife; he died in May 2011 with her at his bedside. Podavini's intimate and delicate series follows Mirella for four years. WPO's Kaley Sweeney spoke to the photographer a bit more about his experiences developing the long term project. (Source: World Photography Organisation)
Barbara De Vries
Netherlands
The Dutch artist Barbara de Vries studied at the Rietveldacademie and the St. Joostacademie graphic art, industrial design and theater design. Although she worked with several famous theatres, Barbara finally got specialised in photography. The atmosphere in her work is a midway between fantasy and reality. Her images are mostly blurred, out of focus, with glimpses of reality. The Dutch curator Maarten Bertheux wrote as follow about her work. ‘Work of Francis Bacon and Marlene Dumas are relevant for the work of Barbara de Vries. Her work contain of digital reworked photographic material printed on Japanese paper. She combines and deforms her images in order to create her layered images. When she uses soft contours it brings in mind an aquarellist way of painting, a style De Vries used frequently before she started to use the computer as a tool in her photographic work. Her background as a stage designer has also influenced her actual work. This experience appears in the theatrical and dramatic setting and in the way she manipulates the light. In the photographic work there can be clear definition of space, but equally she uses an indistinct space that can vary from a sfumato-like space to a space where figures seem to float in. The figures are constructed out of several limbs and elements that are reconstructed in a new way, creating a new figuration. It seems as it is De Vries’ capability to creep under the skin of her model and analyzing the basic psycho logic characteristics’. Barbara de Vries' photography evoke feelings of hope, desire and consolation. Source: Morren Galleries
Edward Steichen
Luxembourg/United States
1879 | † 1973
Edward Steichen (1879 - 1973) was born in Luxembourg, but immigrated to the United States, to Milwaukee, in 1880. In 1894, Steichen began a four-year lithography apprenticeship with the American Fine Art Company of Milwaukee. After hours, he would sketch and draw, and began to teach himself to paint. Having come across a camera shop near to his work, he bought his first camera, a secondhand Kodak box "detective" camera, in 1895. In 1900, as Steichen headed to Paris to study painting, he stopped in New York. By that time he was an aspiring painter and an accomplished photographer in the soft-focus, Pictorial style and he made a pilgrimage to the Camera Club of New York to show his work to Alfred Stieglitz, the leading tastemaker in American photography. Stieglitz, vice-president of the Camera Club and editor of its journal Camera Notes, was impressed by the young artist from Milwaukee and bought three of his photographs-a self-portrait and two moody, atmospheric woodland scenes printed in platinum-for the impressive sum of five dollars each. Elated, Steichen then boarded the ship for Europe. Once in France, Steichen quickly abandoned his painting studies and began to focus his energies on photography. He learned the technical intricacies of the gum bichromate process, popular among the members of the Photo-Club de Paris, and developed a reputation as a portraitist of noted artists, writers, and members of society. Arriving back in New York in 1902, Steichen rented a studio on the top floor of a brownstone at 291 Fifth Avenue and hung out his shingle; his work as a professional portrait photographer flourished. That same year, Stieglitz announced the formation of the Photo-Secession-the name he gave to the loose-knit group of photographers he exhibited, published, and promoted during the next decade and a half-and the publication of a new, still more lavish journal, Camera Work. Over the fifteen-year, fifty-issue run of Camera Work, no other artist would be featured as prominently as Steichen, who had sixty-five photographs and three paintings reproduced in fifteen issues, including a "Special Steichen Supplement" in April 1906 and an all-Steichen double issue in 1913. In 1906, Steichen determined "to get away from the lucrative but stultifying professional portrait business" and return to France with his family in hopes of resuscitating his idled painting career. It was a move with numerous consequences. For one, it positioned him to embrace the Autochrome, the process for making glass-plate color transparencies introduced by the Lumière brothers in 1907. Steichen-who had experimented with various methods such as gum bichromate to introduce color into his photographs-was enthralled by the technique. Steichen also made what he called his "first attempt at serious documentary reportage" in the summer of 1907, using a borrowed hand camera. Steichen returned to the U.S. in 1914. Serving in the US Army in World War I (and the US Navy in the Second World War), Steichen commanded significant units contributing to military photography. After World War I, during which he commanded the photographic division of the American Expeditionary Forces, he reverted to straight photography, gradually moving into editorial and fashion photography. His portraits of Greta Garbo, Marlene Dietrich, Gloria Swanson, and other celebrities appeared in Vogue and Vanity Fair in the 1920s and 1930s. From 1947-1962, Steichen served as the Director of Photography at New York's Museum of Modern Art.. Among other accomplishments, Steichen is appreciated for creating the 1955 exhibition, The Family of Man, at the Museum of Modern Art consisting of over 500 photographs. Steichen purchased a farm that he called Umpawaug in 1928, just outside West Redding, Connecticut, and lived there until his death. Source: Howard Greenberg Gallery
Zev Hoover
United States
1999
Zev Hoover, from Natick, Massachusetts, goes by the Flickr username Fiddle Oak, a play on 'little folk', which adequately describes the incredible images that make up his 'miniature world'. In his fantastical photos in which people are digitally shrunken, acorns make excellent seats, Popsicle sticks are the ideal size for building rafts, and paper airplanes are viable modes of transport. Zev told Today.com that while he takes the photos with his own camera, his older sister Nell, 18, was the brains behind the original tiny people concept. "She is sort of my partner in crime," he said, adding that she is "more of a writer". While Nell may have come up with the idea, Zev executes the images beautifully, and his unique work has attracted the attention of professional photographers and designers. The 14-year-old, who also writes a blog, explained the complicated process of how he creates his dreamlike images, many of which feature him as the main subject. The process involves capturing the background image first, shrinking photos of people in similar lighting, manipulating the images in Photoshop and editing the color scheme so that it all matches. 'It takes a long time,' he said of the resulting images, which are so otherworldly that they almost look like drawings. One image shows a boy constructing a house of playing cards, his body the same size as the cards. In another image, a 'miniature' boy and girl sit upon a raft made of Popsicle sticks, the sail of which is a single leaf. Many of Zev's images explore nature, including one in which a boy perches inside the shell of an acorn. Another nature-themed photo, which plays with and distorts size ratio, shows a miniscule-looking boy sitting on the edge of a rock, a violin in his hand. Photography and design websites have picked up on Zev's work, lauding him for being so talented and creative at such a young age.Source: www.dailymail.co.uk
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Latest Interviews

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Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
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Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
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French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
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AAP Magazine #54 Nature
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