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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Radana Kuchařová
Radana Kuchařová
Radana Kuchařová

Radana Kuchařová

Country: Czech Republic

Radana Kuchařová was born in Czechoslovakia, graduated from the Czech Technical University and then worked as an engineer and designer. When the borders opened after the "Velvet Revolution", she began to get to know previously inaccessible regions with great joy, like many Czechs. She always carried a camera with her on her travels and recorded foreign countries.

In addition to buildings and architecture, I became interested in people, their lives and customs. I also visited regions quite far from my homeland, especially in Asia, and tried to capture moments from the lives of people living a different way of life. People and the human story is what interests me the most in life and their depiction in photography.

Recently, when I have been photographing more intensively, I have participated in various international photography competitions, in which I have also won awards and medals. I have participated in several joint exhibitions of Czech photographers and I have also had solo exhibitions in the Czech Republic.
 

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More Great Photographers To Discover

Dorrie Mcveigh
United States/United Kingdom
1975
"I am a British fashion, portrait and art photographer, born in New York into a family of artists, my family emigrated to London in the late 70s where I grew up in an around west London. I have travelled a lot over the years, perhaps always searching for my allegorical "homeland". I finally settled in Marseille, a city I love more than any other and I have been living and working here for the last 8 years. My photography has become a means for me to forage into my unconscious and reveal the world as I see it. Having grown up in a country that is not my homeland, I am fascinated by what unites, separates and defines us humans and I am aware that my images are born from this. Since a young age I have always been captivated by the classical elements of tragedy. At school I studied the plays of Sophocles and Euripides, seduced and fascinated by the notions of hubris and hamartia and how even the most powerful amongst us can be just a breath away from fragility and loss. I fell in love with the plays of Shakespeare in my final years at school, my favourite being Macbeth. There is something acutely touching in watching the fall of somebody great. I am drawn to the idea that as their ego and influence crumble and the mirrors of the ego fall away we can find that beneath humanity that has so much more potential for beauty, tenderness and creativity then when we are alone on the pedestal of power. Whilst I am drawn to the iconography and sheen of modern life, I find what really interests me is to strip this back to reveal the fragile, quiet and sometimes empty spaces that lie beneath. I have always loved the paintings of Edward Hopper whose work encapsulates so perfectly the constant possibility for loneliness and vulnerability in our fast lives whilst also reminding us that it is these moments that are perhaps the most poignant. I work as a fashion and portrait photographer but essentially I am an artist and I am always looking for opportunities to express myself through my photography whether it be through my commercial work or in my personal projects. " -- Dorrie Mcveigh Exclusive Interview with Dorrie Mcveigh
Richard Misrach
United States
1949
Richard Misrach (born 1949) is an American photographer "firmly identified with the introduction of color to 'fine' [art] photography in the 1970s, and with the use of large-format traditional cameras" (Nancy Princenthal, Art in America). David Littlejohn of the Wall Street Journal calls Misrach "the most interesting and original American photographer of his generation," describing his work as running "parallel to that of Thomas Struth and Andreas Gursky, two German contemporaries." Littlejohn notes that all three used a large scale color format that defied the expectations of fine art photography at the time. Misrach is widely recognized as "one of this century’s most internationally acclaimed photographers." He is perhaps best known for his depictions of the deserts of the American west, and for his series documenting the changes brought to bear on the environment by various man-made factors such as urban sprawl, tourism, industrialization, floods, fires, petrochemical manufacturing, and the testing of explosives and nuclear weapons by the military. Curator Anne Wilkes Tucker writes that Misrach's practice has been "driven [by] issues of aesthetics, politics, ecology, and sociology." In a 2011 interview, Misrach noted: "My career, in a way, has been about navigating these two extremes - the political and the aesthetic." Describing his philosophy, Tracey Taylor of the New York Times writes that "[Misrach's] images are for the historical record, not reportage." Misrach has been married since 1989 to writer Myriam Weisang and has a son, Jake, from his first marriage to Debra Bloomfield. Misrach's book Desert Cantos received the 1988 Infinity Award from the International Center of Photography, and his Bravo 20: The Bombing of the American West, co-authored with Myriam Weisang Misrach, was awarded the 1991 PEN Center West Award for a nonfiction book. His Katrina monograph Destroy This Memory won Best Photobook of the Year 2011 at PhotoEspaña. He has received numerous awards including four National Endowment for the Arts Fellowships, a Guggenheim Fellowship, an International Center of Photography Infinity Award for a Publication, and the Distinguished Career in Photography Award from the Los Angeles Center for Photographic Studies. In 2002 he was given the Kulturpreis for Lifetime Achievement in Photography by the German Society for Photography, and in 2008 he received the Lucie Award for Outstanding Achievement in Fine Art Photography. In 2010, Apple licensed Misrach's 2004 image Pyramid Lake (at Night) as the inaugural wallpaper for the first iPad. The opening credits of the 2014 HBO series True Detective featured a montage of images from Misrach's Petrochemical America. In 2016, the AIGA selected Border Cantos for its "50 Books | 50 Covers" competition, a "survey of the best in book design represent[ing] perhaps the longest-standing legacy in American graphic design." Source: Wikipedia Richard Misrach is one of the most influential photographers of his generation. In the 1970s, he helped pioneer the renaissance of color photography and large-scale presentation that are in widespread practice today. Best known for his ongoing series, Desert Cantos, a multi-faceted approach to the study of place and man’s complex relationship to it, he has worked in the landscape for over 40 years. A recent chapter of the series, Border Cantos, made in collaboration with the experimental composer Guillermo Galindo, explores the unseen realities of the US-Mexico borderlands. This work was exhibited at the Amon Carter Museum of Art, Crystal Bridges Museum of American Art, and San Jose Museum of Art in 2016-17. In the most recent chapters, Premonitions and The Writing on the Wall, Misrach documents graffiti on abandoned buildings throughout the Southwest and Southern California, finding an angry and ominous response to the highly charged political climate before and after the 2016 election. Both series premiered at Fraenkel Gallery in 2017. Other notable bodies of work include his documentation of the industrial corridor along the Mississippi River known as Cancer Alley, the study of weather, time, color and light in his serial photographs of the Golden Gate Bridge, and On The Beach, an aerial perspective of human interaction and isolation. Recent projects mark departures from his work to date. In one series, he has experimented with new advances in digital capture and printing, foregrounding the negative as an end in itself and digitally creating images with astonishing detail and color spectrum. In another, he built a powerful narrative out of images of graffiti produced in the aftermath of Hurricane Katrina, made with a 4-megapixel pocket camera. In fall 2012, in collaboration with landscape architect Kate Orff, Misrach launched a major book and exhibition entitled Petrochemical America, which addresses the health and environmental issues associated with our dependency on oil. Source: Fraenkel Gallery
Sheila Metzner
United States
1939
Sheila Metzner (born 1939) is an American photographer. She was the first female photographer to collaborate with the Vogue magazine on an ongoing basis. Metzner lives in Brooklyn, New York. Metzner graduated from the Higher School of Art and Design and the Faculty of Visual Communications of the Pratt Institute. After that, she was engaged in promotional activities. In the 1960s, she became the first woman to be promoted to art director by Doyle Dane Bernbach, an advertising agency. Thanks to this, she successfully collaborated with well-known photographers, including Richard Avedon, Melvin Sokolsky, Bob Richardson and Diane Arbus. Inspired by the work of 19th-century English photographer Julia Margaret Cameron, who painted pictures of her family, Metzner photographed her husband, artist Jeffrey Metzner, and her children. In the first 10 years, she shot only her family without publishing photos. Her first show in New York was called Friends & Family. She decided to show part of the images to the director of the Museum of Modern Art in New York, John Sarkovsky. In 1978, he bought one and included in MoMA exhibition Mirrors and Windows: American Photography Since 1960. A second exhibition – Photography (Spring 1981): Couches, Diamonds and Pie – took place there. After that, The New York Times and The Sunday Times published a photograph of Sheila's husband. In 2008 the School of Visual Arts presented the exhibition Time Line: Shelia Metzner at the Visual Arts Museum, New York. Sheila Metzner lives in New York. She was married to the artist Jeffrey Metzner, with whom she had seven children.Source: Wikipedia Sheila Metzner's unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Born in Brooklyn, she attended Pratt Institute, where she majored in Visual Communications, and was then hired by Doyle Dane Bernbach advertising agency as its first female art director. She took pictures all the while, amassing them slowly over the next thirteen years, while raising five children. One of these photographs was included in a famous and controversial exhibition at the Museum of Modern Art - Mirrors and Windows: American Photography since 1960 - and became the dark horse hit of the exhibition. Gallery shows and commercial clients soon followed. Her first commercial client was Valentino, followed by Elizabeth Arden, Perry Ellis, Shiseido, Fendi, Saks Fifth Avenue, Paloma Picasso, Victoria's Secret, Revlon, and in recent years Levi's, Ralph Lauren, Club Monaco, Bergdorf Goodman and Neiman Marcus. Sheila's fine art photographs are featured in the collections of The Metropolitan Museum of Art, The Museum of Modern Art, The J. Paul Getty Museum, The International Center of Photography, The Brooklyn Museum, The Museum of Fine Arts, Houston, The Chrysler Museum, The Art Institute of Chicago, Agfa and Polaroid Corporations, Saks Fifth Avenue, as well as many personal collections. She has published five monographs: Objects of Desire, which won the American Society of Magazine Photographers Ansel Adams Award for Book Photography; Sheila Metzner's Color; Inherit the Earth, a collection of landscapes shot during her travels, Form and Fashion, a collection of images culled from twenty years of her work in fine-art and fashion, and Sheila Metzner: From Life in 2017.Source: sheilametzner.com
Don Hong-Oai
China
1929 | † 2004
Don Hong-Oai was born in Canton, China in 1929 as the youngest son to a business family, and was raised and educated in Saigon, Vietnam. At age thirteen, he began an apprenticeship at a Chinese photo and portrait shop. In 1979, he immigrated to the United States and settled in San Francisco's Chinatown. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin-San’s technique of layering negatives. By taking three negatives, foreground, middle ground, and background, and selecting a subject from each negative, thus forming one composite image of a serene landscape. All the various scenes in an image existed in reality, but each uniquely handcrafted photograph is a concoction of the artist's imagination. Each photograph was assembled only by the artist himself, never having an assistant or master printer aid him. His work has won scores of international awards and has been collected worldwide. Source: www.peterfetterman.com Don Hong-Oai (1929-2004) was born in Canton, China, and spent most of his life in Vietnam. At the age of 13, he began an apprenticeship at a photo and portrait shop. When he was not at the studio, he traveled and took photographs of the landscape. He stayed in Vietnam through the war, but fled by boat to California in 1979. He lived in San Francisco’s Chinatown where he had a small darkroom to create his photographs. While living in the US, he returned to China every few years to make new negatives. Hong-Oai’s style was heavily influenced by the legendary photographer Long Chin-San’s technique of layering negatives. By taking three negatives, foreground, middle ground, and far ground, and selecting a subject from each negative, Don would construct a serene landscape. Each of his uniquely handcrafted photographs in its entirety is a concoction of the artist's imagination. He assembled and printed the photographs by himself, never having an assistant or master printer aid him. Don’s work has won scores of international awards and has been collected worldwide. Source: www.gallery71.com
Max Yavno
United States
1911 | † 1985
Max Yavno (1911-1985) was a photographer who specialized in street scenes, especially in Los Angeles and San Francisco, California. The son of Russian immigrants, Yavno was born in New York on April 26, 1911. He had one sister. He was married at age 19 and divorced three years later. He died in April 1985 of complications resulting from a fall in a shower. Yavno worked as a Wall Street messenger while attending City College of New York at night. He attended the graduate school of political economics at Columbia University and worked in the Stock Exchange before becoming a social worker in 1935. He did photography for the Works Progress Administration from 1936 to 1942. He was president of the Photo League in 1938 and 1939. Yavno was in the U.S. Air Force from 1942 to 1945, after which he moved to San Francisco and began specializing in urban-landscape photography. History professor Constance B. Schulz said of him: "For financial reasons he worked as a commercial advertising photographer for the next twenty years (1954–75), creating finely crafted still lifes that appeared in Vogue and Harper's Bazaar. He returned to artistic landscape photography in the 1970s, when his introspective approach found a more appreciative audience. Funding from the National Endowment for the Arts enabled him to travel to Egypt and Israel in 1979." He also captured a pre-Dodgers Chavez Ravine, a giant plaster leg on top of a building in West Los Angeles and a "nostalgic" shot of a cable car being turned around at Powell and Market streets in San Francisco. His noted photograph of a crowd watching "sun-worshipping bodybuilders at Muscle Beach in Venice" sold at auction in 1984 for almost $4,000. He said he had spent three Sundays at the beach before the subjects "stopped flexing for his camera and resumed posing for each other." His obituary in the Los Angeles Times said that: Melrose Avenue photo gallery owner G. Ray Hawkins, who represented Yavno and exhibited his works, called him a "social documentarian" and noted that he had "a very special ability for combining composition and content while capturing his social vignettes." Photographer Edward Steichen selected twenty of Yavno's prints for the permanent collection at New York's Museum of Modern Art in 1950, and the next year Yavno won a Guggenheim Fellowship. Source: Wikipedia Yavno graduated from City College of New York in 1932 and earned a graduate degree in business administration from Columbia University in 1933. Originally employed as a social worker for the New York Home Relief Bureau (1935), he was later hired by the Works Progress Administration to photograph city locations for use in theater set design (1936-42). Yavno joined the Photo League in the late 1930s, serving as president in 1938-39 and participating in several exhibitions. He became friends with Consuelo Kanaga, who mentored him in his photographic work. He worked with Aaron Siskind on his unfinished project The Most Crowded Block in the World (1941). Yavno was drafted into the Army Air Force that year, but remained on detached service in New York. He later moved to California, where he provided illustrative photographs for two books: The San Francisco Book, with Herb Caenn (1948) and The Los Angeles Book, with Lee Shippey (1950). In the mid-seventies, Yavno resumed noncommercial photography, expanding his terrain from the streets of New York City and Los Angeles to those of Jerusalem and Cairo. Source: The Jewish Museum
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