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Herb Ritts
Herb Ritts
Herb Ritts

Herb Ritts

Country: United States
Birth: 1952 | Death: 2002

Herb Ritts began his photographic career in the late 70's and gained a reputation as a master of art and commercial photography. In addition to producing portraits and editorial fashion for Vogue, Vanity Fair, Interview and Rolling Stone, Ritts also created successful advertising campaigns for Calvin Klein, Chanel, Donna Karan, Gap, Gianfranco Ferré, Gianni Versace, Giorgio Armani, Levi's, Pirelli, Polo Ralph Lauren, Valentino among others. Since 1988 he directed numerous influential and award winning music videos and commercials. His fine art photography has been the subject of exhibitions worldwide, with works residing in many significant public and private collections.

In his life and work, Herb Ritts was drawn to clean lines and strong forms. This graphic simplicity allowed his images to be read and felt instantaneously. They often challenged conventional notions of gender or race. Social history and fantasy were both captured and created by his memorable photographs of noted individuals in film, fashion, music, politics and society.

Ritts was committed to HIV/AIDS related causes, and contributed to many charitable organizations, among them amfAR, Elizabeth Taylor AIDS Foundation, Project Angel Food, Focus on AIDS, APLA, Best Buddies and Special Olympics . He was also a charter member on the Board of Directors for The Elton John Aids Foundation.

Source: www.herbritts.com


Born in Los Angeles, to a Jewish family, Ritts began his career working in the family furniture business. His father, Herb Ritts Sr., was a businessman, while his mother, Shirley Ritts, was an interior designer. He moved to the East Coast to attend Bard College in New York, where he majored in economics and art history, graduating in 1975.

Later, while living in Los Angeles, he became interested in photography when he and friend Richard Gere, then an aspiring actor, decided to shoot some photographs in front of an old jacked-up Buick. The picture gained Ritts some coverage and he began to be more serious about photography.

During the 1980s and 1990s, Ritts prominently photographed celebrities in various locales throughout California. Some of his subjects during this time included Cher, Tina Turner. Elizabeth Taylor, Vincent Price, Madonna, Denzel Washington, Johnny Depp, Ronald Reagan, David Bowie, Courtney Love, Liv Tyler, Matthew McConaughey, Britney Spears, Björk, Prince, Michael Jackson, Axl Rose, Slash, and Mariah Carey. He also took many fashion and nude photographs of fashion models Naomi Campbell, Stephanie Seymour, Tatjana Patitz, Christy Turlington, and Cindy Crawford, including "Tatjana, Veiled Head, Tight View, Joshua Tree, 1988." Ritts' work with those models ushered in the 1990s era of the supermodel and was consecrated by one of his most celebrated images, "Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood, 1989" taken for Rolling Stone Magazine.

He also worked for Interview,
Esquire, Mademoiselle, Glamour, GQ, Newsweek, Harper's Bazaar, Rolling Stone, Time, Vogue, Allure, Vanity Fair, Details, and Elle.

From 1996 to 1997 Ritts' work was displayed at the Museum of Fine Arts in Boston, attracting more than 250,000 people to the exhibit, and in 2003 a solo exhibition was held at the Daimaru Museum, in Kyoto, Japan.

On December 26, 2002, Ritts died in Los Angeles of complications from pneumonia at the age of 50. Ritts was openly gay, and according to Ritts' publicist, "Herb was HIV-positive, but this particular pneumonia was not PCP (pneumocystis pneumonia), a common opportunistic infection of AIDS. But at the end of the day, his immune system was compromised."

Source: Wikipedia


 

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John Vachon
United States
1914 | † 1975
John Vachon was a world-traveling American photographer. Vachon is remembered most for his photography working for the Farm Security Administration (FSA) as part of the New Deal and for contributions to Look magazine. One becomes keenly alive to the seeking of picture material. It becomes part of your existence to make a visual report on a particular place or environment. -- John Vachon John Felix Vachon was born on May 19, 1914 to a middle class Irish Catholic Family in Saint Paul, Minnesota. He was the son of Ann Marie (O'Hara) and Harry Parnell Vachon. His parents were not well off, his father made a get-by living as a traveling salesman in stationery supplies. He had one younger brother named Robert. Vachon had a Catholic education and graduated from Cretin High School local military Catholic high school (now Cretin-Derham Hall High School). He continued his education at the University of St. Thomas in Saint Paul and received a bachelor's degree in 1934. Vachon moved to Washington, D.C. after receiving a fellowship to attend graduate school at Catholic University of America to study English literature and become a writer. As he began his studies, a few months later, he was forced to leave school due to his drinking. After his leave from graduate school, Vachon looked for work around Washington D.C., finding his first job in photography working for the Farm Security Administration's Historic Division as one of the photographers hired by Roy Stryker to document the plight of migrants during the Great Depression. In about 1938 Vachon married Millicent Leeper who was known as Penny. While Vachon was on the road working as a photographer for the FSA, he wrote daily letters to Penny, as well as to his mother. He wrote them to describe his experiences, ambitions, self-doubt, sense of humor, the obligation to the FSA, the people he met, the news he read about, and the movies he watched. In the letters, Vachon describes how he relied on Penny to support him and his work. They had three children. Penny committed suicide in 1960. Vachon married Marie Francoise Fourestier in 1961. They had two more children. Vachon served in the United States Army in 1945. Vachon's daughter, Christine Vachon, became an independent film producer in adulthood, and their son Micheal became an editor who worked with his father in later years. The FSA was a New Deal agency created in 1937 to combat rural poverty during the Great Depression in the United States. The FSA is famous for its small but highly influential photography program which ran from 1935 to 1944, and documented the challenges of rural poverty and farm life. John Vachon's first job at the FSA carried the title "assistant messenger." He was twenty-one, and had come to Washington D.C from his native Minnesota to attend The Catholic University of America. 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Arthur Rothstein, who took him along on a photographic assignment to the mountains of Virginia. In October and November 1938, Vachon traveled to Nebraska on his first extensive solo trip. He photographed agricultural programs on behalf of the FSA's regional office and pursued an extra assignment from the photography project's chief, Roy Stryker: the city of Omaha. Vachon worked extensively in the midwestern and Great Plains states. As the Great Depression lessened and American involvement in the War in Europe increased, the government moved FSA photography project to the Office of War Information, and Vachon's job transferred to that agency as well, where he worked from 1942 to 1943. He later worked as a staff photographer for Standard Oil Company of New Jersey between 1943 and 1944. After serving in the army in 1944-45, in 1947 Vachon joined the Photo League, where he wrote book reviews for Photo Notes and participated in many exhibitions. Between 1945 and 1947 he photographed New Jersey and Venezuela for Standard, and Poland for the United Nations Relief and Rehabilitation Administration. Vachon became a staff photographer for Life magazine, where he worked between 1947 and 1949, and for over twenty-five years beginning in 1947 at Look magazine. In 1953 Vachon took the first pictures of Marilyn Monroe and Joe DiMaggio when Monroe cured a sprained ankle near Banff, Canada. With Look closed, he had continued to work as often as he could. He photographed two stories for Vermont Life, a magazine edited at the time by his son Brian and became a freelance photographer. In 1973, he won a Guggenheim Fellowship. In 1975, he was a visiting professor at the Minneapolis Institute of Arts. In Vachon's later years, he was teaching a class in photography where he kept notebooks on the main points of the day. For December 9th, 1974 he reflects on it earlier assignment he had given his students to emulate the work of FSA photographers. Vachon continued as a freelancer until cancer brought him down. Vachon died of cancer in 1975 in New York at age 60.Source: Wikipedia
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Benita Suchodrev
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