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John Dominis
John Dominis

John Dominis

Country: United States
Birth: 1921 | Death: 2013

John Dominis was an American documentary photographer, war photographer and photojournalist. Dominis was born 1921 in Los Angeles. He studied cinematography at the University of Southern California. In 1943 he enlisted in the United States Army Air Forces. After the war, he worked as a freelance photographer for several publications, such as Life magazine. In 1950 he went to Korea as a war photographer in the Korean War. Later he worked in Southeast Asia, in America, Africa and Europe, including President John F. Kennedy's 1963 West Berlin speech. Dominis went to six Olympic Games. One of his best-known pictures was shot during the 1968 Summer Olympics when Dominis pictured Tommie Smith and John Carlos during their Black Power salute.

Dominis worked for Life magazine during the Vietnam war and later also went to Woodstock. In the 1970s he worked for People magazine. From 1978 to 1982 he was an editor for Sports Illustrated. He often pictured stars like Steve McQueen or Frank Sinatra, and these photo series were later published as illustrated books. Together with Giuliano Bugialli he published several books about Italian cuisine, with Dominis being responsible for the food photography.

In John Loengard's book LIFE Photographers: What They Saw, Dominis reported about the staging of his picture A leopard about to kill a baboon. The picture was shot in 1966 in Botswana when a hunter had brought a captured leopard to a bunch of baboons. Most fled immediately but one faced the leopard and was killed subsequently. Dominis was heavily criticized after the staging became public and apologized for it. He mentioned that during the 1960s the staging of pictures was very popular and he wouldn't use this method today.

Dominis died on December 30, 2013, in New York City of complications from a heart attack. He was 92.

Source: Wikipedia


After an Air Force tour in Japan, John Dominis wanted to remain in that country and work. Freelance work was illegal there in 1946, but his photographer colleagues helped him stay and get his start. He would return many times to Asia to cover wars. Back home, he shot sports (he had played end for USC in the 1944 Rose Bowl), politics, celebrities, even food. He spent three months trailing Sinatra to witness him in his element, among swank and boozy stars.

That experience of tracking a subject helped the stalwart Dominis on his famous The Great Cats of Africa. The series won him an award even as he was still in the bush—and even though he orchestrated his famous baboon-leopard encounter (the feline was a rental dropped in among the simians)—Dominis had never suggested otherwise. “Frankly, it was set up,” he said. “In those days we were not against setting up some pictures that were impossible to get any other way.”

On the occasion of Sinatra’s soth birthday, Dominis went to Florida, where he was performing. Dominis ended up spending three months with him, resulting in an unrivaled set of images of the entertainer.

“Steve McQueen was really a nice guy, but he’s another of the ones who didn’t really want to have even one picture taken, even though he’d agreed to the story… I had done quite a lot of sports-car racing when I lived in Hong Kong, so for fun I rented a Jaguar. I knew he had a Jaguar, and I thought it would help a little bit… He drove my car and I drove his. I started shooting a few pictures. I didn’t hang around him a long time, maybe three weeks, and finally, he relaxed.”

Source: Life


 

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Yuyang Liu, b.1991, graduated from Department of History, East China Normal University. He is a freelancer photographer based in Guangzhou, China. When he was a high school student, he started to love taking photos and decided to be a photographer. His images focus on the change and connection of people in the changing society. He had won Magnum Foundation Human Rights & Photography Fellowship, Abigail Cohen Fellowship in Documentary Photography and Ian Parry Scholarship. His work was published on TIME, New York Times, the Guardian, NPR and BBC World Service. Awards Ian Parry Scholarship, 2015 Abigail Cohen Fellowship in Documentary Photography (Magnum Foundation/ChinaFile, 2015 National Geographic Photo Contest China, Honorable Mention, 2014 Magnum Foundation: The Human Rights & Photography Fellowship, 2014 ND Scholarship, 3rd Prize, 2014 2013 Shanghai Youth Art Exhibition, Shortlisted, 2013 5th Foundation of OFPiX Photo Agency, Shortlisted, 2012 Exhibitions & Events Magnum Foundation Human Rights & Photography Fellowship Program Forum: Inter Art Center and Gallery, Beijing, China, 2014 Home of Youth: High School No.7 Chengdu (multimedia):PhotoChina Original International Photographic Exhibition, Confucius’ Hall, Guiyang, China, 2014 Neither Here Nor There (multimedia): LOOKbetween 2014, Virginia, USA, 2014 Auspicious Things: Lishui International Photography Festival Hand-made Books Workshop, Pump Factory, Lishui, China, 2013 Auspicious Things: 2013 Shanghai Youth Art Exhibition, China Art Museum, Shanghai, China, 2013 About the project: At home with mental illness: In 2014 there were reportedly 16 million people in China living with severe mental illness. 80% of patients diagnosed did not receive sufficient or necessary treatment due to China’s flawed health care system. Most people who suffer from these illnesses are forced to live at home with their families or on their own. They are overlooked or often not recognized at all within society, they are invisible. So I decide to film these patients and families who have mental illness such as psychosis or dysgnosia. I’ve been to several towns and villages in Guangdong Province which is the richest region in southern China and filmed some mental illness at home. This project aims to explore the unique relationship between the mentally ill, their families, and society at large.
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Jared Ragland is a fine art and documentary photographer and former White House photo editor. He currently teaches and coordinates exhibitions and community programs in the Department of Art and Art History at the University of Alabama at Birmingham and is at work on a long-term documentary on methamphetamine users living in northeast Alabama. He is the photo editor of National Geographic Books' "The President's Photographer: Fifty Years Inside the Oval Office," and has worked on assignment for NGOs in the Balkans, the former Soviet Bloc, East Africa and Haiti. His photographic work is rooted in his lifelong exposure to the landscapes, people, aesthetics, and storytelling traditions of the American South, and his work has been exhibited internationally and featured by The Oxford American, The New York Times, and TIME Magazine. Jared is an alumni of LaGrange College and a 2003 graduate of Tulane University with an MFA in Photography. He resides in his hometown of Birmingham, Alabama. Statement: The rise in use of methamphetamine across the United States over the last decade has led to increased cultural anxiety about the drug and those who use it, while the general perception of the meth-head is perpetuated by popular television programs and pervasive anti-meth campaigns. These limited representations typically paint one-dimensional, demonized characters whose chronic drug use is epitomized by obsessiveness, paranoia, and monstrous physical side effects. But while there are certainly deleterious consequences to meth use and stereotypes often ring too true, existing cultural narratives too often fall short of more complex, individually considered realities. Photographed over 18 months in collaboration with University of Alabama at Birmingham sociologist Heith Copes, Ph.D., GOOD BAD PEOPLE documents the tumultuous lives of meth users from Sand Mountain, a sandstone plateau in northeast Alabama infamous for extreme poverty, poultry processing plants, Pentecostal snake-handlers, and meth production. The images simultaneously reinforce and undermine assumptions of what it means to be a methamphetamine user and present an intimate look into the lives of those who struggle amidst drug use and diminished social status.
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