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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Stéphanie Probst
Stéphanie Probst
Stéphanie Probst

Stéphanie Probst

Country: Switzerland
Birth: 1986

Stéphanie Probst (1986, Switzerland, lives and works in Geneva) is an artist photographer, zine maker and librarian. She graduated a Master of arts in 2012 (HEAD - Geneva). She practices experimental photography, pinhole and installations that involve the public. She participates in various group exhibitions and leads artistic workshops and initiations to pinhole and experimental and analog photography. Her practice revolves around photography, people and micro-publishing. Fascinated by portraits, she creates series, collections, summons people. She questions identity, body, social relationships. For her, the picture is a transaction, an intimate exchange that requires a relationship of trust.
 

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Anita Conti
France
1899 | † 1997
Anita Caracotchian was born in Ermont in Seine-et-Oise to a wealthy Armenian family. She spent her childhood being educated at home by different tutors and travelling with her family, gradually developing a passion for books and the sea. After moving to Paris, she concentrated on writing poems and the art of book binding. Her work got the attention of celebrities and she won different awards and prizes for her creativity in London, Paris, New York and Brussels. In 1927, she married a diplomat, Marcel Conti, and started traveling around the world, exploring the seas, documenting and reporting what she saw and experimented. Spending time on the fishing boats for days and even months on certain occasions gave her a deeper understanding of the problematic faced by the fishermen. In between the two world war, she developed the technique of fishing maps apart from the already used navigational charts. For two years, from one vessel to another, she observed the French fishermen along the coast and Saharan Africa discovering fish species unknown in France. She published many scientific reports on the negative effects of industrial fishing and the different problems related to fishing practices. From 1943 and approximately for 10 years, she studied in the Mauritian islands, Senegal, Guinea and Ivory Coast, the nature of the seabed, different fish species and their nutritional values in regards of protein deficiency for the local populations. Gradually, she developed better preservation techniques, fishing methods and installed artificial dens for further studies. She even founded an experimental fishery for sharks. She became more and more conscientious of the misuse of natural resources by the fishing industry and the major waste that could be prevented. In 1971 she published L’Ocean, Les Betes et L’Homme, to denounce the disaster that men create and its effects on the oceans. Through many conferences and forums and for the rest of her life, she advocated for the betterment of the marine world. She died on 25 December 1997 in Douarnenez.Source: Wikipedia Born in 1899, Anita Conti was recruited in 1935 by French Fisheries Authorities to conduct scientific experiments at sea and to assess fish resources. In 1941 she embarked on a trawler bound for Western Africa and spent the next ten years exploring the mangrove swamps between Senegal and the Ivory Coast, observing and assessing the techniques of traditional fishermen, meeting with local elders, establishing new fisheries... The hair-raising account of her attempts at catching the "Giants of the warm seas", such as sawfish and sharks, bears witness to her intrepid nature. Yet one can also feel her strong desire to contribute to a worthwhile cause. Exploring the swamps is not seen as an unilateral exploitation of African resources by Europeans : it is a genuine attempt at sharing knowledge. Source: aflit.arts.uwa.edu.au Born just before the 20th century started, Anita Conti represents a piece from the past. During her teenage years, she developed a passion for books and sea and started photography in 1914. Indeed, for almost a hundred years, she has been gathering more than 40,000 photographies. Anita was what we can call today an engaged pioneer. Recruited by French Fisheries Authorities to conduct scientific experiments at sea and to assess fish resources, she was the first french female oceanographer. In 1939, she's been the first woman to embark in the service of the National French Navy, and, thus, became the first woman to work on a military ship in wartime. In charge of developing a new technique for fishing maps, she embarked on a trawler bound for western Africa in 1941. During 10 years, she explored the West African coasts, from the Mauritian islands to Senegal and from Guinea to Ivory Coast. She insured a resupply program for the population and the French army. Her goal was to save population from hunger and find nutritional solutions in regards of their protein deficiency. During a decade, she travelled the world, explored the seas, documented and scientifically reported the negative effects of industrial fishing. "To be able to exploit the sea, you must enter into the sea" she used to say. Her African experience helped her to denounce the impacts of plundering the oceans and the major waste of marine resources. "Seas are under threat" she claimed. She tried to find fishing methods like fish farming to avoid overfishing.Source: Panthalassa
Cecil Beaton
United Kingdom
1904 | † 1980
Born in 1904 in London and coming of age at the peak of the 20's, Cecil Beaton was in love with the worlds of high society, theater, and glamour. Beauty in his hands was transformed into elegance, fantasy, romance, and charm. His inspired amateurism led to a following among fashionable debutantes and eventually a full fledged career as the foremost fashion and portrait photographer of his day. He was so attunded to the changes of fashion that his career maintained its momentum for five decades; from the Sitwells to the Rolling Stones. Beaton died in 1980.Source: Staley-Wise Gallery Sir Cecil Beaton, in full Cecil Walter Hardy Beaton, photographer known primarily for his portraits of celebrated persons, who also worked as an illustrator, a diarist, and an Academy Award-winning costume and set designer. Beaton’s interest in photography began when, as a young boy, he admired portraits of society women and actresses circulated on picture postcards and in Sunday supplements of newspapers. When he got his first camera at age 11, his nurse taught him how to use it and how to process negatives and prints. He costumed and posed his sisters in an attempt to re-create the popular portraits that he loved. In the 1920s Beaton became a staff photographer for Vanity Fair and Vogue magazines. He developed a style of portraiture in which the sitter became merely one element of an overall decorative pattern, which was dominated by backgrounds made of unusual materials such as aluminum foil or papier-mâché. The results, which combined art and artifice, were alternately exquisite, exotic, or bizarre, but always chic. Many of these portraits are gathered in his books The Book of Beauty (1930), Persona Grata (1953, with Kenneth Tynan), and It Gives Me Great Pleasure (1953). During World War II, Beaton served in the British Ministry of Information, covering the fighting in Africa and East Asia. His wartime photographs of the siege of Britain were published in the book Winged Squadrons (1942). After the war Beaton resumed portrait photography, but his style became much less flamboyant. He also broadened his activities, designing costumes and sets for theatre and film. He won Academy Awards for his costume design in Gigi (1958) and for both his costume design and his art direction in My Fair Lady (1964). Several volumes of his diaries, which appeared in the 1960s and ’70s, were summarized in Self Portrait with Friends: The Selected Diaries of Cecil Beaton, 1926–1974 (1979). Beaton was knighted in 1972.Source: www.britannica.com © All photographs wer scanned and released by the Imperial War Museum on the IWM Non Commercial Licence. The work was created by Cecil Beaton during his service for the Ministry of Information during the Second World War as an official photographer of the Home Front.
Sid Avery
United States
1918 | † 2002
Sid Avery (October 12, 1918 – July 1, 2002) was an American photographer and director who was best known for capturing the private moments of legendary Hollywood celebrities like Elizabeth Taylor, Rock Hudson, James Dean, Marlon Brando, Humphrey Bogart and Audrey Hepburn as showcased in his book Hollywood at Home. Avery was born in Akron, Ohio on October 12, 1918. He was only nine months old when they decided to move out to Los Angeles, California, which is where he grew up. Sid Avery received his high school education at the institution of Roosevelt High School. He discovered his love and talent of photography when he was young due to the fact that he was able to work with his uncle, Max Tatch, who was a landscape and architectural photographer. His uncle was able to teach him the skills required to use cameras, film, and darkrooms. After he graduated from high school, Sid Avery worked in a camera store on Sunset Boulevard, Hollywood where he further gained love and inspiration for photography. While working in the shop, he had opportunities to meet many famous photographers. This also encouraged him to take more photography classes. He also gained the experience of being a darkroom assistant. He served in the Army in World War II. When he returned from the war, he began his work of photographing celebrities. Sid Avery eventually became one of the top advertising photographers in Los Angeles. He was also a director of television commercials. Sid Avery was married to Diana Avery. Together they had three children named Sandra Guttman, Marc Avery, and Ron Avery. Sid Avery also had three grandchildren. He founded the Hollywood Photographer's Archive (HPA) and which is known today as mptvimages.com in an effort to preserve the work of the early Hollywood photographers. Sid Avery's work was commonly featured in publications such as Life, Look, Colliers and The Saturday Evening Post. There is a collection of his work, Hollywood at Home: A Family Album 1950-1965, that was published by Crown in the year of 1990. He is most famous for his work of photography that captured the home life of famous celebrities at the time. He captured the celebrities in their own element aside from the glamour of fame. Sid Avery died at the age of 83 on July 1, 2002, in Los Angeles, California.Source: Wikipedia One of six children, Sid Avery was born in 1918 in Ohio and moved to Los Angeles at a young age. Avery repaired a broken brownie box camera that he had found, and with the tutelage of his architectural photographer uncle he began to learn the basics of the photographic profession. By the time he entered Roosevelt High School, Avery’s talent in photography won him numerous prizes and after graduation he landed a job at Morgan’s Camera store on Sunset Boulevard. Avery was pursuing various odd photography jobs when World War II intervened. He was drafted into the Army, assigned to the Signal Corps, and selected to receive six months of training at Life magazine in New York before being sent overseas. Avery was stationed in London and was placed in charge of the Army Pictorial Service Laboratory, where all the stills and combat footage that came out of the European Theater of Operations passed through his hands. This included the detailed, highly classified photomontages of the French coast which were produced for the Normandy invasion. In order to handle this special material, Avery was granted an immediate commission by General Eisenhower himself. Photojournalism publications proliferated during the post-war years, and interest in film stars and their private lives grew to an all time high. During the 1950’s and early 1960’s, Avery photographed screen legends such as Humphrey Bogart, Lauren Bacall, Clark Gable, James Dean, Marlon Brando, James Stewart, and Alfred Hitchcock. His photographic essays appeared in the pages of The Saturday Evening Post, Look, Photoplay, Collier’s, Reader’s Digest, and many others. Avery’s characteristically low key, unobtrusive manner struck a sympathetic chord with reclusive and difficult personalities like Humphrey Bogart, who generally refused to be photographed. Bogart would eventually allow himself to be photographed by Avery with his pregnant wife Lauren Bacall and his son Stephen at their home. Sid Avery photographs have been exhibited and have been included in the permanent collections of the Museum of Modern Art in New York and San Francisco, the International Center of Photography in New York, the Smithsonian Institute in Washington, D.C., and the Los Angeles County Museum of Art in California.Source: Wikipedia
Kantaya New
Singapore
Kantaya New is a Thai–Singaporean photo artist based in Singapore. Her works span conceptual and street photography. Her street photography work focuses on overlooked, serendipitous moments in daily life, while her conceptual work uses staged scenes and objects to invite reflection. She is currently working on A Modern Day Affair among other work. Notable awards and recognition include LensCulture Critics’ Choice (Winner, 2023), Fujifilm Moment Street Photo Awards (2nd Prize, 2024), Women Street Photographers Artist Residency (Shortlist, 2025) and the Sony World Photography Awards (Shortlist, 2022 — Open Competition and Alpha Female Awards). Media features include LENSCRATCH (2025). A Modern Day Affair (2023–ongoing) This series began at home: my husband was with me, but always on his phone. I felt the screen had stolen my place. That feeling began A Modern Day Affair. The work looks at how the phone reshapes our relationship. Many images are self- portraits; others focus on small details—a cracked screen protector on a cake, or notes on a door. Some are drawn from real moments; others are imagined, but the emotions are real. In a surreal and staged style, the photographs mix a myriad of emotions such as humor, sadness, and anger to show how two people drift apart even when sitting side by side. I am not blaming phones; rather, I am asking how often we choose screens over connection without noticing. The Little Prince (2021–ongoing) This series started out as a chance meeting between me, the mural artist Yip Yew Chong, and a little boy named Akkun. I trace crossings—between being and performance, between child and character, between the art of one person and the dream of another. These photographs are fleeting windows into how a child moves through imagination—how play becomes reality, and how the ordinary becomes unforgettable. It is both play and portrait, and I document how a child steps into the art of another person and makes it his own. ARTICLE: Uncovering the hidden gems in Life through the lens of Photography
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