All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Ryan Bakerink
Ryan Bakerink
Ryan Bakerink

Ryan Bakerink

Country: United States

Ryan Bakerink is a photographer in Chicago, IL focusing on social issues and counterculture lifestyle, specifically within the music industry, off the grid communities, travel, and portraiture.

Ryan seeks to stretch his own personal and social boundaries by searching for authenticity in the world around him. Having grown up in a rural farming community in south west Iowa, the fuel for Ryan’s passion is to expand his horizons beyond what was imaginable in his youth. The ultimate goal of Ryan’s work has been to pull the curtain back and expose the general public to lifestyles, communities, and places that have been overlooked to help provide a greater understanding of human nature.
 

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Nieves Mingueza
Nieves Mingueza is a lens-based, mixed media artist working with experimental photography, collage and text. Born in Spain, based in London. The often-cinematic themes in her projects have in common her fascination with old books, film stills, vintage cameras, poetry and minimal drawings. Ultimately, Nieves' work is about the foggy relationship between fiction and reality. In addition, she is currently exploring about immigration, mental health and human conflicts. Nieves' work has been exhibited widely, including Copeland Gallery -Peckham 24-, les Rencontres Internationales de la Photographie d'Arles, Fondazione Giorgio Cini, Retina Scottish International Photography Festival, The Royal Academy of Arts, PhotoEspaña, Saatchi Gallery and Tate Britain. Publications that have featured her work include Editorial 8mm, Fisheye magazine, Der Greif magazine, Low Light Magazine, Shots magazine, Eyemazing, Sarmad Magazine, YET Magazine and L'oeil de la photographie, among others. Lens Culture also featured a selection of her works. Recently, in July 2019, her first monograph book was released by IIKKI Books Editorial. About The malady of Suzanne "A few months ago, I moved to my new flat in South London. Once settled in my new home, I realised that the building had previously been a mental health hospital. In this hospital, people with mental health issues were treated and helped to reintegrate into society. One night, I was relaxing, reading in my living room. There was a sepulchral silence, and suddenly I heard a noise coming from the ceiling. I was scared and I noticed that there was a small loft. The next day, a neighbour helped me open the loft. Unexpectedly, we found a suitcase that contained photos, letters and documents that had belonged to a woman named Suzanne. Reading her letters, I learned that she was a Vietnamese woman who had been a teacher in her home country. There, she fell in love with an Englishman, and finally they decided to move to London together. This happened in 70s. Apparently she began to experience signs of a rare disease: loss of speech and isolation behaviour. I also found out from her documents that she had changed her name in London, because her real name was very difficult to pronounce for English people. She called herself Suzanne in honour of Leonard Cohen's song. By combining found archives with my documentary photography work, I am exploring the story of a Vietnamese female with mental issues in 70's London. This is an on-going project about the complex relationship between memory, immigration, mental health and human conflicts. Additionally, is there any reciprocation between Suzanne and myself? We have both lived in the same space. I am an immigrant in London, I work in a school, and I have modified my name because it was difficult for my students to pronounce. I also love silence. " -- Nieves Mingueza
Leonard Misonne
Belgium
1870 | † 1943
Leonard Misonne (1870-1943) was a Belgian photographer. Misonne was born on July 1, 1870, in Gilly, Belgium, his lifelong home. Misonne was the seventh son of Louis Misonne, lawyer and industrialist, and Adele Pirmez. He studied mining engineering at the Catholic University of Louvain, but never worked as an engineer. Still a student, he became interested in music, painting and from 1891, in photography which he started to work on exclusively from 1896. Misonne made several trips to Switzerland, Germany and France. He made himself known with his retouched lighting effects. "The subject is nothing, light is everything," he said. Misonne was known for his sense of creating an atmosphere, but his approach is labeled from an artistic point of view as conservative and sentimental. His blurred effects, like the impressionist's approach, earned him the nickname of the "Corot of photography". Misonne first worked mainly with the process of photography obtained from a suspension of silver bromide in gelatin that he learned in 1910 in Paris from the famous photographer Constant Puyo. Then he became an internationally renowned leader in Pictorialism and a well-known figure in avant-garde circles. Most of his shots were taken in Belgium and the Netherlands; they are mainly landscapes, sometimes scenes of beaches and views of Ghent and Antwerp. Misonne suffered from a severe form of asthma and died from it in 1943, in Gilly, Belgium.Source: Wikipedia Misonne said, “The sky is the key to the landscape.” This philosophy is clear in many of Misonne’s images, often filled with billowing clouds, early morning fog, or rays of sunlight. The artist excelled at capturing his subjects in dramatic, directional light, illuminating figures from behind, which resulted in a halo effect. Favoring stormy weather conditions, Misonne often found his subjects navigating the streets under umbrellas or braced against the gusts of a winter blizzard. Misonne’s mastery of the various printing processes that he used is evidenced by the fine balance between what has been photographically captured and what has been manipulated by the artist’s hand in each print. To perfect this balance, Misonne created his own process, called mediobrome, combining bromide and oil printing. The artist’s monochromatic prints in both warm and cool tones convey a strong sense of place and time, as well as a sense of nostalgia for his familiar homeland. Whether the subject is a city street or a pastoral landscape, the perfect light carefully captured by Misonne creates a serene and comforting scene reminiscent of a dreamscape.Source: The Eye of Photography
Anka Zhuravleva
Russia
1980
Anka (born Anna Belova) was born on December 4, 1980. She spent her childhood with books on art and her mothers’ drawing tools, covering acres of paper with her drawings. In 1997 she entered the Moscow Architectural Institute deciding to follow in her mothers’ footsteps. But at the end of 1997 her mother was diagnosed with cancer and died in less that a year. Then her father died in 1999. After that Anka’s life changed dramatically. In attempt to keep sane, she plunged into an alternative lifestyle – working as a tattoo artist, singing in a rock-band, sometimes looking for escape in alcohol. In order to make a living while studying, Anka worked at several modeling agencies. Thanks to the drawing lessons she wasn’t afraid to pose nude, and her photos appeared in the Playboy and XXL magazines and at the Playboy 1999 photo exhibition. But she was not looking for a modeling career – it was just a way to make some money. In 2001 Anka was working in the post-production department at the Mosfilm StudiosThat same winter one of her colleagues invited her to spend a weekend in Saint-Petersburg with his friend, composer and musician Alexander Zhuravlev. In less than a month Anka said farewell to Moscow, her friends, her Mosfilm career and moved in with Alexander in Saint-Petersburg. Living with her loved one healed her soul, and she regained the urge for painting. She made several graphic works and ventured into other areas of visual arts. In 2002 Gavriil Lubnin, the famous painter and her husband’s friend, showed her the oil painting technique, which she experimented with for the following several years. During that period she made just a few works because each one required unleashing of a serious emotional charge. All those paintings are different as if created by different people. Anka’s first exhibition took place on a local TV channel live on the air - the studio was decorated with her works. Several exhibitions followed. Private collections in Russia and abroad feature her paintings and sketches. In 2006 Anka noticed that her inspiration often came from photos and decided to take up photography. Since that time Anka took part in numerous projects - magazine publications and covers, book and CD covers, exhibitions. She is engage in digital photo art and analog film photography as well. In 2013 Anka with her husband moves to live in Porto, Portugal. Source: anka-zhuravleva.com Interview With Anka Zhuravleva All About Photo: When did you realize you wanted to be a photographer? Anka Zhuravleva: "I always was about visual arts so I can't name exact date or year.. But I turned to photography completely in 2010." AAP: Where did you study photography? AZ: "I am self-educated. I took some individual workshops dedicated to analog processes but it was technical things." AAP:Do you have a mentor? AZ: "No." AAP: Do you remember your first shot? What was it? AZ: "I was 6 years.. I shot horses with small film lomo-camera." AAP: What or who inspires you? AZ: "Life, everything I got around me, my dreams, interesting people, my husband's music." AAP: How could you describe your style? AZ: "I have no special style. Different series in different styles." AAP:Do you have a favorite photograph or series? AZ: "No, I love them all!" AAP: What kind of gear do you use? Camera, lens, digital, film? AZ: "A lot... And they are changing all the time. Digital 35mm, film medium format, vintage cameras and cameras made by my husband. About 20 different lens, modern ones and vintage brass ones as well." AAP: Do you spend a lot of time editing your images? For what purpose? AZ: "It depends. I always edit digital a lot to reach exactly that tone and mood wich I need. And I also do analog process in darkroom without any computer at all." AAP: Favorite(s) photographer(s)? AZ: "This is a difficult question..." AAP: What advice would you give a young photographer? AZ: "To keep eyes wide open." AAP: What mistake should a young photographer avoid? AZ: "I don't know... Everybody make mistakes. I suppose it's important not "not making" mistakes, but learn after doing mistakes." AAP: The compliment that touched you most? AZ: "When people telling me that my pictures bring their mind, fantasy and soul to childhood or let them think about miracles.. Or making a good mood..." AAP: If you were someone else who would it be? AZ: "Hum... Maybe a baker? Just joking, I don't know..."
Ricardo Reis
Portugal
1981
Why I Photograph As a young person, I needed and had to put out there so many things that were stuck inside me, and very quickly, I realized that I had a different way of seeing the world. I started noticing that even if there were many people looking at the same thing as me, they weren't seeing what I was seeing. Photography became the most realistic representation of my perspective. Photography blends all the art mediums and I am inspired to create amalgamations of the dream world with the real. I love the challenge of being able to put onto paper the ideas and surreal world of my own creation. My Purpose When I create a photograph image, I want to engage in a dialogue-to make the viewer feel something, even if it's a negative reaction. I appreciate the negative reaction, because I understand I've drawn something out in the viewer: an honest reaction is more potent than an indifferent one. I want to be able to convey an inner conversation-an ambience, a vibe- to create curiosity in the viewer for the lives and moments depicted in my images. My Method I prefer to shoot with black and white 35mm film, because I find it's more honest and direct, at least for me. I like the mental exercise of having to prepare the picture in your mind first and do the chain of thoughts necessary to translate the idea into the final work. Color can be distracting and disruptive of the real intent and emotion I am trying to achieve. My favorite camera is the Canon EOS 1 RS film camera; it has plenty of functions which allow me to have more control over the final product. I love to prepare a playlist and just go and take a walk with my camera and put myself in the mood: a limbo between voyeurism and participant. My Path When I started I wanted to be a war photographer, but in my home country of Portugal, it's very difficult to get the connections necessary to achieve that. I was fortunate to get an internship at a daily newspaper in Portugal which led to my work being published in several major newspapers and magazines. I began to work more in fashion photography and was assigned to the fashion weeks that took place in Europe. During the shows, I found that I always preferred the backstage where I had more freedom to do different things, take more risks. Photography has been the driving force through all my creative pursuits. My love of music, music photography and music videos comprise a large part of my work. As a cinematographer/director for album and DVD covers, I work in collaboration with several European photography agencies in Portugal and in the UK. The more artistic side of my work is represented in several countries and in private collections, from Canada, the UK, France, Netherlands, Australia, China, Portugal, and the United States. Currently I am living in Lisbon, but who knows what's next.
Jonathan Banks
United Kingdom
1971
Jonathan Banks is an award-winning photographer with over 20 years' experience in commercial and media photography. Jonathan Banks studied under the prolific artist John Blakemore, and graduated from the University of Derby with a BA honours in Photographic Studies. He cut his teeth in editorial photography freelancing for The Daily Telegraph and various agencies. His work has appeared in international magazines and books. Jonathan has exhibited several bodies of work as a solo artist, as well as in conjunction with other photographers in the UK and abroad. These have ranged from – personal projects to editorial assignments and photographs supporting various charities. Jonathan has always worked with NGOs both in the U.K. and abroad. He is a British Red Cross volunteer and has exhibited work in support of International Alert. Jonathan currently works with a stable of blue chip clients, NGOs and architects providing a range of photographic and film services. Jonathan lives in Kent with his wife and two sons. Statement I have photographed in over 50 different countries, documenting subjects as diverse as mask dancing festivals in Burkina Faso, the effects of the Chernobyl disaster in the Ukraine and the aftermath of 9/11 in New York. My international experience includes working in security impaired areas, where my communication skills and sensitivity allow me to capture subjects in the most challenging situations. Combined with my creativity and technical knowhow, this enables me to deliver award-winning images. I am passionate about my work and embrace the challenges of collaborating with global corporations, magazines and NGOs alike. Every assignment is different, and, as such, is approached uniquely. I am always on the lookout for new creative partnerships.
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes