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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Hsuan Chung
Hsuan Chung
Hsuan Chung

Hsuan Chung

Country: Taiwan
Birth: 1985

Hsuan Chung is a passionate photographer who started his interest in photography when he was seventeen. During his college years in Taiwan, he taught himself all the skills and techniques of photography and became a professional newspaper journalist before graduation.

He wasn't satisfied with his works and wanted improvement. That is when he decided to relocate to Atlanta to work on his M.F.A degree in Photography at Savannah College of Art and Design.

During his time working on his degree, he participates in many events and works hard to promote his photography works. With less than a year from graduation, he plans to participate in fundraisers, exhibitions, and other artwork presentation platforms in order to show his works to the public and spread his messages.

Edge
Since ancient times, human beings have continuously given life to the land and civilization. We constantly create stories and memories in each land which has its own temperature and culture. Everything on the land experiences a cycle of weathering, squeezing, and accumulating, then they disintegrate, and reconstruct to irregular solids.

The project is based on my thoughts about the boundary between sea and land. The gravel in the soil is cracked by hitting each other under the lap of the waves, thus forming a new state. The minerals and gravel are brought back to the sea by the waves and become nutrients for microorganisms. The boundary between the sea and the land, that surges at all times but exists forever, is the birthplace of land and life. For me, that is also the end of human civilization.

I used the square composition of a medium format camera to metaphorically refer to the concept of 'time' in nature that only humans have. I pressed the shutter after a series of precise calculations, and each square perfectly framed the time and scenery of the moment. In order to let the negative and the seawater fully interact, I soaked the negative in the seawater took from the shooting location. So that the salt and minerals in the seawater are able to remain on the negative. During the development, sea salt and minerals that stay on the negative produce chemical reactions with chemistry and silver halides. Human intervention and uncertain chemistry allow the whole process to create a memory journey between the earth and the sea, human beings and nature. The final images fulfill the purpose of recreating memories of different times and spaces and making them eternal. They not only record the memory of the ocean for 4500 million years but also witness the vitality of everything and the inseparable connection between human beings and the earth.
 

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More Great Photographers To Discover

Barbara De Vries
Netherlands
The Dutch artist Barbara de Vries studied at the Rietveldacademie and the St. Joostacademie graphic art, industrial design and theater design. Although she worked with several famous theatres, Barbara finally got specialised in photography. The atmosphere in her work is a midway between fantasy and reality. Her images are mostly blurred, out of focus, with glimpses of reality. The Dutch curator Maarten Bertheux wrote as follow about her work. ‘Work of Francis Bacon and Marlene Dumas are relevant for the work of Barbara de Vries. Her work contain of digital reworked photographic material printed on Japanese paper. She combines and deforms her images in order to create her layered images. When she uses soft contours it brings in mind an aquarellist way of painting, a style De Vries used frequently before she started to use the computer as a tool in her photographic work. Her background as a stage designer has also influenced her actual work. This experience appears in the theatrical and dramatic setting and in the way she manipulates the light. In the photographic work there can be clear definition of space, but equally she uses an indistinct space that can vary from a sfumato-like space to a space where figures seem to float in. The figures are constructed out of several limbs and elements that are reconstructed in a new way, creating a new figuration. It seems as it is De Vries’ capability to creep under the skin of her model and analyzing the basic psycho logic characteristics’. Barbara de Vries' photography evoke feelings of hope, desire and consolation. Source: Morren Galleries
Laura El-Tantawy
Egypt/United Kingdom
Laura El-Tantawy is an award winning British/Egyptian documentary photographer, artful book maker & mentor. She is a Canon Ambassador, representing the global camera giant’s vision & passion for visual storytelling. Born in Ronskwood in Worcestershire, UK, Laura studied in Egypt, Saudi Arabia, the US & UK. Living between East and West for much of her life inspires her work, which contemplates notions of home & belonging through exploring social & environmental issues pertinent to her background. Her photography is recognised for its characteristically painterly & lyrical eye on reality. Laura started her career as a newspaper photographer in the United States. She turned freelance in 2005, moving to Cairo and starting what became her seminal body of work In the Shadow of the Pyramids. Laura is the first Egyptian to be awarded the prestigious W. Eugene Smith Memorial Fund award, which she received for her long-term series I’ll Die For You. The award honours photographers whose work follows the tradition of W. Eugene Smith's humanistic photography & dedicated compassion. In 2016, she was among the four artists nominated for the prestigious Deutsche Börse Photography Foundation Prize, awarded annually to a photographer who made the most significant contribution to the photographic medium in Europe during the past year. Her work has been published in The New Yorker, Afar, Le Monde, Wall Street Journal, National Geographic, Time, New York Times, Huck & Foam. In 2020, Laura joined Canon’s global Ambassador Programme. Joining a roster of more than 100 visual professionals, she represents the future of visual storytelling, Canon's unique brand & “its silent heroes — the staff & visionary engineers who make my work possible” she said. Laura prides herself on her independent identity as a visual creative. Her goal as an artist is to produce socially engaged, unique and thought-provoking work. She often collaborates with like-minded individuals, institutions & organisations driven to inform responsibly, contribute positive change to the world & encourage stimulating thought & creativity. Source: www.lauraeltantawy.com
Peter van Agtmael
United States
1981
Peter van Agtmael (born 1981) is a documentary photographer based in New York. Since 2006 he has concentrated on the wars in Iraq and Afghanistan, and their consequences in the United States. He is a member of Magnum Photos. Van Agtmael's photo essays have been published in The New York Times Magazine, TIME Magazine, The New Yorker and The Guardian. He has published three books. His first, 2nd Tour Hope I Don't Die, was published by Photolucida as a prize for winning their Critical Mass Book Award. He received a W. Eugene Smith Grant from the W. Eugene Smith Memorial Fund to complete his second book, Disco Night Sept. 11. His third, Buzzing at the Sill, was published by Kehrer Verlag in 2016. He has twice received awards from World Press Photo, the Infinity Award for Young Photographer from the International Center of Photography and a grant from the Pulitzer Center on Crisis Reporting. Van Agtmael was born in Washington D.C. and grew up in Bethesda, Maryland. He studied history at Yale, graduating in 2003. He became a nominee member of Magnum Photos in 2008, an associate member in 2011, and a full member in 2013. After graduation he received a fellowship to live in China for a year and document the consequences of the Three Gorges Dam. He has covered HIV-positive refugees in South Africa; the Asian tsunami in 2005; humanitarian relief efforts after Hurricane Katrina's effects on New Orleans in 2005 and after the 2010 Haiti earthquake, the filming of the first season of TV series Treme on location in New Orleans in 2010; the Deepwater Horizon oil spill in 2010, Hurricane Sandy in 2012 and its aftermath, Nabi Salih and Halamish in the West Bank in 2013 and the 2014 Israel–Gaza conflict and its aftermath. Since 2006 he has concentrated on the wars in Iraq and Afghanistan, and their consequences in the United States. He first visited Iraq in 2006 at age 24 and has returned to Iraq and Afghanistan a number of times, embedded with US military troops. Later he continued to investigate the effects of those wars within the US. In 2007 his portfolio from Iraq and Afghanistan won the Monograph Award (softbound) in Photolucida's Critical Mass Book Award. As part of the prize Photolucida published his first book, 2nd Tour, Hope I Don’t Die. With work made between January 2006 and December 2008, this "is a young photojournalist’s firsthand experience: the wars’ effects on him, on the soldiers and on the countries involved." The 2012 W. Eugene Smith Grant for Humanistic Photography provided $30,000 to work on his second book, Disco Night Sept. 11, which "chronicles the lives of the soldiers he has met in the field and back home."Source: Wikipedia
Giacomo Brunelli
Giacomo Brunelli (b. Perugia, Italy, 1977) graduated with a degree in International Communications in 2002. His work has been exhibited at The Photographers’Gallery (Uk), The New Art Gallery Walsall (Uk), The Barbican Centre (Uk), BlueSky Gallery, Portland (Usa), Format Festival, Derby (Uk), Triennial of Photography Hamburg (Germany), Nordic Light Festival (Norway), Noorderlicht Photofestival (The Netherlands), StreetLevel Glasgow (Uk), Photofusion, London (Uk), Delhi PhotoFestival (India), Fotofestiwal Lodz (Poland), Athens Photo Festival (Greece), Daegu PhotoBiennal (South Korea), Angkor PhotoFestival (Cambodia), Tabernacle (London, Uk), Griffin Museum (Boston, Usa) and at commercial galleries such as Peter Fetterman Gallery (Santa Monica, Usa), Robert Morat Galerie (Berlin, Germany), Galerie Camera Obscura, (Paris, France), Arden & Anstruther (Petworth, Uk), Galleria Belvedere (Milan, Italy). He has won the Sony World Photography Award, the Gran Prix Lodz, Poland and the Magenta Foundation “Flash Forward 2009”. He has also been featured widely in the art and photography press including BBC (Uk), The Guardian (Uk), The Telegraph (Uk), Eyemazing (Holland), European Photography (Germany), B&W Magazine (Usa), Creative Review (Uk), Foto+Video (Russia). His work is in the collection of the Museum of Fine Arts Houston (Usa), The New Art Gallery Walsall, Uk Kiyosato Museum of Photographic Arts (Japan) and Portland Art Museum (Usa). Brunelli has published “The Animals” (2008) and “Eternal London” (2014) by Dewi Lewis Publishing, “Self Portraits” (2017) and "Hamburg" (2021) by Editions Bessard, “New York” (2020) by Skinnerboox and "Venice" has been self-published by TantoPress in 2022. In 2012, he was commissioned by The Photographers’Gallery to do the “Eternal London” series and in 2015 by the Deichtorhallen to produce “Hamburg". Interview with Giacomo Brunelli: All About Photo: When did you realize you wanted to be a photographer? I remember when more that 10 years ago, I found my father's camera in a drawer and immediately wanted to be able to use it. Did't know exactly to do what but since then I have been using it to shoot my ideas." Where did you study photography? "I graduated in Communications in 2002 and attended a six month course in photojournalism in Rome." Do you remember your first shot? What was it? "I don't remember my first shot but I started shooting people, lanscapes and animals since the beginning. I have been soon fascinated by the idea of being outside taking pictures of what you like." What or who inspires you? I take inspiration from exhibitions, books, walks, stories and music." How could you describe your style? Street Photography." What kind of gear do you use? Camera, lens, digital, film? "Since the very beginning, I have been using a Miranda Sensomat 35mm, a japanese film camera from the '60. Although I have tried the 28mm and 135mm when I started, I use the 50mm lens only and 1.8 1/500 as combination diaphragm/shutter speed. For a recent commission I got from The Photographers'Gallery two years ago on London, I started using 1/1000 also. Regarding the film, I like Kodak Tri-x 400 and I print the images myself in my darkroom on Agfa Fiber Based paper." Do you spend a lot of time editing your images? For what purpose? "Editing is crucial and I love spending time looking at my images as a body of work and select the ones I feel are the strongest to communicate my vision." AFavorite(s) photographer(s)? "I grew up looking at the great masters such as Lartigue, Muybridge, Giacomelli, Frank, Klein and Winogrand so I think I have been deeply influenced by the way they managed to express their own ideas through photography." What advice would you give a young photographer? "Developing a coherent body of work takes time and energy; I would say just be prepared to work hard." What mistake should a young photographer avoid? "Not to be patient." Your best memory as a photographer? Publishing "The Animals" (Dewi Lewis Publishing, 2008) has been great, seeing your pictures taking the form of a book is fantastic." Your worst souvenir as a photographer? "In 2005 I left my camera and my own things in a taxi in Bratislava."
Michael Jackson
United Kingdom
1966
British b.1966, in Wokingham, Berkshire. Jackson trained as a painter at West Dean College, England. After moving to Wales In 2007 he started work on an extensive study of a single remote beach, Poppit Sands, which lasted for eight years until 2015. Jackson won the Chris Beetles Award in 2013 and became a Hasselblad Masters Award finalist three times in 2008, 2009 and 2012. Now regarded as a leading exponent of the luminogram process, he works with uniquely developed techniques and response mirroring using silver gelatin paper in the darkroom. In 2017 his luminogram work was paired with theologian Edwin A.Abbott in a book published by 21st Editions, titled after Abbott's famous work 'FLATLAND' and premiered at the Grand Palais in Paris. His work is held at the National Gallery of Art in Washington and the collection of the University of Minnesota. Artist Statement "I am a British photographer based in rural Wales, UK. Born 1966. Studied art at West Dean College then apprenticed under the landscape painter Christopher W. Baker. Since moving to Wales in 2007 I have been photographing a single beach - Poppit Sands. This seems to be something that I am compelled to do as I have not yet tired of it. My goal is to keep on looking harder and hope that through studying a single subject I can find something new. The images have toured with the Hasselblad Masters On Tour twice and have been exhibited in Copenhagen, Hong Kong, Beijing, Berlin, New York, Cardiff, London & Los Angeles as well being featured in magazines such as LENSWORK, SILVERSHOTZ and SHOTS as well as blogs such as LENSCRATCH, CNN & FEATURESHOOT. The images have also reached the Hasselblad Masters Finals three times."Source: www.mgjackson.co.uk
George Brassaï
Hungary/France
1899 | † 1984
George Brassaï, the pseudonym of Gyula Halász, emerged as a Hungarian photographer, sculptor, and filmmaker who gained international recognition in 20th-century France. He was part of the vibrant community of Hungarian artists flourishing in Paris during the interwar period. In the early 21st century, the unearthing of over 200 letters and numerous drawings and artifacts from the years 1940–1984 has offered scholars valuable insights into his later life and career. Gyula (Jules) Halasz, in the Western order of his name, was born in Brassó, Transylvania, Kingdom of Hungary (known as Brasov, Romania, since 1920), to an Armenian mother and a Hungarian father. He grew up with Hungarian as his primary language. At the age of three, his family resided in Paris for a year, during which his father, a professor of French literature, taught at the Sorbonne. During his youth, Gyula Halász pursued studies in painting and sculpture at the Hungarian Academy of Fine Arts (Magyar Képzomuvészeti Egyetem) in Budapest. Subsequently, he enlisted in a cavalry regiment of the Austro-Hungarian army and served until the conclusion of the First World War. In 1920, Halász relocated to Berlin, where he took on the role of a journalist for the Hungarian newspapers Keleti and Napkelet. Simultaneously, he commenced his studies at the Berlin-Charlottenburg Academy of Fine Arts (Hochschule für Bildende Künste), now known as Universität der Künste Berlin. During this time, he formed connections with several older Hungarian artists and writers, such as painters Lajos Tihanyi and Bertalan Pór, and writer Gyorgy Boloni. These individuals, who later moved to Paris, became part of the Hungarian artistic circle. In 1924, Halász made the decisive move to Paris, where he would reside for the remainder of his life. In an effort to learn the French language, he embarked on a self-taught journey by immersing himself in the works of Marcel Proust. Living among the burgeoning community of young artists in the Montparnasse quarter, he took on a job as a journalist. It wasn't long before he forged friendships with notable figures such as the American writer Henry Miller, and the French writers Leon-Paul Fargue and Jacques Prévert. During the late 1920s, he shared the same hotel with Tihanyi. Halász's profession and his love for the city, where he often wandered the streets late at night, eventually led him to photography. Initially using photography as a means to supplement his articles for additional income, he quickly delved into exploring the city through this medium. His fellow Hungarian, André Kertész, served as his mentor in photography. Using the name of his birthplace, Gyula Halász adopted the pseudonym "Brassaï," meaning "from Brasso." Under this name, he captured the essence of the city in his photographs, culminating in the publication of his first collection in 1933 titled "Paris de nuit" (Paris by Night). The book achieved significant success, earning him the moniker "the eye of Paris" in an essay by his friend Henry Miller. In addition to capturing the more gritty aspects of Paris, Brassaï documented scenes from the city's high society, intellectuals, ballet performances, and grand operas. He formed a connection with a French family who granted him access to the upper echelons of society. Within these circles, Brassaï photographed many of his artist acquaintances, including Salvador Dalí, Pablo Picasso, Henri Matisse, Alberto Giacometti, as well as prominent writers of his era such as Jean Genet and Henri Michaux. Throughout the 1930s, a continuous stream of young Hungarian artists arrived in Paris, and the Hungarian circle welcomed most of them. André Kertèsz, a fellow Hungarian, emigrated to New York in 1936. Brassaï extended his friendships to the newcomers, including Ervin Marton, a nephew of Tihanyi, with whom he had been acquainted since 1920. Marton later gained recognition in street photography during the 1940s and 1950s. While Brassaï sustained himself through commercial work, he also contributed photographs to the U.S. magazine Harper's Bazaar. As a founding member of the Rapho agency, established in Paris by Charles Rado in 1933, Brassaï played a pivotal role. His photographs brought him international acclaim. In 1948, he held a solo exhibition in the United States at the Museum of Modern Art (MOMA) in New York City, subsequently traveling to the George Eastman House in Rochester, New York, and the Art Institute of Chicago, Illinois. MOMA featured more of Brassaï's works in 1953, 1956, and 1968. He was showcased at the Rencontres d'Arles festival in France in 1970, 1972, and 1974 as the guest of honor. In 1948, Brassaï married Gilberte Boyer, a French woman who collaborated with him in supporting his photographic endeavors.
Kevin Kinner
United States
1953
I realized that the term ''emerging photographer'' applies to where I am at this stage. As a young man perhaps better to say teenager, I had the opportunity to work at Hiro Studios here in New York City as a summer intern. It was there that I learned my way around the dark room and was able to experience the glamor and excitement of a shoot. However, during l my free time I took to the streets with my Pentax. Walking through Central Park photographing people, their surroundings, anything that caught my eye. Little did I know at the time that what I was practicing was street photography. Later on my professional career was advertising production. Particularly print production. Although not photography, I worked in tandem with photographers and retouchers to create the best final images that were to appear on the page. When digital phased out print, I decided to get back to my true passion....photography. Here I am again on the streets of New York City. Enjoying the independence, the discovery and the people. Hopefully continuing to “emerge” as a photographer. Recently, I have shown at the Treviso Photography Festival, as well as the ArtBoxy exhibit in Soho. I received a Single Image Award in Black & White magazine’s special 2022 issue. I was an integral part and exhibitor with Art on the Ave NYC. An initiative conceived to display art and photography in the vast amount of vacant store fronts. Street facing windows on The Upper West Side of Manhattan, Greenwich Village and Downtown Manhattan were transformed into galleries that rejuvenated their respective neighborhoods.
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AAP Magazine #54 Nature
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