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Hsuan Chung
Hsuan Chung
Hsuan Chung

Hsuan Chung

Country: Taiwan
Birth: 1985

Hsuan Chung is a passionate photographer who started his interest in photography when he was seventeen. During his college years in Taiwan, he taught himself all the skills and techniques of photography and became a professional newspaper journalist before graduation.

He wasn't satisfied with his works and wanted improvement. That is when he decided to relocate to Atlanta to work on his M.F.A degree in Photography at Savannah College of Art and Design.

During his time working on his degree, he participates in many events and works hard to promote his photography works. With less than a year from graduation, he plans to participate in fundraisers, exhibitions, and other artwork presentation platforms in order to show his works to the public and spread his messages.

Edge
Since ancient times, human beings have continuously given life to the land and civilization. We constantly create stories and memories in each land which has its own temperature and culture. Everything on the land experiences a cycle of weathering, squeezing, and accumulating, then they disintegrate, and reconstruct to irregular solids.

The project is based on my thoughts about the boundary between sea and land. The gravel in the soil is cracked by hitting each other under the lap of the waves, thus forming a new state. The minerals and gravel are brought back to the sea by the waves and become nutrients for microorganisms. The boundary between the sea and the land, that surges at all times but exists forever, is the birthplace of land and life. For me, that is also the end of human civilization.

I used the square composition of a medium format camera to metaphorically refer to the concept of 'time' in nature that only humans have. I pressed the shutter after a series of precise calculations, and each square perfectly framed the time and scenery of the moment. In order to let the negative and the seawater fully interact, I soaked the negative in the seawater took from the shooting location. So that the salt and minerals in the seawater are able to remain on the negative. During the development, sea salt and minerals that stay on the negative produce chemical reactions with chemistry and silver halides. Human intervention and uncertain chemistry allow the whole process to create a memory journey between the earth and the sea, human beings and nature. The final images fulfill the purpose of recreating memories of different times and spaces and making them eternal. They not only record the memory of the ocean for 4500 million years but also witness the vitality of everything and the inseparable connection between human beings and the earth.
 

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Vytenis Jankūnas
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Alfred Eisenstaedt
Germany
1898 | † 1995
Alfred Eisenstaedt (December 6, 1898 – August 24, 1995) was a German-born American photographer and photojournalist. He is best known for his photograph of the V-J Day celebration and for his candid photographs, frequently made using a 35mm Leica camera. Eisenstaedt was born in Dirschau (Tczew) in West Prussia, Imperial Germany in 1898. His family moved to Berlin in 1906. Eisenstaedt was fascinated by photography from his youth and began taking pictures at age 14 when he was given his first camera, an Eastman Kodak Folding Camera with roll film. Eisenstaedt served in the German Army's artillery during World War I, and was wounded in 1918. While working as a belt and button salesman in the 1920s in Weimar Germany, Eisenstaedt began taking photographs as a freelancer for the Pacific and Atlantic Photos' Berlin office in 1928. The office was taken over by Associated Press in 1931. Eisenstaedt successfully became a full-time photographer in 1929. Four years later he photographed a meeting between Adolf Hitler and Benito Mussolini in Italy. Other notable, early pictures by Eisenstaedt include his depiction of a waiter at the ice rink of the Grand Hotel in St. Moritz in 1932 and Joseph Goebbels at the League of Nations in Geneva in 1933. Although initially friendly, Goebbels scowled for the photograph when he learned that Eisenstaedt was Jewish. Because of oppression in Hitler's Nazi Germany, Eisenstaedt emigrated to the United States in 1935 where he lived in Jackson Heights, Queens, New York, for the rest of his life. He worked as a staff photographer for Life magazine from 1936 to 1972. His photos of news events and celebrities, such as Dagmar, Sophia Loren and Ernest Hemingway, appeared on 90 Life covers. Eisenstaedt was awarded the National Medal of Arts in 1989 by President George Bush in a ceremony on the White House lawn. Eisenstaedt, known as "Eisie" to his close friends, enjoyed his annual August vacations on the island of Martha's Vineyard for 50 years. During these summers, he would conduct photographic experiments, working with different lenses, filters, and prisms in natural light. Eisenstaedt was fond of Martha's Vineyard's photogenic lighthouses, and was the focus of lighthouse fundraisers organized by Vineyard Environmental Research, Institute (VERI). Two years before his death, Eisenstaedt photographed President Bill Clinton with wife, Hillary, and daughter, Chelsea. The photograph session took place at the Granary Gallery in West Tisbury on Martha's Vineyard, and was documented by this photograph published in People magazine on September 13, 1993. Eisenstaedt died in his bed at midnight at his beloved Menemsha Inn cottage known as the "Pilot House" at age 96, in the company of his sister-in-law, Lucille Kaye (LuLu), and friend, William E. Marks. Source: Wikipedia Born in Dirschau (now Poland), Alfred Eisenstaedt studied at the University of Berlin and served in the German army during World War I. After the war, while employed as a button and belt salesman in Berlin, he taught himself photography and worked as a freelance photojournalist. In 1929, he received his first assignment that would launch his professional career--the Nobel Prize ceremony in Stockholm. From 1929 to 1935 he was a full-time photojournalist for the Pacific and Atlantic Picture Agency, later part of the Associated Press, and contributed to the Berliner Illustrierte Zeitung and other picture magazines in Berlin and Paris. In 1935, he came to the United States, where he freelanced for Harper's Bazaar, Vogue, Town and Country, and other publications. In 1936, Henry Luce hired him, along with Margaret Bourke-White, Peter Stackpole, and Thomas McAvoy as one of four staff photographers for the new LIFE magazine. Eisenstaedt remained at LIFE for the next 40 years and was active as a photojournalist into his eighties. In 1988, he was honored with ICP's Infinity Master of Photography Award. Eisenstaedt was among those Europeans who pioneered the use of the 35-millimeter camera in photojournalism as they brought their knowledge to American publications after World War I. He was also among the earliest devotees of available-light photography. Unlike many photojournalists in the postwar period, he was not associated with a particular kind of event or geographic area: he was a generalist. As such, he was a favorite among editors, not only for his quick eye, but also for his ability in making good photographs of any situation or event. His nonjudgmental but acutely perceptive eye and his facility with composition have made his photographs memorable documents of his era both historically and aesthetically. Source: ICP
Beatrix Jourdan
Beatrix Jourdan (Bea Mészöly) was born in Budapest, attended The Hungarian University of Fine Arts, and is both a freelance graphic designer and photographer. Photography has been exhibited in solo and group shows in Luxembourg, Belgium/Brussels, London, Hungary, Italy, Kuala Lumpur, Senegal/Dakar Argentina and the USA. She is currently based in Dakar, Senegal. "Being a professional graphic designer I worked with photos shot by others, making art catalogues and book covers, designing magazines and advertising. Sometimes when I had not enough photos for creative process, I started to shoot for my work and found myself deeply involved in the process. Fine art photography inherits means of expression like the use of light, composition, shape, line, rhythm, colour, etc. from painting and drawing. But what is most important for me it suggests principle of duality, originality through lack of originality, reflection, illusion, intricacy, which confuses people who want to see in the photo a phenomenon of objectivity, simplicity and straightness – all these I try to keep in my mind and share in my works. I believe that the concept of photography is not only a faithful reproduction of reality, but also a way of showing emotions, human relations, and that it is also a form of communication between a photograph and the viewer. Thus, the camera is only a tool for the technical execution of the art form, and a catalyst for developing and displaying feelings." Interview with Beatrix Jourdan All About Photo: When did you realize you wanted to be a photographer? Beatrix Jourdan: I started working as a graphic designer, and choosing the right photo to work on was not so simple: sometimes I felt upset as it was very difficult to create a "communication-bridge" between the message and the composition that was in my hands. Then I started to take photos on my own: I perfectly knew what was in my mind, and the only thing I could do was taking photos, in order to translate my thoughts into reality. AAP: Where did you study photography? BJ: I was the "teacher of myself", as I began to spend a lot of time in the dark room, where - making a lot of mistakes, obviously! - at the end I understood how to manipulate and develop photos. AAP: Do you have a mentor or role model? BJ: No, I don't. I can admire other photographers' work, but I never wanted to have a mentor. AAP: How long have you been a photographer? BJ: 2005 can be considered the turning point of my professional life, as I abandoned my work as a graphic designer in order to become a photographer. AAP: Do you remember your first shot? What was it? BJ: Uh... what a difficult question! I can't say for sure but my dog could probably be my first subject. AAP: What or who inspires you? BJ: Everything around... The world that surrounds me everlastingly inspires me in my shots. Bodies, houses, situations... there are so many things that can be shot that sometimes I run the risk to lose myself in my own passion... AAP: How could you describe your style? BJ: Honestly, I really do not know. The "subjects" always influence my style... I love to help the observer, guiding his attention on a particular aspect, the same that caught my attention. AAP: Do you spend a lot of time editing your images? For what purpose? BJ: Yes. I always edit my photos. The photos are the way I like the most to begin to "paint", in order to translate into reality what I feel and "need" to show. AAP: What advice would you give a young photographer? BJ: Never try to copy any style from other photographers: just look deep inside and find yourself in the reality you shoot. AAP: Your best memory as a photographer? BJ: Every shot is deeply connected to a person or to a situation... The time I spend with someone always becomes my best memory. AAP: The compliment that touched you most? BJ: Every compliment touches me!! AAP: If you were someone else who would it be? BJ: ...even if I deeply love a photo which is not mine, I never say "I would have shot it". That's because a photo is part of the photographer that takes it. A photo is not only a "clic", it is a powerful mix of technique, feelings, emotions, background and thoughts. I cannot have the same "mix" as another photographer, so when I look at a photo I love, I prefer to feel the love the photographer has put into it. AAP: Anything else you would like to share? BJ: Not very original but: Shoot when you need to shoot, as time never goes back.
Ed Kashi
United States
1957
Ed Kashi is a photojournalist, filmmaker and educator dedicated to documenting the social and political issues that define our times. A sensitive eye and an intimate relationship to his subjects are signatures of his work. As a member of the prestigious photo agency VII, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition. “I take on issues that stir my passions about the state of humanity and our world, and I deeply believe in the power of still images to change people’s minds. I’m driven by this fact; that the work of photojournalists and documentary photographers can have a positive impact on the world. The access people give to their lives is precious as well as imperative for this important work to get done. Their openness brings with it a tremendous sense of responsibility to tell the truth but to also honor their stories.” Kashi’s images have been published and exhibited worldwide. Another of Kashi’s innovative approaches to photography and filmmaking produced the Iraqi Kurdistan Flipbook with MediaStorm, which premiered on MSNBC.com in December 2006. Using stills in a moving image format, this creative and thought-provoking form of visual storytelling has been shown in many film festivals and as part of a series of exhibitions on the Iraq War at the George Eastman House. Also, an eight-year personal project completed in 2003, Aging in America: The Years Ahead, created a traveling exhibition, an award-winning documentary film, a website and a book which was named one of the best photo books of 2003 by American Photo. Along with numerous awards, including Second Prize Contemporary Issues Singles in the 2011 World Press Photo contest, UNICEF’s Photo of the Year 2010, a Prix Pictet 2010 Commission and honors from Pictures of the Year International, Communication Arts and American Photography, Kashi’s images have been published and exhibited worldwide, and his editorial assignments and personal projects have generated six books. In 2008, Curse of the Black Gold: 50 Years of Oil in the Niger Delta was published, and June 2009, saw the publication of Kashi’s latest book THREE, based on a series of triptychs culled from more than 20 years of image making. In 2002, Kashi and his wife, writer/filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous short films and multimedia pieces that explore significant social issues. The first project resulted in a book and traveling exhibition on uninsured Americans called, Denied: The Crisis of America’s Uninsured. “Ed Kashi is intelligent, brave and compassionate. He always understands the nuances of his subjects. He fearlessly goes where few would venture. And he sympathetically captures the soul of each situation. Ed is one of the best of a new breed of photojournalistic artists.” -- David Griffin, Visuals Editor, The Washington Post Articles Ed Kashi talks about Climate Change 1 in 6 by 2030 Books Abandoned Moments A Period in Time
George Tice
United States
1938 | † 2025
George A. Tice is an American photographer, best known for his meticulously crafted black and white prints in silver gelatin and platinum, as well as his books, which depict a broad range of American life, landscape, and urban environment, mostly photographed in his native New Jersey, where he has lived all his life, except for his service in the U. S. Navy, a brief period in California, a fellowship in the United Kingdom, and summer workshops in Maine, where he taught at the Maine Photographic Workshops, now the Maine Media Workshops. George A. Tice, born in Newark, New Jersey, October 13, 1938, was the son of a college-educated New Jerseyan, William S. Tice, and Margaret Robertson, a Traveller of Irish, Scottish, and Welsh stock with a fourth grade education. George was raised by his mother, maintaining regular visiting contact with his father, whose influence and advice he valued highly. His first contact with photography was in the albums of family photographs belonging to his father, and this gave him the desire to create images of his own. He began with a Kodak Brownie. In 1953, having bought a Kodak Pony, which gave him some control over exposure and focus, and a Kodak developing kit, he began to advance his craft. He also joined the Carteret Camera Club. George Tice's photographs of homeless men on the Bowery won second place in the black and white print competitions. He decided at this point to make photography his career. In 1955 he attended the Newark Vocational and Technical High School, where he briefly studied commercial photography under Harve Wobbe. When he turned sixteen, he quit school and took a job as a darkroom assistant for Classic Photo, a portrait studio in Newark. He also worked as a stock boy at Kreske's Department Store in Newark, then as an office boy in the circulation department of the Newark Evening News. It was at this job he learned about the death of the actor James Dean through a clipping about his death. Tice later adopted Dean as one of his subjects in Hometowns: An American Pilgrimage. In 1956 Tice enlisted in the United States Navy, in which he rose to the rank of Photographer's Mate Third Class. After boot camp and two years at Naval Air Station Memphis, he was transferred to sea duty aboard the aircraft carrier, USS Wasp (CV-18). One of the photographs he made on board, Explosion Aboard the U.S.S. Wasp, 1959, was published on the front page of the New York Times. Edward Steichen, then Director of Photography at the Museum of Modern Art, was struck by the image and requested a print for the Museum collection. In that same year Tice received his honorable discharge.Source: Wikipedia George Tice is drawn to vestiges of American culture on the verge of extinction-from people in rural or small-town communities to suburban buildings and neighborhoods that are often in decline. Although he has photographed throughout the Northwestern United States, he is best known for pictures of his native New Jersey, and the impeccable quality of his black-and-white prints. In the 1960s, Tice shifted from smaller camera formats to larger ones, which enabled him to craft carefully toned and detailed prints. He portrayed traditional Amish and Shaker communities, as well as the hard lives of fishermen in Maine. In the 1970s, Tice began exploring his home state. Those photographs formed the beginnings of his Urban Landscapes series, which he worked on until the year 2000. His publications include: Fields of Peace: A Pennsylvania German Album (1970), Paterson, New Jersey (1972), Seacoast Maine: People and Places (1973), Urban Landscapes: A New Jersey Portrait (1975), and Hometowns: An American Pilgrimage (1988). Tice has taught at the Maine Photographic Workshops since 1977.Source: The J. Paul Getty Museum By 1970, thanks in part to shows and sales of his work through Witkin, Tice was able to concentrate entirely on his own photography. The extended photographic essay is an important part of Tice’s work. The form and process of each project is an investigation leading to a book. Tice taught a master class at The New School, NYC and the Maine Media Workshop for over twenty-five years. Tice has had eighteen books published to date. His first book Fields of Peace, documented the life of Amish and Mennonite communities of Pennsylvania. In the late 1960’s, Tice began exploring his home state and those photographs formed the beginnings of two of his best-known books: Urban Landscapes, A New Jersey Portrait, (1975) and Paterson, (1972), with sequels, George Tice : Urban Landscapes in 2002, Common Mementos in 2005 and Paterson II in 2006. One of his most recent book Seldom Seen (2013) is a collection of previously unpublished photographs. James Rhem states in an article in Focus Magazine, “The stillness in what Tice himself describes as the “sad beauty” of his urban scenes has a different weight, the weight of history, not moments, but stories evolving.” His photographs have been exhibited internationally and are represented in the collections of many institutions including the Metropolitan Museum of Art, Museum of Modern Art, Art Institute of Chicago, The J. Paul Getty Museum, Whitney Museum of Art, Newark Museum and the The Bibliothèque nationale de France. He has received fellowships and commissions from the Guggenheim Foundation, the National Endowment for the Arts, the New Jersey State Council on the Arts and the National Media Museum, (UK). In 2003, he received an honorary Doctorate of Humane Letters degree from William Paterson University. Tice, a 10th generation New Jerseyan, makes his home on the Jersey Shore.Source: The Lucie Awards
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