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LAST CALL to Win a Solo Exhibition this March!
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Nanda Hagenaars
Nanda Hagenaars
Nanda Hagenaars

Nanda Hagenaars

Country: Netherlands

''El Duende'' is a word used by the Spanish people to describe it is what moves you, what drives you. It comes from inside you. El duende is a bodily reaction to art or artistic perfomance such as Flamenco. It comes from the soles of the feet and flows free throughout the body till the top of your head. El duende is the spirit of evocation. An emotional and physical reaction. It can make you smile or cry or both. This mysterious power which everyone can sense and no philosopher can explain is in sum the spirith of the earth. It touches you in such a magical way that you are moved instantly.

Nanda Hagenaars was born in the Netherlands in 1988 and is currently living in Amsterdam. She studied International Business and Languages in Sevilla. This is where she felt the spirit of el Duende in such a strong way that this place instantly became like a harbour for her.

Back in the Netherlands, Nanda started working in the advertising industry and after nearly 4 years left her office job and crashed fully into photography and art. After studying languages, she discovered a new kind of language; through photography.

Between 2007 and 2017, Nanda traveled frequently back to south Spain where she somehow always felt touched by culture and the simple vibe of the magnificent gypsy city. In 2016, Nanda made her first documentary photography project in Sevilla, where she won a price for New Dutch Photo talent 2017.

Nanda’s captivating black and white style blends poetry and intuition, delving into the eternal essence of life. Through her lens, Nanda captures stories and forges a profound connection with the portrayed. At times, she surrenders to the unknown, creating intuïtively and spontaneously. Through her art she aims to touch others, offering solace and unity through shared emotions.

So.. to Nanda, photography is a way to translate, meditate, and communicate.

A universal language.

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More Great Photographers To Discover

Christer Strömholm
Sweden
1918 | † 2002
Christer Strömholm is recognized as one of the major figures of 20th-century European photography. Strömholm captured his surroundings in black-and-white images that display his integrity, understated humor, and a highly personal aesthetic. With an unmistakable sensitivity to human suffering, based on his personal experience, he took photography in a new direction. Sean O’Hagan, writing in The Guardian, has described him ''as the father of Swedish photography both for his abiding influence and for his role as a teacher.'' Born in Stockholm, Strömholm discovered photography via graphic art in the late 1940s. During the 1950s and 60s he lived much of the time in Paris, where he developed his particular style of street photography. It was here that he produced his most famous work, Les amies de Place Blanche, a tribute to a group of young transsexuals with whom he became friends and whose lives he shared over many months. They were very much outsiders, struggling to survive with their main source of income being from prostitution. In these legendary photographs, shot at night in available light, Strömholm merged street photography and portraiture, depicting them as the close friends they were, in intimate and honest portraits far from the spectacular or speculative. Les amies de Place Blanche raises profound issues about sexuality and gender; and, in Strömholm’s own words, ''it is about obtaining the freedom to choose one’s own life and identity.'' Strömholm also went on numerous photographic expeditions to places around the globe in the early 1960s, including Spain, Japan, India, and the USA. Early in his career, he began teaching in Stockholm, eventually setting up the legendary Fotoskolan, from which some 1,200 students graduated between 1962 and 1974. Strömholm’s work has inspired many generations of photographers, though he did not become known to the broader public until 1986, with a major exhibition at Moderna Museet in Stockholm. Stömholm died in 2002. Article Christer Strömholm
Gregory Spaid
United States
1946
Gregory Spaid (born, 1946) is an American artist who works in many modes and styles of photography, which are linked by a common thread of illuminating the commonplace. Whether it is the daily movement of pedestrians on the streets of New York City or the leaves that fall in his yard in rural Ohio, it is photography’s potential to transform our common experiences to reveal meaning and beauty that is the hallmark of his work. Spaid’s recent work includes a photography project that explores the importance trees play in our lives and for the health of the planet titled Reading Trees. His work on trees includes Cliché Verre photographs that incorporate actual leaves and other materials on negatives he makes by hand. For this project he traveled throughout the United States and has been awarded artist residencies at the Brush Creek Foundation in Wyoming, Mesa Verde National Park in Colorado, Congaree National Park in South Carolina and the Sonoran Arts Residency in Ajo, Arizona. During the Covid-19 pandemic, he focused on the natural world much closer to home, within footsteps of where he lives, to produce a series of videos to share with friends, titled The Machine in the Garden, that take a close look at nature for the beauty and inspiration still to be found there. Since 2009, Spaid has photographed the dance-like movement of people on the street of New York City for a series of abstract images titled Pedestrians. His photography on the changing landscape of rural America was included in a major group exhibition at The J. Paul Getty Museum in Los Angeles titled Where We Live. As well as the Getty Museum, his work is in other major collections including the Museum of Modern Art, the International Museum of Photography at the George Eastman House, and the Smithsonian American Art Museum. He received a Fulbright Research Fellowship to Italy and is the recipient of eight grants from the Ohio Art Council. Spaid has published two monographs: Grace: Photograph of Rural America and On Nantucket. In 2010, the Getty Museum published his work in an historical survey titled The Tree in Photography. Spaid taught studio art at Kenyon College where he served for nine years in academic administration including six years as the college’s provost. About Leaf Cutting Series "Leaves occur in such abundance where I live in rural Ohio as to seem worthless, and yet each one is astoundingly complex and beautiful both in its form and function. I think of the leaves in this series as visual representations of wildness, while the alterations I make to them -- the cutting -- is a form of rational human intervention. These images from my leaf cutting series are camera-less photographs made from negatives I make by hand -- a process known by the French term Cliché Verre. Cliché Verre is one of the earliest uses of light-sensitive, photographic materials. In the mid-19th century, it was used by a few French landscape painters, including Corot, Delacroix, Millet and Rousseau, to reproduce drawings they made on glass plates. My process is a hybrid one and an experimental contemporary version of that early process. After making a negative by hand, I scan it, process it digitally, and then print it as an archival ink jet print. Because there is no right or wrong way to make Cliché Verre images, I invent my technique as I work and let chance and discovery shape my approach. The subject of this work is leaves that I collect, make translucent, cut in unique shapes, and then combine with other materials (including maple syrup, blueberry juice, glue, India ink) to make hand-made 'negatives.'” -- Gregory Spaid
Anna Atkins
United Kingdom
1799 | † 1871
Anna Atkins (1799-1871) was an English botanist and photographer best known for her early work in photography. She is widely regarded as the first female photographer and one of the art form's pioneers. Anna Atkins was born on March 16, 1799, in Tonbridge, Kent, England, into a family with a strong interest in science and botany. Her father, John George Children, was a well-known chemist and mineralogist, which may have influenced her early interest in science. Anna was educated in science, art, and natural history, which was unusual for a woman of her time. She developed a particular interest in botany and was well-versed in plant classification and study. Anna Atkins worked with her father's close friend, Sir John Herschel, an astronomer and mathematician who had also made significant contributions to the early development of photography, in 1841. She adopted the cyanotype process, an early photographic technique that produces blue-toned images, after being inspired by Herschel's work. Botanical specimens, such as ferns and seaweeds, were placed on light-sensitized paper and then exposed to sunlight as part of the cyanotype process. The areas that were not covered by the specimens turned blue, while the areas that were covered by the plants remained white. Anna Atkins used this technique to create a series of stunning and scientifically accurate photograms. In October 1843, Anna released her most famous work, "Photographs of British Algae: Cyanotype Impressions." This three-volume collaboration with Anne Dixon featured over 400 cyanotype images of various algae species found along the British coast. It was the first book to be entirely illustrated with photographs. Only a few copies of the book are known to exist today, as each copy was hand-assembled. Anna Atkins' work was not only artistic; it was also scientifically significant. The cyanotype images were a valuable resource for botanical documentation and classification, as well as an early example of photographic scientific illustration. Despite her contributions to photography and botany, Anna Atkins received little recognition during her lifetime. Photography was still a new medium at the time, and her work was relatively unknown until recently. Anna Atkins died on June 9, 1871, in Halstead, Kent, leaving behind a legacy as a pioneering female photographer and a prominent figure in photography and botany history. Her innovative use of the cyanotype process, as well as her dedication to scientific documentation through photography, are still admired and recognized by the art and science communities.
Asako Naruto
Japan
1974
Asako Naruto is a Japanese photographer living in Madrid since 2005. After obtaining a BA of Science of Design in Tokyo, she studied Art History, specializing in El Greco until she completed doctoral studies. Although she has been taking photographs for some time, it was around 2020 that she began to rediscover and immerse herself in photography as a personal creative activity. Her photographic style is characterized by a sense of introspection while using a street snapshot approach. In 2022, she won the annual Grand Prix of Digital Camera Magazine (Impress, Japan). Since then, she has received numerous awards from various international photography competitions including VIEPA, PISPA, IPA, BIFA, TIFA and many more. Recently, she has been working on a series of fantastical urban fragments using prismatic filters, one of which, "Reverve+Graphy", won the Gold Medal at the Paris International Street Photography Awards (2023). Statement: Press the shutter button to take a picture. I like the simplicity of it. For me, the real pleasure of photography lies in this physicality of moving my hands and feet and feeling the connection between sight and brain. For me, photographic expression may be an attempt to translate my inner thoughts, which are difficult to verbalize, while capturing fragments of my daily life with a camera. I feel that I want to be a storyteller more than an observer. I try to reveal or represent the scenes I collect in the city by overlaying them with the stories that unfold in my mind. Nevertheless, I carefully avoid encouraging the viewer to have a fixed interpretation of my work by explaining in detail the message it may contain. I want my work to be open to gradations of interpretation and to stimulate the viewer's personal emotional recall.
Quentin Shih
China
1975
Quentin Shih (a.k.a. Shi Xiaofan), born in Tianjin, China in 1975, lives and works as a camera artist, and filmmaker between New York and Beijing. A self-taught photographer, he began to shoot photos in college for local underground musicians and artists. After graduation, he came to Beijing to develop his career as a professional photographer/artist. From 2000 to 2002, he participated in exhibitions in China and America with his fine art photographic works and his works have been collected by American museums, such as the Danforth Museum of Art and the Worcester Art Museum. During the last few years, he has been producing work for top commercial clients and international publications such as Adidas, Microsoft, Sony, Siemens, Vogue, Harper's Bazaar and Esquire. His advertising campaigns work have won numerous prestigious international advertising and photography awards. In 2007, Quentin was named 'Photographer of the Year' by Esquire Magazine (China). In the following years, he joined lots group exhibitions and solo exhibitions in China, Europe, Southeast Asia and United States. As one of the leading Chinese photographers, Quentin Shih is well recognized for his individual artistic style which utilizes vast sets and dramatic lighting to engage in emotional narratives. Now, he is returning to his roots in fine art photography and challenging its techniques and concepts into his commercial and fashion photography in order to achieve a unique symbiosis. At the same time, he is also working on his film projects, A Parisian Movie (2011) was his first short movie shot in Paris, France.
Lara Wilde
Germany
1988
Lara Wilde dances in her projects between the themes of raw human emotions and the complexity of the outside world. As a photographer and psychologist she is interested in what moves us as humanity on an individual level. Besides an intensive involvement with her protagonists, she stands for technical perfection in the execution, which has earned her several awards. Since 2016 Wilde is working as a fine art photographer and creative director. Statement A few years ago I moved from a Norwegian village back to Berlin to study photography. What I didn't know back then is that you unlearn being a city person when you are gone long enough. I really thought I would die in the anonymous streets of the city I once loved so much. As you know, when we are determined to solve a problem, we go deeper into it. So I wanted to meet strangers and see how they feel outside of their awesome social herds. A lot of nights I now invited myself to other peoples houses, men and women, all strangers, drinking coffee and photographing them in the process. I shot them in longterm exposures, first, because I didn't want to bring a lot of equipment, but later I enjoyed the slow process, sitting there in darkness and waiting for the picture to come through. For some people, it was torture sitting around in the darkness, confronted with their thoughts without their smartphones, friends or busy surroundings. For me they looked like something was missing when they were just sitting by themselves. It felt really personal watching them trying to get comfortable in this inputless scene, to see them struggle, or to see them think and sometimes sharing the feelings that were coming forward. All these conversations with strangers, waiting around in the dark, gave me a feeling of togetherness, becoming a tiny particles of their lives and giving them something that they normally didn't have: Stillness. They were so open and thankful for conversations and most of the times we talked about the real shit: About being lonely, about dying, about calling our parents and our first love. All the stories found their way into the pictures and reminded me of everything we talked about. But I personally got my Berlin back. Not at the streets, but at the dark corners of their homes. Everything in their homes told their stories as loud as they did and I had the honor of being part of it for a short period of time. I get you now, Berlin-people: You are kind and giving, but you are afraid of being used. You are interested in others, but don't want to be tangled up in other peoples problems. You want to show yourself, but want to be accepted. And if you like it our not, the people around you want that too.
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