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Annemarie Jung
Annemarie Jung
Annemarie Jung

Annemarie Jung

Country: Luxembourg
Birth: 1971

Annemarie Jung is a self-taught photographer.

Since her debut in 2021, Annemarie has rapidly garnered recognition, winning numerous prestigious awards and exhibiting her work internationally and locally. Her photographs have also been published in esteemed photo magazines such as National Geographic, Smithsonian, AAP Magazine, and books (Prix de la Photographie Paris, International Portrait Photographer top 101 Book).

Drawing inspiration from her natural curiosity and an unwavering drive to transform ideas into art, Annemarie's artistic focus lies in capturing the essence of the human element. Through her evocative and sometimes provocative approach, she skillfully explores the intricate nuances of the human experience. Storytelling and forging personal connections serve as the guiding pillars of Annemarie's work, breathing life into her captivating compositions. Her unwavering commitment to non-traditional paths allows her to delve into uncharted territories and present unique perspectives to her viewers.

Her academic record includes a Masters in Journalism and Communication, an MBA, a Masters in Law LLM, A Masters in English Literature, and she is starting a Masters in Photography in January 2024.

Websites

www.annemariejung.art

@annemariejunglux

 

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More Great Photographers To Discover

Takeo Hirose
Takeo Hirose
Japan
1962
Takeo Hirose was born in Kyoto, 1962. After graduate of Hitotsubashi University, he has been working for several famous food companies. He started studying photography in earnest in 2011 when Japan suffered from the huge earthquake disaster. Through the earthquake he understood that the beautiful sceneries are not eternal but actually very fragile, and noticed the importance of taking photos of the Japanese beauty. His production concept is to express the world of traditional Japanese paintings and ink paintings with modern Japanese sensibility and the photo technology.
Josephine Cardin
Josephine Cardin
Dominican Republic
Born in Santo Domingo, Dominican Republic, Josephine Cardin is a fine arts photographer who grew up in South Florida, until moving to Boston, MA in 2006.Presently, Cardin has been developing her figurative work, inspired by music, dance, and the human themes of loneliness, isolation, melancholy, love and loss. Cardin uses both dancers, and self-portraiture to illustrate scenes that bewitch, seduce, and explore our human sensibilities; through abstract stories with a visual dialogue between the subject and the artist created through a symbiosis of harmonic gestures and magnetic artistry.Cardin's work has been published in The Spoiler�s Hand, Lucy�s, Canto, beau BU, Scope, F-Stop, and Dance Magazines; Playbill, and the book Meet The Dancers. She has exhibited with The Professional Woman Photographers, The Boca Raton Museum of Art Juried Exhibition, and with The Woman in The Visual Arts. Most recently Cardin received and honorable mention for the 2014 Julia Margaret Cameron Awards, and was selected as a finalist for the PhotoNola/International House Mary Magdalene Exhibit in New Orleans. She has done work for the Boston Ballet, Rochester City Ballet, Arts Ballet Theater, and The Broward Center for the Performing Arts; as well as work for corporate clients. Additionally she earned an artistic grant from the state of Florida, prior to her move to Boston.Always an artist in some capacity, Cardin started out as a ballet dancer, then earning her B.A. in Art History from Florida Atlantic University, followed by an M.A. in Communications from Lynn University. She went on to hold several professional jobs in the arts, while continuing to produce personal and professional photography projects as a freelancer. In 2010 Cardin focused on pursuing her fine arts career full-time. She lives and works in Rochester, NY, with her husband and two young children.
Diana Markosian
Diana Markosian
Russia
1989
Diana Markosian is an American and Russian artist of Armenian descent, working as a documentary photographer, writer, and filmmaker. She is known for her photo essays, including Inventing My Father, about her relationship with her father, and 1915, about the Armenian genocide. Markosian was born in Moscow. In 1996, she moved to California with her mother and her brother, while her father remained in Russia. She had no contact with him until 23, when she found her father in Armenia, after 15 years of being apart. Markosian graduated summa cum laude from the University of Oregon with a bachelor of arts in history and international studies in 2008, and earned a Master of Science from Columbia University's Graduate School of Journalism in 2010 at the age of 20. In 2011, Markosian was sent to Azerbaijan as a photojournalist for Bloomberg News, but she was denied entrance to the country, which was at war with Armenia at the time. Markosian is of Armenian descent but not a citizen of Armenia. The authorities said they couldn't provide her with the "security" she would need because of her Armenian last name. Markosian began her career at 20. Her editorial and personal work has taken her to some of the most remote corners of the world. She worked on assignments for publications including National Geographic Magazine, The New Yorker and The New York Times. For her first assignment for National Geographic Magazine in 2015, she was commissioned to explore the power and legacy of the Virgin Mary. This ability to photograph "things that are no longer there" has become a signature of her work. Her images have since been published by the Financial Times, World Policy Journal, The New York Times, Foreign Policy, The Times, Human Rights Watch, Amnesty International, amongst other publications. She won the Columbia School of Journalism's annual photography prize, and was chosen as a duPont Fellow. She was selected for the Joop Swart Masterclass from World Press Photo and was the winner of the Magnum Emerging Photographer Fund in 2013. In 2015, she was selected as the first recipient of the Chris Hondros Emerging Photographer Award. The same year, the British Journal of Photography selected her in its global survey of "Ones to Watch". In 2016, Markosian became a nominee member of Magnum Photos. In 2018, she was awarded the Elliott Erwitt Fellowship to travel to Cuba, where she documented the coming of age of young girls in Havana. The work she created was exhibited as a solo show at the Grand Palais in Paris Photo and Photo Espana. She was awarded 1st Place in Contemporary Issues from World Press Photo for an image of Pura, a young girl who was diagnosed with a brain tumor as a child, and was photographed celebrating her quinceanera. Source: Wikipedia About 1915 "Holding a cane in his right hand, Movses Haneshyan, 105, slowly approaches a life-size landscape. He pauses, looks at the image, and begins to sing, 'My home... My Armenia.' It's the first time Movses is seeing his home in 98 years. A century ago, the Ottomans initiated a policy of deportations, mass murder and rape to destroy the Armenian presence in the Ottoman Empire. By the war's end, more than a million people, from what is now modern-day Turkey, were eliminated. It was one of first genocides of the 20th century, one that Turkish authorities deny to this day. Movses and his father survived. I traveled to Armenia to meet Movses and other survivors to ask them about their last memories of their early home. I then retraced their steps in Turkey to retrieve a piece of their lost homeland. One hundred years after having fled his birthplace, Movses caresses its image, as if by holding it close he will be taken back to the place he called home many years ago. This is his story, and those of other survivors. A story of home - everything they had, everything they lost. And what they have found again." -- Diana Markosian
Todd Webb
Todd Webb
United States
1905 | † 2000
Todd Webb (September 5, 1905 – April 15, 2000) was an American photographer notable for documenting everyday life and architecture in cities such as New York City, Paris as well as from the American west. His photography has been compared with Harry Callahan, Berenice Abbott, Walker Evans, and the French photographer Eugène Atget. He traveled extensively during his long life and had important friendships with artists such as Georgia O'Keeffe, Ansel Adams and Harry Callahan. He photographed famous people including Dorothea Lange. His life was like his photos in the sense of being seemingly simple, straightforward, but revealing complexity and depth upon a closer examination. Capturing history, his pictures often transcend the boundary between photography and artistic expression. Webb was born in Detroit in 1905 and grew up there and in a Quaker community in Ontario. From 1924 to 1929 he worked as a bank teller and clerk at a brokerage firm in Detroit; in another account, he was a successful stockbroker during the 1920s but lost his earnings during the Crash before the Depression. During the Depression beginning in 1929, he moved to California and worked as a prospector and earned a meager living. During these years he also worked as a fire ranger for the United States Forestry Service. Webb reportedly wrote short stories which were unpublished. After 1934, Webb returned to Detroit and worked for the automobile manufacturer Chrysler in their export division. In 1937, he visited a friend in Panama in search of gold, but had little success. But in Panama, he brought along a camera donated by his former employer, Chrysler. Webb returned to Detroit and studied at the Detroit Camera Club. He met photographer Harry Callahan. In 1940, he completed a ten‑day workshop with Ansel Adams as his teacher. In 1941, he visited Rocky Mountain State Park with Harry Callahan, and realized during this trip that he was drawn more to the urban cityscape, and although he found Adams to be an inspiration, he would not make photographs like his teacher. During World War II, Webb was a photographer for the United States Navy and was deployed to the South Pacific theater of operations. After World War II, in 1945, Webb moved to New York City and began his career as a professional photographer. He made key friendships with Alfred Stieglitz and Georgia O'Keeffe as well as Beaumont Newhall, Berenice Abbott, Helen Levitt, and Minor White. Webb began a remarkable project of walking the streets of New York City with his heavy camera and tripod and photographing people and buildings he encountered. What set these photos apart was their "straightforward, descriptive clarity" even though they were often of familiar views. One large 10-foot–long panorama photograph which was critically acclaimed showed a section of Sixth Avenue from 43rd–44th streets which, in 1991, was seen as a "visual time capsule of the city" and was described as a "stunner." Webb's photos reflected the photographer's sense of discovery and captured the times, such as photos of hand-painted banners over apartment house doors saying "Welcome Home, G.I.s". In one photograph, Webb went to the top of the RCA Building and shot south using a backlit technique, which captured the Empire State Building at night. The best photographs, according to New York Times art critic Charles Hagen, contained the "simple geometries of urban architecture" in a "simple elegance"; Hagen thought Webb's New York City photographs were his best. In 1946, he had the first solo exhibition of his photographs at the Museum of the City of New York. In 1947, Webb was hired by Fortune magazine and he worked with professional photographers funded by the Standard Oil Company led by Roy Stryker and the group included notable photographers such as Sol Libsohn. According to the New York Times, the team of professional photographers was "given amazingly free rein by its corporate sponsor" to produce a documentary about oil. One of these photographs, Webb's Pittsburgh Panorama (ca. 1950) shows a grim industrial view towards Pittsburgh from a hill near Westinghouse Bridge that takes in a bare river valley across which snake highways and railways and a row of tall smokestacks in the distance. Curator Edward Steichen selected it for the 1955 Museum of Modern Art exhibition The Family of Man, seen by 9 million visitors on its world tour. However, in his memoir, Webb records his disappointment with the way images were "over-enlarged to billboard size" losing "all the qualities that make photographs unique." Webb traveled to Paris in 1949 and married fellow American Lucille Minqueau. In Paris, Webb produced a "vivid record" of the city which earned him recognition. Then, Webbs moved back to New York City to live in Greenwich Village in 1952. In 1955, he was awarded a Guggenheim Fellowship to photographically record pioneer trails of early settlers of the western United States. He was hired in 1957 by the United Nations to photograph its General Assembly. He won a contract to photograph Sub–Saharan Africa in 1958. The Webbs moved to Santa Fe in New Mexico around 1961. Webb's photos of his friend Georgia O'Keeffe suggested not only a "loner, severe figure and self-made person" but that there was an "intense connection" between Webb and O'Keeffe. While O'Keeffe was known to have a "prickly personality", Webb's photographs portray her with a kind of "quietness and calm" suggesting a relaxed friendship, and revealing new contours of O'Keeffe's character. Webb's landscape photographs as well as photos of the artist walking among the sagebrush bring O'Keeffe to life "even in pictures where she doesn't appear", according to Chicago Tribune art critic Abigail Foerstner. His photos suggest an "ageless spirit" which was "weathered and indomitable" like desert rock formations. These photos were done using matte finish paper and appear in a book entitled Georgia O'Keeffe: The Artist's Landscape. The Webbs lived in the Provence region of France, around 1970, and he continued to photograph regularly, and later lived, for a period, in Bath, England. The Webbs finally settled in the state of Maine, living in the city of Portland, based on the suggestion of a friend. In 1978, Webb won a grant from the National Endowment for the Arts, and continued to live and work in Maine. Source: Wikipedia Up until the 1980's, Todd Webb photographed and produced a unique body of work, which has attained an important place in the annals of American photographic history. Frequently referred to as "an historian with a camera," Webb's rich images document life all over the world. His work has been exhibited nationally and internationally, and is included in numerous museum collections including the Museum of Modern Art, the Metropolitan Museum of Art, the Minneapolis Art Institute, and the Chicago Art Institute. Todd Webb died in May, 2000 at the age of 94 in Central Maine. His life was like his photographs; at first they seem very simple, without obvious tricks or manipulation, but upon closer examination, they are increasingly complex and marvellously subtle.Source: Todd Webb Archive Todd Webb used documentary photography to convey a sense of intimacy and curiosity in the relationship between history, place, and people. Although Webb initially pursued photography to augment his writing, by 1940 he saw it as his central passion. In his hometown of Detroit, Webb attended camera club meetings where he took up with fellow novice Harry Callahan, and the more experienced Arthur Siegel. In 1941, Ansel Adams led a workshop for the camera club that profoundly influenced the ambitions of both Webb and Callahan. Todd Webb’s humanistic approach to documentation allowed him to create a compelling narrative whether he was working in the great cities of the world or within the vast American landscape. The Todd Webb Archive contains personal papers and photographic materials related to his long career as a photographer, including correspondence, biographical files, exhibition documentation, manuscripts, journals, extensive files of negatives, contact sheets, and over 1,400 fine prints.Source: Center for Creative Photography
Francesco Zizola
Francesco Zizola
Italy
1962
Since the 1980's Francesco Zizola (Italy, 1962) has documented the world's major conflicts and their hidden crisis, focusing on the social and humanitarian issues that define life in the developing world as well as in western countries. A strong ethical commitment and a distinctive aesthetic eye are specific features of his pictures. His assignments and personal projects have taken him around the world, giving him the opportunity to carefully portray forgotten crises and relevant issues often disregarded by the mainstream media. He received several awards over the years, including ten awards in World Press Photo contests and six Picture of the Year International awards (POYi). Francesco published seven books, among which Uno Sguardo Inadeguato (Collana Grandi Autori, FIAF, 2013), Iraq (Ega/Amnesty International, 2007) and Born Somewhere (Delpire/Fusi Orari, 2004), extensive work on the living conditions of children from 27 different countries. In 2003 Henri Cartier Bresson included one of Francesco's pictures among his 100 favorites. This collection was made into an exhibition - Les Choix d'Henri Cartier Bresson - and a book. In 2007 Francesco founded with a group of colleagues Noor photo agency, based in Amsterdam. In 2008 he founded 10b Photography (Rome, Italy), a multipurpose centre for digital photography promoting photography culture through exhibitions, workshops, and lectures. In 2014 he was a jury member of the World Press Photo Contest. In 2016 Francesco has been awarded 2nd prize in the Contemporary Issues category of World Press Photo for his series In the Same Boat. In 2018 he was awarded the SIAE Prize for Creative Talent at the Venice Film Festival for his movie 'As if we were tuna', selected for 'Giornate degli autori', the autonomous review inside the Festival' Francesco lives in Rome, Italy. About Hybris Hybris, the last great work by Francesco, is a project that aims to tell, through a complex and articulate photographic language, how much man has exceeded the limits concerning the four elements of nature. Everyday Water, Fire, Earth and Air, are attacked and depleted of their organic and inorganic richness and diversity, of their vital energy so essential even for human life. At the time of writing this text, the chapter Hybris Water is in its final stage. The section of Hybrs Water wants to be a testimony of what is fast disappearing into the sea. The millennial balance that regulated the relationship between the need for human livelihood and the ability of the sea to bestow it, is suffering a crisis. Thanks to advanced technology and hunger for profit, contemporary man has forgotten the limit inherent to nature. Ignoring the cycles of reproduction and destroying the environment where biological diversity should always abound, the great fishing industry is drastically eliminating life in the sea. Those who still practice sustainable fishing today should be considered as the last witnesses of a possible symbiotic relationship with the sea and its life. The last witnesses with a knowledge that, once forgotten, can no longer be passed down to future generations. The fishermen live together with the fish from which their life depends, portrayed with the same dignity of the fishermen who have captured them, they are exposed among them, at the same height of their eyes, of their faces. The fishing scenes are taken with a careful look to make justice of that old relationship of respect towards the sea shown by those who practice a traditional way of fishing year after year, a sustainable fishing indeed. Francesco tries to give voice to different points of view. That of men, but also that of the nature that surrounds us and on which we depend.
Suzanne Engelberg
Suzanne Engelberg
United States
Based in the San Francisco Bay Area, Suzanne Engelberg is especially interested in interpretive landscape photography. Her connection to the natural world has been a strong force throughout her life. She began her career as an attorney with a special interest in environmental law. Fifteen years ago, she became enthralled with photography and shifted her attention to this practice. Primarily self-taught, she has enhanced her knowledge through study at many venues, including the San Francisco Art Institute. She has exhibited extensively, both nationally and internationally, and is the author of Visions of Phoenix Lake. While Suzanne has a particular passion for photographing forests and oceans, she is equally delighted to explore urban culture with her camera. Her style, which is often minimalistic and graphic, shows her strong affinity for color, particularly the myriad shades of blue. Overall, she is captivated by the way color, light, and form coalesce to create an image.
Chuck Close
Chuck Close
United States
1940 | † 2021
Chuck Close is an American artist known for his monumental photorealist portraits. Close received his B.A. from the University of Washington in 1962 and his M.F.A from Yale University in 1964. Upon graduation, he was chosen for the Fulbright Program grant, which he used to study at the Academy of Fine Arts in Vienna. Upon his return to the U.S., Close worked as an art teacher at the University of Massachusetts. In 1967, he moved to New York and began his work in SoHo. He was given his first solo exhibition in New York later that same year, followed by an exhibition at the Walker Art Center in Minneapolis. In kindergarten, Close learned that he suffered from prosopagnosia, commonly known as face blindness. He chose portraiture as a way to remember the significant people in his life. With his inability to recognize faces, Close uses a grid system to piece together his portraits. He said, “If you impose a limit to not do something you've done before, it will push you to where you've never gone before." Close suffered from a spinal artery collapse in 1988 that left half of his body paralyzed. Though many thought his artistic career was over, he re-taught himself to paint using a splint. He methodically paints in color or grey scale in low-resolution grid squares across the canvas. Close up his work looks like no more than blocks of color, but the colors combine to create a photorealistic image as you back away. Close is not only influential in the art world, but his early airbrush techniques also inspired the development of the ink jet printer. His portraits of famous artists are his most sought after works, and his work John (1971-1972) sold with Sotheby's for $4.8 million in 2005. Chuck Close has work featured in the permanent collections at the Albright-Knox Gallery in New York, the High Museum of Art in Atlanta, the Museum of Contemporary Art in Georgia, the Whitney Museum of American Art, the Art Institute of Chicago, the MCA Chicago, the LACMA, the MFA Houston, the MFA Boston and the Guggenheim Museum in New York. Related Categories: Close-Up, Photorealistic, Hyperrealism, Photographic Source, Post-War American Art, Pixelated, Visual Perception, Drawing, Black-and-white Photography, Work on Paper Source: www.casterlinegoodman.com
Sudabe Vatanparast
Sudabe Vatanparast
Iran
1983
Sudabe Vatanparast is an Iranian famale photographer who was born in 1983 in Tehran. Sudabe is a graduate photography. Social concerns centered on the problems of women in iranian society are evident in Sudabe projects. Sudabe considers herself a freelance photographer whose photos are inspired by the nightmares, problems and experiences of her life and that of her community. Her first solo exhibition was held in 2015. In addition to holding exhibitions in prestigious galleries in Iran, Garibaldi Gallery in Modica, Italy and Bioçkecmac Gallery in Turkey have also hosted his works separately and as a group. Sudabe has been praised many times at various festivals under the auspices of the World Photography Federation (FIAP) and has been one of the top members of these festivals. Her latest solo exhibition is a reflection of the fear, insecurity and anxiety of Iranian women in the home environment, which has been welcomed by critics and activists in this field.
Zakaria Wakrim
Zakaria Wakrim
Morocco
1988
Zakaria Wakrim, born in 1988, lives and works between Spain and Morocco. His early photoworks were quite experimental, willing to explore perceptual human boundaries using all sort of experimental means. After being catalogued as one of the "Emerging Artists" in his homeland, he started applying his experimental means to create a deep reflexion around the concepts of Change and Identity. The result consists in layers of visual stories that have a narrative and a conceptual side. His visual research is constant; he believes that the photographic language is organic.His photo series are willing to occupy the narrative field, stories that give sense to local identity. The fast sense of change that is happening in North Africa blurs the frontiers between the old and the new. The intersection is hard to state as the old is easily forgotten and scavenged by the new. Documenting the sense of change, becomes a way to understand it better, in order to deal with identity as a starting point for culture.
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