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Annemarie Jung
Annemarie Jung
Annemarie Jung

Annemarie Jung

Country: Luxembourg
Birth: 1971

Annemarie Jung is a self-taught photographer.

Since her debut in 2021, Annemarie has rapidly garnered recognition, winning numerous prestigious awards and exhibiting her work internationally and locally. Her photographs have also been published in esteemed photo magazines such as National Geographic, Smithsonian, AAP Magazine, and books (Prix de la Photographie Paris, International Portrait Photographer top 101 Book).

Drawing inspiration from her natural curiosity and an unwavering drive to transform ideas into art, Annemarie's artistic focus lies in capturing the essence of the human element. Through her evocative and sometimes provocative approach, she skillfully explores the intricate nuances of the human experience. Storytelling and forging personal connections serve as the guiding pillars of Annemarie's work, breathing life into her captivating compositions. Her unwavering commitment to non-traditional paths allows her to delve into uncharted territories and present unique perspectives to her viewers.

Her academic record includes a Masters in Journalism and Communication, an MBA, a Masters in Law LLM, A Masters in English Literature, and she is starting a Masters in Photography in January 2024.
 

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More Great Photographers To Discover

Kevin Lyle
United States
1951
I am, for the most part, self taught. I first became interested in art around the age of 12. Art class became the most interesting part of school. After high school I attended the Cleveland Institute of Art for one semester before realizing that art school was not for me at that time. After moving to Chicago my first job turned into a career in computers and systems management and I did little or no art for many years. I've always had an inclination to collect. Collecting African masks and the process of photographing them for documentary purposes led to a broader interest in photography. When I began going for long walks to search for photographic material I soon realized the exercise and fresh air were an added bonus to this pursuit of collecting images. Artist Statement As long as I can remember, I've been curious about incidental objects and environments and their potential for a sort of extraordinary/ordinary beauty. I find this quality in the work of photographer Eugene Atget, composer Erik Satie and singer-songwriter Woody Guthrie. These great artists are a constant source of inspiration. My process is fueled by an innate hunter/gatherer impulse. Most of my images are collected within walking distance of my home on Chicago's north side. Contemplative wandering in the urban analog world, away from the preponderance of drama delivered digitally via television and the Internet, reveals evidence of real life - evidence of what may be, may have happened or may yet occur. Sometimes mundane, sometimes oblique, askew or atypical. Mostly overlooked, until documented.
Larry Fink
United States
1941 | † 2023
Larry Fink is an American photographer best known for his black-and-white images of people at parties and in other social situations. Fink was born in 1941 in Brooklyn, New York. His father, Bernard Fink, was a lawyer, and his mother, Sylvia Caplan Fink, was an anti-nuclear weapon activist and an elder rights activist for the Gray Panthers. His younger sister was noted lawyer Elizabeth Fink (1945–2015). He grew up in a politically conscious household and has described himself as "a Marxist from Long Island." He studied at the New School for Social Research in New York City, where photographer Lisette Model was one of his teachers and encouraged his work. He has been on the faculty of Bard College since 1986. Earlier he taught at other institutions including the Yale University School of Art (1977–1978), Cooper Union School of Art and Architecture (1978–1983), Parsons School of Design, and New York University. Fink's best-known work is Social Graces, a series of photographs he produced in the 1970s that depicted and contrasted wealthy Manhattanites at fashionable clubs and social events alongside working-class people from rural Pennsylvania participating in events such as high school graduations. Social Graces was the subject of a solo exhibition at the Museum of Modern Art in 1979 and was published in book form in 1984. A New York Times reviewer described the series as exploring social class by comparing "two radically divergent worlds", while accomplishing "one of the things that straight photography does best: provid[ing] excruciatingly intimate glimpses of real people and their all-too-fallibly-human lives." In 2001, for an assignment from The New York Times Magazine, Larry Fink created a series of satirical color images of President George W. Bush and his cabinet (portrayed by stand-ins) in scenes of decadent revelry modeled on paintings by Weimar-era painters Max Beckmann, Otto Dix and George Grosz. The planned publication of the series was canceled after the September 11 attacks, but was displayed in the summer of 2004 at the PowerHouse Gallery in New York, in a show titled The Forbidden Pictures: A Political Tableau. Larry Fink was the recipient of Guggenheim Fellowships in 1976 and 1979 and National Endowment for the Arts Individual Photography Fellowships in 1978 and 1986. In 2002 he received an honorary doctorate from the College for Creative Studies in Detroit.Source: Wikipedia Working as a professional photographer for over fifty-five years, Larry Fink has had one-man shows at New York’s Museum of Modern Art, and the Whitney Museum of American Art amongst others. On the European continent, he has had one-man shows at the Musee de l’Elysee in Lausanne, Switzerland, the Musee de la Photographie in Charleroi, Belgium, and in 2019 a retrospective at Fotografia Europea in Italy. He was awarded the “Best of Show” for an exhibition curated by Christian Caujolle at the Arles Festival of Photography in France. In recent years retrospective shows have been shown at the Museo de Arte Contemporaneo in Panama City as well as six different museums in Spain. This past year in 2018, Larry had a solo show featuring The Boxing Photographs at The Philadelphia Museum of Art, and at the deCordova Sculpture Park and Museum with the show Primal Empathy. Larry was the recipient of the Lucie Award for Documentary Photography in 2017, and in 2015, he received the International Center of Photography (ICP) Infinity Award for Lifetime Fine Art Photography. He has also been awarded two John Simon Guggenheim Fellowships and two National Endowment for the Arts, Individual Photography Fellowships. He has been teaching for over fifty-two years, with professorial positions held at Yale University, Cooper Union, and lastly at Bard College, where he is an honored professor emeritus. Larry’s first monograph, the seminal Social Graces (Aperture, 1984) left a lasting impression in the photographic community. There have been twelve other monographs with the subject matter crossing the class barrier in unexpected ways. Two of his most recently published books were on several “Best Of” lists of the year: The Beats published by Artiere /powerhouse and Larry Fink on Composition and Improvisation published by Aperture. As an editorial photographer, The New Yorker and Vanity Fair have been amongst a long list of accounts. He is currently collaborating with fashion house Jil Sander based in Milan, Italy. In the summer of 2017, Larry’s work from The Beats and The Vanities was on display at Giorgio Armani’s beautiful Armani/Silos exhibition space in Milan, Italy. This exhibition was the first of its kind for the space. Additionally, the Newport Museum of Art in Rhode Island exhibited pictures from his monograph Somewhere There’s Music. Fink On Warhol: New York Photographs of the 1960s, Larry’s latest monograph was released Spring 2017 featuring rare photographs of Andy Warhol and his friends at the Factory interspersed with street scenes and the political atmosphere of 1960s New York. Also released in 2017 was The Polarities chronicling five years of recent work, and The Outpour containing images taken at and around the Women’s March on Washington, D.C. Source: www.larryfinkphotography.com
Alex MacLean
United States
Pilot and photographer, Alex MacLean, has flown his plane over much of the United States documenting the landscape. Trained as an architect, he has portrayed the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes. His powerful and descriptive images provide clues to understanding the relationship between the natural and constructed environments. MacLean’s photographs have been exhibited widely in the United States, Canada, Europe, and Asia, and are found in private, public and university collections. He has won numerous awards, including the 2009 CORINE International Book Award, the American Academy of Rome’s Prix de Rome in Landscape Architecture for 2003-2004, and grants from foundations such as the National Endowment for the Arts and the Pulitzer Center for Crisis Reporting in 2014. MacLean is the author of eleven books including, Up on the Roof: New York's Hidden Skyline Spaces (2012), Las Vegas | Venice (2010), Chroniques Aeriennes: L'art d'Alex MacLean (2010), Alex MacLean: Given a Free Hand (2010), OVER: The American Landscape at the Tipping Point (2008), Visualizing Density (2007), The Playbook (2006), Designs on the Land: Exploring America from the Air (2003), Taking Measures Across the American Landscape (1996), Look at the Land; Aerial Reflections of America (1993) and Above and Beyond; Visualizing Change in Small Towns and Rural Areas (2002). MacLean maintains a studio and lives in Lincoln, Massachusetts. Sea Level Rise: On the shoreline of the Atlantic coast from Maine to Florida, rising salt water will impact over 100 million people. As a result, our nation will spend unimagined fortunes to adjust both gradual and abrupt disruptions of rising ocean waters. Sea level rise occurs when warmer temperatures associated with climate warming melt land ice and thermally expand the volume of seawater. Although sea level is now rising in fractions of inches, the impact will accelerate, with mean sea level predicted to be 3 to 6 feet higher by the end of the century. Even though many people are skeptical of climate change, and certainly not engaged in actions to reduce emissions of heat-trapping gasses, there is no denying that sea level rise, enhanced by storms and storm surges, causes erosion, flooding, dislocations, and will result in catastrophic damage along our coastlines. This problem is a significant cost factor reflected in financial markets for hazard insurance and appraisal of real estate values. Sea level rise is a relentless, visible indicator of a warming climate, which cannot be ignored.
Ron Cooper
United States
I am a travel, documentary and portrait photographer based in Denver, CO. I began exploring photography ten years ago after retiring early from a corporate career. I travel extensively in pursuit of images that reflect local cultures and people. My emphasis in recent years has been on portraiture with the objective of “introducing” viewers to the people I meet and photograph at home and around the world. My work has been exhibited in juried group shows at Colorado Photographic Art Center (Denver, CO), Center for Fine Art Photography (Ft. Collins, CO), Southeast Center for Photography (Greenville, SC), Naples (FL) Art Association, PhotoPlace Gallery (Middlebury, VT), ACCI (Berkeley, CA), A. Smith Gallery (Johnson City, TX), Blackbox Gallery (Portland, OR), Click! Photography Festival (Raleigh/Durham, NC), Midwest Center for Photography (Wichita, KS). Solo exhibitions include: Asian Journeys (2016) at Gallery MFC, Denver, CO; Faces (2016) at the Hamilton Family Gallery, Children's Hospital of Colorado, Aurora, CO; Faces of the American West (2016) at The Darkroom, Longmont, Colorado; and Pleased to Meet You: Portraits from Places Near & Far (2018) at Gallery MFC, Denver, CO; and Keepers of Tradition (2019) at Robert Anderson Gallery, Denver, CO. My photographs have been published in Black & White Magazine, Monovisions Magazine, AAP Magazine, PDN, New Mexico Magazine and Photographer's Forum. My portraits celebrate humankind. I've been privileged to meet and photograph people in may different places - across five continents, diverse geographies, cultures and ways of life. My objective is to make interesting, accessible and compelling images that tell a story or convey a sense of place and personality. As a matter of respect and courtesy, I always engage with my subjects, asking permission to make their portrait. My request is sometimes met with skepticism. Occasionally I'm turned down. More often, however, my approach results in a conversation - sometimes quite brief, and often through sign language or a translator. That conversation - whatever it's form - yields a connection that I hope is reflected in the final image. I favor simple compositions - straightforward and tightly framed. This approach directs the viewer's attention to the subject's eyes. In most of my images the individuals are looking directly at the camera and, by extension, at us. This approach feels honest and straightforward. The great majority of my portraits are made in natural surroundings with available light. No studio, no strobes. This approach is less intimidating and less formal. It improves the chances of capturing a genuine portrait, an unguarded moment that reveals something of the person behind the photograph. My portraits document the amazing diversity in appearance, lifestyle and circumstances of the people I meet in my travels. At the same time, I hope the message that stays with the viewer is, despite our many superficial differences, our shared humanness connects all of us in the human tapestry.
Hannah Price
United States
1986
Raised in Fort Collins, Colorado, Hannah Price (b. 1986) is a photographic artist and filmmaker primarily interested in documenting relationships, race politics, social perception and misperception. Price is internationally known for her project City of Brotherly Love (2009-2012), a series of photographs of the men who catcalled her on the streets of Philadelphia. In 2014, Price graduated from the Yale School of Art MFA Photography program, receiving the Richard Benson Prize for excellence in photography. Over the past eight years, Price's photos have been displayed in several cities across the United States, with a few residing in the permanent collection of the Philadelphia Museum of Art. Currently, Ms. Price lives and works in Philadelphia, PA.Source: www.hannahcprice.com Born in Annapolis, Maryland; raised in Fort Collins, Colorado; and now based in Philadelphia, photographer and documentary filmmaker Hannah Price has spent years capturing the nuances of racial identities and societal perceptions. Her work is a critique of the negative and destructive powers of visual representation in determining the realities of black people and other racialized groups. For Price, image-making also offers a strategy of recuperating different ways of relating to other people and the world around us. To date, her projects have included: the internationally-renowned City of Brotherly Love— a visual survey of catcallers she encountered in Philadelphia; Resemblance— a series of portraits of inner-city high schoolers in Rochester New York; Cursed By Night, made in 2012-2013, on the perceived threat of black masculinity; and 2018’s Semaphore, exploring how individuals signal their identities. Price’s photos evince a rare attention to the subjectivities of those she photographs, even as she probes the validity and significance of the social constructs that operate around them. She has previously exhibited in several cities across the United States, with solo shows at Milwaukee Institute of Art and Design, Philadelphia Photo Arts Center, and the Silver Eye Center for Photography, Pittsburgh, while several of her photographs reside in the permanent collection of the Philadelphia Museum of Art. Now, as a 2020 Magnum nominee, Price discusses the political and aesthetic concerns that inform her work, as well as some of the problems and possibilities to be found in using visual communication as a means of fighting racism.Source: Magnum Photos Price moved to Philadelphia in 2009 from Colorado and noticed for the first time that she was getting catcalled. The photographer, who's currently working toward an MFA in photography at Yale, decided to turn the camera on the people who approached her on the Philly streets. This resulted in the series City of Brotherly Love (Philly's nickname). Ambiguity might be one of this project's most prevalent themes. It's been mistakenly referred to as "My Harassers" on some blogs, which Price does not like. Her series doesn't take an aggressive stance on catcalling; it's not meant to incite social action, she says. Rather, it's an observation, a way to react behind the camera lens. Price's portraits leave much to interpretation. Not only do we not know the situations in which she crossed paths with these men, but we also have no idea of their relationship. The photos are framed in a variety of ways; the lighting, composition and even positioning of the subjects themselves vary so much that viewers have plenty of freedom to interpret them.Source: npr
Francesco Zizola
Since the 1980's Francesco Zizola (Italy, 1962) has documented the world's major conflicts and their hidden crisis, focusing on the social and humanitarian issues that define life in the developing world as well as in western countries. A strong ethical commitment and a distinctive aesthetic eye are specific features of his pictures. His assignments and personal projects have taken him around the world, giving him the opportunity to carefully portray forgotten crises and relevant issues often disregarded by the mainstream media. He received several awards over the years, including ten awards in World Press Photo contests and six Picture of the Year International awards (POYi). Francesco published seven books, among which Uno Sguardo Inadeguato (Collana Grandi Autori, FIAF, 2013), Iraq (Ega/Amnesty International, 2007) and Born Somewhere (Delpire/Fusi Orari, 2004), extensive work on the living conditions of children from 27 different countries. In 2003 Henri Cartier Bresson included one of Francesco's pictures among his 100 favorites. This collection was made into an exhibition - Les Choix d'Henri Cartier Bresson - and a book. In 2007 Francesco founded with a group of colleagues Noor photo agency, based in Amsterdam. In 2008 he founded 10b Photography (Rome, Italy), a multipurpose centre for digital photography promoting photography culture through exhibitions, workshops, and lectures. In 2014 he was a jury member of the World Press Photo Contest. In 2016 Francesco has been awarded 2nd prize in the Contemporary Issues category of World Press Photo for his series In the Same Boat. In 2018 he was awarded the SIAE Prize for Creative Talent at the Venice Film Festival for his movie 'As if we were tuna', selected for 'Giornate degli autori', the autonomous review inside the Festival' Francesco lives in Rome, Italy. About Hybris Hybris, the last great work by Francesco, is a project that aims to tell, through a complex and articulate photographic language, how much man has exceeded the limits concerning the four elements of nature. Everyday Water, Fire, Earth and Air, are attacked and depleted of their organic and inorganic richness and diversity, of their vital energy so essential even for human life. At the time of writing this text, the chapter Hybris Water is in its final stage. The section of Hybrs Water wants to be a testimony of what is fast disappearing into the sea. The millennial balance that regulated the relationship between the need for human livelihood and the ability of the sea to bestow it, is suffering a crisis. Thanks to advanced technology and hunger for profit, contemporary man has forgotten the limit inherent to nature. Ignoring the cycles of reproduction and destroying the environment where biological diversity should always abound, the great fishing industry is drastically eliminating life in the sea. Those who still practice sustainable fishing today should be considered as the last witnesses of a possible symbiotic relationship with the sea and its life. The last witnesses with a knowledge that, once forgotten, can no longer be passed down to future generations. The fishermen live together with the fish from which their life depends, portrayed with the same dignity of the fishermen who have captured them, they are exposed among them, at the same height of their eyes, of their faces. The fishing scenes are taken with a careful look to make justice of that old relationship of respect towards the sea shown by those who practice a traditional way of fishing year after year, a sustainable fishing indeed. Francesco tries to give voice to different points of view. That of men, but also that of the nature that surrounds us and on which we depend.
David Johndrow
United States
David Johndrow is a fine art photographer living in Austin, Texas. After studying photography the University of Texas, he began shooting commercial work as well as pursuing his more personal fine art photography.David’s continuing series, Terrestrials, combines his passion for gardening and photography and features macro nature photographs of animals and plants that inhabit his Hill Country, Texas garden. To realize his vision, he prints with silver gelatin, platinum/palladium, gum-bichromate and gumoil.His photographs are part of the Wittliff Collection of Southwestern and Mexican Photography, as well as in many private collections.All about David Johndrow:AAP: When did you realize you wanted to be a photographer?I took a darkroom class in art school and fell in love with the process. The first roll of film I shot I processed and printed myself.AAP: Where did you study photography?I learned photography at The University of Texas, but I built my own darkroom and started working on my own. I really honed my printing skills working as a printer in a photo lab. Just the shear volume of work I printed during that time made me a better printer.AAP: Do you have a mentor or role model?I can’t say I had any mentors except for photographers like Irving Penn who I loved and was inspired by.AAP: How long have you been a photographer?I’ve been a photographer for 30 years.AAP: Do you remember your first shot? What was it?My first shot was of my friends who were in a band. I had other friends who were actors and comedians, so I started taking lots of portraits for peoples publicity shots.AAP: What or who inspires you?I am inspired creatively by many different kinds of artists, but my biggest inspiration is the natural world. Rarely do I go in search of photographs; rather things just appear to me when I spend enough time outdoors. Gardening is my biggest obsession next to art.AAP: How could you describe your style?I have lots of styles but my most well know work is done in macro. I guess the one common thing in all my work is a simple graphic composition.AAP: Do you have a favorite photograph or series? I love Matt Mahurin, especially his portraits of Tom Waits. AAP: What kind of gear do you use?I shoot with a Hasselblad on 120 film.AAP: Do you spend a lot of time editing your images?Although I shoot on film, I edit my images on the computer. It helps me group images in a series or arrange them for exhibition.AAP: Favorite(s) photographer(s)?My favorite photographer is Irving Penn.AAP: What advice would you give a young photographer?I would tell young photographers to shoot a lot of images, do a lot of experiments, and try to learn some different printing processes.AAP: What mistake should a young photographer avoid?Don’t try and shoot photos of things you think others would like but shoot subjects you are most interested in. Every subject has been done before, so try and put your own spin on it.AAP: What are your projects?The project I’m working on is close-ups of natural textures.AAP: Your best memory as a photographer?My best memory is of shooting the pyramid at Chichen Itsa. It was at the solstice and I wanted a photo of the serpent shadow on the steps, but it was a cloudy, rainy day. Suddenly, right before closing, the sun burst out and I got some great shots.AAP: Your worst souvenir as a photographer?Don’t knowAAP: The compliment that touched you most?“Every time I look at your photograph I see something different”.AAP: If you were someone else who would it be?No one else.AAP: Your favorite photo book?Irving Penn: Passages
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry