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Bernard Plossu
Bernard Plossu

Bernard Plossu

Country: France
Birth: 1945

Bernard Plossu, born in Vietnam to a French family, is a renowned French photographer known for his evocative and poetic images that capture the essence of time and place. His work spans several decades and covers a wide range of subjects, from landscapes and travel photography to street scenes and intimate portraits.

Plossu's interest in photography began in his youth, and he developed a deep passion for the medium while studying art history in Paris. Plossu was inspired by American photographers such as Robert Frank and Walker Evans to embark on a lifelong journey to document the world through his unique lens.

Plossu, best known for his black-and-white photographs, has an eye for composition and the ability to capture the essence of a moment in a single frame. His photographs frequently have a dreamlike quality to them, capturing the fleeting beauty and emotions that lie beneath the surface of everyday life.

Throughout his career, Plossu has traveled extensively, capturing landscapes and cultures from Mexico to India, the United States to the Mediterranean. His photographs convey a sense of wanderlust and a fascination with the world, inviting viewers to join him on his visual journeys.

Plossu has made significant contributions to the documentation of the French cultural and artistic scene, in addition to his travel photography. He has photographed iconic figures such as Serge Gainsbourg and Jean-Luc Godard, providing intimate portraits of their lives.

Plossu's work has been shown in prestigious galleries and museums all over the world, earning him international recognition. His photographs have appeared in numerous books and magazines, cementing his reputation as one of France's most influential photographers of his generation.

 

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More Great Photographers To Discover

Irving Penn
United States
1917 | † 2009
Irving Penn was born on June 16, 1917 in Plainfield, New Jersey, to Harry Penn and Sonia Greenberg. In 1922, Irving Penn's younger brother, Arthur Penn, was born, who would go on to become a film director and producer. Irving Penn attended the Philadelphia Museum School of Industrial Art (now the University of the Arts) from 1934 to 1938, where he studied drawing, painting, graphics, and industrial arts under Alexey Brodovitch. While still a student, Penn worked under Brodovitch at Harper's Bazaar, where several of Penn's drawings were published. Irving Penn worked for two years as a freelance designer and making his first amateur photographs before taking Brodovitch's position as the art director at Saks Fifth Avenue in 1940. Penn remained at Saks Fifth Avenue for a year before leaving to spend a year painting and taking photographs in Mexico and across the US. When Irving Penn returned to New York, Alexander Liberman offered him a position as an associate in the Vogue magazine Art Department, where Penn worked on layout before Liberman asked him to try his hand at photography for the magazine. Irving Penn photographed his first cover for Vogue magazine in 1943 and continued to work at the magazine throughout his career, shooting covers, portraits, still lifes, fashion, and photographic essays. In the 1950s, Penn founded his own studio in New York and began making advertising photographs. Over the years, Penn's list of clients grew to include General Foods, De Beers, Issey Miyake, and Clinique. Irving Penn met fashion model Lisa Fonssagrives at a photo shoot in 1947. In 1950, the two married at Chelsea Register Office, and two years later Lisa gave birth to their son, Tom Penn, who would go on to become a metal designer. Lisa Fonssagrives died in 1992. Irving Penn died aged 92 on October 7, 2009 at his home in Manhattan. Source: Wikipedia
Micaela Mau
Germany/Italy
1986
Micaela Mau is a German-Italian artist. She has studied visual communication at the Istituto Europeo di Design in Rome and at the School of Visual Arts in New York as well as Foreign Languages and Literature at the Università degli Studi Roma Tre. While studying and working abroad in Tokyo, Frankfurt, and London she developed an interest in photography, fascinated by the ambiguous relationship between photographic image and reality. She currently lives and works in Florence, Italy. Statement "To me photography is not only a tool to capture fleeting impressions in time and share what caught my attention, but also, and above all, a means of interpreting and reinterpreting reality. My photographic work comprises abstract images that put the bond between photographic reproduction and its referent to the test, often making the original subject almost indistinguishable. Alongside these works I develop more realistic projects concerning our perception of the world and how it is conveyed through photography. Lately I have started to work with analog media, reflecting on the materiality of photographs and negatives, rather than considering them mere image supports. My work is founded on the belief that there is no such thing as an objective photograph. Photography cannot depict reality accurately since the human element – intrinsically fallible and predisposed to subjective perception – pervades all stages of photographic development. Furthermore, the laws of physics, optics and chemistry, pose technical limitations, constraining the medium’s ability to accurately record reality. Last but not least, there’s chance, an unpredictable force capable of influencing the best planned outcomes. Photography, therefore, cannot but be a medium of subjective expression. For this reason I try to embrace the limitations at hand and to make them an integral part of my work." -- Micaela Mau
Alessandra Sanguinetti
United States
1968
Alessandra Sanguinetti is an American photographer. A number of her works have been published and she is a member of Magnum Photos. She has received multiple awards and grants, including the esteemed Guggenheim Fellowship. Her first solo show in the United States was in 2005 at Yossi Milo. Born in New York City, Sanguinetti moved to Argentina at the age of two and lived there until 2003. Currently, she lives in San Francisco, California. Her main bodies of work are The Adventures of Guille and Belinda and the Enigmatic Meaning of their dreams twenty + years long documentary photography project about two cousins—Guillermina and Belinda—as they grow up in the countryside of Buenos Aires; On the Sixth Day which explores the cycle of life and death as through farm animals lives; Sorry Welcome, a meditative journal on her family life; Le Gendarme sur la Colline, documenting a road trip through France in 2018. She has been a member of Magnum Photos since 2007 and is a Magnum Workshop teacher.Source: Wikipedia An ICP graduate, she began a series of works in 1999 about the relationship between two nine-year-old cousins, Belinda and Guille, who live on a farm outside of Buenos Aries. Sanguinetti photographed them for ten years, charting their evolution from girls to young women. The girls collaborated with Sanguinetti on the series, The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams, to construct images that evoke the fantasies and fears that accompany the physical and psychological transition from childhood to adulthood. The photographs use costumes and props, as well as references to art and literature, to explore the diffuse boundary between fantasy and reality. As the girls age, the photographs become more meditative as they start exploring their adult lives. Sanguinetti is a member of Magnum Photos, and her photographs are held in museums including the Museum of Modern Art; the Museum of Fine Arts Boston; the Museum of Fine Arts Houston; and the San Francisco Museum of Modern Art.Source: International Center of Photography "I was born in NYC in 1968. Two years after that, my family and I moved to Buenos Aires, where I grew up, worked and lived until 2002. I'm based in California now. I've been a photographer since I'm ten years old and made half of my work in a small area 200 km south of Buenos Aires. I've also made and are making work in many other parts of the world. To do so, I've had the support of the Guggenheim Foundation, The Hasselblad Foundation, the National Fund for the Arts of Argentina, the Harvard Peabody Museum/Robert Gardner Foundation, the Aperture/Hermes Foundation, the MacDowell Colony, and the John Gutman, Alicia Paterson and the Magnum Foundation."
Anton Corbijn
Netherlands
1955
Anton Corbijn (born 20 May 1955) is a Dutch photographer, music video director, and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both for almost 3 decades. Some of his works include music videos for Depeche Mode's "Enjoy the Silence" (1990), U2's "One" (version 1) (1991), Bryan Adams' "Do I Have to Say the Words? and Nirvana's "Heart-Shaped Box" (1993), as well as the Ian Curtis biopic Control (2007), George Clooney's The American (2010), and A Most Wanted Man (2013) based on John le Carré's 2008 novel of the same name. Anton Corbijn was born on 20 May 1955 as Anton Johannes Gerrit Corbijn van Willenswaard in Strijen, the Netherlands, where his father had been appointed as parson to the Dutch Reformed Church the previous year. Father Anton (Hilversum, 12 Nov 1917 - Amersfoort, 9 Mar 2007) would take up the same position in Hoogland (1966) and Groningen (Diakonessenhuis, 1972) moving his wife and four children with him. His mother, Marietje Groeneboer (11 Sep 1925 - Hoogland, 15 Sep 2011), was a nurse and was raised in a parson's family. Photographer and director Maarten Corbijn (Strijen, 1960) is a younger brother. Grandfather Anton Johannes (Corbijn) van Willenswaard (Schoonhoven, 24 Nov 1886 - Hilversum, 16 Aug 1959) was an art teacher at Christian schools in Hilversum and an active member in the local Dutch Reformed church in Hilversum. Corbijn started his career of music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photos of the 'rising star' Herman Brood & His Wild Romance. Because of the pictures taken by Corbijn, Brood's fame rose quickly, and as a result Corbijn's own exposure increased. Corbijn has photographed Joy Division, Depeche Mode, Tom Waits, Pr?ta V?tra, David Bowie, Peter Hammill, Miles Davis, Björk, Captain Beefheart, Kim Wilde, Robert De Niro, Stephen Hawking, Elvis Costello, Siouxsie and the Banshees, Morrissey, Simple Minds, Clint Eastwood, The Cramps, Roxette and Herbert Grönemeyer, amongst others. Perhaps his most famous, and longest standing, association is with U2, having taken pictures of the band on their first US tour, as well as taking pictures for their Joshua Tree and Achtung Baby albums (et al) and directing a number of accompanying videos. From the late 70s the London based NME, (New Musical Express), a weekly music paper, featured his work on a regular basis and would often feature a photograph of his as the front page. One such an occasion was a portrait of David Bowie back stage in New York at his play The Elephant Man in nothing more than a loin cloth. In the early years of London based The Face, a glossy monthly post-punk life style / music magazine, Anton Corbijn was a regular contributor. He made his name working only in black and white. In May 1989 he began taking pictures in colour using filters: his first try was done for Siouxsie Sioux. Between 1998 through 2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject; while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings. Corbijn has photographed album covers for U2, working with sleeve designer Steve Averill and Peter Hammill, Depeche Mode, The Creatures (the second band of Siouxsie Sioux), Nick Cave, Bryan Adams, Metallica, Therapy?, The Rolling Stones, Simple Minds, R.E.M., The Bee Gees, Saybia and Moke.Source: Wikipedia
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