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Yasuhiro Ishimoto
Yasuhiro Ishimoto

Yasuhiro Ishimoto

Country: Japan/United States
Birth: 1921 | Death: 2012

Yasuhiro Ishimoto was a well-known Japanese-American photographer known for his distinct style and contributions to the field of modernist photography. Ishimoto was born in San Francisco on June 14, 1921, and spent his childhood in Japan before returning to the United States in 1939 to further his education.

Ishimoto enrolled at the Chicago Institute of Design in the early 1940s, where he studied under influential photographers such as Harry Callahan and Aaron Siskind. During this time, Ishimoto developed his signature style, which is distinguished by dynamic compositions, bold geometric forms, and a keen sense of light and shadow.

In both Japan and the United States, Ishimoto's work frequently focused on architecture. He photographed the interplay of lines, shapes, and textures to investigate the relationship between humans and their built environment. His images of famous architectural landmarks, such as the Katsura Imperial Villa in Kyoto, demonstrated his ability to infuse tranquillity and contemplation into his photographs.

Ishimoto documented street scenes and everyday life in both Japan and America, in addition to architectural photography. He had an uncanny ability to capture candid moments and the essence of the people he met, providing a glimpse into the cultural and social fabric of the time.

Ishimoto received numerous awards and accolades for his work throughout his career. His photographs have been shown all over the world, and he has written several books, including Katsura: Picturing Modernism in Japanese Architecture and Chicago, Chicago. Ishimoto's work helped to bridge the gap between Eastern and Western photographic traditions.

Yasuhiro Ishimoto died on February 6, 2012, but his photographs will live on. His artistic vision and technical mastery continue to inspire photographers all over the world, and he has left a body of work that reflects his commitment to capturing the beauty and essence of the world around us.

 

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More Great Photographers To Discover

Russell Lee
United States
1903 | † 1986
Russell Lee (July 21, 1903, Ottawa, Illinois – August 28, 1986, Austin, Texas) was an American photographer and photojournalist, best known for his work for the Farm Security Administration (FSA). His technically excellent images documented the ethnography of various American classes and cultures. Lee grew up in Ottawa, Illinois and went to the Culver Military Academy in Culver, Indiana for high school. He earned a degree in chemical engineering from Lehigh University in Bethlehem, Pennsylvania.(Source: en.wikipedia.org) He gave up an excellent position as a chemist to become a painter. Originally he used photography as a precursor to his painting, but soon became interested in photography for its own sake, recording the people and places around him. Among his earliest subjects were Pennsylvanian bootleg mining and the Father Divine cult. In the fall of 1936, during the Great Depression, Lee was hired for the federally sponsored Farm Security Administration (FSA) photographic documentation project of the Franklin D. Roosevelt administration. He joined a team assembled under Roy Stryker, along with Dorothea Lange, Arthur Rothstein and Walker Evans. Stryker provided direction and bureaucratic protection to the group, leaving the photographers free to compile what in 1973 was described as "the greatest documentary collection which has ever been assembled." Lee created some of the iconic images produced by the FSA, including photographic studies of San Augustine, Texas in 1939, and Pie Town, New Mexico in 1940. Over the spring and summer of 1942, Lee was one of several government photographers to document the eviction of Japanese Americans from the West Coast, producing over 600 images of families waiting to be removed and their later life in various detention facilities. After the FSA was defunded in 1943, Lee served in the Air Transport Command (ATC), during which he took photographs of all the airfield approaches used by the ATC to supply the Armed Forces in World War II. He worked for the United States Department of the Interior (DOI) in 1946 and 1947, helping the agency compile a medical survey in the communities involved in mining bituminous coal. He created over 4,000 photographs of miners and their working conditions in coal mines. In 1946, Lee completed a series of photos focused on a Pentecostal Church of God in a Kentucky coal camp. While completing the DOI work, Lee also continued to work under Stryker, producing public relations photographs for Standard Oil of New Jersey. Some 80,000 of those photographs have been donated by Exxon Corporation to the University of Louisville in Kentucky. In 1947 Lee moved to Austin, Texas and continued photography. In 1965 he became the first instructor of photography at the University of Texas. In addition to the materials at the University of Louisville, other important collections of Lee's work are held by the New Mexico Museum of Art,[6] Wittliff collections, Texas State University and the Dolph Briscoe Center for American History at the University of Texas at Austin.
Ellen Cantor
United States
Christopher Makos
United States
1948
Christopher Makos is an American photographer and artist. He apprenticed with photographer Man Ray in Paris and collaborated with Andy Warhol, whom he showed how to use his first camera. He introduced Warhol to the work of both Jean-Michel Basquiat and Keith Haring. Makos's work has been in the permanent collections of more than 100 museums and major private collections, including those of Malcolm Forbes, Pedro Almodóvar, and Gianni Versace. His photographs of Warhol, Haring, Tennessee Williams, and others have been auctioned regularly at Sotheby's. Warhol called Makos the "most modern photographer in America". Chris Makos was born in Massachusetts, but grew up in California before moving to Paris, to work as an apprentice with Man Ray. Since the early 1970s he has worked at developing a style of boldly graphic photojournalism. His photographs have been the subject of numerous exhibitions both in galleries and museums throughout the United States, Europe and Japan and have appeared in countless magazines and newspapers worldwide. He has been a seminal figure in the contemporary art scene in New York. His book, Warhol: A Photographic Memoir, published by New American Library, chronicles his close friendship and extensive travels with Warhol. Makos' photographs have been published in Interview, Rolling Stone, House & Garden, Connoisseur, New York Magazine, Esquire, Genre and People, among others. His portrait of Warhol wrapped in a flag was featured on the front cover of the Spring 1990 issue of the Smithsonian Studies, the academic journal of the Smithsonian Institution. Makos' Icons portfolio is a collection of silkscreen portraits of Andy Warhol, Elizabeth Taylor, Salvador Dalí, John Lennon, and Mick Jagger.Source: Wikipedia Christopher Makos is one of the best and most-known photographers in the world, having photographed New York’s art scene since 1970, the punk and rock scene of the 1980s and 1990s in America, as well as the architecture and artistic scene of European cities. He became famous, making portraits sculptured with the immediacy that characterized the bohemian stream that cheered diversity and urged people not to fear to show what they were. At the age of 66, he still retains his youthful, artistic charm and intense energy, and he never stops preferring to live in the moment and follow his instinct. Chris Makos was born in Lowell, Massachusetts, in 1948, by an Italian mother and a Greek father. His Greek grandparents settled in Lowell in the 1920s and became laborers at the factory in the area, which was the occasion for their acquaintance and the creation of their family – the name “Economacos” became “Makos” after the installation of the family in the US. Little Chris grew up in California and moved to New York after high school in the late 1960s, with no plans or ambitions. He studied architecture in Paris, but not photography. His love for that art was created when he received a camera on his birthday. It was then the beginning, followed by an apprenticeship under Man Ray, who taught him to trust the “original impressions”. New York, in the 1970s, was the scene of a unique creative explosion with Chris Makos fitting easily into it because of his open mind, as he says, and immortalizing “a visual manifesto of the time” and its relationship with the “crude naivety” of the decade. Makos photographed the “madness” of New York clubs, including the famous frequenters of Studio 54, including Liz Taylor, Salvador Dali, Jean-Michel Basquiat, John Lennon, David Bowie and Mick Jagger, who left their signature on the stunning creativity of the Greek photographer. He himself was the starting point for many developments on the scene of modern American art and one of those who narrated the history of punk.Source: www.ellines.com
Lala Deen Dayal
India
1844 | † 1905
Lala Deen Dayal, (famously known as Raja Deen Dayal) born in 1844 in Sardhana, Uttar Pradesh, is revered as one of India's most influential photographers. His journey into photography began after he completed his education in engineering at Thomason College of Civil Engineering (now IIT Roorkee). Initially working as a draftsman for the Public Works Department, Deen Dayal's interest in photography soon turned into a passionate pursuit, transforming him into a pioneer of the craft in India. In the late 19th century, when photography was still a nascent field, Deen Dayal's talent quickly garnered attention. He established his first studio in Indore, gaining the patronage of Maharaja Tukoji Rao II. His reputation for capturing intricate details and the essence of Indian life, architecture, and landscapes soon spread, leading to numerous commissions from Indian royalty and British officials. This period marked the beginning of his illustrious career, during which he documented India's rich cultural heritage with a distinctive artistic vision. Deen Dayal's photographic expertise reached new heights when he was appointed the court photographer for the sixth Nizam of Hyderabad, Mahbub Ali Pasha, in 1885. This prestigious position allowed him unparalleled access to the royal family and their opulent lifestyle. His photographs from this era are renowned for their exquisite composition and detail, providing a rare glimpse into the grandeur of princely India. Deen Dayal's work from this period includes portraits, architectural studies, and documentation of royal ceremonies, all characterized by their meticulous attention to detail. Throughout his career, Deen Dayal's contributions to photography extended beyond his royal commissions. He established studios in Mumbai, Indore, and Hyderabad, training a generation of Indian photographers and expanding the reach of professional photography in the country. His innovative techniques and commitment to quality earned him international recognition. In 1897, he was awarded the Royal Warrant by Queen Victoria, a testament to his exceptional skill and the impact of his work on a global scale. Lala Deen Dayal passed away in 1905, but his legacy endures through his extensive body of work that continues to be celebrated for its historical and artistic significance. His photographs are invaluable records of India's architectural and cultural history, capturing the essence of a bygone era with clarity and depth. Deen Dayal's pioneering spirit and dedication to his craft have left an indelible mark on the history of photography, establishing him as a true trailblazer in the field. His work remains a source of inspiration for photographers and historians alike, preserving the rich tapestry of 19th-century India for future generations.
Olivia Arthur
United Kingdom
1980
Olivia Arthur is a British documentary photographer. She co-founded Fishbar, a publisher and space for photography in London, with Philipp Ebeling in 2010. Arthur is a member of the Magnum Photos agency and has produced the books Jeddah Diary (2012) and Stranger (2015). Originally studying mathematics at Oxford University, Arthur later studied photojournalism at London College of Printing. She became a nominee member of Magnum Photos in 2008, an associate member in 2011, and a full member in 2013. In 2010 Arthur co-founded Fishbar, a publisher and space for photography in East London, with her husband Philipp Ebeling. Her first book Jeddah Diary (2012) is about the lives of young women in Saudi Arabia. Her second book Stranger (2015) views Dubai through the eyes of the survivor of a shipwreck.Source: Wikipedia Olivia Arthur is known for her in-depth photography examining people and their personal and cultural identities. Much of her work has illuminated the daily lives of women living in countries as varied as Saudi Arabia, India and across Europe. A more recent focus on large format portraiture has brought her work back to the UK. “For me, part of the power of still photography is the ambiguousness of pictures, the ability to give a hint about a scene or event without being too absolute,” says Arthur of her work. Arthur was born in London and grew up in the UK. She studied mathematics at Oxford University and photojournalism at the London College of Printing. She began working as a photographer in 2003 after moving to Delhi and was based in India for two and a half years. In 2006, she left for Italy to take up a one-year residency with Fabrica, during which she began working on a series about women and cultural divides. Representation and the way we see ourselves are also areas of interest for Arthur. She explored these themes in her project In Private/Mumbai (2016-2018) about sexuality in India and through her ‘Portrait of a City’ commission about young people for Hull, City of Culture (2017). Arthur’s work has been shown in publications including The New Yorker, Vogue and TIME Magazine among others and selected commercial clients include British Airways, Capeb and BNP Paribas. She has received support from the Inge Morath Award, the National Media Museum, OjodePez-PhotoEspana Award for Human Values. Arthur continues to return to India and to work in London where she lives. She became a full member of Magnum Photos in 2013.Source: Magnum Photos
Laura Mohiuddin
Bangladesh
Hoang Long Ly
Vietnam
1965
Ly Hoang Long was born in 1965 in Dalat, a city located on the high plateaus of central Vietnam. Since childhood, the photographer has been fascinated by colours and images and began his professional career as a graphic designer. He discovered photography in 1993 through a friend, bought his first analogue reflex and two years later, made a dark room in his apartment. One thing led to another and he definitely abandoned design in order to devote his time to his images. With over twenty years experience to his name and 310 international prizes, including that of best travel photographer in 2014 (TFOTY). Several of his pictures also won awards in the same year at the CBRE Urban Photographer of the Year and from National Geographic. Mud wrestling Mud wrestling with a ball was a traditional game organized every four year in Van village, Bac Ninh province, the north of Vietnam. Like basket ball, but instead of the baskets hanging up, here there were two holes (like a goal) and the playing ground was filled up with wet mud, there were 16 players divided into two teams, they competed vigorously to score by putting the heavy wooden ball in their competitors's hole. The audiences supported all the teams, they were screamming and laughing because the game looked so amusing; it was not easy at all to seized a ball, keep it in arms and run on the slippery surface and cross a barrier of competitors. After three day-competing, the both teams would gather in the courtyard of the temple to worship their ancestors, the game completely ended in peace and happiness.
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