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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
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Andre Bogaert
Andre Bogaert
Andre Bogaert

Andre Bogaert

Country: United Kingdom

I've been taking photos for 60 + years and I know I will get the hang of it any day now.
I was given a camera for my 10th birthday and No I haven't still got it. It was a rubbish piece of kit but it got me hooked.
Nowadays I photograph using digital kit, but obviously from my age, I'm 75 as I type this, I learnt on film cameras, Nikon lenses and bodies built to last a long long time, workhorses that had been around the block a few times before I got my hands on them. I made a point of persuading my 3 kids to start there photography with film & black and white so they could develop and print at home. Later on they could make there own choices as to what to use. That way you understood what a camera and it's lens can and can't do. Most modern camera and lenses are OK, some much better than others I grant you but most will capture what they are pointed at so the subject of camera kit is not too interesting to me. I come from the “it's not what you point , it's what you point it AT that counts” school of thought. I photograph using RAW format so the files are colour but I find a high contrast grainy black & white film look works for me.
Enjoy looking at my work and thanks for your time.

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More Great Photographers To Discover

Tina Sturzenegger
Tina Sturzenegger
Switzerland
1980
Tina Sturzenegger is a Swiss photographer specializing in food, still life, and visual storytelling. Her artistic practice explores the aesthetics of food and its cultural, social, and emotional significance. Two elements drive her fascination with this subject: the striking visual appeal of food in all its forms and its role in shaping societal structures. Influenced by the bold aesthetics of the 1970s and 80s, Tina blends elements of design, fashion, and nostalgia to create immersive, almost cinematic tableaus where food becomes both subject and symbol. By pushing boundaries and defying conventions, her work challenges perceptions, evoking a dialogue between indulgence and restraint, artifice and authenticity—always with a sense of playfulness woven throughout. After completing a business administration degree, Tina taught herself photography and high-end image retouching. Her work has been exhibited at the MIA Photo Fair in Milan, the Tokyo International Photo Awards, and Galerie Joseph in Paris, among others. She has collaborated with renowned national and international clients, including Denner AG, Farner Consulting, Nestlé Switzerland AG, UBS (Switzerland) AG, Michel Reybier Hospitality. Tina is represented in the DACH region by the Zurich-based agency Visualeyes Artists and has been a jury member of the Art Directors Club in Zurich since 2020. More about her work can be found at tinasturzenegger.com. About Series: Melt down This series delves into the complex relationship between food and society. It explores how our bodies become canvases for judgment, shaped by evolving dietary trends and societal norms. The work is a satirical examination of the pressures and contradictions surrounding modern consumption habits. The images are intentionally exaggerated, turning familiar items into provocative symbols. A blow dryer melts butter, evoking the artificial manipulation of natural elements. Heart-shaped lollipops adhered to legs highlight the clash between indulgence and imposed ideals of beauty. Mice leaping over a sandwich transform a simple meal into a staged battlefield of perceived nutritional good and evil. Through this visual narrative, the series critiques the demonization of carbohydrates, sugar, alcohol, and gluten. By presenting these dietary culprits in absurd scenarios, it challenges viewers to question societal obsessions with purity and perfection in food choices. The playful yet pointed approach invites reflection on the broader cultural and personal implications of what we consume. I styled, photographed and edited it. Awarded Photographer of the Week - Week 13
Jean-Pierre Favreau
Jean-Pierre Favreau
France
1940
Jean-Pierre Favreau was born in 1940 and has grown in La Rochelle. He lives in Paris since 1962. From 1970 to 1980, he travelled around the world : United States, South America and South East of Asia. After 1980, the traveller gave the way to the photographer, as he choose to focus his attention on people in the urban environment. Quite a few years later, part of his work was integrated in a book named Incertaines cités (Uncertain cities) , published by Filigranes in 1997. In 1982, he was given a grant by the French Ministry of Culture to do a photographic work on New York. From 1985 to 1991, he stayed regularly in Cap Vert. In 1990, his photos were exhibited in the building of the french newspaper Le Monde in Paris then in the Contrejour gallery in Paris too which published his book Blues Outremer (Overseas Blues) in 1991 . The same year the photos of Cap Vert were shown at the Sevilla World Fair. As a regular contributor to Le Monde, he worked on several special editions, among them one about France which became the subject of an exhibition held in 1992. From 2001 to 2009, he continued his work on the subject of man in Japenese cities. He started a work on China in 2005, until today. Source: jpfavreau.com Check out the book PASSAGERS only on sale in France Buy it here
Odette England
Odette England
Australia
1975
Odette England is an Australia/British artist who uses photography, performance, writing, and the archive to explore relationships between autobiography, gender, place, and vernacular photography. England is currently Visiting Artist-in-Residence at Amherst College in Massachusetts. She is also a resident artist of the Elizabeth Foundation for the Arts Studio Program in New York. Her work has shown in more than 90 solo, two-person, and group exhibitions worldwide. Notable venues include the George Eastman Museum, Museum of Contemporary Photography Chicago, New Mexico Museum of Art, Fort Wayne Museum of Art, RISD Museum, Center for Photography at Woodstock, Colorado Photographic Arts Center, Philadelphia Photo Arts Center, Photographic Resource Center Boston, MacDonald Stewart Art Center Ontario, Perth Center for Photography in Australia, State Library of South Australia, HOST Gallery London, and the Durham Art Museum & Gallery in England. England has regularly received funding through competitive grants and fellowships. These include the CENTER $5,000 Project Launch Award (2012); two grants - $4,865 and $2,315 - from the Andrew W. Mellon Foundation (2018-2019); the Anonymous Was a Woman $1,500 Grant (2020); Color Lab $2,000 Dean's Council Research Fellowship (2020); and the Center for Fine Art Photography Director's Award (2015), among others. She has received fellowships to attend residencies in Australia, Greece, Hungary, Iceland, Spain, and the United States including the invitation-only Robert Rauschenberg Foundation residency working with Guggenheim Fellow, Jennifer Garza-Cuen. England's first edited volume Keeper of the Hearth was published by Schilt Publishing in March 2020, with a foreword by Charlotte Cotton. The book is part of England's Winter Garden Photograph project which includes an exhibition at the Houston Center for Photography opening September 2020. England's photographs are held in public collections including the Brooklyn Art Library, the Fort Wayne Museum of Art, George Eastman Museum, Hungarian Multicultural Center, Museum of Contemporary Photography, New Mexico Museum of Art, Rhode Island School of Design, Robert Rauschenberg Residency, and Texas A&M University. Award-related exhibitions include the 2015 Australian Photobook of the Year; Magenta Foundation Flash Forward Emerging Photographers awards (UK winner, twice); HotShoe Magazine Photofusion Photography Award (1st prize); Director's Choice Award at the Medium Festival of Photography's ‘Size Matters' exhibition (1st prize); Px3 Prix De La Photographie competition (1st prize, People's Choice Award); and the Photo Review Photography Competition. Her work has been published in contemporary art journals, magazines, and newspapers including American Photo, Photograph, The Brooklyn Rail, The Photo Review, Photo District News, Hotshoe International, British Journal of Photography, Australian Art Monthly, Musee, GUP, SPOT, JRNL, The Guardian (United Kingdom) and Der Standaard (Belgium). England has given artist talks and critiques at Harvard University, Princeton University, Stanford University, Brown University, the School of Visual Arts in New York, Amherst College, the Penumbra Foundation, Kenyon College, Syracuse University, Lesley College of Art & Design, University of Melbourne, and the Art Gallery of South Australia, among others. She received a four-year fully-funded Research Training Program Scholarship to complete her PhD at the Australian National University in 2018. She also has an MFA in Photography with Honors from the Rhode Island School of Design and an MA in Communication, Culture and Language from the University of South Australia. England is a permanent US resident and lives and works in Providence, Rhode Island and New York City. Her work is represented in the US (east coast only) by Klompching Gallery.
David Plowden
David Plowden
United States
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David Plowden was a renowned American photographer known for his evocative and poignant images of America's vanishing landscapes. Plowden's work documented the changing face of the American landscape, particularly the decline of small towns, historic structures, and industrial sites, with a deep sense of reverence for the past. Plowden's interest in photography began at a young age, and he honed his skills while studying at the Institute of Design at the Illinois Institute of Technology, where he was mentored by renowned photographer Harry Callahan. Plowden's work was influenced by the work of Edward Steichen and Walker Evans, and he developed a distinct style that combined technical precision with emotional depth that resonated with viewers. Plowden's photography focused on capturing the essence and character of a rapidly disappearing America throughout his career. His black-and-white photographs were hauntingly beautiful, providing a glimpse into the past while raising questions about progress and preservation. Plowden's documentation of small towns and rural landscapes is one of his most notable bodies of work. He sought out areas untouched by modern development, photographing the fading facades of main streets, weathered barns, and decaying structures. He revealed the stories etched into the architectural details through his lens, conveying a sense of nostalgia and longing for a simpler time. David Plowden’s work is sometimes compared to that of the great WPA photographers—Walker Evans, Bernice Abbot, Russell Lee, Dorothea Lange—but he’s been in the field decades longer than any of them were. What he has done is nothing less than capture a whole nation passing through fifty years of changes as momentous as those unleashed by the Industrial Revolution. -- Richard Snow (from the forward of Vanishing Point) Plowden also focused on America's disappearing industrial landscape. He chronicled the decline of once-thriving industries like steel mills, factories, and coal mines. His photographs captured the stark beauty and melancholy atmosphere of these abandoned spaces, conveying the human impact of industrial decline and its toll on communities. Plowden's work was not limited to photography. He was a successful author, having written a number of books that combined his stunning images with thoughtful narratives. His books, such as "Vanishing Point: Fifty Years of Photography," provided an extensive visual record of his lifelong investigation of disappearing landscapes. Plowden's work received critical acclaim and was shown in prestigious galleries and museums around the world throughout his career. He received numerous honors for his contributions to photography, including a Guggenheim Fellowship. David Plowden's photographs are a visual testament to the importance of preserving our common history and America's vanishing landscapes. His photographs convey a sense of loss, prompting viewers to consider the impact of progress and the fragility of our built environment. The legacy of Plowden as a master photographer lives on, inspiring future generations to document and appreciate the landscapes and structures that define our collective memory.
Liliroze
Liliroze
Switzerland/France
1972
Liliroze was born in Geneva in 1972. Her passion for photography began when she was young whilst discovering the images of her father. Only after having obtained a degree in econometry did she decide to consecrate her life to the art. She moved to Paris and became a diplomee of the ENS Louis Lumière school in 1997. She assisted famous photographers at the beginning. Liliroze nourished her work in her travels, with the colors, shadows and people that happened into view or crossed her path in unexpected encounters. In the changing light, in the heart of her apparatus, in total confidence, she transcends intimacy as a tableau which surges forth from the time of centuries. First public Leica Prize of Les Indépendances laureate in the 2006, she now works as an independent photographer and follows her personal research.
Pedro Jarque Krebs
Pedro Jarque Krebs
Peru
1963
Pedro Jarque Krebs is an award winning photographer born in Lima, Peru, graduated in Philosophy of Science from the Sorbonne University in Paris. His photos have won more than 100 photography awards internationally, 31 gold medals, 10 silver medals, 6 bronze medals and many honorable mentions. Among these awards are the Sony World Photography Awards, whose Peru National Award he won 3 times, in 2016, 2018 and 2019; the 2018 Bird Photographer of the Year competition (United Kingdom), where he was the overall winner; First place at: Montier Festival Photo (France) in 2018, Oasis Photo Contest (Italy) in 2017; the Sente-Antu Cup (China) in 2018, and the Trierenberg Super Circuit (Austria) in 2018. He was a finalist four years in a row of the Smithsonian Annual Photo Contest (United States). In October 2016, he was named photographer of the month by National Geographic, France. Statement There's no doubt that we, the human beings, have many problems to resolve as a species, and that our societies are far from having achieved the justice and equality we crave for, but to deal with the animal world, far from being a mere levity, has turned into a major problem of great magnitude which directly affects our survival as a species. It is no longer just about the loss of their diversity and beauty; it is an issue that affects our entire ecosystem, causing a serious imbalance. Our expansion has meant the disappearance of hundreds of thousands of living species. This artistic-photographic project aims to help breaking the barrier that we have built in our relationship with the animal life, showing animals in a closer, even intimate, way, isolated from any context, trying to rebuild with our look these destroyed bridges, as well and giving back to the animals part of its stolen dignity.
Filippo Venturi
Filippo Venturi
Italy
1980
Filippo Venturi is an Italian documentary photographer working on editorial, corporate, commercial assignments and personal projects. His works have been published in different newspapers and magazines such as The Washington Post, Financial Times, Vanity Fair, Internazionale, La Stampa, Geo, Marie Claire, Die Zeit, Gente, D di Repubblica, Io Donna/Corriere della Sera. He cooperates with several agencies in Italy and abroad for advertisement projects. He also pursues many personal stories and projects on the critical issues that he finds interesting. In 2016 his work, "Made in Korea" about South Korea, has been hosted at the Italian Center for Fine Art Photography in Bibbiena, at Modena's Foro Boario as New Talent selected by the Modena Foundation Photography, at Rome's Museum of Contemporary Art (MACRO) as selected Emerging Talent and at Somerset House in London by the Sony World Photography Awards. In 2017 he was the photographer sent by Vanity Fair in North Korea. In 2018 he is Testimonial Photographer for Fujifilm.I work as a multi-disciplinary photographic artist specialising in conceptual documentary and reportage Photography. I look at identity, displacement and the human condition. I also work as a photojournalist, documentary filmmaker and freelance commercial photographer.About Korean Dream Between 1905 and 1945 Korea was dominated by the Japanese, thus becoming a colony of the Empire. In 1945, after Japan's defeat, Korea was involved in the Cold War and became an object of interest for the USA, the URSS and lately for China as well. This brought to the division of the country in two along the 38th parallel and to the Korean War between 1950 and 1953. On the 27th of July of 1953, an armistice was signed but a declaration of peace never followed, leaving the country in a permanent state of conflict. North Korea is officially a socialist State with formal elections but in fact, it is a totalitarian dictatorship based on the cult of the Kim dynasty, practically an absolute monarchy. Since 1948 the country was ruled by Kim Il-Sung, the "Great Leader"; in 1994 his son, Kim Jong-II the "Dear Leader" succeeded him and until in 2011 Kim Jong-Un, his son, the "Brilliant Comrade" became Supreme Leader. North Korea is one of the most secluded countries in the world, we know little about it and the citizens' rights are subdued to the country's needs. Citizens have no freedom of speech, media are strictly controlled, you can travel only with authorization and it is not allowed to leave the country. The few foreign travellers who get the visa can travel the country only with authorized Korean guides, who have also the task of controlling, censoring and finding spies. Pyongyang, the capital, is the centre of all the resources and the country's ambition to boast a strong and modern façade (the rest of North Korea is composed of countryside, rice-fields and villages usually with no water, electricity or gas). The continuous and incessant propaganda against the USA portraits the South Korean population as a victim of the American invasion; young generations live in a constant alert state as if the USA could attack any day. At the same time, the propaganda aims at instilling a great sense of pride for the country's technical progression, fueled by the Supreme Leader and culminating in the atomic bomb and the subsequent tests. Pyongyang youngsters have been educated to be learned and knowledgeable people, especially in the scientific field, to foster the development of armaments and technology, chasing the dream of reuniting Korea in a whole and free state.
Paul Fusco
Paul Fusco
United States
1930 | † 2020
John Paul Fusco (August 2, 1930 – July 15, 2020) was an American photojournalist. Fusco is known in particular for his photographs of Robert F. Kennedy's funeral train, the 1966 Delano Grape strike and the human toll of the Chernobyl nuclear disaster. Fusco began his career as a photographer for Look magazine, and was a member of Magnum Photos from 1973 until his death in 2020. Paul Fusco was born in Leominster, Massachusetts, and started pursuing photography as a hobby at the age of 14. During the Korean War, from 1951 to 1953, he gained more experience while he worked as a photographer for the United States Army Signal Corps. He first studied at Drake University and in 1957 received a Bachelor of Fine Arts in photojournalism from Ohio University. He then moved to New York City to work professionally as a photographer. Fusco first worked for Look Magazine in New York City. While working there, in 1968, he took what would become a well-known series of photographs of mourners along the route of Robert F. Kennedy's funeral train. His photography often documented social issues and injustices, such as poverty, ghetto life, the early days of the HIV crisis, and cultural experimentation across America. His 1966 photos of California's Delano grape strike documented migrant farmworkers' struggles to form a union, supported by Caesar Chavez. The photos were released as a book, with text by George D. Horowitz, titled La Causa: The California Grape Strike. Fusco moved to Mill Valley, California in the 1970s. In 1973 he became an associate of Magnum Photos and a full member a year later. Over the years, Fusco also contributed to such publications as Life, Mother Jones, The New York Times Magazine, Newsweek, Psychology Today, and TIME Magazine. Fusco also worked internationally covering events in Europe, the Middle East, and Southeast Asia. In the late 1990s, he spent two months making photographs of the lingering effects of the Chernobyl nuclear disaster in Belarus, eventually published in the book Chernobyl Legacy, which featured a foreword by Kofi Annan. In the early 2000s, Fusco pursued a personal project he called Bitter Fruit, documenting the funerals of US service members killed in the Iraq War. He left Mill Valley for New Jersey in 1993, but later returned to California, in 2009, to live in Marin County. Fusco died on July 15, 2020, aged 89, in San Anselmo, California. Many of his photographs are in the Magnum Photos archive currently held at the Harry Ransom Center at the University of Texas at Austin. Two hundred of his photographs of the United Farm Workers Organizing Committee and Caesar Chavez, taken during a farm worker's strike in Delano, California, are held by the Library of Congress, as are 1,800 Kodachrome slides taken in June 1968 from the funeral train carrying Robert Kennedy's body from New York City to Washington, D.C., for burial in Arlington National Cemetery.Source: Wikipedia
Barry Guthertz
Barry Guthertz
United States
1946
Barry Guthertz has been exhibiting his Fine Art photography throughout the Northeast for over 35 years. His award winning work has appeared in The Brooklyn Museum, The French Embassy, the General Electric and Union Carbide Corporate Galleries as well as in Silvermine Gallery in New Canaan,CT and The Flinn Gallery in Greenwich. He has had numerous solo exhibitions and participated in group shows in NYC, Portland, OR, London England, and throughout Fairfield County, CT where he lives. His b&w porfolios have been published twice in Lenswork Magazine, as well as on the cover in Shadow and Light Magazine, as the featured artist August 2018. Earth Rhythm The magnitude of nature's forces can both terrify and fascinate. Left in their wake is a mysterious beauty carved into the earth's landscape. These hypnotic shapes, forms and abstract patterns speak to my inner core. It's been a challenge to visually capture these breathtaking compositions as well as to share the extraordinary feelings that awaken inside me when I click the shutter.
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