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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Demetrio Jereissati
Demetrio Jereissati
Demetrio Jereissati

Demetrio Jereissati

Country: Brazil

I started shooting in 2013, at age 53, on a family trip to Patagonia, Chile.
Months later, one of the photos I took on this trip won the bronze medal in the international competition Brasília Photo Show.br> I am a civil engineer, and shapes, lights, and shadows seduce me sometimes more than the subject of the photo.br> Photography connects and expands the feelings of those who photograph and visualize the image, giving their own interpretation.br> The essay Machu Picchu (A Personal Journey) was done in two moments: morning and late afternoon, when, alone on the site, away from the morning crowds, I could perceive the energy of the place and feel transported to a past still so present in the buildings.
 

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More Great Photographers To Discover

Marc Gordon
United States
Marc Gordon is a photographer who focuses on unposed portraiture and photo documentary. He was trained at the International Center for Photography in New York City and studied street photography with Harvey Stein. He spent several years doing advertising photography at Kripalu, a yoga retreat center in the Berkshires, starting in 2009. Afterwards he turned to documentary and portraiture. All of his photographs try to capture unposed expressive moments, and to show people as they are without interpretation. A documentary series on the Gay Pride Parades in New York City has appeared in L'Oeil de la Photographie and was featured on the Social Documentary Network in late 2020. In addition to documentary and portraiture, Marc also explores landscape photography. As in portraiture, he tries to avoid interpretation and seeks instead to reveal Nature's complex patterns. He currently lives in New Mexico and will exhibit a series of landscapes at the Abiquiu Inn as soon as it is safe again to gather indoors. Marc was trained as a research mathematician and worked for many years on quantitative trading strategies before becoming a photographer. Joy and Confrontation These photos attempt to capture the spirit of the Gay Pride parades in New York City in the years since gay marriage was legalized in the United States. The collection begins with portraits of people encountered in the streets around the parades. Their joyful celebration is challenged by Christian demonstrators carrying offensive and provocative signs who came to condemn homosexuality and warn of divine retribution. Reactions range from mockery to dancing, heated argument, lewd gestures, outrage, and anger. I am grateful to have spent time with these young gay people and to have had the chance to photograph them. For any questions, you can contact Marc Gordon at marcgor@msn.com.
Dirk Roseport
Belgium
1955
Advertising creative director and self-taught photographer. Inspired by Jem Southam, Jonathan Smith, Mark Rothko, Mies van der Rohe, Mihokajioka, Hiroshi Sugimoto, Annie Leibovitz, Asako Naharashi and new discoveries every day... Roseport focuses on projects that he fills out thematically over several years. CLOSER TO THE GODS Closer To The Gods was created during the Covid era when, like many photographers, he fell back on previously created material; inhospitable plateaus and glaciers of Iceland, the mountain landscapes of the Pyrenees and the high altitude deserts of Ladakh. In Closer To The Gods, these are portrayed hard and directly in powerful, high-contrast black-and-white photography. Nature does not invite here, she imposes. Compelling, ominous, at times almost menacing. It is a nature that impresses and often looks as if it could insidiously swallow and crush us at any moment. TRANSCENDENTAL TRANQUILITY In his project Transcendental Tranquility he brings us seascapes, distilled to their essence, authentic without any post-processing. It all has to happen in the camera. If it doesn't happen there, it goes into the trash. Sometimes the oceans are no longer recognizable and they become Rothkosian color impressions, but his goal is not to show an ocean. The point is to create a scene that induces a state of tranquility in which what is perceived as troublesome in the psyche falls away. Nature does not impose itself here, but invites the viewer to drown in it and regain the peace that we so often lack today. Roseport sees the Transcendental Tranquility project as the antithesis of the Closer To The Gods work. FADING MEMORIES Always exploring, Roseport also created the Fading Memories project that invites viewers to create their own stories. Roseport: "As time passes, memories fade. What was once sharp, clear and vivid in our minds becomes blurred. Shapes and colors disappear. Bits and pieces are gone never to return. With Fading Memories, I try to visualize this feeling of losing the details. The images take on a dreamlike surreal atmosphere. And usually we will remember what has been forgotten, more beautifully - if hard or soft - than it actually was. That's what we do. That's how we survive. In Fading Memories, I know the story behind the image. The place. The time. The people. The viewers don't. There is an analogy here with projective tests like Rorschach, when ambigious stimuli reveal hidden emotions and internal conflicts. Thanks to what the viewers don't see, the images suggest more open stories than the ones I know. More open stories than they would see if the images were intact. So their minds will create their own story. Immediately. I invite them not to stop it. Have Fading Memories challenge their imagination."
Platon (Antoniou)
United Kingdom
1968
Born in London in 1968, Platon was raised in the Greek Isles until his family returned to England in the 1970's. He attended St. Martin's School of Art and after receiving his BA with honors in Graphic Design, went on to receive an MA in Photography and Fine Art at the Royal College of Art. After working for British Vogue for several years, he was invited to NY to work for the late John Kennedy Jr. and his political magazine, 'George'. After shooting portraits for a range of international publications including Rolling Stone, the New York Times Magazine, Vanity Fair, Esquire, GQ and the Sunday Times Magazine, Platon developed a special relationship with Time magazine, producing over 20 covers. In 2007 Platon photographed Russian Premier Vladimir Putin for Time Magazine's Person Of The Year Cover. This image was awarded 1st prize at the World Press Photo Contest. In 2008 he signed a multi-year contract with the New Yorker. As the staff photographer, he has produced a series of large-scale photo essays, two of which won ASME Awards in 2009 and 2010. Platon's New Yorker portfolios have focused on many themes including President Obama's Inauguration, the U.S Military, portraits of world leaders and the Civil Rights Movement. The following year, Platon teamed up with the Human Rights Watch to help them celebrate those who fight for equality and justice in countries suppressed by political forces. These projects have highlighted human rights defenders from Burma as well as the leaders of the Egyptian revolution. Following his coverage of Burma, Platon photographed Aung San Suu Kyi for the cover of Time - days after her release from house arrest. In 2011, Platon was honored with a prestigious Peabody Award for a collaboration on the topic of Russia's Civil Society with The New Yorker Magazine and Human Rights Watch. Platon's first monograph 'Platon's Republic', was published in 2004 by Phaidon Press. To coincide with its publication, the work was exhibited internationally, in London at the ex-Saatchi Gallery as well as the Milk Gallery in New York. His second book, 'Power' - a collection of portraits of over 100 world leaders - was published in 2011 by Chronicle and following its success was selected by Apple to be released as an app. The book includes portraits of Barack Obama, Mahmoud Ahmedinejad, Dmitry Medvedev, Benjamin Netanyahu, Hugo Chavez, Mahmoud Abbas, Tony Blair, Robert Mugabe, Silvio Berlusconi, and Muammar Qaddafi. In recent years, public speaking has progressively played a major role in Platon's career as communicator and storyteller. He has been invited to be a keynote speaker at the World Economic Forum in Davos, Yale, the London School of Economics, the National Portrait Gallery in London and the International Center of Photography in NY. He has also appeared on a range of television media including Charlie Rose (PBS), Morning Joe (MSNBC), Fareed Zakaria's GPS (CNN) and the BBC World News. Between 2011-2013, Platon's work has been exhibited in galleries both domestically and abroad. He has exhibited in New York at the Matthew Marks Gallery and the Howard Greenberg Gallery, as well as internationally at the Colette Gallery in Paris, France. The New York Historical Society also exhibited a solo show of Platon's Civil Rights photographs, which remain as part of the museum's permanent collection. Other permanent collections holding Platon's photography include The Florida Museum of Photographic Arts in Tampa, Florida and The Westlicht Museum for Photography in Vienna, Austria. Platon's advertising credits include the United Nations Foundation, Credit Suisse Bank, Exxon Mobil, Diesel, the Wall Street Journal, Motorola, Nike, Converse, Verizon, Vittel, Levi's, IBM, Rolex, Ray-Ban, Tanqueray, Kenneth Cole, Issey Miyake, Moschino, Timex and Bertelsmann among others. Platon lives in New York with his wife, daughter and son. (Source: www.platonphoto.com)
Michelle Sank
South Africa
Michelle Sank was born in South Africa and settled in the UK in 1987. She cites this background of growing up during Apartheid and being the child of immigrant parents as informing her interest in sub-cultures and the exploration of contemporary social issues and challenges. Her crafted portraits meld place and person creating sociological, visual and psychological landscapes and narratives. Known for her work on youth culture, her practice has expanded into long term projects documenting communities and cultures in depth. Sank undertook a BA Fine Art Degree at The Michaelis School of Fine Art in Cape Town where her work was picked up by David Goldblatt who became a lifelong mentor. In leaving South Africa in the late 70’s she had a big gap in her career redefining her practice after many years when she completed her MA at De Montford University, Leicester in 2001. Her photographs have been exhibited and published extensively in the UK, Europe, Australia and Mexico, South Africa and the U.S.A. and her imagery is held in private and permanent collections worldwide to include Open Eye Gallery, Liverpool, The Museum of Youth Culture, UK, Southeast Museum of Photography, Florida and The Museum of Fine Arts, Houston, Texas. She has undertaken continuous commissions and residencies for prominent galleries and magazines in Europe and the USA and her work has won awards in numerous prestigious competitions to include the Taylor Wessing Prize, British Journal of Photography, Head on Foundation, IPA awards, Lens Culture and The Juliet Margaret Cameron award for Female Photographers. She was recently a winner in The Portrait of Britain and in 2024 she won the Open Portrait section in the Sony World Photography Awards. She has just been granted an Honorary Fellowship by The Royal Photographic Society. Sank has five published books to date her latest being “Burnthouse Lane” published by Dewi Lewis, 2024 – a celebratory account of an historic working class community in Exeter, Devon, UK. Burnthouse Lane The Burnthouse Lane estate was first dreamt up by Exeter City council in the idealistic 1920s in the UK to rehouse people from the West Quarter slum. Designed along garden city lines and purposely self-contained, it was a place for working-class families to live. The deprivation it was supposed to overcome has continued to haunt it, but the isolated nature of the estate and its intricate labyrinth of lanes have also made for positives, such as a close-knit community and a sense of solidarity among the residents. Ballade Ballade is a poetic homage to my birthplace, Cape Town. My strongest memories are of the Sea Point Promenade in Cape Town and its accompanying Pavilion swimming pool where I frequented the long walkway and its bordering vast grass areas through all of my formative years. I was born there, and my recall is one of tableaus transpiring through play, encounters and festivities. The pool, the walkway, the beaches and the green areas continue to serve as stage sets within which diverse performances unfold. Article Burnt House Lane
Randall Romano
Canada
1957
Randall has been making photographs for over 45 years, initially in the nature/landscape genre, eventually evolving to run a commercial photography business focused on interior and exterior architectural clients. Since 2015, after closing the business, he focused solely on photographing subjects and projects that are of personal interest. These consist largely of street and documentary subjects. He has also been active in lecturing about photography, to a wide variety of Ontario camera groups. These presentations sought to stir up and challenge traditional notions on photography, bringing to light the work and importance of master photographers. A recent book publication: Reaching a Higher Level in Photography (2023) has come out of these presentations. I believe the camera’s strength is its ability to capture fleeting moments, to stop time and create a sense of curiosity in the viewer. If a still image is to be successful it has to illustrate something missed and something fleeting. Chasing this fleeting moment of uniqueness allows me to better saviour life. A father of four children, Randall and his wife Catherine live on a rural property near Peterborough, Ontario, Canada. Statement Photography represents much more to me than only exploring the world. It is the ability to capture a moment of time, to rip a unique page from the book of life. Photographs at their best tell a story or reveal a penetrating statement, not only through an individual picture but also through groups of photographs. The camera provides a means to document and freeze a passing juncture, perhaps capturing an important instant, a blink of vision that without the camera would be gone forever. The simple act of making a photograph encourages the photographer to stop and carefully look at the complexity of life. This uncomplicated act opens up details of the world lost to others. At its true essence, the camera is a persistent companion documenting a unique view of the world and travelling along through our life journeys. The techniques I use to capture these moments of life and narratives are not based on technological prowess, because to me the camera is only a tool to be harnessed. Photographs reflect and document the real world and are a contemplation of things as they are. Technology is only a means to capture this reality. The ultimate success of the process is the strength and validity of the final product, and the need it creates in the viewer to linger and explore. Winner AAP Magazine #30 Shadows
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AAP Magazine #54 Nature
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