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Demetrio Jereissati
Demetrio Jereissati
Demetrio Jereissati

Demetrio Jereissati

Country: Brazil

I started shooting in 2013, at age 53, on a family trip to Patagonia, Chile.
Months later, one of the photos I took on this trip won the bronze medal in the international competition Brasília Photo Show.br> I am a civil engineer, and shapes, lights, and shadows seduce me sometimes more than the subject of the photo.br> Photography connects and expands the feelings of those who photograph and visualize the image, giving their own interpretation.br> The essay Machu Picchu (A Personal Journey) was done in two moments: morning and late afternoon, when, alone on the site, away from the morning crowds, I could perceive the energy of the place and feel transported to a past still so present in the buildings.
 

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More Great Photographers To Discover

Anna Laza
Romania
"I started to be in photography about 15 years ago. At that time I used to model and participate in shootings. But quite quickly I got bored with posing and was becoming more curious to stand on the other side of the camera. So slowly, but certainly I started my own way in the big universe of photography. I have principles in my shootings and always keep in focus my own style. It’s very important for an artist to both keep his/her unique style and progress in it at the same time. When I shoot women I avoid sexualizing them and even photographing naked bodies there’ll be no sexual vision in the image, but sensual and sophisticated." Anna Laza is an influential visual artist working in Art and Fashion photography. Her projects are focused on finding new innovative styles both shooting and post-processing. Her work has been rewarded and been exhibited internationally, she has won in a number of famous photo contests, including LensCulture, MonoVisions and Minimalist Awards. She is often published in photography magazines and regularly appears on prestigious jury lists for photographic events. Besides her own photography, she is also a creator of the magazine FotoSlovo, which highlights every year new emerging talents in photography from Russia & CIS counties. Metaphysical Body Landscapes "My childhood I've spent at my grandmother's house in Romania, near the Carpathian Mountains. Seeing human's strong bond with the earth, observing nature, landscapes around influenced my understanding of earth beauty and men's connexion with it. All being is something whole, indivisible. Earth, sky, plants, fruits, mountains, rivers, men, women, day, night- all merged together and flow into each other. This process is infinite and harmonious. Men came from the earth, lives on earth and will return to earth. And landscapes of the earth are seen in body curves. Growing up I moved to live in big cities, my grandmother passed away and I felt the loss of spiritual connexion with nature. To reconnect, I start to search the Landscapes in body in my photography."
Ali Shokri
Iran
1982
In our family culture, the tree is a symbol of life." Nature photographer Ali Shokri grew up in Iran. It was in his beautiful home country that he would begin to develop his passion and love for nature – more so, trees. Years later, his passion would become the centerpoint of his life's ambitions. For the last 16 years, Shokri has been photographing trees. His mission? To show everyone how important and beautiful they are to the world. His body of work has since been turned into a photo book, The Passion of Trees. Showing his collection of images and highlighting his message, Shokri spoke to us about a topic he holds tightly close to his heart. Statement "To me, each tree, like a human being, has a tale to tell," Shokri says. "When a tree dies, a whole story is interrupted, a destiny is altered for the worse. I feel as if the trees, bundled at the back of trucks, are cursing us with their broken hands, wounded faces, and severed roots. "Perhaps this is how we are led towards damnation, little by little stripped of our humanity, when man's 'abounding foliage moistened with the dew' is reduced to ash and smoke." The nature is a mirror to show us what is going inside us. Why we cant be kind with the nature and the lungs of the earth- trees-? Yes, the lungs of the earth. How we can damage her lungs. As an artist, I beilive that the art brings us responsibility and introducing the lungs of the earth is my responsibility. I know I can't save our trees with my photographs," Shokri says. "I can't restore Nature to her imperious verdure, yet I try to capture the lonesomeness and exile of the trees and encourage the viewers to look at nature with a different gaze, to remember that in the absence of trees the birds are homeless and there's no air to breathe, to remember that if there are no trees humanity has already vanished..."
Eadweard Muybridge
United Kingdom
1830 | † 1904
Eadweard James Muybridge was an English photographer important for his pioneering work in photographic studies of motion and in motion-picture projection. He adopted the name Eadweard Muybridge, believing it to be the original Anglo-Saxon form of his name. He immigrated to the United States as a young man but remained obscure until 1868, when his large photographs of Yosemite Valley, California, made him world famous. Muybridge is known for his pioneering work on animal locomotion in 1877 and 1878, which used multiple cameras to capture motion in stop-action photographs, and his zoopraxiscope, a device for projecting motion pictures that pre-dated the flexible perforated film strip used in cinematography. In his earlier years in San Francisco, Muybridge had become known for his landscape photography, particularly of the Yosemite Valley. He also photographed the Tlingit people in Alaska, and was commissioned by the United States Army to photograph the Modoc War in 1873. In 1874 he shot and killed Major Harry Larkyns, his wife's lover, and was acquitted in a jury trial on the grounds of justifiable homicide. He travelled for more than a year in Central America on a photographic expedition in 1875. In the 1880s, Muybridge entered a very productive period at the University of Pennsylvania in Philadelphia, producing over 100,000 images of animals and humans in motion, capturing what the human eye could not distinguish as separate movements. He spent much of his later years giving public lectures and demonstrations of his photography and early motion picture sequences. He also edited and published compilations of his work, which greatly influenced visual artists and the developing fields of scientific and industrial photography. Source: Wikipedia
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