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Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Demetrio Jereissati
Demetrio Jereissati
Demetrio Jereissati

Demetrio Jereissati

Country: Brazil

I started shooting in 2013, at age 53, on a family trip to Patagonia, Chile.
Months later, one of the photos I took on this trip won the bronze medal in the international competition Brasília Photo Show.br> I am a civil engineer, and shapes, lights, and shadows seduce me sometimes more than the subject of the photo.br> Photography connects and expands the feelings of those who photograph and visualize the image, giving their own interpretation.br> The essay Machu Picchu (A Personal Journey) was done in two moments: morning and late afternoon, when, alone on the site, away from the morning crowds, I could perceive the energy of the place and feel transported to a past still so present in the buildings.
 

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All About Photo Awards 2026
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More Great Photographers To Discover

Elisa Migda
France
1981
Graduated from the Sorbonne and the University Paris X in Literature, Human Sciences and Visual Anthropology (Formation de Recherches Cinématographiques created by Jean Rouch) after studying photography, video and graphic design, she joined the International photojournalism festival Visa pour l'Image Perpignan in communication and coordination. In 2016, she is also responsible for the creation of the art book fair FILAF ARTBOOK FAIR within the FILAF festival as well as the curating of the exhibitions A L'Italia by Carine Brancowitz and Before Landing by Michel Houellebecq in Perpignan. Passionate about film photography but also after having assisted various fashion and reportage photographers and contributed to various audiovisual creations, she decided to join a traditional photography laboratory in Paris, which offers more particularly the realization of large formats in order to revive the practice of printing and its processes. Eighteen months ago, she set up her own laboratory in Seine et Marne in order to carry out a more experimental and personal photographic work, that she has been pursuing for about fifteen years. In 2019, she participates in the group exhibition Le Rêve d'un mouvement in Paris with Gilles Roudière, Damien Daufresne, Stéphane Charpentier, Grégory Dargent, Frédéric D. Oberland and Gaël Bonnefon and presents her solo exhibition Sweet Surrender in Arles during the month of July with the Bergger group. Statement "My photographic work is long-term and develops around a personal project: to capture images that revolve around my life, intimate experiences and, from these photographic episodes were born portraits, self-portraits, imprints of existence. It is an abandonment where bodies and faces waver in obscure clarity, plunge into dazzle, navigate between interior and exterior spaces, loneliness and erasure from the world. In this universe, a feeling of sweet melancholy often emerges around themes such as energy, destruction, dealing with both the eternal and the ephemeral, disappearance and metamorphosis. These are trembling moments, a collection of images with fleeting, spectral visions, sprinkled with imperfections just as in our daily lives or in our dreams. There remains a disturbing strangeness, a subjective territory, trying and pensive, where the eyes are closed, frozen, elusive..." -- Elisa Migda
Arja Katariina Hyytiäinen
Arja Katariiina Hyytiäinen was born in 1974 in Turku, Finland. She is a graduate of the Department of Documentary Photography at FAMU (Prague, Czech Republic). Hyytiäinen is interested in self-experienced stories. Thanks to her classical documentary background, her works often reflect a combination of self-experienced subjective reality and fictional intuitive storytelling. She has published two books ‘Distance Now’ and ‘Arja Hyytiäinen – Cahiers’. She is the recipient of the Critical Photography Prize, Prix Kodak in France 2006, as well as the Grand Prix at the 2007 Lodz Festival. Since 2006, Arja Hyytiäinen’s work has been distributed by Agence VU’. She has been based in La Rochelle, France, since 2010.Source: EPEA For the Finn Arja Hyytiäinen photography is a means of entering into the lives of others. It is an echo of personal experiences that help enlarge her understanding – and ours. The often sombre black and white photographs that she took in the port city of Marseille underscore the feeling that she got there, as if the residents had an almost permanent mental hangover. She shows the disfigured faces of people in illegal bars, she evokes the sound of fans, wind and footsteps that echo against shuttered windows, and depicts the restless energy of the night, which shades into a day where the heat envelopes your body like a second skin. The city, she says, left an emotional mark behind on her soul. With her subjective images she does the same for the viewer. In the space of only a couple years Arja Hyytiäinen (Finland, 1974) has made a name for herself as a contemporary street photographer, with a subjective, cinematographic style. She spent considerable time in Eastern Europe and was awarded the Kodak Prize for Critical Photography and the Polish Fotofestival Grand Prix. Hyytiäinen lives by turns in Paris and Berlin.Source: Noorderlicht "Completely contemporary, free and demanding, the work of Arja Katarrina Hyytiäinen is part of the today’s school, from the tradition of the street photography, and that has replaced its form to claim the author status. Saying its necessity and its singularity, devoting itself to subjectivity, and influenced by cinematographic aesthetic, the whole work, extremely respectful for representing people, is from a new contemporary humanism," according to Christian Caujolle. In just a few years, she has acquired a reputation throughout Europe, particularly where she has lived in Eastern Europe, and become known through her solo exhibitions (Czech Republic, Poland, Hungary, Moldavia, Slovenia). In 2006 she was awarded by the Kodak Prize for Critical Photography and the Fotoestiwal (Poland) Grand Prix in 2007.Source: Agence VU
Eric Kunsman
United States
1975
Eric T. Kunsman (b. 1975) was born and raised in Bethlehem, Pennsylvania. While in high school, he was heavily influenced by the death of the steel industry and its place in American history. The exposure to the work of Walker Evans during this time hooked Eric onto photography. Eric had the privilege to study under Lou Draper, who became Eric’s most formative mentor. He credits Lou with influencing his approach as an educator, photographer, and contributing human being. Eric holds his MFA in Book Arts/Printmaking from The University of the Arts in Philadelphia and holds an MS in Electronic Publishing/Graphic Arts Media, BS in Biomedical Photography, BFA in Fine Art photography, all from the Rochester Institute of Technology in Rochester, New York. Currently, he is a photographer and book artist based out of Rochester, New York. Eric works at the Rochester Institute of Technology (RIT) as an Assistant Professor in the Visual Communications Studies Department at the National Technical Institute for the Deaf and is an adjunct professor for the School of Photographic Arts & Sciences. In addition to lectures, he provides workshops on topics including his artistic practice, digital printing, and digital workflow processes. He provided industry seminars for the highly regarded Printing Applications Lab at RIT. His photographs and books are exhibited internationally and are in several collections. He currently owns Booksmart Studio, which is a fine art digital printing studio specializing in numerous techniques and services for photographers and book artists on a collaborative basis. Eric’s work has been exhibited in over 35 solo exhibitions at such venues as Nicolaysen Art Museum, Hoyt Institute of Fine Art, Los Angeles Center for Digital Art, and numerous university galleries. His work has also been a part of over 150 group exhibitions over the past four years, including exhibitions at the Center for Photography, A. Smith Gallery, SPIVA, San Luis Obispo Museum of Art, Spartanburg Museum of Art, Atlanta Photography Group, CEPA Gallery, Site: Brooklyn, Colorado Photographic Arts Center, Philadelphia Photo Arts Center, and many more. Eric was named one of 10 B&W photographers to watch of 2018 by BWGallerist; B&W Best Photographers of the Year 2019 by Dodho Magazine; won the Association of Photography (UK) Gold Award for Open Series in 2019; Finalist, Top 200 Critical Mass 2019, 2020, 2021; Top 15 Photographers for the Rust Belt Biennial; and Lensculture B&W Jurors’ Pick 2021. His Project Felicific Calculus was also awarded a Warhol Foundations Grant through CEPA Gallery in Buffalo, NY. Eric’s work has also been published in magazines such as; Bloomberg Businessweek, LensWork, Dodho, B&W Photography, Analog Explorations, All About Photo, Black+White Photography (UK), Dek Unu, along with online articles by Analog Forever Magazine, Catalyst: Interview, Texas Photo Society, and others. There's no “given,” formula for what demands Eric’s focus as a photographer. Eric is as drawn to the landscapes and neglected towns of the American southwest as he is to the tensions of struggling rustbelt cities in the U.S. northeast. Eric is attracted to objects left behind, especially those that hint at a unique human narrative, a story waiting to be told. Eric’s current work explores one of those relics: working payphones hidden in plain sight throughout the neighborhood near his studio in Rochester, NY. Associates suggested they signified a high crime area. This project's shown Eric something very different. Felicific Calculus: Technology as a Social Marker of Class, Race, & Economics in Rochester, NY The felicific calculus is an algorithm formulated by jurist and reformer Jeremy Bentham (1748-1832) for calculating the moral rightness of an action by balancing the probable pleasures and pains that it would produce. Bentham, a utilitarian philosopher, believed this calculus could, in principle, help determine the moral status of any considered act. In 2017, I relocated my studio to a different part of Rochester, NY. Colleagues immediately started making comments along the lines of: "...that area's a war zone." My experience with the new neighborhood was positive, so I wanted to discover what visual cues others might be seeing as indicators of a dangerous environment. Several people had mentioned the number of payphones in the area, inferring that only criminals use payphones these days. There really were a lot of payphones in my neighborhood. I began documenting them, and quickly saw that far from being used by criminals, these phones served as a lifeline for some of the poorest residents in the area. Looking deeper, I found the story behind Rochester's payphones reflected an unusually altruistic ‘felicific calculus' by Frontier Communications. Instead of focusing on profits, they had decided to maintain the payphones in poorer neighborhoods for the good of the community. Many policymakers have opted to view payphones as a social indicator of crime, unfortunately leading to ignorant or even dangerous decisions. In Detroit, Michigan, politicians had all public payphones removed without studying or surveying their actual use.They simply assumed the criminal connection. This decision was based on a further assumption that everyone today must own a mobile phone. Decision-makers lacking facts or any real understanding of issues facing citizens from a different economic class just acted on a misperception. Witnessing that type of reflexive judgement from my colleagues drove me to educate myself. I photographed payphones and mapped their locations, then overlaid them with census maps showing economic status, ethnicity, age and sex, and the city crime map. There was an immediate, direct correlation between the poverty level and location of the payphones. Areas with the most payphones coincided with Rochester neighborhoods where the average family incomes are lower than $20,000 annually. There was also no correlation with high crime neighborhoods. Through Felicific Calculus I hope to challenge negative perceptions of social markers that conflate poverty with crime. Though they are relics to most of us, payphones remain important for residents trapped in lower economic circumstances. Life-Lines Throughout the United States This body of work is a series in conjunction with my project “Felicific Calculus: Technology as a Social Marker of Race, Class, & Economics in Rochester, NY,” to demonstrate how many cities throughout the US are facing the same situation. Many individuals are being left behind by technology or labeled throughout the United States due to relying on outdated technology. This series is meant to support the Rochester, NY, project to demonstrate what is occurring in the United States. “Life-Lines Throughout the United States” is a topographic survey of payphones as social markers throughout the United States, along with interactive census data to help visualize the socioeconomic relationship between the individual photograph and each location.
Emma Powell
United States
Emma Powell is an artist in residence and lecturer in photography at Iowa State University. Powell graduated from the College of Wooster in Ohio and received her MFA from Rochester Institute of Technology. Her work often examines photography's history while incorporating historic processes and or devices within the imagery. In her series In Search of Sleep, Powell uses the cyanotype process to create a visual lullaby in wish she explores personal narratives and metaphors.In Search of SleepFrom my earliest days I have had a difficult relationship with sleep. As a child I avoided it at all costs, especially at night. To get me back to bed, my father used to tell me stories. They were not traditional children’s bedtime stories, but invented tales that began on our quiet street and journeyed down open drains to a dream-world of caverns, forests, and oceans full of unexpected animals and dangers. The story would always find its way back to the real world and end where it had begun, hopefully but doubtfully with me that much closer to sleep.In Search of Sleep recreates this shadowy realm and allows me to explore my real-life questions, from personal dramas to romantic doubts. The cyanotype process, with its distinctive blue tones, visually traverses the distance between waking and sleeping. These images are also toned with tea and wine to both dull the blues and add warmth. Tea, wine, cyanide – all three of these substances relate to different levels of consciousness that often mirror the mental states evoked by my photographs. In Search of Sleep creates a visual lullaby that allows me to safely explore what I love, what I fear, what I remember, and what I imagine.
Ernie Luppi
United States
1954
San Francisco native Ernie Luppi became involved with photography in 1973 when he started using his mother's Instamatic 126 camera that he and his brothers had given to her as a Christmas gift the previous year. During this time, Ernie was attending the City College of San Francisco and decided to switch his major to photography. The CCSF Photography Department offered one of the finest programs in the area and it helped Ernie unearth the creativity within him. To this day, Ernie is an avid black and white film and darkroom enthusiast. In 1975, Ernie graduated from CCSF with an Associate of Science degree in Photography and has spent the past 39 years in retail photography sales, first working at Adolph Gasser, Inc. for 23 years, followed by 16 years at Keeble and Shuchat in their respective film and darkroom supply departments. Ernie's photographic vision is varied. It ranges from travel, portraiture, street, and the urban landscape. Ernie has often quoted, “I am a jack of all trades and a master of none,” but really he is just curious about everything that he sees through his camera lens. An association with RayKo Photo Center was established in June of 1992 when Ernie had a solo exhibition of photographs, all of them gelatin silver prints, that he had taken during trips to Italy in 1981 and 1991. For the past decade, with the guidance of gallery director Ann Jastrab, Ernie has been a member of RayKo's Photographers Marketplace. Ernie's images have also been selected for RayKo exhibitions such as the documentary show "With Our Own Eyes", "The Perimeter of the World: Contemporary Travel Photography", as well as several Plastic Camera Show exhibits. He continues to photograph daily and can usually be found in his darkroom.
Anka Zhuravleva
Russia
1980
Anka (born Anna Belova) was born on December 4, 1980. She spent her childhood with books on art and her mothers’ drawing tools, covering acres of paper with her drawings. In 1997 she entered the Moscow Architectural Institute deciding to follow in her mothers’ footsteps. But at the end of 1997 her mother was diagnosed with cancer and died in less that a year. Then her father died in 1999. After that Anka’s life changed dramatically. In attempt to keep sane, she plunged into an alternative lifestyle – working as a tattoo artist, singing in a rock-band, sometimes looking for escape in alcohol. In order to make a living while studying, Anka worked at several modeling agencies. Thanks to the drawing lessons she wasn’t afraid to pose nude, and her photos appeared in the Playboy and XXL magazines and at the Playboy 1999 photo exhibition. But she was not looking for a modeling career – it was just a way to make some money. In 2001 Anka was working in the post-production department at the Mosfilm StudiosThat same winter one of her colleagues invited her to spend a weekend in Saint-Petersburg with his friend, composer and musician Alexander Zhuravlev. In less than a month Anka said farewell to Moscow, her friends, her Mosfilm career and moved in with Alexander in Saint-Petersburg. Living with her loved one healed her soul, and she regained the urge for painting. She made several graphic works and ventured into other areas of visual arts. In 2002 Gavriil Lubnin, the famous painter and her husband’s friend, showed her the oil painting technique, which she experimented with for the following several years. During that period she made just a few works because each one required unleashing of a serious emotional charge. All those paintings are different as if created by different people. Anka’s first exhibition took place on a local TV channel live on the air - the studio was decorated with her works. Several exhibitions followed. Private collections in Russia and abroad feature her paintings and sketches. In 2006 Anka noticed that her inspiration often came from photos and decided to take up photography. Since that time Anka took part in numerous projects - magazine publications and covers, book and CD covers, exhibitions. She is engage in digital photo art and analog film photography as well. In 2013 Anka with her husband moves to live in Porto, Portugal. Source: anka-zhuravleva.com Interview With Anka Zhuravleva All About Photo: When did you realize you wanted to be a photographer? Anka Zhuravleva: "I always was about visual arts so I can't name exact date or year.. But I turned to photography completely in 2010." AAP: Where did you study photography? AZ: "I am self-educated. I took some individual workshops dedicated to analog processes but it was technical things." AAP:Do you have a mentor? AZ: "No." AAP: Do you remember your first shot? What was it? AZ: "I was 6 years.. I shot horses with small film lomo-camera." AAP: What or who inspires you? AZ: "Life, everything I got around me, my dreams, interesting people, my husband's music." AAP: How could you describe your style? AZ: "I have no special style. Different series in different styles." AAP:Do you have a favorite photograph or series? AZ: "No, I love them all!" AAP: What kind of gear do you use? Camera, lens, digital, film? AZ: "A lot... And they are changing all the time. Digital 35mm, film medium format, vintage cameras and cameras made by my husband. About 20 different lens, modern ones and vintage brass ones as well." AAP: Do you spend a lot of time editing your images? For what purpose? AZ: "It depends. I always edit digital a lot to reach exactly that tone and mood wich I need. And I also do analog process in darkroom without any computer at all." AAP: Favorite(s) photographer(s)? AZ: "This is a difficult question..." AAP: What advice would you give a young photographer? AZ: "To keep eyes wide open." AAP: What mistake should a young photographer avoid? AZ: "I don't know... Everybody make mistakes. I suppose it's important not "not making" mistakes, but learn after doing mistakes." AAP: The compliment that touched you most? AZ: "When people telling me that my pictures bring their mind, fantasy and soul to childhood or let them think about miracles.. Or making a good mood..." AAP: If you were someone else who would it be? AZ: "Hum... Maybe a baker? Just joking, I don't know..."
Arlene Gottfried
United States
1950 | † 2017
Arlene Harriet Gottfried was a New York City street photographer who was known for recording the candid scenes of ordinary daily life in some of the city's less well-to-do neighborhoods; her work was not widely known until she was in her 50s. Born in Coney Island, she was the daughter of Lillian (Zimmerman), a homemaker, and Max Gottfried, who ran a hardware store with his own father, above which the family lived. Gottfried was the older sister of comedian and actor Gilbert Gottfried (1955–2022). When she was 9, Arlene moved to Crown Heights, where she became heavily influenced by the nearby, fast-growing Puerto Rican community. Later in the 70s, she moved with her Jewish immigrant family to the neighborhoods of Alphabet City and the Lower East Side. When Gottfried was a teenager, her father gave her an old 35 mm camera, which she eventually took to Woodstock, even though she said, "I had no clue what I was doing". She credited her upbringing for giving her the ability to get intimate photographs of strangers: "We lived in Coney Island, and that was always an exposure to all kinds of people, so I never had trouble walking up to people and asking them to take their picture." Gottfried graduated from the Fashion Institute of Technology taking photography courses. She worked as a photographer for an advertising agency before freelancing for publications such as The New York Times Magazine, Fortune, Life, the Village Voice, and The Independent (London). She was a habitué of Nuyorican Poets Café, a friend of Miguel Piñero, and on the Lower East Side sang gospel with the Eternal Light Community Singers. In 1991 while on assignment Gottfried photographed the Eternal Light Community Singers, eventually singing with them, as well. Gottfried also sang gospel with the Jerriese Johnson East Village Gospel Choir. In her later years, she published five books of her work: The Eternal Light (Dewi Lewis Publishing, 1999), Midnight (powerHouse 2003), Sometimes Overwhelming (2008), Bacalaitos and Fireworks (powerHouse 2011), and Mommie: Three Generations of Women (powerHouse 2015). Her photographs and archives have been exhibited at the Leica Gallery in New York and Tokyo, the Smithsonian Institution in Washington, D.C., the European House of Photography (MEP), the Brooklyn Museum of Art, and the New York Public Library. Gottfried died on August 8, 2017, from complications of breast cancer at her home in Manhattan at the age of 66 surrounded by friends and family.
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All About Photo Awards 2026
Win a Solo Exhibition in February
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Latest Interviews

Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry