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FINAL DAYS TO ENTER AAP MAGAZINE SHADOWS: GET PUBLISHED AND WIN $1,000
FINAL DAYS TO ENTER AAP MAGAZINE SHADOWS: GET PUBLISHED AND WIN $1,000
Pablo Trilles Farrington
Pablo Trilles Farrington
Pablo Trilles Farrington

Pablo Trilles Farrington

Country: Spain
Birth: 1979

Since I was little I was fascinated by animals, especially wildlife. I loved learning about them, their habits, behaviors, most remarkable characteristics such as size, speed, height, feeding, etc. As I grew up, that passion for wildlife began to fall asleep, giving way to other types of concerns. During my youth, my father gave me his SLR camera with interchangeable objects and taught me the basics of photography. I liked taking photographs of all kinds, from portraits to landscapes. They weren't good pictures, although it amused me. But after a few years, when I lived in my apartment, they broke in and took the photographic equipment. That was the end of my adventure in photography. Many years passed until, on a work trip I had to make to Guatemala, I managed to visit the Mayan ruins of Tikal recommended by my father, which he visited in the past. That trip, in the middle of the jungle and surrounded by wild animals, reawakened in me the passion for wildlife and the adventure of exploring natural places. At the same time, smartphones appeared and with them photography within everyone's reach. So I took pictures again this time with my mobile. The mobile was fitted with mini lenses for macro photography. Then I bought a zoom lens that connected to the mobile via Bluetooth. From there it went to a 70-200 lens connected to the phone, which I took on safari to Kenya and the Corcovado peninsula in Costa Rica. I finally understood that my passion for photography and wildlife justified investing in a mirrorless camera as well as better lenses. Until today I have two cameras and seven lenses that I have been using in my travels through Uganda, UAE, Morocco, Svalbard, etc. Always learning to achieve photographs that transmit and connect with the observer. Although in recent years I have obtained prizes, recognitions and honorable mentions that have sweetened the path, the real prize is the opportunity to live unique experiences and to invest the vital energy in this art called photography.
 

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More Great Photographers To Discover

Peter Harlow
Australia
1948
Peter was born and educated to first degree standard in the UK. He gained a private pilot license in 1970. His career spans aerial photography, corporate communication and management development. After emigrating to Australia in 2001 he ran his own company providing small light aircraft to farmers, flying schools and private clients. Recently he took up commercial drone flying – which combines his love of photography and views from the sky. He currently lives in Melbourne with his artist partner. As a photographer, I have always been fascinated by the interplay of light, shadows and shapes that exist in both the natural and human-made world. For many years, as a pilot I saw the landscape from a small aeroplane. With the advent of drone technology, which enables the camera platform to remain static and fly much closer to the surface, I can now explore the landscape from new angles and perspectives, capturing images that were impossible from an aeroplane. Artist statement: One of the key elements of abstract art is the process of abstraction, where artists take familiar objects and break them down into their essential components. Similarly, my photographs capture landscapes from above, abstracting the natural world into a series of shapes, colours and textures that are sometimes quite different from their original form. By removing the context of the wider landscape, I want to encourage the viewer to see the world in a new light, as a collection of abstract forms that are both beautiful and intriguing. In abstracting the landscape, my aim is to create a body of work that challenges your perceptions and invites you to see the beauty and charm that exists all around us.
Sohrab Hura
India
1981
Sohrab Hura (born 17 October 1981) is an Indian photographer based in New Delhi. He is a full member of Magnum Photos. Hura's self-published trilogy Sweet Life comprises the books Life is Elsewhere (2015), A Proposition for Departure (2017) and Look It's Getting Sunny Outside!!! (2018); the latter was shortlisted for Photobook of the Year in the Paris Photo–Aperture Foundation PhotoBook Awards. He has also self-published The Coast (2019) and The Levee (2020). His work has been shown in solo exhibitions in London and in Kolkata, India. Hura was born in Chinsurah, West Bengal, India. He attended The Doon School in Dehradun, Uttarakhand and has a masters in economics from the Delhi School of Economics, University of Delhi. He began making photographs during college with a Nikon FM10 given to him by his father. He is now based in New Delhi, India. Hura's Sweet Life trilogy of books focuses on his relationship with his mother, who was diagnosed with paranoid schizophrenia in 1999, when he was 17 years old. The trilogy's Life Is Elsewhere was made between 2005 and 2011, and Look It's Getting Sunny Outside!!! was made between 2008 and 2014. In 2011 The British Journal of Photography included Hura in its "Ones to Watch." He became a nominee member of Magnum Photos in 2014 (the second Indian photographer to become a nominee member) an Associate member in 2018, and a full member in 2020. Sean O'Hagan, writing in The Guardian, included Hura's The Lost Head and the Bird exhibition in his "The top 10 photography exhibitions of 2017".Source: Wikipedia Sohrab Hura’s vivid, sometimes surreal photography explores his position with the world that he exists in. Though Hura initially worked through the prism of social documentary, he soon turned his strong vision inward, creating visual journals of his life and personal relationships as a means to “find his own logic”. Hura was born on 17th October 1981 in a small town called Chinsurah in West Bengal, India. He grew up with many varied career ambitions but eventually settled on photography, after completing his Masters in Economics at the Delhi School of Economics. His first projects, The River (a series that explores three cities along the river Ganges and its tributary) and Land of a Thousand Struggles (which followed a grassroots movement in rural India that led to an important social security act), were made simultaneously in 2005-06. Though both were made with auspicious intentions, Hura later decided to turn his back on this kind social documentary work and instead focus on issues which reflected his personal experience. Hura’s work has been shown in exhibitions around the world. Upcoming exhibitions include The Levee at Cincinnati Art Museum, The Lost Head & The Bird at True/False Film Festival: Columbia Missouri and La Fete Du Slip, Lausanne and Snow at Kettle’s Yard, Cambridge UK—all in 2019. He has published three books to date: Life is Elsewhere (2015), A Proposition For Departure (2017), Look It’s Getting Sunny Outside!!! (2018) with the fourth, The Coast (2019). He is currently working on a series called SNOW, which looks at Kashmir through the prism of the arrival and melting of snow across the three phases of winter. Hura is currently based in New Delhi, India. He joined Magnum Photos as a nominee in 2014 and became an associate in 2018.Source: Wikipedia
Yukari Chikura
Yukari Chikura born in Tokyo, Japan. After graduated from university of music. She became music composer and computer programmer. She is the winner of STEIDL BOOK AWARD and her work has been published by STEIDL. She was selected as "FOTOFEST Discoveries of the Meeting Place 2018". She won LensCulture Emerging Talent Awards 2016, Sony World Photography Awards , Photolucida Critical Mass TOP50 2016 & 2015 among others. Her work has been published by New York Times, Guardian among others. She held 12 places solo exhibition and group exhibition at museum, gallery around the world. Some projects have collected in Griffin Museum in US and Bibliotheque national de France. ZAIDO This book is Yukari Chikura's preservation of the 1300-year-old Japanese ritual festivity "Zaido." Following a series of tragedies including her father's sudden death, her own critical accident and the 2011 Tohoku earthquake and tsunami, Chikura recalls how her father came to her in a dream with the words: "Go to the village hidden deep in the snow where I lived a long time ago." And so with camera in hand she set off on a restorative pilgrimage to northeast Japan (the first of numerous journeys), which resulted in this book. Chikura arrived at the village, surreally silver in the snow and mist, and there discovered Zaido, where inhabitants from different villages gather on the second day of each new year and conduct a ritual dance to induce good fortune. The performers dedicate their sacred dance to the gods and undergo severe purifications. Combining photos of snowscapes that border on abstraction with images of the intricate masks and costumes of Zaido, Chikura depicts the cultural diversity of the participants as well as their common bond in creating collective memory and ensuring the survival of this ritual. More about Zaido by Ann Jastrab
Ruth Bernhard
Germany / United States
1905 | † 2006
Ruth Bernhard (October 14, 1905 – December 18, 2006) was a German-born American photographer. She was born in Berlin to Lucian Bernhard and Gertrude Hoffmann. Lucian Bernhard was known for his poster and typeface design, many of which bear his name and are still in use. Bernhard's parents divorced when she was 2 years old and she only met her mother twice after the divorce. She was raised by two schoolteacher sisters and their mother. Bernhard's father Lucian was a major proponent of Ruth's work, and advised her frequently. Bernhard studied art history and typography at the Berlin Academy of Art from 1925 to 1927 before moving to New York City to join her father. She worked as an assistant to Ralph Steiner in Delineator magazine, but he terminated her employment for indifferent performance. Using the severance pay, Bernhard bought her own camera equipment. By the late-1920s, while living in Manhattan, Bernhard was heavily involved in the lesbian sub-culture of the artistic community, becoming friends with photographer Berenice Abbott and her lover, critic Elizabeth McCausland. Her first realization that she was attracted to other women occurred on New Year's Eve 1928 when she met the painter Patti Light. She wrote about her "bisexual escapades" in her memoir. In 1934 Bernhard began photographing women in the nude. It would be this art form for which she would eventually become best known. In 1935, she chanced to meet Edward Weston on the beach in Santa Monica. She would later say: "I was unprepared for the experience of seeing his pictures for the first time. It was overwhelming. It was lightning in the darkness ... here before me was indisputable evidence of what I had thought possible—an intensely vital artist whose medium was photography." Bernhard was so inspired by Weston's work that, after meeting him in 1935, she moved to California (where he lived). In 1939, Bernhard moved back to New York for eight years, during which time she met photographer Alfred Stieglitz. Bernhard was inspired by the small things in her life. In an interview from 1999 with Photographers Forum, Ruth states, "I’m most interested in—the little things that nobody observes, that nobody thinks are of any value". In the same interview she stated that, "Everything is universal" and that she was "very much aware of that". This idea of minimalism drove her passion for photography. In 1934 Ruth received a commission from the Museum of Modern Art (MoMA) to photograph works for the Machine Art exhibition catalog. Her father Lucian Bernhard set up the meeting with MoMA for her. By 1944 she had met and became involved with artist and designer Eveline (Evelyn) Phimister. The two moved in together, and remained together for the next ten years in Carmel, California. Here, Bernhard worked with Group f/64. Soon, finding Carmel a difficult place in which to earn a living, they moved to Hollywood where she fashioned a career as a commercial photographer. In 1953, they moved to San Francisco where she became a colleague of photographers such as Ansel Adams, Imogen Cunningham, Minor White, and Wynn Bullock. Most of Bernhard's work is studio-based, ranging from simple still lifes to complex nudes. In the 1940s she worked with the conchologist Jean Schwengel. She worked almost exclusively in black-and-white, though there are rumors that she had done some color work as well. She also is known for her lesbian themed works, most notably Two Forms (1962). In that work, a black woman and a white woman who were real-life lovers are featured with their nude bodies pressed against one another. In 1967, Bernhard began a teaching career. This same year, Bernhard met United States Air Force Colonel Price Rice, an African American man ten years younger than her, and the two became lovers. They would remain together until his death in 1999. In her 90s, Bernhard cooperated with biographer Margaretta K. Mitchell in the book Ruth Bernhard, Between Art and Life, publicly revealing her many affairs with women and men throughout her lifetime. A departure was a collaboration with Melvin Van Peebles (as "Melvin Van"), then a young cable car gripman (driver) in San Francisco. Van Peebles wrote the text and Bernhard took the unposed photographs for The Big Heart, a book about life on the cable cars. In the early 1980s, Bernhard started to work with Carol Williams, owner of Photography West Gallery in Carmel, California. Bernhard told Williams that she knew there would be a book of her photography after her death, but hoped one could be published during her lifetime. Williams approached New York Graphics Society, and several other photographic book publishers, but was advised that "only Ansel Adams could sell black-and-white photography books." Bernhard and Williams decided to sell five limited edition prints to raise the necessary funds to publish a superior quality book of Ruth Bernhard nudes. The ensuing edition was produced by David Gray Gardner of Gardner Lithograph, (also the printer of Adams's books) and was called The Eternal Body. It won Photography Book of the Year in 1986 from Friends of Photography. This book was often credited by Ruth Bernhard as being an immeasurable help to her future career and public recognition. The Eternal Body was reprinted by Chronicle Books and later as a deluxe limited Centennial Edition in celebration of Ruth Bernhard's 100th birthday in October 2005. Carol Williams credited Ruth Bernhard with encouraging her to venture into book publishing, and later published several other photographic monographs. In the 1980s Bernhard also started to work with Joe Folberg. Folberg bought Vision Gallery from Douglas Elliott (who founded it in 1979) in San Francisco in 1982. Bernhard and Folberg worked together until Folberg's death. The gallery split with Debra Heimerdinger taking over operations in North America and Folberg's son Neil moving the "Vision Gallery" to Jerusalem. In 1984 Ruth worked with filmmaker Robert Burrill on her autobiographic film entitled, Illuminations: Ruth Bernhard, Photographer. The film premièred in 1989 at the Kabuki Theater in San Francisco and on local PBS station KQED in 1991. Bernhard was inducted into the Women's Caucus for Art in 1981. Bernhard was hailed by Ansel Adams as "the greatest photographer of the nude". Bernhard died in San Francisco at age 101.Source: Wikipedia
Jamie Johnson
United States
1968
Jamie Johnson is a Los Angeles photographer specializing in children and alternative processes. Winner of the Julia Margaret Cameron Portfolio Award and Spider Black and White Photography Award. Her work has been published in many photography magazines and is exhibiting in galleries worldwide. Jamie's work is in the permanent collection of the Hammer Museum in Los Angeles and Archaelogy Museum in Alabama and currently has a show at the Norton Museum of Fine Art in Palm Beach Florida. As a mother and fine art photographer whose bread and butter comes from photography, my passion for faces of the next generation has been a life long focus. I travel the world capturing images children and childhood around the globe. From Laos to Cuba, from the Amazon to India, I have found a universality in the world of children. I have always been particularly interested in observing how girls are raised, examining the morals, values, and education of the next generation of young women. My work has been exhibited Internationally in galleries and museums from New York thru London and Paris, and has been published in dozens of magazines. My Journey with the Irish Travellers I have spent my entire career photographing children all over the world. The last five years I have focused my eyes on the Irish Traveller that live in caravans on the side of the road or in open fields throughout Ireland. The Traveller community are an Irish nomadic indigenous ethnic minority. There is no recorded date as to when Travellers first came to Ireland. This is lost to history but Travellers have been recorded to exist in Ireland as far back as history is recorded. Even with their great history they live as outsiders to society and face unbelievable racism growing up. As a mother of two daughters I became so interested in the culture and traditions and lives of these children. The experience I had photographing the grit and beauty, that is the everyday life of a Traveller child, is one that inspires me everyday. Their deep respect for family and cultural values is refreshing, one that can be quite difficult to find in an age with the convince of social media. Not always immediately accepting of an outsider holding a large camera, I took my time getting to know and understand these faces that represent the new generation. My ever growing fascination with the children of today has lead my all over the world, capturing their innocence or in some cases loss of, in its most raw form. Unlike most children they are unable to refer to a history book to learn about their ancestors, a part of this journey was being able to document an era that is so different to any other I have shot. It is one that is and will always be rapidly changing, everytime I visit it is a whole different world yet with the relationships I have been lucky enough to make, it seems to feel like I never left. I am exponentially grateful the young people documented and that I have come in contact with over my years of visiting are able to call me their friend and I can happily say the same. It is with an honest heart I hope to show that these beautiful children who have great hopes and goals and work everyday to reach their dreams no matter how hard they have to fight racisms and stereotypes placed on them for centuries. A child is an innocent, happy, precious part of the world that should be loved and accepted and encouraged no matter where or how they live. More about The Irish Travellers Order the book
Tatiana Wills
United States
1969
Tatiana Wills is an artist photographing creatives, highlighting the personality behind the artistic practice. Over the course of her multifaceted career, Wills ran the photo department at a notable entertainment agency in Los Angeles. While spearheading guerrilla marketing campaigns, her longing to be a part of a burgeoning art community was reignited, and she embarked on a personal project about the outsider art scene of the early aughts. She has photographed the likes of Shepard Fairey, Mister Cartoon, Gabrielle Bell, David Choe, Saber One, and Molly Crabapple. Other series in her vast repertoire include notable dancers and choreographers Kyle Abraham, Lucinda Childs, Jacob Jonas, and Michaela Taylor, along with a multitude of dance artists, all of which is inspired through a lifetime of documenting her daughter, Lily, and witnessing her journey to become a professional ballerina. Her photography book, Heroes & Villains: Portraits of Contemporary Artists, with Roman Cho, is a collection of portraits featuring more than 100 of the most iconic figures in the contemporary creative world. Her work has appeared in numerous major magazines, including GQ, Time, Juxtapoz, Nylon, IdN, LALA Magazine, on the silver screen in Banksy's street art documentary, Exit Through the Gift Shop, and on street banners in New York City and throughout Europe. She has exhibited in several galleries winning several awards along the way. She currently lives and works in Los Angeles, California. Statement To look at another person with intention is to engage in a moment of pure vulnerability. Especially now. There is so much available to us that shapes how we present and form ourselves for others that much of what constitutes us is also based on performance. My work is about looking past these performances and arriving at a kind of unvarnished selfhood. Portraiture has a long and complex history with representation, but, no matter its form, it is also uncompromising in its commitment to exploring what makes us us. Our appearances and our gestures, how we occupy space in the world. It is a way of looking not only at ourselves but viewing each other as well, a nexus between private and public, interior and exterior, approachability and distance. As someone deeply invested in and inspired by other artists in various fields, my current project has led to photographing creatives whose work often takes precedence over their own being. This project has culminated in my exploration of dancers, who, by the very nature of their field, are usually looked upon solely for the dexterity of their bodies and the ways in which those bodies can perform. My work pares them back, peeling away the performative qualities that usually define them, to arrive at that moment of vulnerability where they are free to be themselves in a new limelight. Exclusive Interview with Tatiana Wills
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Latest Interviews

Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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