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Stéphane Garnavault
Stéphane Garnavault
Stéphane Garnavault

Stéphane Garnavault

Country: France
Birth: 1971

As a graduate of the École Nationale Supérieure des Arts Décoratifs in Paris, I found my passion blossoming through studies in graphic design, painting, drawing, printmaking, silkscreen, and photography.

However, upon receiving my diploma, I suppressed my artist's soul and embarked on a career as a designer. For nearly 25 years, I worked tirelessly, forgetting my initial artistic loves.

Swiftly, I achieved success as a designer, thanks to my keen sensitivity. Yet, this success became a bittersweet gift that drained me. Emotions washed over me so intensely that at times, I felt overly attuned to the world around me.

Five years ago, a book opened my eyes and shook me to the core. It was a revelation. I realised I needed to respond. Gradually, my artist's heart reawakened. I purchased the camera of my student dreams—a Leica.

I started wandering, and it did wonders for my soul. Out in nature, I found my place. The landscapes I traversed became as significant as the landscapes within. I observed the world and delved deep within myself, seeking to translate into images how I perceived my surroundings.

My photographic work reveals my distinct sensitivity and attraction to sleek design. My flower portraits, akin to self-portraits, blend blurriness with interplays of light. My urban landscapes capture the sensations of climate catastrophe, depicted in simplified, even abstract compositions.

Websites

stephgarnavphotos.com

@stephgarnav

 

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More Great Photographers To Discover

Rémi Chapeaublanc
Rémi Chapeaublanc
France
1984
Self-taught photographer, Rémi Chapeaublanc was destined for a scientific career in bioinformatics. He continued to use the Cartesian approach from this training adding a sensitive, people-centred dimension the day he decided to be a photographer. For his series Gods & Beasts (2011), he crossed Europe and Asia reaching Mongolia. Inside the yurt or outside, at nightfall, he produced portraits of Kazakh nomadic herders and their animals without ever resorting to retouching, despite working in digital. For this most recent series The Last Tsaatan, Rémi Chapeaublanc has chosen to portray a nomadic people again: the Tsaatans, sharing their everyday life, happiness and desire to transmit their skills. About Gods & Beasts A solitary voyage through Europe and Asia, led Rémi Chapeaublanc to Mongolia. The discovery of this country, where Man has not yet desecrated Nature, fed his thinking to create the photographic series Gods & Beasts. In these lands, men and animals depend on ancestral ties that are both sacred and necessary. It is an archaic and visceral relationship in which equivocal domination games are put into questioning. Which are the gods, and which are the beasts? Or rather to whom are they the Gods and for whom are they Beasts? Gods & Beasts consists of raw portraits. While there is an ambiguous hierarchy between men and animals, this series - created outside of a studio, in the original environment - overcomes this cultural order. This work of bringing into the light these relationships - in an almost ceremonial manner - places these Gods and Beasts for once on equal footing. The viewer is thus left the sole judge of the boundary between animal and divine. About The Last Tsaatan What will become of the Tsaatan people? In 2011, Rémi Chapeaublanc set off to find the Tsaatan people, nomadic reindeer herders, straddling the border of Northern Mongolia. Amounting to no more than 282 people in the world, this tribe's way of life has been disrupted by the transformation of its ancestral land into a national park. Hunting, passage and woodcutting are now prohibited there; total bans contradict their centuries-old traditions. Since his first encounter, Rémi Chapeaublanc has continued to go back there, sharing their customs and everyday life for several weeks at a time. With this new photo series, he raises concerns about the future of the Tsaatan people, dealing with the tide of modernity in Mongolia, each year distancing them a little further from their traditional way of life. If the tribe accepts and even laughs at technological progress, it flatly rejects urban life, and opinion is divided regarding tourism. Their life in the Taiga represented absolute freedom. Now it is complex and in particular threatened. Both humane and engaged, this series of photographs is nevertheless graphic with a particularly aesthetical and simple approach. This medium format work, produced traditionally with black and white film and then digitally enhanced, demonstrates the artist's desire to adapt their anachronistic way of life. Rémi Chapeaublanc, who befriended a number of them, now takes the public to task asking: what will be left of the Tsaatan people?
Yasuhiro Ishimoto
Yasuhiro Ishimoto
Japan/United States
1921 | † 2012
Yasuhiro Ishimoto was a well-known Japanese-American photographer known for his distinct style and contributions to the field of modernist photography. Ishimoto was born in San Francisco on June 14, 1921, and spent his childhood in Japan before returning to the United States in 1939 to further his education. Ishimoto enrolled at the Chicago Institute of Design in the early 1940s, where he studied under influential photographers such as Harry Callahan and Aaron Siskind. During this time, Ishimoto developed his signature style, which is distinguished by dynamic compositions, bold geometric forms, and a keen sense of light and shadow. In both Japan and the United States, Ishimoto's work frequently focused on architecture. He photographed the interplay of lines, shapes, and textures to investigate the relationship between humans and their built environment. His images of famous architectural landmarks, such as the Katsura Imperial Villa in Kyoto, demonstrated his ability to infuse tranquillity and contemplation into his photographs. Ishimoto documented street scenes and everyday life in both Japan and America, in addition to architectural photography. He had an uncanny ability to capture candid moments and the essence of the people he met, providing a glimpse into the cultural and social fabric of the time. Ishimoto received numerous awards and accolades for his work throughout his career. His photographs have been shown all over the world, and he has written several books, including Katsura: Picturing Modernism in Japanese Architecture and Chicago, Chicago. Ishimoto's work helped to bridge the gap between Eastern and Western photographic traditions. Yasuhiro Ishimoto died on February 6, 2012, but his photographs will live on. His artistic vision and technical mastery continue to inspire photographers all over the world, and he has left a body of work that reflects his commitment to capturing the beauty and essence of the world around us.
Kinga Owczennikow
Kinga Owczennikow
Poland
1982
A native of Poland, Kinga Owczennikow is an art photographer who considers her practice as a collaboration with the world. Kinga spent most of her adult life in metropolises like Hong Kong, London, Ho Chi Minh City or lesser known places such as Tirana or Paro, in the Himalayas. Having the outsider/insider point of view has been especially valuable to her photographic practice throughout the years. This constant geographical movement permitted her to retain the innocence of curious and attentive eyesight, at the same time gradually building an extensive experience of the wider world. Kinga is currently based in the Bay Area, in California. Kinga first studied photographic theory and practice at the Warsaw School of Photography. She holds a BA (Hons) in Photography from the University for the Creative Arts in the UK. Kinga is an Associate of the Royal Photographic Society, a member of the Center of Photographic Art and the Griffin Museum of Photography. She is also a part of RPS’s Women in Photography group. Kinga had a solo exhibition “The secret paths of Hong Kong” at the Asia and Pacific Museum in Warsaw, in 2011. She was a finalist of the Mediterranean Spirit at the PhotoMed Awards, 2016, and a finalist in the Association of Photographers Student Awards 2019, in the category Places (single photo) and the AOP Student Awards 2020 in the category Things (series). Her photographic work has been exhibited in group shows in the UK, Hungary, France, Spain, Italy, Netherlands, Greece and the United States. 30 of her photographs, including the cover image were featured in Tom LeClair’s novel “Passing Again”, published by I-BeaM Books (2022). Most recently, two of her photographs were selected as part of the 2023 International Juried Exhibition held at the historic CPA in Carmel-by-the-Sea. Framing the World All photographs frame the world. “Framing The World” presents photographs with internal frames, how they sharpen focus on the world and refine viewers’ understanding of viewing - of both the world and photographs. Frames within the photograph’s frame suggest that the photograph self-consciously occupies art space - close viewing space - and these frames invite analysis, interpretation, and appreciation. Internal frames can attract and resist, reveal or deceive, imply their own limitations. Even imply viewers’ limitations, the cognitive frames through which they process the world. by Tom LeClair
Nicolas Thomas Moreno
Nicolas Thomas Moreno
France
1986
Born in 1986 in Suresnes, I moved all over France during my youth as I followed my father's professional transfers. Middle School in Languedoc, part of High School in Jura and the rest in Besancon. Back in Paris in 2010 after being accepted at the Icart School of Photography (in Levallois Perret), I obtained my diploma in 2013, finishing second with my series "Architectura". Since then, I had several internships with architectural photographers and I keep assisting others while still working on my personal projects. I started working on "Topography of Remembrance" a year ago and it allowed me to travel to more than 60 different locations from which I kept 152 images. I'm now working on a project called Brutalism.
Jonathan Banks
Jonathan Banks
United Kingdom
1971
Jonathan Banks is an award-winning photographer with over 20 years' experience in commercial and media photography. Jonathan Banks studied under the prolific artist John Blakemore, and graduated from the University of Derby with a BA honours in Photographic Studies. He cut his teeth in editorial photography freelancing for The Daily Telegraph and various agencies. His work has appeared in international magazines and books. Jonathan has exhibited several bodies of work as a solo artist, as well as in conjunction with other photographers in the UK and abroad. These have ranged from – personal projects to editorial assignments and photographs supporting various charities. Jonathan has always worked with NGOs both in the U.K. and abroad. He is a British Red Cross volunteer and has exhibited work in support of International Alert. Jonathan currently works with a stable of blue chip clients, NGOs and architects providing a range of photographic and film services. Jonathan lives in Kent with his wife and two sons. Statement I have photographed in over 50 different countries, documenting subjects as diverse as mask dancing festivals in Burkina Faso, the effects of the Chernobyl disaster in the Ukraine and the aftermath of 9/11 in New York. My international experience includes working in security impaired areas, where my communication skills and sensitivity allow me to capture subjects in the most challenging situations. Combined with my creativity and technical knowhow, this enables me to deliver award-winning images. I am passionate about my work and embrace the challenges of collaborating with global corporations, magazines and NGOs alike. Every assignment is different, and, as such, is approached uniquely. I am always on the lookout for new creative partnerships.
Kantaya New
Kantaya New
Singapore
Kantaya New is a Thai–Singaporean photo artist based in Singapore. Her works span conceptual and street photography. Her street photography work focuses on overlooked, serendipitous moments in daily life, while her conceptual work uses staged scenes and objects to invite reflection. She is currently working on A Modern Day Affair among other work. Notable awards and recognition include SONY Alpha: MX Street Photo Contest (1st Prize, 2025), LensCulture Critics’ Choice (Winner, 2023), Fujifilm Moment Street Photo Awards (2nd Prize, 2024), Women Street Photographers Artist Residency (Shortlist, 2025) and the Sony World Photography Awards (Shortlist, 2022 — Open Competition and Alpha Female Awards). Media features include LENSCRATCH (2025). A Modern Day Affair (2023–ongoing) This series began at home: my husband was with me, but always on his phone. I felt the screen had stolen my place. That feeling began A Modern Day Affair. The work looks at how the phone reshapes our relationship. Many images are self- portraits; others focus on small details—a cracked screen protector on a cake, or notes on a door. Some are drawn from real moments; others are imagined, but the emotions are real. In a surreal and staged style, the photographs mix a myriad of emotions such as humor, sadness, and anger to show how two people drift apart even when sitting side by side. I am not blaming phones; rather, I am asking how often we choose screens over connection without noticing. The Little Prince (2021–ongoing) This series started out as a chance meeting between me, the mural artist Yip Yew Chong, and a little boy named Akkun. I trace crossings—between being and performance, between child and character, between the art of one person and the dream of another. These photographs are fleeting windows into how a child moves through imagination—how play becomes reality, and how the ordinary becomes unforgettable. It is both play and portrait, and I document how a child steps into the art of another person and makes it his own. ARTICLE: Uncovering the hidden gems in Life through the lens of Photography
Mona Singh
Mona Singh
India
Gurgaon, (India) based street/ travel photographer. Capturing emotions is one of the key ingredients in Mona Singh’s work. She firmly believes in making photographs that she resonates with. Even though it is the emotions of her subjects that she is documenting, she finds a reflection of herself in them. Her love for the unexpected and candid moments gives her the ability to find visual order within the chaos of the world and an unparalleled creative vision. She loves to creatively capture the weird and wonderful fleeting moments as they unfold in front of her eyes. She beautifully fuses emotions and art to tell stories through her pictures. Photography for her has been a life-transforming experience. Photography is the love of her life and traveling is like blood in her veins. She loves waking up to new horizons, making new friends and exploring the world. Silent Colors: "Who doesn't like colors? Well, we all do... but these women are considered a curse and have lost the joy and privilege of having colors in their lives. These are the widows of Vrindavan, the abandoned and forgotten souls in one of the holiest cities of India. Thousands of them have made this city their home and the place is known as 'The city of widows'. Sitting cross-legged in a dingy room with a noisy fan, plaster peeling off the walls, watching her favorite Bengali serial on an old T.V. set, Purba (name changed) greeted me by saying 'Radhe Radhe', the only popular way to greet in Vrindavan. She left her family in Bengal and came to the Widows Ashram in Vrindavan after her husband’s death. Many others like her in the room have either been abandoned by their families or have decided to stay away from the societal pressures and people ostracizing them. Breaking the age-old rigid Indian tradition, these widows celebrate Holi, the vibrant festival of colors at the ancient Gopinath temple. Soaked in colors, they throw rose and marigold flower petals at each other and dance with joy. It is a blissful experience for all. It is mesmerizing to see such a sight. Their white saris turn bright and colorful. It is like getting revived in the most tender way."
Benjamin De Diesbach
Benjamin De Diesbach
France/Switzerland
1967
Franco-swiss, Benjamin de Diesbach was born in 1967 in Paris. He studied history and political sience. History remains a stong passion for him. As a photographer he started to work in the nineties for the record industry. At the same time, He worked on a series of photographs called "barocco portraits" ("protraits baroques"). These series were inspired by the painting of the fifteen century. Precise in his composition, Benjamin seeks to dramatize extreme situation and extract their inherent beauty. While trying to reflect the tensions felt at the time of the shot, he freezes, like a painter, the instant. Last year, Benjamin was honored by the american magazine Graphis "platinum winner".His works were published by several magazines in France, switzerland and Sweeden. Benjamin de Diesbach photography is described as "Neo classic".
Martín Chambi
Martín Chambi
Peru
1891 | † 1973
Martín Chambi Jiménez was a Peruvian photographer, originally from southern Peru. He was one of the first major Indigenous Latin American photographers. Recognized for the profound historic and ethnic documentary value of his photographs, he was a prolific portrait photographer in the towns and countryside of the Peruvian Andes. As well as being the leading portrait photographer in Cuzco, Chambi made many landscape photographs, which he sold mainly in the form of postcards, a format he pioneered in Peru. In 1979, New York's Museum of Modern Art held a Chambi retrospective, which later traveled to various locations and inspired other international expositions of his work. Martín Chambi was born into a Quechua-speaking peasant family in one of the poorest regions of Peru, at the end of the nineteenth century. When his father went to work in a Carabaya Province gold mine on a small tributary of the River Inambari, Martin went along. There he had his first contact with photography, learning the rudiments from the photographer of the Santo Domingo Mine near Coaza (owned by the Inca Mining Company of Bradford, Pa). This chance encounter planted the spark that made him seek to support himself as a professional photographer. With that idea in mind, he headed in 1908 to the city of Arequipa, where photography was more developed and where there were established photographers who had taken the time to develop individual photographic styles and impeccable technique. Chambi initially served as an apprentice in the studio of Max T. Vargas, but after nine years set up his own studio in Sicuani in 1917, publishing his first postcards in November of that year. In 1923 he moved to Cuzco and opened a studio there, photographing both society figures and his Indigenous compatriots. During his career, Chambi also traveled the Andes extensively, photographing landscapes, Inca ruins, and local people. Chambi began his work as a photographer as an apprentice to Max T. Vargas in Arequipa, Peru. During this time as an apprentice, Chambi learned different ways of manipulating light for portraits in the studio. His daughter, Julia Chambi, is quoted as saying, "my father was enchanted by light." His studio in Cuzco included a set of blinds and shutters made specifically so that he could alter the natural lighting to best suit his photographs. Furthermore, most of Chambi's photos of Indigenous people were taken outside so that he could use only natural lighting. Chambi produced a variety of works over his career as a photographer. Within the studio, he took many portraits of both wealthy and elite members of society, as well as the Indigenous people; he also took many self-portraits. Chambi is well-known for his work in documenting the Indigenous culture, including Machu-Picchu and other ruins. In a magazine interview in 1936, he is quoted saying "in my archive I have more than two hundred photographs of diverse aspects of the Quechua culture." He took pictures of ruins and architecture, but also tried to capture the events of everyday life. With regard to Chambi's diverse work, Jorge Heredia once said, "He has been the photographer of whites who seek after his images, but also of Indians and Mestizos." In addition to taking photographs for individual commissions or for his own personal interests, Chambi also used his photographs in other publications. One such publication was the use of his photographs in postcards. The other main use for his photographs was in a weekly Argentine newspaper called La Nación ("The Nation") where he contributed photographs of artists, writers, and any other assignments he was commissioned to do. Chambi traveled to Chile to exhibit some of his artworks and used his artistic skills to allow the audience to understand how the photographer prioritized the Indigenous outcome that relates to the Peruvians and the Chileans. There were some arguments that the two countries disagreed with each other when involving the differences of race, indigeneity, and civilization. The photographer managed to redevelop the process through his artwork, letting the viewers and art critics to understand these types of political issues that concern the Chileans and the Peruvians. The Peruvians were able to accept Indigenous people from various countries, but the Chileans did not accept them because of the 'pacification' campaigns of the late 19th century. The Mapuche leaders discuss educational benefits; however, they were dealing with some problems with governmental authorities that involves Chile and Peru. Chambi was determined to debunk racial stereotypes, but often up reinforcing them. El Sol, La Nacion, and other news critics prioritize the photographer's artwork because it would enable them to discuss national boundaries and open up ideological debate. Eighty-eight images by Peruvian photographer Martin Chambi have been added to the archives of the famous Instituto Moreira Salles (IMS) in Brazil. It gives the public an opportunity to discover one of the first major, indigenous Latin American photographers. Face Andina features nearly 90 photographs and 23 postcards of studio portraits and the urban and rural landscapes of Cuzco, Arequipa and Puno.Source: Wikipedia
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Latest Interviews

Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
Interview
Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
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Exclusive Interview with Frank Meo
Interview
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
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Exclusive Interview with Carolyn Moore
Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Matthew Finley
Interview
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
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Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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