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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
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Giuliano Ottaviani
Giuliano Ottaviani
Giuliano Ottaviani

Giuliano Ottaviani

Country: Italy

Born and raised in Rome, Giuliano is a Lifestyle photographer living and working in Paris, mostly active in the hospitality Industry. When he’s not shooting something for himself or his clients, you will probably find him strolling inside a forest, enjoying adventurous plots in a Movie Theatre with his wife, getting his hands dirty (in the kitchen) or taking care of his beloved Bonsais.

At the moment, he is working on two main subjects: a photographic mapping of primary rainforests, which he started in 2017 during a discovery trip to the island of Haida Gwaii in British Columbia, and a photographic series illustrating several arts and crafts.
 

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Fabian Muir
Australia
Fabian Muir is an award-winning Australian photographer based in Sydney. The principal motivation behind his projects and practice is visual storytelling with a focus on humanist issues. He is an Eddie Adams alumnus (USA) and represented by Michael Reid in Sydney and Berlin. He speaks fluent German, French and Spanish, while his Russian sputters with the determination of a Lada on a rather steep incline. His images have featured in major solo and group exhibitions and festivals around the world and have been acquired by numerous significant collections. His fine art series addressing social challenges and injustice confronting refugees, entitled 'Blue Burqa in a Sunburnt Country' (2014) and 'Urban Burqa' (2017), as well as his two-year survey of daily life in the DPRK (North Korea) have attracted global press, television and radio coverage. He has also spent years surveying the legacy of the Soviet Union in the aftermath of its disintegration. Outlets include The Guardian / The Atlantic / VICE / BBC World TV / CNN International TV / LensCulture / SPIEGEL / Frankfurter Allgemeine Zeitung / BBC Asian Network / BBC Digital / FotoEvidence / PDN / Vogue Entertaining + Travel / Sueddeutsche Zeitung / Channel 9 Australia / BuzzFeed / World Photography Organisation Blog / Leica Magazine / Vision (China) / ZEISS Lenspire / France Culture (Radio France) / Photographic Museum of Humanity (PHmuseum) / Marie Claire / CNU (China) / El Observador (Portugal) / The Sydney Morning Herald / Fotoblogia (Poland) / LIFO / Bird in Flight / FAHRENHEITº Magazine / MindFood Magazine / Ampersand Magazine / Studio Magazine / Bios Monthly (Taiwan) / La Repubblica / Lenta.ru / The Age / Black + White Magazine / Konbini / Capture Magazine / Photojournalink / Expert-Russkiy Reporter / Street Photography Magazine / Feature Shoot / Gulf News (UAE) / The National (UAE) / PhotogrVphy Magazine / Musée Magazine New York / Forbes Magazine / London Telegraph / Lenscratch / Aesthetica Magazine / Portrait of Humanity book published by Hoxton Mini Press, London / The Independent / London Times / Huck Magazine / British Journal of Photography
Stephan Vanfleteren
Stephan Vanfleteren studied photography at Lucas Institute in Brussels (1988-1992). From 1993 to 2009, he worked as a free-lance photographer for the Belgian Journal De Morgen and always worked and invested in his own personal projects. Actually, Stephan works for museums, he's publishing his portraits in foreign journals and several foreign magazines. He's cofounder of Hannibal Publishing and Cannibal Publishing. Stephan Vanfleteren is art-director for the two publishing houses. PRICES 1996 - World Press Photo Award - Sports, third prize stories - Boxing in Cuba 1997 - World Press Photo Award - Daily Life, first prize stories - Aids, Kenia 1998 - European Fuji Awards 2000 - World Press Photo Award - Arts and Entertainment, third prize stories, Elvis & Presley 2001 - World Press Photo Award - Children's Award, prize singles - Afghanistan 2001 - European Fuji Award 2007 - Nikon Press Photo Award 2009 - Louis Paul Boon award - Belgium 2010 - Lead Awards: 'Portätfotografie des Jahres', Germany 2011 - Henri Nannen Price, Germany - Tomi Ungerer 2012 - Vijfjaarlijkse Cultuurprijs voor de Provincie West-Vlaanderen 2012 - National Portrait price of the Netherlands - Rem Koolhaas, Dutch architect 2013 - World Press Photo Award - Staged Portraits, first prize stories, People of Mercy 2019 - Henri Nannen Price, Germany - Angels of the Sea - Mare Publication. BOOKS 1999 - Elvis&Presley, with photographer Robert Huber (Switserland) 2000 - Buren, with Mark Power & Eva Leitolf 2003 - Tales from a Globalizing World 2005 - Flandrien - Cannibal Publishing 2007 - Belgicum - Hannibal Publishing 2009 - Portret 1989-2009 - Lannoo 2012 - En avant, marche! - Hannibal Publishing 2013 - Façades & Vitrines (Limited edition 666 exp) - Hannibal Publishing 2014 - MMXIV - De Red Devils - Cannibal Publishing 2014 - Atlantic Wall - Hannibal Publishing 2015 - Charleroi, il est clair que le gris est noir - Hannibal Publishing 2018 - SURF TRIBE - Hannibal Publishing 2019 - PRESENT - Hannibal Publishing 2019 - ONUITGESPROKEN - Hannibal Publishing About PRESENT Stephan Vanfleteren is mainly known to the general public for his penetrating black & white portrait photography, but over the past decades his work has ranged to documentary, artistic and personal pictures. From street photography in world cities like New York to the genocide of Ruanda, from storefront façades to the mystical landscapes of the Atlantic wall, from still lifes to intense portraits. The iconic images sit side by side with unknown treasures in this heavy tome containing no less than 505 photographs. In the very personal accompanying text, Vanfleteren reflects on how his own work and the photography genre as a whole have evolved in recent decades. You get a close-up look at his intriguing career from the very beginning, when he travelled the world with an appetite for action. He also photographed his home country: all of the headline news stories of the 1990s appeared before his lens. Around the Millennium, Vanfleteren started to focus on that which is disappearing. With painstaking attention to nuance he created a visual archive of his homeland and of his fellow Belgians, in his own inimitable style. In the last few years Vanfleteren has brought the world inside, to his daylight studio, resulting in many encounters and portraits. This book includes two new series – not previously published – which were born in the intimacy of his studio: an exploration of the still life and a study of nude photography, both in colour. Present is an impressive overview of Vanfleteren's oeuvre that provides a complete picture of him as a photographer, an artist, and above all a human being who faces life with empathy, wonder, and curiosity. More about PRESENT
Sajedeh Zarei
I am an Iranian documentary photographer based in Shiraz, Iran. I was born in 1983 and have a MSc degree in Geology. Being a photographer has been my lifelong goal so I started photography since March 2018 and I left my job as an associate research director to focus all my attention on visual storytelling. As part of my career, I have performed some researches in water management and climate change. That is why my photography projects focus on environmental issues and their social impacts. In addition, cultural and social themes attract my curiosity. My aim is to photograph people and create stories that witness the multiplicity of human experience. The Longest Paths Begin With A Step Patrilineal is one of the important indicators of male superiority over women that is observed in all patriarchal societies such as Iran. The patriarchy considers the continuation of the generation through men. This project is about a rural mother who has been trying to change this belief and tradition since her pregnancy and provide an environment free of discrimination between her six-year-old daughter and her son. Although maintaining this balance in the village is difficult due to group life, but the mother's efforts have been so successful that the girl's relationship with her brother is sincere and away from jealousy. This project has started since the mother's pregnancy, about 17 months ago, and is a continuation of the project that started about 2 years ago in one of the remote villages of Fars province in southwestern Iran. This project is still ongoing. Under the Roof of the Davar
Laura Pannack
United Kingdom
1985
Laura Pannack is a London-based, award-winning photographer. Renowned for her recognizable portraiture and social documentary artwork, she often seeks to explore the complex relationship between subject and photographer. Her work heavily focuses on the youth. She was educated at the University of Brighton, Central Saint Martins College of Art and LCP. Pannack's work has been extensively exhibited throughout the UK and abroad, including at The National Portrait Gallery, Somerset House, the Royal Festival Hall and the Houses of Parliament. Driven by research-led, self-initiated projects, Pannack seeks to fully understand the lives of those she captures on film in order to portray them as truthfully as possible. Perceiving “time, trust and understanding” to be the key elements to achieving this, many of her projects develop over several years, helping her achieve a genuine connection between herself and her sitter and allowing her to capture the intimacy, shared ideas and shared experiences of this relationship. Pannack chooses to shoot with analogue film on her personal projects. By using traditional methods of working from negatives, as well as shooting with Polaroid, she finds beauty in the mistakes that come from working with unpredictable material. Her artwork has received much acclaim and won numerous awards, among which are the John Kobal Award , Vic Odden prize,World Photo Press Awards and the HSBC Prix de la Photographie prize In addition to her own practice, Pannack lectures, critiques and teaches at universities, workshops and festivals around the world, and in 2015, judged the portrait category in World Photo Press Awards in Amsterdam. Pannack has also been widely published, both commercially and as a photographic artist, with work appearing in The British Journal of Photography, Hotshoe International, TIME, The Guardian Weekend, The Telegraph, The Sunday Times, Creative Review. Her monograph 'Against the dying of the light' was published by Acts de Suds in 2016 and YOUTH Vol 1 was released in 2018 by Polite company
Anna Atkins
United Kingdom
1799 | † 1871
Anna Atkins (1799-1871) was an English botanist and photographer best known for her early work in photography. She is widely regarded as the first female photographer and one of the art form's pioneers. Anna Atkins was born on March 16, 1799, in Tonbridge, Kent, England, into a family with a strong interest in science and botany. Her father, John George Children, was a well-known chemist and mineralogist, which may have influenced her early interest in science. Anna was educated in science, art, and natural history, which was unusual for a woman of her time. She developed a particular interest in botany and was well-versed in plant classification and study. Anna Atkins worked with her father's close friend, Sir John Herschel, an astronomer and mathematician who had also made significant contributions to the early development of photography, in 1841. She adopted the cyanotype process, an early photographic technique that produces blue-toned images, after being inspired by Herschel's work. Botanical specimens, such as ferns and seaweeds, were placed on light-sensitized paper and then exposed to sunlight as part of the cyanotype process. The areas that were not covered by the specimens turned blue, while the areas that were covered by the plants remained white. Anna Atkins used this technique to create a series of stunning and scientifically accurate photograms. In October 1843, Anna released her most famous work, "Photographs of British Algae: Cyanotype Impressions." This three-volume collaboration with Anne Dixon featured over 400 cyanotype images of various algae species found along the British coast. It was the first book to be entirely illustrated with photographs. Only a few copies of the book are known to exist today, as each copy was hand-assembled. Anna Atkins' work was not only artistic; it was also scientifically significant. The cyanotype images were a valuable resource for botanical documentation and classification, as well as an early example of photographic scientific illustration. Despite her contributions to photography and botany, Anna Atkins received little recognition during her lifetime. Photography was still a new medium at the time, and her work was relatively unknown until recently. Anna Atkins died on June 9, 1871, in Halstead, Kent, leaving behind a legacy as a pioneering female photographer and a prominent figure in photography and botany history. Her innovative use of the cyanotype process, as well as her dedication to scientific documentation through photography, are still admired and recognized by the art and science communities.
Byung-Hun Min
South Korea
1955
Byung-hun Min was born in Seoul, South Korea, in 1955. Min started out as a musician and vocalist, then a student of electronic engineering, before finally discovering photography. He turned to study photography in his late 20’s at the Soon-tae Hong studio, from where he has pursued a successful career in photography. He has been awarded the Dong-A International Photography Salon’s silver medal (1984). Min's work has been widely exhibited and collected by institutions including the Los Angeles County Museum of Art; Brookings Institution, Washington, DC; Centre National des Arts Plastiques, Paris; Seoul Art Center; and National Museum of Contemporary Art, Gwachon, Korea. Min's work was included in the Museum of Contemporary Photography exhibition Alienation and Assimilation: Contemporary Images and Installations from The Republic of Korea, presented April 4 through May 30, 1998. Byung-hun Min takes inspiration from the Korean landscape and culture; his photographs embody a blend of beauty, intricacy, and metaphor. Min's photographs of grasses were taken on repeated visits to the same site where weeds have grown up against vinyl greenhouses and dried to their surfaces. In these austere works, Min captures patterns that masterfully rephrase a delicacy and sensitivity to nature inherited from traditional Korean art.Source: Miyako Yoshinaga Min’s black-and-white photography often represents nature and the environment; and his pictures aim to capture the essence of the Korean landscape. His photographs also draw references to traditional Korean and East Asian art and culture, with a resemblance to ink scroll paintings, floral themes, and a focus on simplicity and minimalist compositions. His pictures are often attributed to being able to capture the delicacy and silence of nature. Min’s photographs also require effort on the part of the viewer. The subject of his pictures may be obscured, like the canvas of a greenhouse in his Weeds series, or obscured by light, like in the Snowland series. The subject may be in the distance beyond a fog-like veil, forcing the viewer to focus his attention persistently in order to have the subject of the picture revealed, as in the Trees and Flowers series. Min's poised and gentle approach to photography has granted him with a distinct, naturalistic style. Source: Peter Fetterman Gallery
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