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Phil Penman
Phil Penman
Phil Penman

Phil Penman

Country: United Kingdom/United States

The British-born, New York-based photographer Phil Penman has documented the ever-changing scene of New York City’s streets for more than 25 years. In his career as a news and magazine photographer, with a large body of work in such publications as The Guardian, The Independent, The New York Review of Books, among others, he has photographed major public figures and historical events. In particular, his reportage following the September 11, 2001 terrorist attack on the World Trade Center has featured on NBC’s Today show, as well as on the BBC, History Channel, and Al Jazeera, and his images have been included in the 9/11 Memorial and Museum’s archives.

His work covering the pandemic lockdown in New York City has been acquired by the U.S. Library of Congress, whose collection holds work by such great Depression-era documentarians as Walker Evans and Dorothea Lange. Besides showing at Leica galleries in New York, Washington, D.C., Boston, and London, Penman’s signature street photography has appeared in international exhibitions as far afield as Venice, Berlin, and Sydney.

He also tours the world teaching workshops on photography for Leica Akademie. He was recently named among the “52 Most Influential Street Photographers,” alongside such legends as Henri Cartier-Bresson, Sebastião Salgado, Diane Arbus, and Garry Winogrand. Penman’s first book, Street, published in 2019, became a best-seller and was featured at the Museum of Modern Art in New York.

New York Street Diaries
Phil Penman shows the big city on the east coast of the USA from a side that is rarely seen, calm and tranquil. The pictures were taken partly during the great snowstorm and partly during the Corona Lockdown and are thus contemporary witnesses of the pandemic restrictions that completely turned our previously-known world upside down. Born in Great Britain (Poole, Dorset), he has been photographing the streets of New York for well over two decades. He is known, among other things, for his photographs of famous personalities such as Michael Jackson, Madonna, Jennifer Lopez or Bill Gates. When the biggest tragedy in New York's history shook the city on 11 September 2001, Phil Penman was on the spot and created unique footage of the events with his camera.

Penman knows how to capture the city in its most sensitive moments in an impressive way. He catches intimate moments in his black-and-white photographs and shows the people and streets of New York City far away from the hustle and bustle. The city life of the metropolis is presented so closely that some pictures inevitably evoke a smile in the viewer. Penman literally catapults his viewer into the scene with a refreshing directness and the feeling of really being present.
New York Street Diaries
 

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More Great Photographers To Discover

Evelyn Bencicova
Slovakia
1992
Evelyn Bencicova is a visual creative specialising in photography and art direction. Informed by her background in fine art and new media studies (University for Applied Arts, Vienna), Evelyn's practice combines her interest in contemporary culture with academic research to create a unique aesthetic space in which the conceptual meets the visual. Evelyn's work is never quite what first appears to be. Her photographs depict meticulously-controlled compositions characterised by an aesthetic sterility, tinged with poetic undertones of timeless desire and longing. Evelyn constructs compelling narrative scenarios that blur the lines between reality, memory and imagination — "fictions based on truth". Depicting multifaceted representations as illusions, Evelyn plays with the viewer's perception to entice them into the secret labyrinth of her imagination. Her disturbingly beautiful visual language and washed-out colour palette, set within curiously symbolic environments, allow for a deep exploration of the themes that take her images far beyond what they reveal at first glance. Evelyn's client repertoire includes fashion and luxury brands such as Gucci, Cartier and Nehera, as well as cultural institutions such as Frieze, Berghain, Kunsthalle Basel, Royal Opera House, Slovak National Theatre and Ballet and Museums Quartier Vienna. In 2018, Bencicova was invited to create visuals for the Institute of Molecular Biology in Austria, and to perform at the closing ceremony for Atonal Berlin. Evelyn's commercial and artistic projects have been featured in the likes of Vogue Portugal, Vogue Czechoslovakia, ZEIT Magazine, ELLE, Dazed & Confused, GUP, HANT and Metal Magazine. Her work has been published in prestigious international photography books and on several online platforms (Juxtapoz, iGNANT.com, Fubiz media) and she has participated in solo and group exhibitions across Stockholm, London, Tokyo, Paris, Berlin, Vienna, Milan, Amsterdam, Brussels, Prague and Rome to mention few. In 2016, Bencicova received the prestigious Hasselblad Masters and Broncolor GenNext awards. She was shortlisted and awarded by Taylor Wessing Photographic Portrait Prize, LensCulture, Independent Photographer, Gomma Grant, Life Framer, Photo IS:RAEL, Young Guns 17, Tokyo International Photo Award and Photo Vogue and OFF Festival. Her fashion film "Asymptote" (2016), co-created with Adam Csoka Keller, received the "Best New Fashion Film" award at the Fashion Film Festival Milano 2017, and was featured at SHOWstudio Fashion Film Awards, the Austrian American Short Film Festival and at Diane Pernet's A Shaded View on Fashion. Evelyn was selected as one of 30 under 30 Female photographers by Artpil.
Peter Nitsch
Peter Nitsch was part of the late eighties of the German Skater scene. He studied communication design in Munich and graduated as a designer from the University of Munich, Department of Design (specializing in motion design). As an on-air designer, he worked for clients such as Universal Studios, ProSieben, 13th Street, SciFi Channel, and the United Nations. He then began to concentrate on corporate design and photography. Nitsch has won several international awards both as a designer (New York Festival, BDA) and photographer (Los Angeles International Photography Award, Hasselblad Masters semifinalist). He is co-founder of 'Playboard Magazine', 'RUPA' and the former culture blog 'get addicted to'. In 2020 Nitsch became a lifetime member of The Royal Photographic Society of Thailand. Tango in the Big Mango For me, my photography has always been related to people, stories, and life's journey. Tango In The Big Mango is an attempt in observing moments of people in dialogue with life. The series explores Bangkok as a city in which the coexistence of different cultures and people from different countries, despite their peculiarities, have found a way to live together. Tango in the Big Mango photo book is a mixture of documentary/street and conceptual images. The series consists of four parts: documentary/street photography, and conceptual themes of greed, growth, and angst. Tango in the Big Mango captures the intensity of urban life and barrage of consumption, culture, and eccentricity in Bangkok. More about Tango in the Big Mango photo book
Micaela Mau
Germany/Italy
1986
Micaela Mau is a German-Italian artist. She has studied visual communication at the Istituto Europeo di Design in Rome and at the School of Visual Arts in New York as well as Foreign Languages and Literature at the Università degli Studi Roma Tre. While studying and working abroad in Tokyo, Frankfurt, and London she developed an interest in photography, fascinated by the ambiguous relationship between photographic image and reality. She currently lives and works in Florence, Italy. Statement "To me photography is not only a tool to capture fleeting impressions in time and share what caught my attention, but also, and above all, a means of interpreting and reinterpreting reality. My photographic work comprises abstract images that put the bond between photographic reproduction and its referent to the test, often making the original subject almost indistinguishable. Alongside these works I develop more realistic projects concerning our perception of the world and how it is conveyed through photography. Lately I have started to work with analog media, reflecting on the materiality of photographs and negatives, rather than considering them mere image supports. My work is founded on the belief that there is no such thing as an objective photograph. Photography cannot depict reality accurately since the human element – intrinsically fallible and predisposed to subjective perception – pervades all stages of photographic development. Furthermore, the laws of physics, optics and chemistry, pose technical limitations, constraining the medium’s ability to accurately record reality. Last but not least, there’s chance, an unpredictable force capable of influencing the best planned outcomes. Photography, therefore, cannot but be a medium of subjective expression. For this reason I try to embrace the limitations at hand and to make them an integral part of my work." -- Micaela Mau
Abelardo Morell
Abelardo (Abe) Morell (born 1948 in Havana, Cuba) is a Boston-based photographer. Morell and his family fled Cuba in 1962, moving to New York City. Morell earned a Bachelor of Arts from Bowdoin College in 1977, and a Master of Fine Arts from Yale University School of Art in 1981. He received an honorary Doctor of Fine Arts degree from Bowdoin in 1997. Morell is well known in the photographic community for creating camera obscura images in various places around the world and photographing these. Morell was awarded the Cintas Foundation fellowship in 1992 and the John Simon Guggenheim Memorial Foundation Fellowship in 1993. Morell is currently a professor of photography at the Massachusetts College of Art. He is represented by Bonni Benrubi Gallery, NYC. A documentary on elements of Morell's life and work, Shadow of the House, was released in 2007. Source: Wikipedia He has received a num­ber of awards and grants, which include a Cin­tas grant in 1992 a Guggen­heim fel­low­ship in 1994 a Rap­pa­port Prize in 2006 and an Alturas Foun­da­tion grant in 2009 to pho­to­graph the land­scape of West Texas. He was the recip­i­ent of the International Center of Photography 2011 Infin­ity award in Art. His work has been col­lected and shown in many gal­leries, insti­tu­tions and muse­ums, includ­ing the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art in New York, the Art Institute of Chicago, the San Francisco Museum of Modern Art, the Hous­ton Museum of Art, the Boston Museum of Fine Arts, the Victoria and Albert Museum and over sev­enty other muse­ums in the United States and abroad. A ret­ro­spec­tive of his work orga­nized jointly by the Art Insti­tute of Chicago, The J. Paul Getty Museum and the High Museum in Atlanta will be on view start­ing in the sum­mer of 2013. His pub­li­ca­tions include a pho­to­graphic illus­tra­tion of Alice’s Adven­tures in Won­der­land (1998) by Dut­ton Children’s Books, A Cam­era in a Room (1995) by Smith­son­ian Press, A Book of Books (2002) and Cam­era Obscura (2004) by Bulfinch Press and Abelardo Morell (2005), pub­lished by Phaidon Press. Recent pub­li­ca­tions include a lim­ited edi­tion book by the Museum of Mod­ern Art in New York of his Cliché Verre images with a text by Oliver Sacks. He lives with his wife, Lisa McE­laney, a film­maker, and his chil­dren Brady and Laura in Brook­line, Massachusetts. Film­maker Allie Humenuk has made a film enti­tled Shadow of the House, an in-depth doc­u­men­tary about Morell’s work and expe­ri­ence as an artist. Source: www.abelardomorell.net
Jean-Christophe Béchet
Born in 1964 in Marseille, Jean-Christophe Béchet lives and works in Paris since 1990. Mixing B&W and color, silver and digital prints, 24x36 and medium format, polaroids and photographic 'accidents', Jean-Christophe Béchet seeks the "right tool" for each project, the one that will allow him to obtain a meaningful dialogue between an interpretation of reality and the photographic material. Inheritor of "street photography", whether it be American, French or Japanese, he likes to refer to his photographs as INHABITED LANDSCAPES. His glance on the world is constructed book by book, the area provided by the printed page being his "natural" field of expression. His photographs belong to several private and public collections and they have been showcased in more than sixty exhibitions since 1999, including at the Rencontres d'Arles in 2006 ("Urban Policies" series) and in 2012 ("Accidents" series) and the 'Mois de la Photo' (Month of Photography) in Paris, in 2006, 2008 and 2017. He is also the author of more than 20 books. FRENCHTOWN Project created for the Festival L'Oeil Urbain at Corbeil Essonnes Wedged between several highways and the National Road 7, the City of Corbeil-Essonnes is located 40 km south of Paris. It is the last city in the Paris' belt. As soon as you cross its limits, you are in the middle of nature. Too far from Paris to benefit from its proximity, it's neither in the provinces. This "in-between" gives rise to a feeling of strangeness and uneasiness. In this city, I felt I was in a typical and genuine French city and at the same time in a detective film. I had the impression of being a foreign visitor, an investigator, who was exploring a "French Town" to solve a minor incident. My photos are the result of a year of observation. I worked as a visual writer. Far from hot topics and for a long period of time, I captured the small details of everyday life and built an authentic story. Without forgetting that photography never shows reality, or truth, but an idea of reality. And it's already a lot... JCB
Sajedeh Zarei
I am an Iranian documentary photographer based in Shiraz, Iran. I was born in 1983 and have a MSc degree in Geology. Being a photographer has been my lifelong goal so I started photography since March 2018 and I left my job as an associate research director to focus all my attention on visual storytelling. As part of my career, I have performed some researches in water management and climate change. That is why my photography projects focus on environmental issues and their social impacts. In addition, cultural and social themes attract my curiosity. My aim is to photograph people and create stories that witness the multiplicity of human experience. The Longest Paths Begin With A Step Patrilineal is one of the important indicators of male superiority over women that is observed in all patriarchal societies such as Iran. The patriarchy considers the continuation of the generation through men. This project is about a rural mother who has been trying to change this belief and tradition since her pregnancy and provide an environment free of discrimination between her six-year-old daughter and her son. Although maintaining this balance in the village is difficult due to group life, but the mother's efforts have been so successful that the girl's relationship with her brother is sincere and away from jealousy. This project has started since the mother's pregnancy, about 17 months ago, and is a continuation of the project that started about 2 years ago in one of the remote villages of Fars province in southwestern Iran. This project is still ongoing. Under the Roof of the Davar
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