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Derrick Whaley
Derrick Whaley
Derrick Whaley

Derrick Whaley

Country: United States

Born and raised in Baltimore, My passion for Photography started when I was in high school but I took it more seriously in college when I enroll in a digital photography class and it open my eyes to photography even more and haven't looked back since. I purchase my first camera during that time period and later started using my iPod as another camera source to take pictures just because it's easy, convenient, and with the increase of technology with camera usage. There's no limitations on being creative.

Statement:
They say art imitates life, I have a great eye in capturing my surroundings, my photos imitate my surroundings. What I capture in the moment, I bring it to life. The photos I capture are symbolical and metaphorical because they represent the essence of life, Most of what I capture is objects and things because they are just as important as people are when it comes to photographing subjects. There's no limitations on what I don't capture. It's not about where you create your art, it's about the art you create. Create What Can Be Manifest".

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Armineh Johannes
Armineh Johannes
United States/France
I was born in Tehran, Iran and studied in England where I obtained a Journalism Diploma, and later in France, where I obtained a B.A. in History and a B.A in English. I started my photography career in 1986 with my first assigned in the Atlas Mountains in Morocco. My work has been mainly on the Middle East and ex- Soviet Union countries. I started working on various assignments in Armenia since 1989 and continue to do so up to this day. In 1989, a year after the earthquake in Armenia, I went there for the first time. I am Armenian born and raised in Iran. Setting foot on the land of my ancestors for the first time brought great emotion for me. Since that first trip to Armenia and the deep connection I felt with the people and the land, I have continued to make regular trips to all corners of Armenia and Artsakh, depicting the lives of my fellow Armenians. In 1989-1990, I made my first trip to Artsakh (Nagorno-Karabakh) and photographed the first Nagorno-Karabakh conflict; I was one of the few photojournalists who managed to travel to the village of Getashen and the villages of the Shahumyan/Shahoumyan region (northern Artsakh) just before Operation Ring in 1991. I continued to travel across Armenia for decades and my humanitarian photo stories have been widely published in magazines and newspapers around the world, such as Los Angeles Times (USA), Washington Post, Newsweek, Le Monde, Peuples du Monde, Libération, L 'Express, Révolution (France), Photo Reporter, France - USSR, UN Multimedia, Foto Pratica (Italy), l'Autre Journal, Marie Claire (Italy), Pop Eye (Japan), Asahi Graph (Japan), Asahi Magazine ( Japan), AIM (USA), Photography (England), etc. In 1997 I decided to go to Armenia and stay there for one year in order to have a more profound understanding of their lifestyle and customs. That period was one of the most enriching and interesting experiences of my life… During the past thirty years I has been documenting the life of Armenians in Armenia, in Karabagh as well as in the Middle East and around the world. I held several exhibitions in France in Portugal and in the United States. In 1990, the prestigious French Newspaper “Le Monde” organized a solo photo exhibition of my work in its halls in Paris. I currently work as a freelance documentary photo-journalist but also collaborate with “Les Nouvelles d’Armenie Magazine”, an Armenian magazine published in France. I am working on having a photo book published of my work on Armenia and Artsakh (Karabagh). I started travelling to Armenia since 1989. I am of Armenian origin (born in Iran) and have continued to travel there on regular basis depicting the lives of Armenians. I travelled to Artsakh (H. Karabagh) several times starting in 1990 and covered the first conflict with Azerbaijan which ended in 1994. During my travels to Artsakh I also photographed moments of their daily lives.
Rania Matar
Rania Matar
Lebanon/United States
Rania Matar was born and raised in Lebanon and moved to the U.S. in 1984. As a Lebanese-born American woman and mother, her cross-cultural experience and personal narrative inform her photography. Matar's work has been widely published and exhibited in museums worldwide, including the Museum of Fine Arts Boston, the Carnegie Museum of Art, National Museum of Women in the Arts, and more. A mid-career retrospective of her work was recently on view at the Cleveland Museum of Art, and at the Amon Carter Museum of American Art, in a solo exhibition: In Her Image: Photographs by Rania Matar She has received several grants and awards including a 2018 Guggenheim Fellowship, 2017 Mellon Foundation artist-in-residency grant at the Gund Gallery at Kenyon College, 2011 Legacy Award at the Griffin Museum of Photography, 2011 and 2007 Massachusetts Cultural Council artist fellowships. In 2008 she was a finalist for the Foster Award at the Institute of Contemporary Art/Boston, with an accompanying solo exhibition. Her work is in the permanent collections of several museums, institutions and private collections worldwide. So far, she has published the following books: L'Enfant-Femme, 2016; A Girl and Her Room, 2012; Ordinary Lives, 2009, and more recently, SHE, 2021. She is currently an associate professor of photography at the Massachusetts College of Art and Design. SHE: As a Lebanese-born American woman and mother, my background and cross-cultural experiences inform my art. I have dedicated my work to exploring issues of personal and collective identity through photographs of female adolescence and womanhood - both in the United States where I live and the Middle East where I am from - in an effort to focus on notions of identity and individuality, within the context of the underlying universality of these experiences. In my continuous exploration of what it is like to be a girl and a woman today, in a world that poses endless questions on girls and women of all backgrounds, I am focusing in this project on young women in their late teens/early twenties. They are the ages of my daughters - they are leaving the cocoon of home, entering adulthood and facing a new reality they are often not prepared for, a humbling reality most often harder than they expected and less glamorous than what is portrayed on social media. Whereas in A Girl and Her Room, I photographed young women in relationship to the curated and controlled environment of their bedrooms, I am photographing them here in the larger environment they find themselves in after they leave home, the more global backdrop that now constitutes their lives in transitions. I want to portray the raw beauty of their age, their individuality, their physicality, their mystery, and the organic relationship they create with their environment, being in the lush landscapes of rural Ohio, or the textured backdrops of Beirut. I want to photograph them, the way I, a woman and a mother, see them: beautiful, alive. I want to create a personal narrative with them. The process is about collaboration and empowerment, and the photo session always evolves organically as the women become active participants in the image-making process. My work addresses the states of 'Becoming' - the beauty and the vulnerability of growing up - in the context of the visceral relationships to our physical environment and universal humanity. By collaborating with women in the United States and in the Middle East - and while still looking to reveal the individuality of each young woman - I focus on our essence, our physicality and the commonalities that make us human, ultimately highlighting how female subjectivity develops in parallel forms across cultural lines. Articles: Find out more about Becoming Where Do I Go?
Yuko Kamada
Yuko Kamada
Japan
1985
I was born in Fukushima, Japan in 1985. When I was 20 years old, until then, I had nothing ever touched a camera, and had never been particularly interested in the photography. However, when my mother passed away, I was looking for a way to fill the void of my grief. Then, by chance, I found a street photo book in a small bookstore. After, I became fascinated with the street photography and started as a self-taught. The subjects that interest me the most are the street. An old building nestled among the buildings, a quiet corner of an alleyway, the expressions of people, capturing with own subjectivity the stories hidden in those has been a form of expression for me.
Graham Earnshaw
Graham Earnshaw
Australia
I am a photographer living in beautiful Perth, Western Australia. My personal favorite style of photography is landscape and travel. But I also find myself pushing the boundaries between photography and art, with a particular emphasis on motion in portraying nature. And my other newfound love is aerial photography - a vantage point for opening up a whole new way of capturing the extraordinary beauty of Mother Nature.
Stephen Wilkes
Stephen Wilkes
United States
1957
Since opening his studio in New York City in 1983, photographer Stephen Wilkes has built an unprecedented body of work and a reputation as one of America's most iconic photographers, widely recognized for his fine art, editorial and commercial work. His photographs are included in the collections of the George Eastman Museum, James A. Michener Art Museum, Houston Museum of Fine Arts, Dow Jones Collection, Carl & Marilynn Thoma Art Foundation, Jewish Museum of NY, Library of Congress, Snite Museum of Art, The Historic New Orleans Collection, Museum of the City of New York, 9/11 Memorial Museum and numerous private collections. His editorial work has appeared in, and on the covers of leading publications such as the New York Times Magazine, Vanity Fair, Time, Fortune, National Geographic, Sports Illustrated , and many others. Wilkes' early career interpretations of Mainland China, California's Highway One, and impressionistic "Burned Objects" set the tone for a series of career-defining projects that catapulted him to the top of the photographic landscape. In 1998, a one-day assignment to the south side of Ellis Island led to a 5-year photographic study of the island's long abandoned medical wards where immigrants were detained before they could enter America. Through his photographs and video, Wilkes helped secure $6 million toward the restoration of the south side of the island. A monograph based on the work, Ellis Island: Ghosts of Freedom, was published in 2006 and was named one of TIME magazine's 5 Best Photography Books of the Year. The work was also featured on NPR and CBS Sunday Morning. In 2000, Epson America commissioned Wilkes to create a millennial portrait of the United States, "America In Detail," a 52-day odyssey that was exhibited in New York, Chicago, Los Angeles, and San Francisco. Day to Night , Wilkes' most defining project, began in 2009. These epic cityscapes and landscapes, portrayed from a fixed camera angle for up to 30 hours capture fleeting moments of humanity as light passes in front of his lens over the course of a full day. Blending these images into a single photograph takes months to complete. Day to Night has been featured on CBS Sunday Morning as well as dozens of other prominent media outlets and, with a grant from the National Geographic Society , was extended to include America's National Parks in celebration of their centennial anniversary and Bird Migration for the 2018 Year of the Bird. Most recently a new grant was extended for Canadian Iconic Species and Habitats at Risk in collaboration with The Royal Canadian Geographic Society. Day to Night : In the Field with Stephen Wilkes was exhibited at The National Geographic Museum in 2018. Day to Night was published by TASCHEN as a monograph in 2019. Wilkes' work documenting the ravages of Hurricanes Katrina and Sandy has brought heightened awareness to the realities of global climate change. He was commissioned by the Annenberg Space for Photography to revisit New Orleans in 2013 after documenting Hurricane Katrina for the World Monuments Fund. And, his images were exhibited with his photographs on Hurricane Sandy in the 2014 Sink or Swim, Designing for a Sea of Change exhibition. Wilkes directorial debut, the documentary film, Jay Myself , world premiered at DOCNYC in November 2018. The film is an in depth look into the world of photographer Jay Maisel and his move out of his 35,000 sq. foot building at 190 Bowery. Oscilloscope Laboratories has acquired the North American rights and the film opened at Film Forum in New York in July, 2019 Wilkes was a speaker at the TED2016: Dream Conference on his Day to Night series. The talk has over 1.6 million views. In 2017 Wilkes was commissioned by the US Embassy, Ottawa to create a Day to Night photograph of Canada's 150th anniversary of Confederation. Despite his intense dedication to personal projects, Wilkes continues to shoot advertising campaigns for the world's leading agencies and corporations, including: Netflix, OppenheimerFunds, SAP, IBM, Capital One, The New Yorker, Johnson & Johnson, DHL, American Express, Nike, Sony, Verizon, IBM, AT&T, Rolex, Honda. He has a robust following on Instagram of more than 500,000. Wilkes' extensive awards and honors include the Alfred Eisenstaedt Award for Magazine Photography, Photographer of the Year from Adweek Magazine, Fine Art Photographer of the Year 2004 Lucie Award, TIME Magazine Top 10 Photographs of 2012, Sony World Photography Professional Award 2012, Adobe Breakthrough Photography Award 2012 and Prix Pictet, Consumption 2014. His board affiliations include the Advisory Board of the S.I. Newhouse School of Communications; Save Ellis Island Board of Directors, on which he served for 5 years; and the Goldring Arts Journalism Board. Wilkes was born in 1957 in New York. He received his BS in photography from Syracuse University S.I. Newhouse School of Public Communications with a minor in business management from the Whitman School of Management in 1980. Wilkes, who lives and maintains his studio in Westport, CT, is represented by Bryce Wolkowitz Gallery, New York; Fahey Klein Gallery, Los Angeles; Monroe Gallery of Photography, Santa Fe and Holden Luntz Gallery, Palm Beach..
Laurie Freitag
Laurie Freitag
United States
1956
Laurie Freitag is a self-taught, digital photographer making pictures with her iphone based in Los Angeles, California. Her early years, spent in the Bronx, Coney Island & Far Rockaway, influence her work with themes of family, childhood, memory & home. After 20 years working behind the scenes in TV news, she took a buyout & went back to school where she took every Child Development class offered. She's been working the past 10 years as a nanny where she has intimate access to documenting children. Freitag says, "I enter their world. Watching them puts me into positions I could have never thought up. This latest series, 'In the Garden at Chislehurst' had me sitting very low as a 4 year old played in the dirt next to me. As I looked up, I found the wonder of the dracena trees above me. Those are the images that comprise this newest series. Artist Statement: My series,'In the Garden at Chislehurst', explores my challenges of adjusting emotionally to the Covid-19 pandemic. When the pandemic came to my world I thought I could 'handle' it but I spent most evenings stockpiling supplies from Amazon preparing for the worst. My days, on the other hand, are spent in a garden in Los Angeles as a nanny to a 4 year-old boy, where he pulls berries from a bush to make berry stew. I sit alongside him in the dirt as he 'cooks.' In this pretend world of innocence & nature I'm safe & able to hide from the realities just outside the garden.
Sergey Prokudin-Gorsky
Sergey Prokudin-Gorsky
Russia
1863 | † 1944
Sergey Mikhaylovich Prokudin-Gorsky (Russian, August 30, 1863 Russian Empire – September 27, 1944) was a Russian chemist and photographer. He is best known for his pioneering work in color photography of early 20th-century Russia.Prokudin-Gorsky was born in the ancestral estate of Funikova Gora, in what is now Kirzhachsky District, Vladimir Oblast. His parents were of the Russian nobility, and the family had a long military history. They moved to Saint Petersburg, where Prokudin-Gorsky enrolled in Saint Petersburg State Institute of Technology to study chemistry under Dmitri Mendeleev. He also studied music and painting at the Imperial Academy of Arts. In 1890, Prokudin-Gorsky married Anna Aleksandrovna Lavrova, and later the couple had two sons, Mikhail and Dmitri, and a daughter, Ekaterina. Anna was the daughter of the Russian industrialist Aleksandr Stepanovich Lavrov, an active member in the Imperial Russian Technical Society (IRTS). Prokudin-Gorsky subsequently became the director of the executive board of Lavrov's metal works near Saint Petersburg and remained so until the October Revolution. He also joined Russia's oldest photographic society, the photography section of the IRTS, presenting papers and lecturing on the science of photography. In 1901, he established a photography studio and laboratory in Saint Petersburg. In 1902, he traveled to Berlin and spent six weeks studying color sensitization and three-color photography with photochemistry professor Adolf Miethe, the most advanced practitioner in Germany at that time. Throughout the years, Prokudin-Gorsky's photographic work, publications and slide shows to other scientists and photographers in Russia, Germany and France earned him praise, and in 1906 he was elected the president of the IRTS photography section and editor of Russia's main photography journal, the Fotograf-Liubitel. Lithograph print of Leo Tolstoy in front of Prokudin-Gorsky's camera in Yasnaya Polyana, 1908. Perhaps Prokudin-Gorsky's best-known work during his lifetime was his color portrait of Leo Tolstoy,[6] which was reproduced in various publications, on postcards, and as larger prints for framing. The fame from this photo and his earlier photos of Russia's nature and monuments earned him invitations to show his work to the Russian Grand Duke Michael Alexandrovich and Dowager Empress Maria Feodorovna in 1908, and to Tsar Nicholas II and his family in 1909. The Tsar enjoyed the demonstration, and, with his blessing, Prokudin-Gorsky got the permission and funding to document Russia in color.[8] In the course of ten years, he was to make a collection of 10,000 photos. Prokudin-Gorsky considered the project his life's work and continued his photographic journeys through Russia until after the October Revolution. He was appointed to a new professorship under the new regime, but he left the country in August 1918. He still pursued scientific work in color photography, published papers in English photography journals and, together with his colleague S. O. Maksimovich, obtained patents in Germany, England, France and Italy.In 1920, Prokudin-Gorsky remarried and had a daughter with his assistant Maria Fedorovna née Schedrimo. The family finally settled in Paris in 1922, reuniting with his first wife and children. Prokudin-Gorsky set up a photo studio there together with his three adult children, naming it after his fourth child, Elka. In the 1930s, the elderly Prokudin-Gorsky continued with lectures showing his photographs of Russia to young Russians in France, but stopped commercial work and left the studio to his children, who named it Gorsky Frères. He died at Paris on September 27, 1944, and is buried in the Sainte-Geneviève-des-Bois Russian Cemetery.Documentary of the Russian EmpireAround 1905, Prokudin-Gorsky envisioned and formulated a plan to use the emerging technological advances that had been made in color photography to document the Russian Empire systematically. Through such an ambitious project, his ultimate goal was to educate the schoolchildren of Russia with his "optical color projections" of the vast and diverse history, culture, and modernization of the empire. Outfitted with a specially equipped railroad-car darkroom provided by Tsar Nicholas II and in possession of two permits that granted him access to restricted areas and cooperation from the empire's bureaucracy, Prokudin-Gorsky documented the Russian Empire around 1909 through 1915. He conducted many illustrated lectures of his work. His photographs offer a vivid portrait of a lost world—the Russian Empire on the eve of World War I and the coming Russian Revolution. His subjects ranged from the medieval churches and monasteries of old Russia, to the railroads and factories of an emerging industrial power, to the daily life and work of Russia's diverse population. It has been estimated from Prokudin-Gorsky's personal inventory that before leaving Russia, he had about 3500 negatives. Upon leaving the country and exporting all his photographic material, about half of the photos were confiscated by Russian authorities for containing material that seemed to be strategically sensitive for war-time Russia. According to Prokudin-Gorsky's notes, the photos left behind were not of interest to the general public. Some of Prokudin-Gorsky's negatives were given away, and some he hid on his departure. Outside the Library of Congress collection, none has yet been found.By Prokudin-Gorsky's death, the tsar and his family had long since been executed during the Russian Revolution, and Communist rule had been established over what was once the Russian Empire. The surviving boxes of photo albums and fragile glass plates the negatives were recorded on were finally stored in the basement of a Parisian apartment building, and the family was worried about them getting damaged. The United States Library of Congress purchased the material from Prokudin-Gorsky's heirs in 1948 for $3500–$5000 on the initiative of a researcher inquiring into their whereabouts. The library counted 1902 negatives and 710 album prints without corresponding negatives in the collection.(Source: en.wikipedia.org)
David Peabody
David Peabody
United States
David Peabody is an American architect and photographer. He was born and raised in Natchez, Mississippi. After college, inspired by the work of Walker Evans, David spent a year working odd jobs and moving around Mississippi, documenting rural life. Now, nearly 50 years later, he is completing the project, digitally scanning and printing that early work. In the process, he is photographing the changed landscape of rural Mississippi. David went on to study and practice architecture, but has always returned to taking pictures Currently he is following the progress of several young couples building homesteads in rural Maine. In one way or another, most of his work is an attempt to find beauty and see beyond the corporate veneer that increasingly covers our built environment. David lives with his wife Ginger in Alexandria, Virginia and East Blue Hill, Maine.
Danièle Michel
Danièle Michel
France/Scotland
1979
I am French-Scottish born in 1979 in Annemasse,France,a small town between Geneva and Chamonix .For as long as I remember I always had a camera around to document my life. I am passionate about family photography, the mundane and the little things.My photography is emotive, mostly in natural light. I love portraiture and currently I am working on analog double exposure.
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