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Fabien Dendiével
© Antoine Seguin
Fabien Dendiével
Fabien Dendiével

Fabien Dendiével

Country: France

Fabien Dendiével was born in Paris : as a lonely child, he kept himself busy with drawing futuristic urban panoramas and joined the Louvre art school. At the same time, his father introduced him to film photography and Fabien trained as an autodidact. His practice intensifies when he switches to medium format cameras, mastering the light and the frame of his subject as closely as possible. Empty spaces and stripped-down compositions are his favorite exercise, as a method to enhance showing the invisible. Whether it's the great outdoors of the American West or modern architecture, he treats the composition of his shot like a scene in a movie, waiting for the light to reveal the best of the scenery. Fabien's work remains confidential for some time until he finally decides to produce and sell large format prints in 2019.

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More Great Photographers To Discover

Ami Vitale
United States
1971
Nikon Ambassador and National Geographic magazine photographer Ami Vitale has traveled to more than 100 countries, bearing witness not only to violence and conflict, but also to surreal beauty and the enduring power of the human spirit. Throughout the years, Ami has lived in mud huts and war zones, contracted malaria, and donned a panda suit— keeping true to her belief in the importance of “living the story.” In 2009, after shooting a powerful story on the transport and release of one the world’s last white rhinos, Ami shifted her focus to today’s most compelling wildlife and environmental stories. Instyle Magazine named Ami one of fifty Badass Women, a series celebrating women who show up, speak up and get things done. She appeared alongside a group of incredible women including Jane Goodall, Christiane Amanpour and Ruth Bader Ginsburg. She has been named Magazine photographer of the year in the International Photographer of the Year prize, received the Daniel Pearl Award for Outstanding Reporting and named Magazine Photographer of the Year by the National Press Photographers Association, among others. She is a five-time recipient of WorldPress Photos, including 1st Prize for her 2018 National Geographic magazine story about a community in Kenya protecting elephants. She published a best-selling book, Panda Love, on the secret lives of pandas. She is a featured speaker for the National Geographic LIVE series, and frequently gives talks and workshops throughout the Americas, Europe, and Asia. Her photographs have been commissioned by nearly every international publication and exhibited around the world in museums and galleries. She is a founding member of Ripple Effect Images, an organization of renowned female scientists, writers, photographers and filmmakers working together to create powerful and persuasive stories that shed light on the hardships women in developing countries face and the programs that can help them. She is also on the Photojournalism Advisory Council for the Alexia Foundation. Currently based in Montana, Ami Vitale is a contract photographer with National Geographic magazine and frequently gives workshops throughout the Americas, Europe, and Asia. Ami Vitale talks about Climate Change Awareness
Manuel Besse
France
1964
Manuel Besse is a versatile photographer, renowned for his black-and-white portraits - imbued with a universal resonance - captured across the USA, Brazil, Canada and Eurasia. His exacting quest for authenticity is reflected in the finesse with which he captures faces, silhouettes and atmospheres. Influenced as a child by Don McCullin's documentary on the Vietnam War, he began his photographic career in the early 1980s, winning the Polaroid First Prize at the École Nationale Supérieure Louis-Lumière. He then enriched his skills in photography, videography, fine arts and ethnology at the Académie Charpentier and the École du Louvre, under the guidance of Maurice Bitter, an emblematic figure in journalism. His ongoing exploration took him to Brazil, Central America and the Amazon, where, in 1987, he was the first Frenchman to document the Serra Pelada gold mines. A freelance photographer for Cosmo International and Sipa Press, he joined Colombian army missions against drug traffickers in the Amazon. These experiences enriched his perspective and led him through French Guiana, Argentina, Venezuela and Suriname, where he sailed the Maroni River with the Foreign Legion, exploring little-known territories. In the 1990s, he travelled to the Dolomites, Canada and the Arctic Circle, consolidating his commitment to the preservation of nature and local cultures. Awarded a prize in 1994 for his documentary "À quoi ça rime?", Manuel Besse continues his travels, capturing and restoring its diversity through striking images that reflect his own reading of the world. Article A L'Origine by Manuel Besse Exclusive Interview with Manuel Besse All About Photo Competitions AAP Magazine 32 B&W All About Photo Awards 2024 AAP Magazine 40 Portrait AAP Magazine 41 B&W All About Photo Awards 2025
Sheila Metzner
United States
1939
Sheila Metzner (born 1939) is an American photographer. She was the first female photographer to collaborate with the Vogue magazine on an ongoing basis. Metzner lives in Brooklyn, New York. Metzner graduated from the Higher School of Art and Design and the Faculty of Visual Communications of the Pratt Institute. After that, she was engaged in promotional activities. In the 1960s, she became the first woman to be promoted to art director by Doyle Dane Bernbach, an advertising agency. Thanks to this, she successfully collaborated with well-known photographers, including Richard Avedon, Melvin Sokolsky, Bob Richardson and Diane Arbus. Inspired by the work of 19th-century English photographer Julia Margaret Cameron, who painted pictures of her family, Metzner photographed her husband, artist Jeffrey Metzner, and her children. In the first 10 years, she shot only her family without publishing photos. Her first show in New York was called Friends & Family. She decided to show part of the images to the director of the Museum of Modern Art in New York, John Sarkovsky. In 1978, he bought one and included in MoMA exhibition Mirrors and Windows: American Photography Since 1960. A second exhibition – Photography (Spring 1981): Couches, Diamonds and Pie – took place there. After that, The New York Times and The Sunday Times published a photograph of Sheila's husband. In 2008 the School of Visual Arts presented the exhibition Time Line: Shelia Metzner at the Visual Arts Museum, New York. Sheila Metzner lives in New York. She was married to the artist Jeffrey Metzner, with whom she had seven children.Source: Wikipedia Sheila Metzner's unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Born in Brooklyn, she attended Pratt Institute, where she majored in Visual Communications, and was then hired by Doyle Dane Bernbach advertising agency as its first female art director. She took pictures all the while, amassing them slowly over the next thirteen years, while raising five children. One of these photographs was included in a famous and controversial exhibition at the Museum of Modern Art - Mirrors and Windows: American Photography since 1960 - and became the dark horse hit of the exhibition. Gallery shows and commercial clients soon followed. Her first commercial client was Valentino, followed by Elizabeth Arden, Perry Ellis, Shiseido, Fendi, Saks Fifth Avenue, Paloma Picasso, Victoria's Secret, Revlon, and in recent years Levi's, Ralph Lauren, Club Monaco, Bergdorf Goodman and Neiman Marcus. Sheila's fine art photographs are featured in the collections of The Metropolitan Museum of Art, The Museum of Modern Art, The J. Paul Getty Museum, The International Center of Photography, The Brooklyn Museum, The Museum of Fine Arts, Houston, The Chrysler Museum, The Art Institute of Chicago, Agfa and Polaroid Corporations, Saks Fifth Avenue, as well as many personal collections. She has published five monographs: Objects of Desire, which won the American Society of Magazine Photographers Ansel Adams Award for Book Photography; Sheila Metzner's Color; Inherit the Earth, a collection of landscapes shot during her travels, Form and Fashion, a collection of images culled from twenty years of her work in fine-art and fashion, and Sheila Metzner: From Life in 2017.Source: sheilametzner.com
Da Miane
Georgia
1995
Da Miane (Nika Pailodze) is a Georgian street photographer based in Tbilisi. Born in 1995, he has been captivated by visual storytelling from an early age. Even when 0.3-megapixel phone cameras were standard, he began experimenting with photography, initially capturing nature before turning his lens toward the human and urban landscape around him. With an academic background in literary studies, Da Miane brings a nuanced narrative approach to his photography. This foundation has sharpened his eye for storytelling, composition, and emotional depth. He sees the world as a stage, where fleeting moments become lasting impressions through his camera. Since 2014, Da Miane has documented the streets of Tbilisi almost daily. His work focuses on spontaneous human interactions, environmental contrasts, and the often-overlooked poetry of everyday life. Favoring observation over orchestration, he rarely works on commercial assignments or structured projects. Instead, his approach is intuitive, shaped by constant movement and awareness of his surroundings. While not centered around formal series, his body of work includes standout projects such as Highland Adjara, in which his street photography sensibilities guided him to document remote communities with empathy and instinct rather than direction. His ability to connect with strangers and earn their trust has become a hallmark of his visual language. The people in Da Miane’s photographs are anonymous yet deeply familiar—sellers, buyers, passersby—captured repeatedly over the years as they shift through the same streets. He doesn’t seek to know their names or stories; what matters is the impression they leave in a split second, preserved forever through his lens. He works primarily in color but is equally drawn to black and white when it serves the emotional weight of an image. For Da Miane, color is not just aesthetic—it is a carrier of information, mood, and narrative clarity. Da Miane has participated in numerous photography competitions, receiving recognition both locally and internationally. His work is driven not by the pursuit of uniqueness, but by a personal connection to the scenes he witnesses. Influenced by cinema, literature, and music, he views photography not as documentation but as a way to express the subtle drama of the everyday. Awarded Photographer of the Week - Week 23
Margaret Bourke-White
United States
1904 | † 1971
Margaret Bourke-White studied at the University of Michigan and then at Cornell University where she first discovered photography in 1927. She started taking pictures of buildings and engines. Henri Luce who created the magazine Fortune was very impressed with her work and decided to hire her as editor-in-chief in 1930. In November 1936 her picture of the Fort Peck dam makes the cover of Life magazine. It was the beginning of a long collaboration (1931-1971) and the real beginning of her career. She traveled to USSR in 1931 and then worked with E. Caldwell on the subject of poverty in the US (1937). She is then a photographer for the US Air Force and travels to Moscow, Germany, India, South Africa, and Korea. At the same time, she works for advertising agencies. At the end of the 50s, she has to stop working because of Parkinson disease.Source: Wikipedia Photography is a very subtle thing. You must let the camera take you by the hand, as it were, and lead you into your subject. -- Margaret Bourke-White Margaret Bourke-White, original name Margaret White, American photographer known for her contributions to photojournalism. Margaret White was the daughter of an engineer-designer in the printing industry. She attended Columbia University (1922–23), the University of Michigan (1923–25), Western Reserve University (now Case Western Reserve University), and Cornell University (A.B., 1927). During this period she took up photography, first as a hobby and then, after leaving Cornell and moving to New York City, on a professional freelance basis. She combined her own last name with her mother’s maiden name (Bourke) to create her hyphenated professional name. Beginning her career in 1927 as an industrial and architectural photographer, she soon gained a reputation for originality, and in 1929 the publisher Henry Luce hired her for his new Fortune magazine. In 1930 Fortune sent Bourke-White to photograph the Krupp Iron Works in Germany, and she continued on her own to photograph the First Five-Year Plan in the Soviet Union. She became one of the first four staff photographers for Life magazine when it began publication in 1936, and her series of photographs of Fort Peck Dam was featured on the cover and as part of the feature story of the first issue. Throughout the 1930s Bourke-White went on assignments to create photo-essays in Germany, the Soviet Union, and the Dust Bowl in the American Midwest. These experiences allowed her to refine the dramatic style she had used in industrial and architectural subjects. These projects also introduced people and social issues as subject matter into her oeuvre, and she developed a compassionate, humanitarian approach to such photos. In 1935 Bourke-White met the Southern novelist Erskine Caldwell, to whom she was married from 1939 to 1942. The couple collaborated on three illustrated books: You Have Seen Their Faces (1937), about Southern sharecroppers; North of the Danube (1939), about life in Czechoslovakia before the Nazi takeover; and Say, Is This the U.S.A. (1941), about the industrialization of the United States. Bourke-White covered World War II for Life and was the first woman photographer attached to the U.S. armed forces. While crossing the Atlantic to North Africa her transport ship was torpedoed and sunk, but Bourke-White survived to cover the bitter daily struggle of the Allied infantrymen in the Italian campaign. She then covered the siege of Moscow and, toward the end of the war, she crossed the Rhine River into Germany with General George Patton’s Third Army troops. Her photographs of the emaciated inmates of concentration camps and of the corpses in gas chambers stunned the world. After World War II, Bourke-White traveled to India to photograph Mahatma Gandhi and record the mass migration caused by the division of the Indian subcontinent into Hindu India and Muslim Pakistan. During the Korean War she worked as a war correspondent and traveled with South Korean troops. Stricken with Parkinson disease in 1952, Bourke-White continued to photograph and write. She retired from Life magazine in 1969.Source: Encyclopaedia Britannica The beauty of the past belongs to the past. -- Margaret Bourke-White
Lenka Klicperová
Czech Republic
1976
Journalist and photographer. She obtained a master's degree at the University of Hradec Králové and immediately after that started working as a journalist. From 2004 to 2018 she was the editor-in-chief of the leading Czech travel magazine Lidé a Země. Since 2018 she has been working as a freelance reporter and photographer focused on war zones. She has worked in a number of African countries, including conflict zones of Democratic Republic of Congo. She visited Afghanistan several times, as well as Somalia, plagued by several decades of war. Since 2014, she has focused on the issue of the war with the ISIS in Iraq and Syria. She is the co-author of several documentaries (Tears of the Congo, Latim – the Circumcised, Iraqui Women, Women in the Land of Taliban, Unbroken) and a number of television reports. She has won a number of prizes and nominations in the Czech Press Photo competition - both for photography and video. In 2020 she was included in the prestigious Women Photograph database, she was shortlisted for the International Women In Photo Association Award. She is the co-author of nine books about Africa and about the wars in the Middle East and Nagorno Karabakh. Her work from Syria resulted in two books entitled In Sight of the Islamic State I and In Sight of the Islamic State II, which were co-authored by Markéta Kutilová. Together with Kutilová she also wrote other books on the wars in Syria and Iraq: In the War (2018) and War is My Fate (2020). In 2019, a book called AK47 was published, which depicts the dramatic life of the world-famous Czech war photographer Antonín Kratochvíl. Klicperová wrote the text of the book based on Kratochvíl's narration. In September 2020, war broke out in Nagorno Karabakh. Lenka Klicperová and Markéta Kutilová quickly moved to the center of events. The war in the Caucasus was captured by both reporters in many reports, but also in a book The Last One Sets the Village on Fire (2021). Klicperová cooperates with a number of Czech media. She also lectures at the University of Hradec Králové. Statement Twelve years ago I first came to a war zone, to the eastern part of the Democratic Republic of the Congo. My goal was to document the drastic effects of the protracted war on women. The local militias are committing mass rape of women and children; rape is a weapon of war. It was my first encounter with war. I understood that I wanted to bear witness to the injustices of this world, the way they fall on innocent victims who have nothing to do with them. I returned to the Congo several times and started working in Afghanistan. Then the war in Syria and Iraq started. I spent six years traveling to these areas watching and documenting how the Islamic State terrifies the world. And how it is gradually being defeated with the generous contribution of the Syrian Kurds. The city of Kobani, the center of the Kurds, has been indelibly engraved in my heart, defending itself against the enormous superiority of the Islamists. At the cost of high casualties. I have been on the front lines, in refugee camps, documenting the lives of the wives of ISIS fighters and their children. I managed to get in the prison where ISIS fighters who survived the fighting are being held. When the war broke out in Nagorno Karabakh, I knew I had to go there immediately. I followed the war to the end and documented the lives of civilians sentenced to live suddenly in a war zone. I saw their exodus. War zones have thus become a part of my life... Lost War
Mark Cohen
United States
1943
Mark Cohen (born August 24, 1943) is an American photographer best known for his innovative close-up street photography. Cohen was born and lived in Wilkes-Barre, Pennsylvania until 2013. He attended Penn State University and Wilkes College between 1961 and 1965, and opened a commercial photo studio in 1966. The majority of the photography for which Mark Cohen is known is shot in the Scranton/Wilkes-Barre metropolitan area (also known as the Wyoming Valley), a historic industrialized region of northeastern Pennsylvania. Characteristically Cohen photographs people close-up, using a wide-angle lens and a flash, mostly in black and white, frequently cropping their heads from the frame, concentrating on small details. He has used 21 mm, 28 mm, and 35 mm focal length, wide-angle, lenses and later on 50 mm. Cohen has described his method as "intrusive." Discussing his influences with Thomas Southall in 2004 he cites "... so many photographers who followed Cartier-Bresson, like Frank, Koudelka, Winogrand, Friedlander." He also recognizes the influence of Diane Arbus. Whilst acknowledging these influences he says: "I knew about art photography... Then I did these outside the context of any other photographer." Cohen's major books of photography are Grim Street (2005), True Color (2007), and Mexico (2016). His work was first exhibited in a group exhibition at George Eastman House in 1969 and he had his first solo exhibition at the Museum of Modern Art in New York City in 1973. He was awarded Guggenheim Fellowships in 1971 and 1976 and received a National Endowment for the Arts grant in 1975. In 2013 Cohen moved to Philadelphia, Pennsylvania.Source: Wikipedia Mark Cohen was born in Wilkes-Barre, Pennsylvania where he lived and photographed for most of his life. (He now lives in Philadelphia.) His work was first exhibited in 1969 at the George Eastman House but came to prominence with his first solo exhibition at MoMA in 1973. Known primarily for his black and white images, Cohen was also a pioneer of the 1970s color movement that changed American photography. Shooting in the gritty environs of working class Pennsylvania, Cohen brought to street photography a literal and innovative closeness that came from his style of holding the camera at arm's length without looking through the viewfinder while using an unusually wide-angle lens. Intrusive but elegant, by turns brutal and sensuous, Cohen’s cropped bodies and faces and gritty still lives and landscapes reveal a finely tuned aesthetic and consistency. No background behind the looming foreground figures is without interest. No random object is observed without purpose. "They're not easy pictures. But I guess that's why they're mine." Says Cohen. Cohen is the recipient of two Guggenheim Grants and his work is in the collections of major museums from the U.S. to Japan. His most recent retrospective in 2013 at Le Bal in Paris and the accompanying publication Dark Knees were singled out by critics around the world as outstanding achievements in photography. Source: Danziger Gallery In many of the images, the points of attraction are clear: a giant football eclipsing the skinny torso of a young boy; the shining eyes of a black cat; a woman_’_s bare midriff beneath a pair of high-waisted cutoff shorts. We can imagine glancing or even staring at these subjects ourselves, taking in their rough-hewn idiosyncrasies. But it is in the moment that follows, when most of us would avert our eyes and move on, that the American street photographer Mark Cohen makes his work, moving forward, toward children, young women, dirty and shirtless strangers, until his wide-angle lens is close enough to bump bellies. In the nineteen-seventies, shooting in and around his native Wilkes-Barre, Pennsylvania, a small industrial city far outside the urban centers where street photography was born, Cohen pioneered an aggressive, if not invasive, approach to his craft, shortening the distance between photographer and subject until heads were lost to the frame’s edge and only collar bones and clipped limbs remained. “I have been pushed and shoved and screamed at, but nothing serious,” he has said. “I am always aware of the edge.”Source: The New Yorker “Cohen’s black-and-white photos… are deliberately disconcerting, almost vulgar… Heads are cropped out of the frame; truncated hands, legs and arms loom monstrously into view; perspective warps. Cohen wasn’t alone in his harsh, comic view of down-home America, but his in-your-face take and fragmentary results were jarringly unique, and much imitated.” -- Vince AlettiSource: The Village Voice
Antonin Kratochvil
Czech Republic/United States
1947
Antonin is a founder of the VII photo agency. As photojournalists go, Antonin Kratochvil has sunk his teeth into his fair share of upheaval and human catastrophes whilst going about his documentation of the time in which he lives. As people go, Kratochvil's own refugee life has been much in the way the same as what he has rendered on film. Kratochvil's unique style of photography is the product of personal experience, intimate conditioning and not privileged voyeurism. Over the years his fluid and unconventional work has been sought by numerous publications stretching across widely differing interests. From shooting Mongolia's street children for the magazine published by the Museum of Natural History to a portrait session with David Bowie for Detour, from covering the war in Iraq for Fortune Magazine to shooting Deborah Harry for a national advertising campaign for the American Civil Liberties Union, Kratochvil's ability to see through and into his subjects and show immutable truth has made his pictures not facsimiles but uncensored visions. And yet, what set his kind apart from the many is his consistency and struggle to carry on. For Kratochvil this fact comes in the form of his numerous awards, grants and honorable mentions dating back to 1975. The latest of these are his two, first place prizes at the 2002 World Press Photo Awards in the categories of general news and nature and the environment. The next is the 2004 grant from Aperture publishing for Kratochvil's study on the fractious relationship between American civil liberties and the newly formed Homeland Security since the World Trade Center bombings. In addition, Kratochvil's fifth book Vanishing was presented in April 2005 and marks another significant milestone for the craft to which he belongs. Vanishing represents a collection of natural and human phenomena that on the verge of extinction. What makes this book so innovative is the twenty years it has taken to produce, making it not only historical from the onset, but a labor of love and a commitment to one man's conscience.
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