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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Holger Goehler
Holger Goehler
Holger Goehler

Holger Goehler

Country: Germany
Birth: 1964

Holger Goehler is a German photographer who was born in Freiberg and is currently living in Dresden. After completing an apprenticeship as a metallurgist, he studied mechanical engineering, but discovered his passion for photography early on. At the age of seven, he bought his first simple camera from his savings and started taking pictures. At that time he developed his first photos together with his father, in the kitchen that had been converted into a darkroom. In his youth he met the Freiberg mining and local history photographer Gunther Galinsky. His trained photographic eye had a decisive influence on him.

In the 1980s and 1990s, the focus of his work was on travel, everyday and street photography, which still accompany him today. For some time now, he has devoted himself to still life photography. In the process, he recognized his special potential in dealing with light and shadow. Here he works on his long-term projects "Homelights", "Office life" and "Bathroom stories" – preferably in black and white. He presented parts of this work in a portfolio at the "Photokina 2018" in Cologne.

In his photographic work, Goehler focuses on compositions of objects that he puts together. He plays with cast shadows and reflections, experimenting with how shapes can manipulate light.
 

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More Great Photographers To Discover

Alena Grom
Ukraine
1976
Ukrainian artist and documentary photographer Alena Grom was born in Donetsk. In April 2014 she was forced to leave her hometown due to military events in Eastern Ukraine. Since 2017 she has lived in Bucha, a town outside of Kyiv. As a result of the full-scale invasion of Russia in February 2022, Grom and her family became refugees for the second time, but returned after the de-occupation of Bucha. These events largely affected her artistic practice. Photography became a salvation for Alena and a way to deal with the traumatic reality of war. Since 2016 Alena Grom’s work focuses on places affected by military aggression. Her lens captures victims of the war, migrants and refugees, and war-torn Ukraine in large. However, her photographs are not illustrations of pity or grief. Life in spite of everything is one of the main themes of the artist.Alena Grom’s projects were exhibited extensively in Ukraine and internationally; and recognised by a number of international photography awards Statement: I work at the intersection of conceptual photography and social reporting. Artists and war – these words’ combination evokes pictures sketched by the masters of a battle painting. The protagonist of such a genre is a soldier, a creator of victory. As a rule, society learns about a war from the perspective of a male about how to heroically fight, die and triumph. I narrate the war through subjective experience related to cultural memory, through the creative re-evaluation of my own life and as documented evidence for the events. The idea of my work prevails over the form. The aesthetics in my work is secondary: though being not completely eliminated, it does not constitute the major to me. The aesthetics in the name of a pure form converts things into being useless, and the reality into a dead one. I take a variety of approaches: from reportage to associations play, video, collages, using other people’s photography and archives. All these help me to express the idea and the feelings more deeply. I sincerely believe that art is a power that can encourage people to participate in public dialogue. I create my projects partly in protest against the indifference. I feel responsible to myself and to those who fell victim to the war. An artist holds a responsibility. Together we are constructing a new political reality and an idea for the future. Art always sounds in tune with what is happening around.
Raquel Chicheri
Raquel Chicheri is a freelance photographer.I am from Galicia, Northern Spain but because it was cold and wet I decided to move to Fuerteventura, an island off the coast of Africa which has a much better weather. I loved photography since I was a kid, my father is a great photographer and his work inspired me from the beginning. I studied " comercio internacional" (International commerce or trade) but I only worked one year in that field and then decided to study graphic design which I liked better. I worked a few years but when I met my boyfriend who was a professional windsurfer, I began to take pictures of him and of his trips and it is at that time that I began publishing photos in windsurfing magazines. I am inspired by almost everything, kids, water, animals, street... I don't take pictures in a studio, I take my camera everywhere and when I see something that catches my attention I shoot. I spend most of my time on the beach and I broke several cameras with the sand but I don't care as long as I take good photos. If the situation is right I see it right away, I cannot wait for the situation to develop too much because I usually go for a walk with my children and I have to take care of them. I prefer the situation to be casual, I hope to capture nature and the relationship of people around it. Some situations are magical, when I realize I am in front of something special, my heart beats so fast and the happiness is absolute. There are so many cheesy, affected photos all around, I try to be different. I would love to make a complete series of photos about cuba...All about Raquel Chicheri:AAP: When did you realize you wanted to be a photographer?I realized I wanted to be a photographer when I had my children and I couldn't stop taking photos of them.AAP: Where did you study photography?I studied photography on the life school with the people who shared it with me.AAP:Do you have a mentor?LifeAAP: How long have you been a photographer?Since I met my boyfriend. I used to take windsurfing photos of him for magazines.AAP: Do you remember your first shot? What was it?It was a self-portrait.AAP: What or who inspires you?Life, people, animals, lights, situations...AAP: How could you describe your style?I prefer someone else to do it for me...AAP: What kind of gear do you use? Camera, lens, digital, film?Canon Eos Mark II 5D, my favorite lens is the 50mm f:1,4.AAP: Do you spend a lot of time editing your images?NoAAP: Favorite(s) photographer(s)?Cartier-Bresson, Doisneau, Sally Mann, Mccurry, Newton, Cristina Garcia Rodero, Murray Michel, Man Ray, Jock Sturges, Margaret de lange, Koudelka, Eve Arnold, Saudek... so many..AAP: What advice would you give a young photographer?To be what you are and not what everyone else want you to be.AAP: If you could have taken the photographs of someone else who would it be?My grandmother who already died.AAP: Anything else you would like to share?"and that people who make dates are the same kind who need lines on their writing paper, or who always squeeze up from the bottom on a tube of toothpaste" Julio Cortazar, HOPSCOTCH.
Vivian Maier
United States
1926 | † 2009
Vivian Dorothea Maier was an American amateur street photographer, who was born in New York City but grew up in France. After returning to the United States, she worked for about forty years as a nanny in Chicago, IL. During those years, she took about 100,000 photographs, primarily of people and cityscapes in Chicago, although she traveled and photographed worldwide. Her photographs remained unknown and mostly undeveloped until they were discovered by a local Chicago historian and collector, John Maloof, in 2007. Following Maier's death, her work began to receive critical acclaim. Her photographs have been exhibited in the US, England, Germany, Denmark, and Norway, and have appeared in newspapers and magazines in the US, England, Germany, Italy, France and other countries. A book of her photography titled Vivian Maier: Street Photographer was published in 2011. Many of the details of Maier's life are still being uncovered. Initial impressions about her life indicated that she was born in France, but further researching revealed that she was born in New York, the daughter of Maria Jaussaud and Charles Maier, French and Austrian respectively. Vivian moved between the U.S. and France several times during her childhood, although where in France she lived is unknown. Her father seems to have left the family for unknown reasons by 1930. In the census that year, the head of the household was listed as award-winning portrait photographer Jeanne Bertrand, who knew the founder of the Whitney Museum of American Art. In 1951, at 25, Maier moved from France to New York, where she worked for some time in a sweatshop. She made her way to the Chicago area's North Shore in 1956 and became a nanny on and off for about 40 years, staying with one family for 14 of them. She was, in the accounts of the families for whom she worked, very private, spending her days off walking the streets of Chicago and taking photographs, most often with a Rolleiflex camera. John Maloof, curator of Maier's collection of photographs, summarizes the way the children she nannied would later describe her: "She was a Socialist, a Feminist, a movie critic, and a tell-it-like-it-is type of person. She learned English by going to theaters, which she loved. She wore a men's jacket, men's shoes and a large hat most of the time. She was constantly taking pictures, which she didn't show anyone." Between 1959 and 1960, Maier traveled to and photographed in Los Angeles, Manila, Bangkok, Beijing, Egypt, Italy and the American Southwest. The trip was probably financed by the sale of a family farm in Alsace. For a brief period in the 1970s, Maier worked as a nanny for Phil Donahue's children. As she got older, she collected more boxes of belongings, taking them with her to each new post. At one employer's house, she stored 200 boxes of materials. Most were photographs or negatives, but Maier collected other objects, such as newspapers, and sometimes recorded audiotapes of conversations she had with people she photographed. Toward the end of her life, Maier may have been homeless for some time. She lived on Social Security and may have had another source of income, but the children she had taken care of in the early 1950s bought her an apartment in the Rogers Park area of Chicago and paid her bills. In 2008, she slipped on ice and hit her head. She did not fully recover and died in 2009, at 83.Source: Wikipedia Sometime in 1949, while still in France, Maier began making her first photographs with a modest Kodak Brownie– an amateur camera with only one shutter speed, no focus control, and no aperture dial. In 1951, she returned from France alone and purchased a Rolleiflex camera the following year. In 1956, she moved to the North Shore suburbs of Chicago, where a family employed her as a nanny for their three boys. She enjoyed the luxury of a darkroom as well as a private bathroom, enabling her to process prints and develop her own rolls of black and white film. As the children entered adulthood, Maier had to seek other employment, forcing her to abandon developing her own film. Moving from family to family thereafter, her rolls of undeveloped, unprinted work began to collect. It was around this time that Maier decided to switch to color photography. Her subject matter shifted away from people to found objects, newspapers, and graffiti. In the 1980s, financial stress and lack of stability once again put Maier’s processing on hold, and the undeveloped color rolls began to accumulate. Sometime between the late 1990s and the first years of the new millennium, Maier put down her camera and stored her belongings while she tried to stay afloat. She bounced from homelessness to a small studio apartment, which a family she used to work for helped pay the rent. With meager means, the photographs in storage became lost memories until 2007, when they were sold off due to non-payment of rent. In 2008, Maier’s health began to deteriorate after she fell on a patch of ice, forcing her into a nursing home. She never made a full recovery, leaving behind an immense archive of work when she died in 2009.Source: Howard Greenberg Gallery When John Maloof, a real-estate agent, amateur historian, and garage-sale obsessive, acquired a box of photographic materials and personal detritus at an auction in suburban Chicago in 2007, he quickly realized that he had stumbled upon an unknown master of street photography. But despite his vigorous snooping, he could find no record of Vivian Maier, the name scribbled on the scraps of paper that he found among the negatives, prints, and undeveloped rolls of film. He tracked down the rest of the boxes emptied from an abandoned storage garage, amassing a collection of hundreds of thousands of frames shot in New York, Chicago, France, South America, and Asia between the nineteen-fifties and the nineteen-seventies. Two years after he bought the first box, he Googled the name again and, to his surprise, found an obituary announcing that Vivian Maier had died only a few days before. The short text had just enough information for Maloof to deduce that Maier had worked as a nanny in suburban Chicago.Source: The New Yorker
Eva Mallis
United States
Eva Mallis was born in New York City to Greek immigrant parents. Her elementary school years were spent in Queens, New York - the most ethnically diverse area in the U.S. - where she was immersed in a hardworking population striving for the American dream. Pursuing that dream, Eva earned a BA and an MBA and has had a career that encompassed investment banking and real estate. Eva's love of photography surfaced post-college while living in Washington, D.C. and attending photography classes at the Smithsonian Institute. Her passion for street photography grew as she often roamed the streets of downtown Washington, D.C. taking pictures during her lunch hour. After family and career, Eva resumed her passion for photography by taking several classes at the International Center of Photography (ICP) and numerous workshops around the globe. Eva is a New York City based street and documentary photographer. Her photography is best characterized as urban documentary. Eva's work has been shown in numerous group exhibitions in New York City. She has won PDN Magazine's 'Taste' Photo Competition, has received several International Photography Award (IPA) Honorable Mentions and has participated in many juried shows. Statement "I am driven to photograph the human reality, taking a moment to observe, assess and capture sometimes insignificant moments in time. Photography sharpens my awareness of the mundane and the unnoticed. By capturing slivers of time - people going about their every day - my visual slant forces the viewer to recognize the themes of life. I am attempting to thoughtfully communicate that which is too often unseen."
Oliviero Toscani
Italy
1942 | † 2025
Oliviero Toscani was an Italian photographer whose groundbreaking and often controversial advertising campaigns revolutionized the intersection of art, commerce, and social commentary. Best known for his work with Italian fashion brand Benetton from 1982 to 2000, Toscani transformed advertising into a platform for provocative and thought-provoking messages on issues such as AIDS, racism, religion, and capital punishment. Born in Milan, Toscani inherited a passion for photography from his father, Fedele Toscani, a renowned photojournalist and co-founder of the Publifoto agency. After earning his diploma at the Kunstgewerbeschule Zürich, Toscani began his career collaborating with leading magazines such as Elle, Vogue, L’Uomo Vogue, and Harper’s Bazaar. His early work set the stage for a career that would challenge conventions and ignite conversations worldwide. In 1982, Toscani became Art Director for the Benetton Group, where he created some of the most iconic and controversial advertising campaigns in history. Among these was the unforgettable image of David Kirby, a man dying of AIDS, which echoed the composition of religious pietà paintings. While some criticized the ad for exploiting tragedy to sell clothing, the Kirby family praised it for raising global awareness about AIDS. Other campaigns addressed themes of racial equality, war, and even the death penalty, pushing boundaries and reshaping public perceptions of advertising's role in society. In the early 1990s, Toscani co-founded Colors, a magazine created with American graphic designer Tibor Kalman. With the tagline “a magazine about the rest of the world,” Colors reflected the multicultural ethos of Benetton's campaigns while maintaining editorial independence. Toscani’s tenure at Benetton ended in 2000, but his impact on the brand—and the advertising world—remains indelible. A resident of Tuscany, Toscani continued to innovate beyond the fashion industry. In 2003, he founded La Sterpaia, a research facility dedicated to modern communication, in collaboration with the Regione Toscana. His later projects, including campaigns addressing anorexia and LGBTQ+ rights, further demonstrated his commitment to using photography as a medium for social change. Toscani’s career was not without controversy. His 2005 campaign for the clothing brand Ra-Re, featuring images of men engaging in intimate behavior, sparked outrage among conservative groups. In 2007, his stark portrayal of anorexia through the haunting image of Isabelle Caro drew both acclaim and criticism for its raw honesty. Despite these controversies, Toscani remained a cultural force. When Luciano Benetton returned to the helm of the Benetton Group in 2018, Toscani rejoined him, marking a new chapter in their creative partnership. That same year, he became a member of Italy's Democratic Party, further highlighting his engagement with societal issues. Toscani faced health challenges in his later years, battling amyloidosis. He was hospitalized on January 10, 2025, and passed away three days later at the age of 82. Oliviero Toscani's legacy endures as a testament to the power of photography to challenge norms, inspire dialogue, and provoke change. His work reminds us that art can be more than an aesthetic endeavor—it can be a catalyst for understanding and transformation in the world.
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