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Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Joaquín Pastor Genzor
Joaquín Pastor Genzor
Joaquín Pastor Genzor

Joaquín Pastor Genzor

Country: Spanish
Birth: 1993

Joaquín Pastor Genzor is a young emerging Spanish street photographer who started photographing the streets of Zaragoza, his hometown, at the end of 2019. Although he studied a degree in photography and lighting, he has always been self-taught.

He also studied graphic design and integrated the basic principles of audiovisual communication and colour theory. He discovered his passion for the aesthetics of image and the sense of beauty by participating in the shooting of several short films.

Joaquín explores his city with his camera and cultivates his taste for careful compositions using the natural lighting to create an authentic ocean of emotions where stillness and reflection are the author’s signature.

His work is the result of the exigency and patience when it comes to working the scene and waiting for the desired subject at the right moment. As a result, he is able to convey so much with very little.

He has always liked to communicate and offer the world an alternative vision of the way human beings live, relate and think. His photographs are a clear reflection of the above.

He has founded Sublime Street, a street photography hub that shares the best street photographs from around the world. It was created to inspire others and give visibility to new talents.

Statement
Don't talk about your work, let your work speak for you.
 

Inspiring Portfolios

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All About Photo Awards 2026
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More Great Photographers To Discover

Cao Luning
China
1990
Cao Luning is a street photographer who lives in Nanjing, Jiangsu Province, China, a city of 8 million people. He only started to do photography 3 years ago and all learnt by himself. For Cao Luning, photography is a means of getting to know and expressing himself. Just like the saying "You are what you read", he also believes "You are what you shoot". He's extremely crazy about Street, Travel and Documentary photography, and the uncertainty and infinite possibilities of them fascinate him. They are just similar to life, you never know what you are going to get tomorrow. You may capture some nice shots, or you might come back empty-handed. Street photographer is his identity. Cao Luning is a street wanderer and likes to watch people. He can linger on the streets all day long without feeling tired or fed up. When he shoots, he focuses on the serendipity of specific colors, light and shadows, gestures and the implied humor of scenes. Cao Luning reckons framing is crucial to a good photograph, and he's been greatly influenced by Henri Cartier-Bresson and his "The Decisive Moment Theory", which He thinks is something that every photographer should pay attention to. His mentors are Mangum Photographer Alex Webb and his wife Rebecca Norris Webb, and they both helped him a lot in developing his own vision. In his opinion, given different situations and scenarios, a good street photographer should swiftly apply different compositions that best suit the scenes, instead of using one or two methods for all situations, because that's not a creative process, it's just mechanical repetitions. Statement I'm a street photographer who started to do photography 3 years ago. For me, photography is a means of getting to know and expressing myself. Just like the saying "You are what you read", I also believe "You are what you shoot". I'm extremely crazy about Street, Travel and Documentary photography, and the uncertainty and infinite possibilities of them fascinate me. They are just similar to life, you never know what you are going to get tomorrow. You may capture many nice shots, or you might come back empty-handed. I'm a street wanderer and I like to watch people. I can linger on the streets all day long without feeling tired or fed up. When I shoot, I focus on the serendipity of specific colors, light and shadows, gestures and the implied humor of scenes. I reckon framing is crucial to a good photograph, and I've been greatly influenced by Henri Cartier-Bresson and his "The Decisive Moment Theory", which I think is something that every photographer should pay attention to. In my opinion, given different situations and scenarios, a good street photographer should swiftly apply different compositions that best suit the scenes, instead of using one or two methods for all situations, because that's not a creative process, it's just mechanical repetitions. Most of the works I submitted were shot during the pandemic in China.. On January 2020, The New Coronavirus Pneumonia (or COVID-19) outbroke in Wuhan, Hubei Province in China and soon spread all over the country. As a result, the Chinese government locked down the whole country, stopped all production activities, restricted intercity transportation, and people were advised not to go outside. I live in Nanjing, Jiangsu Province, a city of 8 million people, and when it was shut down, it was a bit like a ghost town in the beginning, not completely empty, but hard to find people on the streets. However, I found out by the Yangtze River and some parks, there are some citizens. People would go fishing, do sports, exercise or simply relax. So I often go to those places with my camera, trying to capture their life under the influence of Coronavirus. The virus has pressed the pause button for most of us, though it's not a good thing, objectively speaking, it gives us a good opportunity to look inside and review our living states. It offers us a window to slow down and appreciate all the good and beautiful things around us as well. In the meantime, we are also given the possibility to do the things that we always wanted to do. We should cherish it and live in the moment, despite how dreadful the epidemic situation might be, life has to go on. I hope you'll enjoy my works and get to know me better by them.
Margo Davis
United States
1944
Margo Baumgarten Davis is a photographer, educator and author of several photographer's books. Margo was raised in Connecticut and has lived for over 30 years in Palo Alto, California. She attended Bennington College, spent time at the Sorbonne studying French literature, and graduated from University of California, Berkeley. It was at UC Berkeley where she met her first husband Gregson Davis and traveled frequently to his home country of Antigua. She has a daughter, Anika and a son, Julian. Davis has produced photography in Paris, Italy, Nigeria and in the Caribbean, and has done a significant amount of portraiture. Davis has photographed Saul Bellow, Maxine Kingston, Tillie Olsen, Ursula K. Le Guin, Diane Johnson, and Kay Boyle. In Nigeria, Davis produced a number of photographs of the Fula people. Davis has spent time lecturing at Stanford on photojournalism with the communications department. She has also taught photography at University of California, Berkeley, and University of California, Santa Cruz. In 2017, Margo's book Antigua: Photographs 1967-1973 was published by Nazraeli Press. At interview, Margo said she produced the book after hearing interest expressed at an exhibit in Antigua. Antigua As young artists, we are drawn to projects that help us understand truths about who we are and what we want to become. When we are just starting out, that process is intuitive, at times random; it is also intense and thrilling. This was my experience when I began photographing in Antigua in 1967. It was the very beginning of a long journey in photography that is evolving to this day, 40 years later. From my first days in Antigua, I was overwhelmed by the timeless beauty of the place and especially by the strength of its people. I was born on the East Coast of the United States, a few thousand miles to the north. I was welcomed into a world and culture different from my own. Starting with the Antigua photographs in this exhibit, my life's journey has been with a camera and with an eye for the landscape of the human face. Although I was often moved to photograph the beaches and sunsets, and the shapely old sugar mills and estate houses of the island, I am primarily a portraitist. Drawn to the people of the villages that dotted the island, my early inspirations came from the faces you see here. Whenever possible, I asked permission to photograph - because the power of my portrait style depended on the comfort of the people that I was photographing. Since those early years, my interest in humanistic photography has propelled me into the world of various cultures. I have exhibited those photographs internationally and produced four books. However, it was on the island of Antigua where my passion for photography first began to flourish. Antigua Black; Portrait of an Island People was created and published in 1973. I want to thank again all the Antiguans who helped make this collection possible. Margo Davis Discover All American
Tamas Dezso
Hungary
1978
Tamas Dezso (b.1978) is a documentary fine art photographer working on long-term projects focusing on the margins of society in Hungary, Romania, and other parts of Eastern Europe. His work has been exhibited worldwide, with solo exhibitions in 2011 in Poland, Bangladesh, Budapest, New Mexico, and at the Robert Koch Gallery in San Francisco, and recent exhibitions at the New York Photo Festival, Shanghai Museum of Contemporary Art, and FOAM Photo Museum in Amsterdam. He was twice Hungarian Press Photo’s Photographer of the Year (2005 and 2006), and has received awards from organizations such as World Press Photo, Pictures of the Year International, NPPA’s Best of Photojournalism, and PDN. His photographs have appeared in TIME magazine, The New York Times, National Geographic, GEO, Le Monde magazine, and many others. Dezso has recently been nominated for the 2012 Prix Pictet. Tamas Dezso's series 'Here, Anywhere' offers a desolate yet beautiful look at the people and places left behind during the post-communist transition in Hungary. Begun in 2009, the series explores the unique atmosphere of the country's now 20-year-long transition, and changing notions of Eastern European identity. With the introduction of democracy in the 1990s came euphoria and promise, but unrealized expectations of quickly catching up with the West have led to widespread disappointment and frustration, compounded by the current serious economic difficulties have fanned the popularity of far right politics, as well as an anachronistic nostalgia for the stability of communism. Presently Hungary has a right wing populist government and the strongest opposition party is the neo-Nazi party with nearly 1/8th of the eligible voters and gaining popularity. Dezso's layered images present unsettling moments of stillness that poetically allude to this gritty reality. Motivated by the isolation he sees his country facing, Dezso photographs the people and places of Hungary as symbols, where "a certain out-dated, awkward, longed-to-be-forgotten Eastern Europeanness still lingers." This award-winning series has garnered international attention, earning Dezso First Place at the 2011 CENTER Project Competition in Santa Fe, the Daylight Magazine & Center for Documentary Studies Project Prize, and Grand Prize at the Jeune Création Européenne Biennal 2011/2013 in Paris-Montrouge.Source: Robert Koch Gallery Interview with Tamas Dezso All About Photo: When did you realize you wanted to be a photographer? Tamas Dezso: Soon after I left the University of Technology in Budapest in 2000. AAP: Where did you study photography? TD: I am self-taught. AAP: How long have you been a photographer? TD: I started as a photojournalist with a political daily in 2000. AAP: What or who inspires you? TD: Music. Beethoven, Bach and Mozart. AAP: How could you describe your style? TD: Documentary. AAP: Do you have a favorite photograph or series? TD: Richard Avedon 'Italy #9', 'Boy and Tree, Sicily, July 15, 1947' AAP: What kind of gear do you use? Camera, lens, digital, film? TD: Phase One cameras with various Schneider Kreuznach lenses. AAP: Favorite(s) photographer(s)? TD: Richard Avedon and Irving Penn AAP: What advice would you give a young photographer? TD: "Follow the advice of others only in the rarest cases." -- Beethoven AAP: What are your projects? TD: I am interested in the transitional period, the period after the fall of communism in Eastern Europe. AAP: Your best memory as a photographer? TD: My first trip to Romania. AAP:If you were someone else who would it be? TD: A pianist. AAP: Your favorite photo book? TD: Walter Niedermayr's Civil Operations.
Pieter Hugo
South Africa
1976
Pieter Hugo was born 1976 and grew up in Cape Town, South Africa. He is a South African photographer who primarily works in portraiture and whose work engages with both documentary and art traditions with a focus on African communities. Hugo is self-taught, having picked up a camera aged 10. He remembers the first image he printed, which was a homeless person in Johannes. After working in the film industry in Cape Town, Pieter Hugo spent a two-year Residency at Fabrica, Treviso, Italy. Hugo has called himself a political-with-a-small-p photographer... it's hard not to be as soon as you pick up a camera in South Africa'. He believes that "the power of photography is inherently voyeuristic but I want that desire to look to be confronted." He also states that he is "deeply suspicious of the power of photography." Early on in his career he noticed that, "he often found himself being critically scrutinized by the subject he was photographing. It was then that he decided to switch to a larger and more cumbersome format of photography, one that would require negotiating consent and dialogue with the person being photographed - a more sedate and contemplative approach." He is known to use a Hasselblad camera and regularly shoots in the 4x5 format. His influences range from South African photojournalist David Goldblatt to Boris Mikhailov. However, his work reacts against 'the culture of realism that defined South African photography in the struggle years.' Hugo's first major photo collection Looking Aside consisted of a collection of portraits of people "whose appearance makes us look aside", his subjects including the blind, people with albinism, the aged, his family and himself. Explaining his interest in the marginal he has said, "My homeland is Africa, but I'm white. I feel African, whatever that means, but if you ask anyone in South Africa if I'm African, they will almost certainly say no. I don't fit into the social topography of my country and that certainly fuelled why I became a photographer." This was followed by Rwanda 2004: Vestiges of a Genocide which the Rwanda Genocide Institute describes as offering "a forensic view of some of the sites of mass execution and graves that stand as lingering memorials to the many thousands of people slaughtered." His most recognized work is the series called The Hyena & Other Men and which was published as a monograph. It has received a great deal of attention. Hugo won first prize in the Portraits section of the World Press Photo 2005 for a portrait of a man with a hyena. In 2007, Hugo received the Standard Bank Young Artist Award 07. Hugo was also working on a series of photographs called Messina/Mussina that were taken in the town of Musina on the border between Zimbabwe and South Africa and which was published as a monograph. At the time Colors magazine asked Hugo to work on an AIDS story and he was fascinated by the marginal aspect of the town. This was followed by a return to Nigeria with Nollywood, which consists of pictures of the Nigerian film industry. Permanent Error followed in 2011 where Hugo photographed the people and landscape of an expansive dump of obsolete technology in Ghana. Sean O'Toole writes "if Nollywood was playfully over-the-top, a smart riposte to accusations of freakishness and racism leveled at his photography..., Permanent Error marks Hugo’s return to a less self-reflexive mode of practice." In 2011 Hugo collaborated with Michel Cleary and co-directed the video of South African producer/DJ Spoek Mathambo's cover version of Joy Division's She's Lost Control, the fourth single from his album Mshini Wam. Commissioned by Italian luxury label Bottega Veneta, Hugo photographed models Amanda Murphy and Mark Cox for the brand’s spring/summer 2014 campaign, with the images shot in a wood in New Jersey. In the Spring of 2014, Hugo was commissioned by Creative Court to go to Rwanda and capture stories of forgiveness as a part of Creative Court's project Rwanda 20 Years: Portraits of Forgiveness. The project was displayed in The Hague in the Atrium of The Hague City Hall for the 20th commemoration of the 1994 genocide in Rwanda. A selection of the photos have also been displayed in New York at the exhibition Post-Conflict which was curated by Bradley McCallum, Artist in Residence for the Coalition for the International Criminal Court. Flat Noodle Soup (2016) chronicles Hugo's lengthy engagement with the city of Beijing, exploring how concerns with expressing personal identity within societal norms and pressures are universal and transnational. La Cucaracha is a 2019 body of work made during four trips to Mexico over a two-year period. The photographic series explores Hugo's perception of the flamboyant and violent environment of Mexico with overt art historical references to the nation's visual canon of pre-colonial customs and revolutionary ideology.Source: Wikipedia Between 2006 and 2013, Pieter Hugo worked on a project that he called Kin. This deals with home, proximity, identification and a sense of belonging – something that, in South Africa, he has always experienced as being critical and riddled with conflict: How can one live in this country, which only shed its colonial heritage relatively recently, and which is plagued by racism and a growing chasm between rich and poor? Hugo shot photos at home, in townships and at historical sites, taking portraits of his pregnant wife, of domestic servants and of homeless people. The calm and clearly composed shots show beauty and ugliness, wealth and poverty, private and public, historical and topical. Without either idealising or dramatizing the subject matter, they paint a portrait of the complex society in South Africa today. This is because any notion of harmony in the “Rainbow Nation” is wishful thinking. Even twenty years after the end of apartheid, black and white South Africans are still very much divided. In the series of 94 platinum prints There Is A Place in Hell for Me and My Friends (2011-2012), Pieter Hugo explores the supposed differences between skin colours. To do so, he took portraits of himself and South African friends. The close-ups, generally in the form of frontal head and shoulder portraits, were digitally processed afterwards. The image manipulation, whereby the colour channels were translated into grey tones, emphasise the pigmentation of the skin, using UV irradiation to render visible skin damage and small blood vessels directly beneath the skin. The results are quite astounding: on these photographs, all people are coloured. There is no longer a difference between “white” and “black” skin, but rather a variety of individual shades. The portraits show the powerful presence of each individual and, at the same time, the fragility of all people and the softness and utter vulnerability of their outer shell. With his various photo series, Pieter Hugo has put together an impressive body of work in the space of just a few years. Through this intense perception of corporeality, he captures the complexity and inconsistency of society. Constants in his work include seriousness, neutrality and an underlying respect for his protagonists, whose dignity always remains intact. In this regard, his works are comparable with the monumental portrait works of August Sanders, who created a contemporary picture of the Weimar Republic with his large-scale cycle “Menschen des 20. Jahrhunderts” (People of the 20th Century).Source: Priska Pasquer
Alex Strohl
France
1989
Alex Strohl is a French photographer and author, best known for his landscape and outdoor photography. Strohl is based in Whitefish, Montana. In 2018, XXLPIX ranked him in 12th position in the "TOP100 photographers on the web" list (highest new entry). He authored a book named Alternative Living, published by Blurb in 2015. His works has been featured in publications and magazines such as Forbes, BuzzFeed, Vanity Fair, and Gentleman's Journal.Source: Wikipedia For more than a decade, photographer and entrepreneur Alex Strohl has pioneered the visual style of the outdoor industry. A renown force across all of his business pursuits, Strohl’s marketing campaigns garner clients audiences in the millions while his critically-acclaimed photography workshops pass down unrivaled experience and insight to tens of thousands of aspiring amateurs. Lauded by the likes of National Geographic, Outside Magazine, and Gentlemen’s Journal, Strohl’s influence on the direction of outdoor media is unparalleled. Drawing inspiration from the wildest alpine environments, Strohl is as comfortable in the northern Rocky Mountains of his home in Whitefish, Montana, as he is diving off the shores of icy North Atlantic archipelagos. The result is an immersive visual experience that blurs the boundaries of life and work, and of humans and nature. His timeless style and eye for subtle authentic moments transcends industries from local ski brands to the world’s foremost watchmakers. Alex is based in Whitefish, Montana—but spends the vast majority of his time on the road with his life partner Andrea Dabene and their newly born daughter Mia. He is a Canon USA Creator, 66°North Ambassador, and a Vuarnet Fellow.Source: www.alexstrohl.com
Oliviero Toscani
Italy
1942 | † 2025
Oliviero Toscani was an Italian photographer whose groundbreaking and often controversial advertising campaigns revolutionized the intersection of art, commerce, and social commentary. Best known for his work with Italian fashion brand Benetton from 1982 to 2000, Toscani transformed advertising into a platform for provocative and thought-provoking messages on issues such as AIDS, racism, religion, and capital punishment. Born in Milan, Toscani inherited a passion for photography from his father, Fedele Toscani, a renowned photojournalist and co-founder of the Publifoto agency. After earning his diploma at the Kunstgewerbeschule Zürich, Toscani began his career collaborating with leading magazines such as Elle, Vogue, L’Uomo Vogue, and Harper’s Bazaar. His early work set the stage for a career that would challenge conventions and ignite conversations worldwide. In 1982, Toscani became Art Director for the Benetton Group, where he created some of the most iconic and controversial advertising campaigns in history. Among these was the unforgettable image of David Kirby, a man dying of AIDS, which echoed the composition of religious pietà paintings. While some criticized the ad for exploiting tragedy to sell clothing, the Kirby family praised it for raising global awareness about AIDS. Other campaigns addressed themes of racial equality, war, and even the death penalty, pushing boundaries and reshaping public perceptions of advertising's role in society. In the early 1990s, Toscani co-founded Colors, a magazine created with American graphic designer Tibor Kalman. With the tagline “a magazine about the rest of the world,” Colors reflected the multicultural ethos of Benetton's campaigns while maintaining editorial independence. Toscani’s tenure at Benetton ended in 2000, but his impact on the brand—and the advertising world—remains indelible. A resident of Tuscany, Toscani continued to innovate beyond the fashion industry. In 2003, he founded La Sterpaia, a research facility dedicated to modern communication, in collaboration with the Regione Toscana. His later projects, including campaigns addressing anorexia and LGBTQ+ rights, further demonstrated his commitment to using photography as a medium for social change. Toscani’s career was not without controversy. His 2005 campaign for the clothing brand Ra-Re, featuring images of men engaging in intimate behavior, sparked outrage among conservative groups. In 2007, his stark portrayal of anorexia through the haunting image of Isabelle Caro drew both acclaim and criticism for its raw honesty. Despite these controversies, Toscani remained a cultural force. When Luciano Benetton returned to the helm of the Benetton Group in 2018, Toscani rejoined him, marking a new chapter in their creative partnership. That same year, he became a member of Italy's Democratic Party, further highlighting his engagement with societal issues. Toscani faced health challenges in his later years, battling amyloidosis. He was hospitalized on January 10, 2025, and passed away three days later at the age of 82. Oliviero Toscani's legacy endures as a testament to the power of photography to challenge norms, inspire dialogue, and provoke change. His work reminds us that art can be more than an aesthetic endeavor—it can be a catalyst for understanding and transformation in the world.
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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry