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FINAL CALL TO ENTER AAP MAGAZINE WOMEN: GET PUBLISHED AND WIN $1,000
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Matthew Steaffens
Matthew Steaffens
Matthew Steaffens

Matthew Steaffens

Country: United States
Birth: 1985

Matthew Steaffens is a photographer based in Denver & Washington DC , whose contemporary practice explores themes of connection, relationship, and moments. His images are rooted in the tradition of street photography and photojournalistic projects.

As a graphic designer, Steaffens navigates the intersection of creativity and authenticity in both urban landscapes. This dual role allows him to bridge the worlds of dynamic compositions and genuine moments, creating a visual narrative that reflects the pulse of everyday life. Through his lens, Steaffens invites viewers to engage with the subtle poetry found in the ordinary, highlighting the beauty inherent in the ebb and flow of human connections. Accolades include a Communication Arts 2018 Photo Annual Award of Excellence. His work as been featured in Leica UK, and Leica Fotographie International. His work has been selected best in show in the Exposed DC Exhibition Summer 2023.
 

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More Great Photographers To Discover

Elisabeth Ajtay
Germany
1978
An artistic journey commenced amidst the vibrant Hungarian art scene, where the artist studied drawing, jewelry making, graphic design, photography, and contemporary dance. While an initial passion lay in drawing and painting, photography swiftly emerged as her primary voice. Further skill development was achieved through a diploma in communications design from the University of Applied Sciences Dortmund in Germany, followed by an MFA from the San Francisco Art Institute. These educational experiences, coupled with a childhood spent navigating different cultural landscapes, have profoundly shaped Ajtay's perspective. The artist's conceptual work delves into themes of home and belonging, the psychology of language, the impact of societal change, and the spectrum of human emotions and the soul. Their practice is deeply rooted in personal experiences as a migrant and nomad, marked by constant adaptation to new environments that necessitate a complete rewiring of the brain, total openness, and reorientation. Change, identified as life's most constant aspect, lies at the core of her explorations, prompting deep dives into reorientation, loss, the unknown, and even death. ELisabeth Ajtay's work is held in numerous private collections and has been exhibited internationally across Europe and the United States. Notable venues include festivals such as inSPIRACJE and Art Moves in Poland, Goethe Institutes in Morocco, Prague, New York, and France, and galleries like Don Soker Contemporary Art in San Francisco. Museum exhibitions include the MKK - Museum for Art and Cultural History Dortmund, Germany, and Blue Star Contemporary in San Antonio, Texas. Recognition has come in the form of an honorable mention from PX3-Prix de la Photographie Paris, inclusion in the San Francisco Arts Commission's Prequalified Artist Pool, and residencies at the 3rd Street Studio Programs (San Francisco Art Institute), BANFF Center for Arts and Culture (Canada), and the Vermont Studio Center. She received several honorable mentions from the International Photography Awards. Towards Perfection: Series MoonABC "Towards Perfection" is a digital collage, composed entirely of circles, represents the challenges I faced while creating my moon alphabet. Each circle is a testament to the difficulties, frustrations and endurance encountered in capturing the letter 'O' using the moonlight as I was slowly moving my camera. About the series: The idea of creating a moon alphabet started somewhere in 2014 with me sitting on the stairs in front of my house in SF, finding calm in the ever present light of the moon. I was working on my artist visa and tied down with no status, no existence - practically being an alien resident on hold - I had plenty of time thinking about how I could push my work with the moon further. Further, in terms of overcoming that what is visible. The moon has been exposed and explored to numerous artistic expressions and, scientific ones. I did not mean to repeat but to expand. Also, having been working for almost 20 years with a camera, there are moments when I am tired of the medium. I began making art with my hands first, drawing, painting and even dancing for many years I would consider a very physically based expression. Making images with a camera is very different, the body is less involved, instead, a lot of editing and thinking, once the "klick" happened. One night I simply grabbed my camera and began tracing the light. First randomly, then more purposefully, with the solely intention of putting my body into the image. Movements. After some time, I wrote my initials and from there, I began practicing the remainder of the letters. At some point, Alan Bamberger, told me what I was actually doing - a moon font. It took me another year to complete the alphabet and train my hand to as much perfection as my body was able to offer. During these two years, I was reading numerous books on communication and technology. The points that fascinated me outlined how technology effects our brains, the level of empathy and how we change our social patterns within society. Those readings were my "back ups" in exploring my physicality in conversation with nature, or, the physicality of the moon. On another level, creating an alphabet is to some extent a reflection of my multilingual presence. It is sometimes hard phrasing thoughts when the tongue is moving differently, or you have another language's rhythm inside you. It can confuse, cause mayonnaise. Having babel inside and on the outside (history repeats itself).
Harvey Stein
United States
Harvey Stein is a professional photographer, teacher, lecturer, author and curator based in New York City. He currently teaches at the International Center of Photography. Stein is a frequent lecturer on photography both in the United States and abroad. He was the Director of Photography at Umbrella Arts Gallery, located in the East Village of Manhattan from 2009 until 2019 when it lost its lease and closed.. He has also been a member of the faculty of the School of Visual Arts, New School University, Drew University, Rochester Institute of Technology and the University of Bridgeport. A recipient of a Creative Arts Public Service (CAPS) fellowship and numerous artist in residency grants, Stein's eighth and latest book, Mexico Between Life and Death, was published in the fall of 2018 by Kehrer Verlag (Germany). A new book, Then and There: Mardi Gras 1979 will be published by Zatara Press in the Spring of 2020. Other books of Stein's photographs are Parallels: A Look at Twins, E.P. Dutton (1978); Artists Observed, Harry Abrams, Inc. (1986); Coney Island, W.W. Norton, Inc. (1998); Movimento: Glimpses of Italian Street Life, Gangemi Editore, Rome (2006); Coney Island 40 Years, Schiffer Publishing, (2011); Harlem Street Portraits, Schiffer Publishing (2013); and Briefly Seen New York Street Life, Schiffer Publishing (2015). Stein's photographs and portfolios have been published in such periodicals as The New Yorker, Time, Life, Esquire, American Heritage, Smithsonian, The New York Times, Reader's Digest, Glamour, GQ Magazine (Mexico), Forbes, Psychology Today, Playboy, Harpers, Connoisseur, Art News, American Artist, New York, People, Der Spiegel, Die Zeit, The Hopkins Review (cover), Sun Magazine (cover) and all the major photo magazines, including Camera Arts, Black & White Magazine (cover), Shutterbug, Popular Photography, American Photo, Camera, Afterimage, PDN, Zoom, Rangefinder, Photo Metro, fotoMagazine (Germany), photo technique, Zeke and View Camera. Stein's photographs have been widely exhibited in the United States and Europe — 86 one-person and over 165 group shows to date. He has curated 64 exhibits since 2007. His photographs are in more than 57 permanent collections, including the George Eastman Museum, Bibliotheque Nationale, the Art Institute of Chicago, the Museum of Fine Arts, Houston, the Brooklyn Museum of Art, the New Orleans Museum of Art, the International Center of Photography, the Denver Museum of Art, the Carnegie Museum of Art (Pittsburgh), the Portland (Oregon) Museum of Art, the Museum of the City of New York, Museet for Fotokunst (Odense, Denmark), Musee De La Photographie (Charleroi, Belguim), the Portland (Maine) Museum of Art, the American Museum of Natural History, the Santa Barbara Museum of Art, the Addison Gallery of American Art, The New York Historical Society and Museum, The Brooklyn Historical Society, and among others, the corporate collections of Johnson & Johnson, Hewlett Packard, LaSalle Bank (Chicago), Barclay Bank and Credit Suisse. Stein's work is represented by Sous Les Etoiles Gallery, New York City. Statement What do our photos say? That is an important question that we all wrestle with. I have always wanted to do strong and meaningful images. Not all our photos can be that, some are what I call "throwaways", fun and silly and not too serious. But basically I want to say something through my work. I think the best way to do this is through long term projects shot over time that gives us a deeper understanding of the subject. I love single images and they should also be strong, but I think more meaning comes from in depth studies of a subject, not one or a few photos of the subject. And I always want my images to be a reflection of how I think, behave, believe in. Remember: portraiture becomes self portraiture. As a writer usually reveals herself through her work, so does any artist, and as photographers, we are artists. I wish to convey a sense of life glimpsed, a sense of contingency and ephemerality. In experiencing these glimpses of life, I hope in turn to become more aware and knowing of my own life. I believe photographs speak to us; they are reminders of the past. To look at a family album is to recall a vanished memory or to see old friends materialize before our eyes. In making photographs, the photographer is simultaneously a witness to the moment and a recorder of its demise; this is the camera's power. Photography's magic is its ability to touch, inspire, and to connect to each viewer according to that person's unique sensibility and history. Exclusive Interview with Harvey Stein
Nicola Ducati
Italy
1973
My name is Nicola Ducati I am an Italian photographer, travel and portrait photography is my expressive medium. With my pictures I want to tell stories that create empathy between the viewer and the subject with elegance and authenticity. I was born in a small town among the Italian Alps. I have always lived in a beautiful place that has made me grow and appreciate nature, animals, quiet places and respect for what surrounds us, I think this way of living in the countryside has greatly influenced my photographic sensitivity. I approached the world of photography by chance. As a child, I used to play with an old camera found who knows where, a shabby but fascinating object that soon became a passion. Later, my curiosity led me to experiment with many different genres, from the first landscape, travel photography, and finally the travel portrait. Today I especially like photography, which tells stories but also lets you imagine them, which excites and suggests reflections. A narrating photography. What I like I photograph only what I like and what fascinates me, I am a curious person and i try to find what in the world unites us not what divides us, I mean that I try to bring out those traits of humanity that make us all connected. An exercise to accept with empathy the entropy of our world. My photography is not conceptual, it represents what I see, what I feel important, what excites me or moves me. I love when the emotion and the story hidden inside a picture reaches the observer. I entrust my work and aesthetics photography to the task of telling and giving the observer inspiration and sense of belonging. Photography that responds to this, is a successful one.
Pascal Maitre
France
1955
Born in Buzançais, France, in 1955, Pascal Maitre studied psychology before beginning a career in photojournalism in 1979. His numerous assignments have taken him all over the Earth, from Afghanistan to South America. His books, In the Heart of Africa and Madagascar: Travels in a World Apart, gather images from 15 years of work in Africa. His photographs have been published in publications around the world, including GEO, Le Figaro Magazine, Newsweek, Life, and many others. His photographs first appeared in National Geographic in a September 2005 article on oil in Africa. Maitre is based in Paris, France. Source: National Geographic After studying psychology, he starts his carrier as photojournalist with the Jeune Afrique press group. In 1984 he joins the Gamma staff and then in 1989, he cofounds the Odyssey Images agency. From 1994 to 2018, he was a member of Cosmos Agency. He is now represented by MYOP. He has worked with many prestigious international magazines including, the Figaro Magazine, Geo, Paris Match, Stern, Brigitt and the National Geographic. In 2000, he published My Africa, a book that compiles 15 years of his work on this continent, with Aperture in the USA and Geo in Germany. In September 2001, the French version is released by Vents de Sable editions. In 2012 he publishes Amazing Africa, a compilation of 30 years of his work on Africa, with edition Lammerhuber and Unesco. Pascal Maitre has worked in over 40 countries in Africa, while tackling many different aspects, men and their way of life, politics, conflicts, tradition or the environement. He received numerous awards, including some World Press Photo awards, the AFD/Polka Prize for the Best Photo Report Project, the VISA D’Or 'Honneur for Lifetime Achievement'. He had eight personal exhibitions at Visa pour l'Image in Perpignan, two personal exhibitions at the Maison Européenne de la Photographie in Paris and a personal exhibition about his work at The Arche de la Défense in Paris.Source: MYOP
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Latest Interviews

Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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AAP Magazine #55 Women
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