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Matthew Hardy-Brown
Matthew Hardy-Brown
Matthew Hardy-Brown

Matthew Hardy-Brown

Country: South Africa
Birth: 2000

Matthew Hardy-Brown's artistry unveils the enchanting beauty of our world, reminding us of the untamed wonder that surrounds us. With every click, he captures fleeting moments of unscripted time. His work is a testament to the natural wonder surrounding daily life.

Originally from South Africa, Matthew Hardy-Brown's creative roots were planted in the landscapes of Australia, upon his relocation at 10 years old. While he didn't grow up by the ocean, it was here that he found his poetic sanctuary.

As a self-described introvert, Matthew Hardy-Brown sought refuge by the water's edge, discovering his voice through the lens of his camera. He values unfiltered moments, intentionally avoiding excessive editing and digital manipulation.

To MHB, magic ignites through authenticity—a commitment he fiercely upholds.

At the core of Matthew Hardy-Brown's ethos lies a resounding mantra: "Live Often, Smile More." Having personally confronted the harsh realities of life's unpredictability, he gained a profound insight: tomorrow is not promised. Fuelled by this understanding, he is on a mission to share the world's inherent beauty, to inspire others that it's never too late to pursue a passion, to be a good human, and ultimately, to live often and smile more.

His passion for capturing life's grandeur has earned him collaborations with industry giants such as Ralph Lauren, Mini Cooper, Paramount Pictures, and GoPro. His proudest achievement earned him the national exclusive as Canon’s premier artist with his timeless images featured throughout stores across Australia.



Statement:
Matthew explores the delicate dance between the wild and the human spirit, capturing moments that transcend the ordinary. Through a lens finely tuned to the nuances of the natural world, these pieces invite viewers to immerse themselves in the rhythmic chaos of crashing waves, the fearless dance of surfers, and the subtle interplay of light and shadow on the water's surface.

Websites

www.mhb.studio

@matthardybrown

 

Inspiring Portfolios

Aleksander Rodchenko
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Fabien Dendiével
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Umberto Verdoliva
© Umberto Verdoliva
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More Great Photographers To Discover

Mariska Karto
Mariska Karto
Netherlands
Mariska Karto is an artist/ fine art-photographer born in Suriname (South-America) and raised in the Netherlands. In this age of rapidity and technical development, in which human is exposed to impersonal detachment of current technical era, Mariska Karto creates the vulnerable and intensive dimensions of human feelings and emotions. This all happens in the dreamworld she has created with her technique in which past and present have found their way to each other, in this era of transformation.She talks to you in a language without words using symbolism in a dreamworld of historic paintings atmosphere.Mystique, tragic and erotic are the keywords for her work. Her work are like old stories escaped from an old world of eternal dreams, eternal emotions and eternal feelings that existed for hundred of years but still repeats themselves as in a pattern of an earthy rite, in this new modern contemporary era.Her works are like poems and thoughts, restless ones but are also like whispers of thoughtless experiences, floating in a centuries long movement in time.Artist Statement"My work is based on a period in which photography did not exist, It was not until the end of the 18th century that it was invented. As a result of this, people thought that photography would make the art of painting disappear, especially in the post modern era, the traditional art had to make way for new technical developments. In my work I seek and found a respectful connection of technique and traditional craft through a striking contradiction. Painters in the Baroque/renaissance time were trying to paint as true-to-life with painting-techniques and color applications. What a camera does is portray the world in its realistic colors. That’s the contradiction in my work, it’s the other way around. I shoot realistic images and through an intensive transformation process, the work is changed, true-to-life in the characteristic Baroque colors and style of that time. Eventually, this says nothing about photography and technique, but more about the great masters of that gone era, they were able to be as realistic and accurate as possible with brush and paint the world in all its reality… That’s the great contradiction in my work, I’m leaving the visible reality of our current time, and bring the invisible realism of the past forward in my work. As a result of this, I pull away present time from its structure and then time appears to be just a definition, which slowly fades away, when current and past becomes interwoven with each other.” More background info: "I mix skills from different worlds together. It is a blend of skills of my (I'm originally a painter and sketcher, textiles - I was a textile artist some years ago, photography and image processing) that ultimately meets each other in this form of art. A main factor are also social emotional influences in my life which developed how I see, learn and finally understand things in an essential (psychological) way. All these (artistic) elements from different areas and personal influences come together in a work of mine."
Kyle Everett Smith
Kyle Everett Smith
United States
1991
Kyle Everett Smith is a photographer from Leucadia, California. He is currently studying at Glendale Community College working towards a B.A. in Photography. Smith's work focuses on mundane landscapes of modern environments. He is an avid skateboarder and outdoors enthusiast currently residing in Los Angeles, California.
F. Bessma Rhea
F. Bessma Rhea
United States
2002
F. Bessma Rhea is her father’s second-born daughter (first-born son), her mother’s last line of defense at the dinner table, and her sister’s favorite fun house mirror. She is the first person to speak in a crowded elevator and the last person to get a word in edgewise. Bessma has always been a big talker, but her preferred method of communication is using the visual language of photography. F. Bessma Rhea graduated from Montana State University in 2025, achieving a Bachelor of Fine Arts in Integrated Lens Based Media from the School of Film and Photography. Although Bessma spent the last four and a half years in Bozeman, Montana, Bessma was born, raised, and is now currently residing in San Diego, California. Her photographic journey has encompassed an exploration of various mediums, ranging from silver gelatin prints and digital flash photography, to alternative process and chromogenic printing in the color darkroom. From this exploration she learned to cultivate her aesthetic, her relationship to photography, and to refine and utilize her voice. In her own reflection, she sees herself as a detective and a scientist, but to the outside world, she is an artist and a photographer. With her camera she will continue to investigate and theorize about the world she’s a part of, and where she fits in. But in the moments she’s not photographing, she enjoys filthy explicit music – and classic literature. Gutter Dutchess: I organize my environment in the frame and listen to when the world tells me I am a woman. I consider questions like, “How do I photograph a homewrecker?” and “What is inherently aggressive about a haircut?”. I desperately follow curiosity like the north star. GUTTER DUCHESS is a punk portrait series represented by twenty color film images of friends, best friends, my sister, my mother, myself, and moments in between. From doctor’s appointments to dumpster diving, I comprehend a women’s world through a lens that is candid, impulsive, crude, jovial, contrite, and desperate to reject assimilation to any one characteristic. As I photograph, I find myself constantly fighting with my images because I am a pessimistic, hotheaded, angry little person. However, in these photographs, I am continuously confronted with an abundance of love from the women in my life, who are proof of the untamable female spirit. This work is messy, unglamorous, and a raw exploration of womanhood. Favoring emotional truth over aesthetic polish, my series sprinkles clues of the fallacy of attempting feminine definition. Artist Philosophy Photography is a method of comprehension, I want to understand what is here. I have always been intrigued by the surreal but perhaps that comes from a bigger desire to turn the psyche outward, to make the invisible visible. I am driven by the ability to push the boundaries of sensation through the uncanny, visceral, and provocative. Visual arts is my language to answer life’s biggest questions. Every series is a conversation and if photography is to speak then a camera is the tongue. I have completely fallen in love with the medium, and without the tongue there is no voice.
Dan Budnik
Dan Budnik
United States
1933 | † 2020
Dan Budnik (b.1933, Long Island, NY) studied painting at the Art Students’ League of New York. After being drafted, he started photographing the New York school of Abstracts Expressionist and Pop Artists in the mid-fifties, making it a primary focus for several decades. He made major photo-essays on Willem de Kooning and David Smith, among many other artists. It was his teacher Charles Alston at the Art Students’ League of New York, the first African American to teach at the League, who inspired his interest in documentary photography and the budding Civil Rights Movement. In 1957 he started working at Magnum Photos, New York, assisting several photographers, notably Cornell Capa, Burt Glinn, Eve Arnold, Ernst Haas, Eric Hartmann and Elliott Erwitt. In March 1958 Budnik travelled to live with the underground in Havana for 6 weeks during the Cuban revolution. Budnik continued to work with Magnum for half of his time, until joining as an associate member in 1963. In 1964 he left Magnum and continued specializing in essays for leading national and international magazines, focussing on civil and human rights, ecological issues and artists. Since 1970 Budnik has worked with the Hopi and Navaho traditional people of northern Arizona, and received for this work a National Endowment for the Arts Grant in 1973 and a Polaroid Foundation Grant in 1980. In 1998 he was the recipient of the Honor Roll Award of the American Society of Media Photographers. He lives and works in Tucson and Flagstaff, Arizona. Source: danbudnik.com
Wendi Schneider
Wendi Schneider
United States
1955
Wendi Schneider is visual artist illuminating impressions of grace and vanishing beauty in our vulnerable environment with photography and precious metals. Her work is influenced by the lush landscapes of Memphis and New Orleans and a background in painting and art history - in particular Whistler and Steichen, and other Pictorialists and Tonalists. She turned to photography in the early 1980s to create references for her paintings. Mesmerized by the alchemy of the darkroom, yet missing the sensuousness of oils, she layered glazes on her prints to create a heightened reality. She moved to New York in 1988, where she also photographed for advertising, book covers and Victoria Magazine, and to Denver in 1994, later sidelining her fine art practice while raising her son and working in commissioned photography, art direction, and design. Inspired to return to fine art photography in 2010, she soon began her ongoing series 'States of Grace' - engaging digital to capture, layer and print her images, then applying gold or silver on verso to infuse the artist's hand and suffuse her subjects with the spirituality and sanctity of the precious metals - insuring each print is a unique object of reverence. Her photographs have been shown in numerous solo and group exhibits internationally and are held in permanent collections at the New Orleans Museum of Art, the Memphis Brooks Museum, the Center for Creative Photography, Auburn University Library, and the Try-Me Collection. Statement My work is rooted in the serenity I find in the sinuous elegance of organic forms. It's a celebration of the senses anchored in the visual. I'm transfixed and transformed in the art of capturing the stillness of the suspended movement of light and compelled to preserve the visual poetry of these fleeting moments of vanishing beauty in our vulnerable environment. I photograph intuitively - what I feel, as much as what I see. Informed by a background in painting, art history and design, I layered oils on silver gelatin prints in the '80s and '90s to find balance between the real and the imagined. My images are now layered digitally with color and texture, often altered within the edition, honoring the inconsistency. Printed on translucent vellum or kozo, these ethereal impressions are illuminated with white gold, moon gold, 24k gold or silver on verso, creating a luminosity that varies as the viewer's position and ambient light transition. My process infuses the artist's hand and suffuses the treasured subjects with the implied spirituality and sanctity of the precious metals - insuring each print is a unique object of reverence. 'States of Grace' has evolved organically into series within series that can be curated by subject, theme, treatment or feeling. Galleries A Gallery for Fine Photography Anika Dawkins Gallery Catherine Couturier Gallery Galeria PhotoGraphic Rick Wester Fine Art Vision Gallery
Elena Donskaya
Elena Donskaya
Russia
1969
I was born in a small village in Buryatia and have been surrounded by the beauty of this region since birth. My parents worked in a geological expedition, which instilled in me a love of travel. During my school years, I graduated from the School of Arts. I have traveled extensively — to over 30 countries — and visited numerous museums and galleries, experiences that have fueled my passion for photography and helped me develop a refined artistic taste. I have been actively engaged in photography for the past three years, specializing mainly in female portraits, while also exploring a variety of other genres. AAP Magazine: AAP Magazine 49: B&W
Leslie Gleim
Leslie Gleim
United States
1955
Leslie Gleim is a Honolulu-based fine art photographer known for her distinctive visual narratives created through aerial and macro perspectives. Her ongoing work seeks to understand the complex relationships and tensions between the natural, climatic, and human impacts upon the Hawaiian ʻāina (land). With a particular focus on the volcanic ecology of Hawai’i, she captures the regenerative and dynamic process shaped by the volcanic activity and explores the profound changes that are created by those powerful forces on the ʻāina. By documenting this delicate balance between nature and human influence, she hopes to inspire and provoke thoughtful dialogue about environmental stewardship of our planet. Leslie's work has been widely exhibited and published locally, nationally, and internationally. Her work Life Of The Land was recently purchased into the Art in Public Places Collection of the Hawai’i State Foundation on Culture and the Arts. Artist Statement "Life Of The Land” In 2017, I became curious about the volcanic activity on Hawai’i Island and chartered my first helicopter flight over Kīlauea’s Halemaʻumaʻu crater. Struck by the volcanic power and the resilience of the land, that flight marked the beginning of a photographic narrative documenting the life of the land. Ancient lava flows, cones, and fissures etch themselves eloquently across the landscapes of Hawaiʻi, their presence akin to pages torn from an ancestral geological journal spanning millennia. Each formation reveals a fragment of Hawai’i's narrative (mo’olelo), bearing witness to its evolution and adaptation, each element telling a tale of resilience and renewal. The photographs are not merely snapshots of geological features; they are windows into the soul of the land, revealing the timeless forces that have shaped the landscape. Each image is freshly written onto the pages of a present-day journal that provides the reader/viewer with both historical and current insights into the story of the land. Simultaneously, it unveils the volcanic cleansing and birthing processes that shapes the ‘aina (land), giving rise to new landscapes from its apocalyptic beginnings. Are we witnessing glimpses of a future defined or foretold in the Anthropocene era? As we confront the challenges of environmental degradation and climate change, these photographs serve as reminders of the delicate balance between humanity and nature. What stories will endure for future generations, and what legacies will we leave behind?
Yusheng Jiang
Yusheng Jiang
China
1999
Born in Shanghai, Yusheng Jiang was deeply captivated by the allure of photography from a young age. His father, a photojournalist from the 1990s, left him with precious visual records, igniting his profound interest in photography, especially the transformation of cities and the vibrant rhythms within. Yusheng's academic journey began at the Shanghai Institute of Visual Arts, where he majored in photography and uniquely explored human desires through 3D software. Subsequently, he pursued his MFA at the School of Visual Arts (SVA) in New York, specializing in photography, video, and related media. He further expanded his artistic horizons there, particularly delving deep into the relationship between cities and their inhabitants through interdisciplinary studies. To Yusheng, photography is not merely about capturing images but represents a unique perception and understanding of the world. He believes that behind the mechanical and alienating modern urban life lies a deeper spiritual sanctuary for people. Through installations, animation, and sculptures, he unveils every nook and cranny of urban transformations. What stands out is Yusheng's aspiration to fuse technology and art, offering audiences an entirely fresh aesthetic experience. He hopes that viewers are not just recipients but active participants in his works, interacting and crafting their distinct artistic expressions. ARTIST STATEMENT "The series of documentary photography focuses on the giant development of Shanghai after ‘The Open Door Policy’ in 1979. As time goes by, it is slowly surrounded by the bustling business district and finally disappears into the river of urban construction. The exposed bricks and crisscrossing scaffolding reached Shanghai at the peak of development by the working class. Long Tang is a unique form of residential house in Shanghai. It is also the place where I grew up in childhood. With the demolition and reconstruction, the memory of my life has been sealed up by the metropolis. In this series of photos, I present the process of urban evolution and think about the link between me, space, history, and Shanghai." Awarded Photographer of the Week - Week 35, 2025
Bryan Adams
Bryan Adams
Canada
1959
Adams works as a photographer as well as musician, aside from being published in British Vogue, L'uomo Vogue, Harper's Bazaar, Esquire, Interview magazine and i-D, among others, he has also shot advertising campaigns for Guess Jeans, Sand, Converse, Montblanc, John Richmond, Fred Perry, and more recently for Escada. He has won Lead Awards twice in Germany for his fashion work, most recently June 2012 and previously in 2006. Other photographic endeavours include founding the art fashion Zoo Magazine, based in Berlin, Germany for which he shoots for regularly. His first book of photos will be released by Steidl in 2012 entitled Exposed. Previous published collaborations include; American Women June 2005, for Calvin Klein in the United States; proceeds from this book went to Memorial Sloan–Kettering Cancer Center in New York City for their breast cancer research for programs, and Made in Canada December 1999 for Flare Magazine in Canada; proceeds went to the Canadian Breast Cancer Foundation. Both books were dedicated to his friend Donna, who died of the disease. As a photographer, Adams has worked with many of his musical peers, including Lana Del Rey, The Who, Sting, Shania Twain, Mick Jagger, Arcade Fire, Ray Charles, Tina Turner, Rod Stewart, Robert Plant, Take That, Joss Stone, Plácido Domingo, Sarah McLachlan, Celine Dion, Billy Idol, Moby, Lindsay Lohan, Amy Winehouse, Annie Lennox, Peter Gabriel, Bryan Ferry, Lenny Kravitz, Die Antwoord, and Morrissey to name a few. On 27 November 2000 Adams played onstage with The Who at the Royal Albert Hall. A DVD of the concert was issued. Adams photographed the band and his photos appear in the DVD booklet. In 2002, Adams was invited, along with other photographers from the Commonwealth, to photograph Queen Elizabeth II during her Golden Jubilee; one of the photographs from this session was used as a Canadian postage stamp in 2004 and again in 2005 (see Queen Elizabeth II definitive stamp (Canada)), another portrait of both Queen Elizabeth II and Prince Philip is now in the National Portrait Gallery in London. Adams supports the Hear the World initiative as a photographer in its aim to raise global awareness for the topic of hearing and hearing loss. He photographed Michael J. Fox and Tatjana Patitz in the 2011 Carl Zeiss AG company calendar in New York City in the summer of 2010. The focus was about the size difference of the subjects in a comedic presentation. In 2011, Adams provided the cover art for Lioness: Hidden Treasures, a posthumous release by Amy Winehouse.Source: Wikipedia Rock Icon Bryan Adams' lifelong interest in photography turned into a vocation when he began shooting for fashion magazines and advertisers more than a decade ago. But it's not all models and celebrities: He most recently turned his lens on 40 British soldiers returning from Iraq and Afghanistan. His series Wounded: The Legacy of War, the subject of a 2013 book from Steidl and an exhibit at London’s Somerset House on display this month through Jan. 25, showcases the brutal (and all too common) injuries incurred in battle. "I didn't like the fact that people were getting so badly hurt, so many people were killed, were displaced, forgotten. This is my statement," says Adams, 55. On the legacy of the images, he says, "I hope [people] realize that these guys made an incredible sacrifice. War is disgusting and this is the result of what happens when we decide to beat each other up."Source: Billboard
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Latest Interviews

Exclusive Interview with Susan Anthony
Interview
Exclusive Interview with Susan Anthony
American photographer Susan Anthony brings a painter’s eye to documentary photography, creating nuanced portraits of people and places shaped by time, community, and tradition. Her work is rooted in observation, empathy, and a deep curiosity about the lives of others. Through long-term projects, she explores the relationship between individuals and the environments they inhabit, revealing the stories that connect people to a place and to one another.
Read the full interview
Exclusive Interview with Carole Mills Noronha
Interview
Exclusive Interview with Carole Mills Noronha
Carole Mills Noronha is an Australian photographer whose deeply personal work explores memory, family, loss, and the fragile nature of identity. Living with epilepsy and a lifelong sensitivity to light, she has developed a distinctive photographic language rooted in observation, empathy, and emotional connection. Her images are shaped by lived experience, revealing intimate stories with remarkable honesty and tenderness.
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Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
Interview
Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
Read the full interview
Exclusive Interview with Frank Meo
Interview
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
Read the full interview
Exclusive Interview with Carolyn Moore
Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Read the full interview
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Read the full interview
Exclusive Interview with Matthew Finley
Interview
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Read the full interview
Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Read the full interview
Call for Entries
AAP Magazine #59 Shapes
Publish your work in our printed magazine and win $1,000 cash prizes
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