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Win a Solo Exhibition in May 2026 + An Exclusive Interview!
Win a Solo Exhibition in May 2026 + An Exclusive Interview!
Julie-Anne Davies
Julie-Anne Davies
Julie-Anne Davies

Julie-Anne Davies

Country: Canada

Julie-Anne’s earliest memories consist of lying on the carpet of her childhood home scouring through the pages of her father’s prolific National Geographic collection. Her mind was shaped at a young age by visuals of exotic far off lands, cultures completely unlike her own and wild creatures her imagination barely yet had the capacity to comprehend. On her 10th birthday she received her first camera and recalls a distinct sense of ‘knowing’ from that moment that photography was going to play a central and defining role in her life.

In love with her rural home in the mountains of Western Canada, but unable to suppress her nomad heart, Julie-Anne has spent the past several decades traveling the world, often with her two young children in tow. She leads cultural photography tours for UK based Wild Images and is an expedition photographer and ‘Adventure Specialist’ (yes, this is her real job title) for the world’s largest outdoor female adventure company, Wild Women Expeditions.

Her heart is drawn to remote and challenging to access corners of the world and in particular to regions where lives are still intricately and intrinsically tied to the land on which they depend. The human condition and how it is shaped by its relationship to nature drives an endless curiosity in Julie-Anne and forms the backbone of her photography work. Fascinated by cultural, religious and ethnic diversity, she is often driven by a sense of urgency to document within these remote parts of our planet ‘what still is’ before it becomes ‘what was’. In doing so, she hopes to play her part in contributing to a visual archive of the beautiful but rapidly vanishing cultural diversity among humanity.

She is a five time exhibitor in the prestigious Atlas of Humanity project, an ethnographic showcase of the world’s diverse cultures in Paris, Milan and New York and has been featured in many international publications. At home, her energy is spent, other than with family, in photographing the stunning Canadian landscape and most recently shifting towards documenting our changing natural environment through film and storytelling.

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More Great Photographers To Discover

Deb Schwedhelm
United States
Born in Detroit, Michigan, Deb Schwedhelm was originally trained as a Registered Nurse and subsequently spent 10 years employed as an Air Force Nurse. Although she has been passionate about photography since her early 20s, it wasn't until Deb left the military that she was able to pursue the medium as a full-time career.Deb's photographs have been exhibited widely and featured in numerous publications throughout the world. She has received awards from Photolucida, Portland, OR; PhotoNOLA, New Orleans, LA; MPLS Photo Center, Minneapolis, MN; The Perfect Exposures Gallery, Los Angeles, CA; A. Smith Gallery, Johnson City, TX; Santa Fe Photographic Workshops, Santa Fe, NM; and The Art of Photography Show, San Diego, CA. Her photographs have also been selected for the permanent collection of The Center for Fine Art Photography, Fort Collins, CO.Deb is married to a Naval Explosive Ordnance Disposal Officer and she is the mother to three children, who are often the subjects of her photographs. Deb is currently based in Tampa, Florida and will be moving to Yokosuka, Japan summer 2014. All about Deb Schwedhelm:AAP: Where did you study photography?I purchased a DSLR and began teaching myself photography in 2006. Prior to that, I was a Registered Nurse in the U.S. Air Force for 10 years.AAP: Do you have a mentor or role model?Jock Sturges has been mentoring me for the past few years and I'm so grateful for all that he has shared with me.AAP: Do you remember your first shot? What was it?While I don't remember my first shot (because I was too busy trying to learn photography at that time), I do remember my first commissioned portrait session. It was with a family that lived down the street. One of the photographs (boxer boy) still remains one of my favorites, especially remembering back to how new I was to photography.AAP: What or who inspires you?As cliche as it may sound, I truly draw so much inspiration from my children. My middle child (10 yo) very much gets me. When I take her out to photograph, I leave with a vision and a plan, but based on her actions, I typically end up dumping any plan that I had and we just mesh with one another. She'll tell you that I often say to her, "just keep doing what you're doing." I also am very much inspired by dance and music.AAP: How could you describe your style?Raw, real and emotive.AAP: What kind of gear do you use? Camera, lens, digital, film?Above water: Nikon D3S, 35mm f/1.4, 50mm f/1.4 and 85mm f/1.8In the water: SPL housing,Nikon D700 and a 35mm f/2.0.AAP: Do you spend a lot of time editing your images? For what purpose?No, I don't really spend a lot of time editing my digital images. I do my best to get it right in camera, which makes the editing process very simple. I work mostly in Lightroom but I do bring my black and white images into Photoshop for a bit of fine-tuning. Basically, I want my editing to look pure, while gently enhancing the overall essence and feeling of the photograph.AAP: Favorite(s) photographer(s)?Sally Mann, Jock Sturges and Mary Ellen Mark have been my favorites from the very beginning.AAP: What advice would you give a young photographer?Work to master your technique -- and your artistry. Work really hard. Be dedicated, committed and determined. Never stop exploring, reflecting, learning and growing. Have patience. Know that the journey of photography is not always an easy one, but it is an absolutely amazing one. Be authentic and make genuine connections. Remember to be grateful, kind and giving. Do your best and don't ever give up!AAP: What mistake should a young photographer avoid?The greatest gifts a photographer could give themselves is allowing time and being patient. AAP: An idea, a sentence, a project you would like to share?I would love to share a couple of photography projects that I recently learned about and am inspired by...I had the opportunity to take a workshop from Mary Ellen Mark and I'm greatly inspired by her work and authenticity (both professionally and personally). She and her husband recently launched a kickstarter campaign, which I am thrilled to support: STREETWISE: Tiny RevisitedAnd 'The Return' kickstarter is another project I am happy to support. It is so incredibly beautiful and heartfelt: The return: Book ProjectLove these words shared in the project video: "State the intention for spirit to be present in your finished object, it will be. My soul need these images."AAP: What are your projects?For the past few years, I have been working on my 'From the Sea' series. This summer, I am planning to travel the US for a few months and will not only be photographing in various bodies of water across the US, I am also planning to launch a new project. While I'm not quite ready to release details of my new project, I hope you'll stay tuned.AAP: Your best memory as a photographer?Wow, that's a tough question. Receiving that first message from Jock Sturges was pretty darn amazing and winning photoNOLA was such an incredible gift. I never saw either coming.AAP: The compliment that touched you most?Every compliment greatly touches me. I truly am so appreciative for all that others share with me.AAP: If you were someone else who would it be?I'm quite happy being me and can't imagine being anyone else. AAP: Your favorite photo book?Oh how I love photography books. I have so many that proudly grace my bookshelves -- books which I've collected over the years. Sally Mann's Immediate Family was the first photography book I owned so it's pretty special. I also had the opportunity to have Sally Mann sign my books last summer, while attending her talk at the University of Michigan.AAP: Anything else you would like to share?No matter what your personal journey, don't be afraid to dream and dream big -- you just never know what's possible with a little dreaming and a lot of hard work. Don't forget the importance of authenticity and don't ever forget to share your gratitude with those who have assisted you.Thank you so much for this wonderful opportunity to share. This has been the most amazing journey and I'm beyond grateful.
Gustave Le Gray
France
1820 | † 1884
Gustave Le Gray was born in 1820 in Villiers-le-Bel, Val-d'Oise. He was originally trained as a painter. He even exhibited at the salon in 1848 and 1853. He then crossed over to photography in the early years of its development. He made his first daguerreotypes by 1847. His early photographs included portraits; scenes of nature such as Fontainebleau Forest; and buildings such as châteaux of the Loire Valley. He taught photography to students such as Charles Nègre, Henri Le Secq, Nadar, Olympe Aguado, and Maxime Du Camp. In 1851 he became one of the first five photographers hired for the Missions Héliographiques to document French monuments and buildings. In that same year he helped found the Société Héliographique, the "first photographic organization in the world". Le Gray published a treatise on photography, which went through four editions, in 1850, 1851, 1852, and 1854. In 1855 Le Gray opened a "lavishly furnished" studio. At that time, becoming progressively the official photographer of Napoleon III, he became a successful portraitist. His most famous work dates from this period, 1856 to 1858, especially his seascapes. The studio was a fancy place, but in spite of his artistic success, his business was a financial failure: the business was poorly managed and ran into debts. He therefore "closed his studio, abandoned his wife and children, and fled the country to escape his creditors". He began to tour the Mediterranean in 1860 with the writer Alexandre Dumas, père. They crossed the path of Giuseppe Garibaldi, and Dumas enthusiastically joined the revolutionary forces with his fellow travelers. His striking pictures of Giuseppe Garibaldi and Palermo under Sicilian bombing became as instantly famous throughout Europe as their subjects. Dumas abandoned Le Gray and the other travelers in Malta as a result of a conflict about a woman. Le Gray went to Lebanon, then Syria where he covered the movements of the French army for a magazine in 1861. Injured, he remained there before heading to Egypt. In Alexandria he photographed Henri d'Artois and the future Edward VII of the United Kingdom, and wrote to Nadar while sending him pictures. He established himself in Cairo in 1864; he remained there about 20 years, earning a modest living as a professor of drawing, while retaining a small photography shop. He sent pictures to the universal exhibition in 1867 but they did not really catch anyone's attention. He received commissions from the vice-king Ismail Pasha. From this late period there remain a mere 50 pictures, some of them as beautiful as ever. He probably died on July 30, 1884, in Cairo. Source: Wikipedia
Peter Beard
United States
1938 | † 2020
Peter Hill Beard is an American artist, photographer, diarist and writer who lives and works in New York City and Kenya. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s. Born in 1938 as a New York aristocrat, he was heir to a railroad fortune on his mother’s side of the family and a tobacco inheritance on his father’s. He was raised in New York City, Alabama, and Islip, Long Island, Beard began keeping diaries as a young boy and making photographs, as an extension of the diaries, at the age of 12. A graduate of Pomfret School, he entered Yale University in 1957, with the intention of pursuing pre-med studies, only to switch his major to art history. His mentors at Yale included Josef Albers, Richard Lindner and Vincent Scully. Inspired by earlier trips to Africa in both 1955 and 1960, Beard traveled to Kenya upon graduation. Working at Tsavo National Park, he photographed and documented the demise of 35,000 elephants and other wildlife, later to become the subject of his first book, "The End of the Game." During this time, Beard acquired Hog Ranch, a property near the Ngong Hills adjacent to the coffee farm owned by Karen Blixen (Isak Dinesen), which would become his lifelong home-base in East Africa. Peter Beard's photographs of Africa, African animals and journals that often integrate his photographs have been widely shown and published since the 1970s. Each of his works is unique, a combination of his photography with elements derived from his daily diary-keeping, a practice he continues to this day. These volumes contain newspaper clippings, dried leaves, insects, old sepia-toned photos, transcribed telephone messages, marginalia in India ink, photographs of women, quotes, found objects, and the like; these become incorporated, with original drawings and collage by Beard. Certain of his works incorporate animal blood, sometimes Beard’s own blood (in sparing quantities), a painting medium the artist favors. Beard's first exhibition was at the Blum Helman Gallery, New York, in 1975. Landmark museum exhibitions have been held at the International Center of Photography, New York, in 1977, and the Centre National de la Photographie, Paris, in 1997. Gallery exhibitions followed in Berlin, London, Toronto, Madrid, Milan, Tokyo and Vienna. Beard’s work is included in private collections throughout the world. In 2017, Beard was sued by actor David Spade who purchased one of his works. Spade tried to resell a Peter Beard photograph that he had purchased from dealer Peter Tunney but the unsigned work could not be authenticated. Descended from distinguished American families on both sides, Beard is one of three sons born to Roseanne Hoar Beard and Anson McCook Beard, Jr. A great-grandfather, James Jerome Hill, was founder of the Great Northern Railway in the United States in the late 19th/early 20th centuries. Having made his fortune in the railroad business, James Jerome Hill was a great patron of the arts. All of his heirs were exposed to and owned great collections, presumably having a strong influence on Beard’s interests in the arts and beauty. Beard married his first wife (Minnie Cushing Beard Coleman) in 1962; their marriage lasted only briefly. His second wife was supermodel Cheryl Tiegs, from 1982 to 1986. In 1986, he married Nejma Khanum. The couple has a daughter, Zara, for whom his book, Zara’s Tales, was written. Beard has befriended and in some cases collaborated with many legendary artists including Andy Warhol, Andrew Wyeth, Francis Bacon, Karen Blixen, Truman Capote, Richard Lindner, and Salvador Dalí. He has also photographed many well-known people.Source: Wikipedia Peter Beard is a contemporary American photographer best known for his documentary images of Africa arranged in unique photo collages that combine painting, drawing, and text. Part documentarian, part activist, Beard’s work captures the plight of a continent succumbing to industrialization. “The wilderness is gone,” the artist has said, “and with it much more than we can appreciate or predict. We'll suffer for it.” Born on January 22, 1938 in New York, NY the artist and diarist was educated at Yale University, studying art history with the famed abstract painter Josef Albers. After moving to Africa in the 1960s, Beard began to catalog the demise of elephants and rhinoceroses in Kenya’s Tsavo National Park. In 1975, while living in Nairobi, Beard spotted a beautiful university student named Iman, the photographer later brought her to New York, launching her career as a super model. Over the course of his career he has collaborated with Andy Warhol, Richard Lindner, Francis Bacon, and others. Beard currently lives and works between New York and Montauk, NY, and Nairobi, Kenya.Source: Artnet
Hector Acebes
United States/Spain
1921 | † 2017
Hector Acebes was an American photographer, notable for his expeditions to Africa and South America. He was born in 1921 in New York City, and spent most of his childhood in Madrid (Spain) and Bogotá (Colombia). He went on his first long-distance voyage at the age of thirteen, going 400 miles from Bogota to the city of Barranquilla when he ran from home to "sail around the world". He was trained at the New York Military Academy and would serve in the US army in World War II on the European front. He studied engineering at the Massachusetts Institute of Technology (MIT), and graduated in 1947. He married Madeline Acebes in Boston, and they would have a son and two daughters. His first major photographic expedition was to North Africa in 1947. He embarked on a second trip to West Africa, specifically Timbuktu in 1949. Between 1950 and 1953, he embarked on several expeditions to the Orinoco River in Venezuela, and to other parts of South America. He went on his final, most extensive African expedition in 1953, going throughout the continent, from Dakar to Zanzibar. After this, he began a career as an industrial filmmaker for engineering projects throughout South America. In his final years Acebes lived in Bogota, and worked on creating the Hector Acebes Archive. He died in Bogota on 22 April 2017. Acebes's African photographs are often viewed as a departure from colonial anthropologists such as Casimir Zagourski, in whose footsteps he followed. He himself rejected the label of "anthropologist", seeking to distance himself from its colonial connotations. The work of many previous photographers was often in service to the European colonization of Africa, and sought to document Africans as colonial subjects, Acebes's portraits gave the subjects more agency to pose, express emotions and individuality, thus departing from this tradition to an extent. Hector Acebes thus existed in a transitional area between colonial anthropologists, and concurrently emerging native African photographers such as Seydou Keïta, in terms of the agency and depiction of Africans within his work.Source: Wikipedia Hector Acebes was born in New York City in 1921. He was raised in Madrid, Spain, and attended the Colegio del Pilar. His family moved to Bogotá, Colombia, where he attended the Gimnasio Moderno. Acebes returned to the United States for high school at the New York Military Academy. He gained much of his technical photographic skill by participating in the school’s camera club and through study and practice on his own. After graduating from the Chauncey Hall School in Boston, he entered Massachusetts Institute of Technology to study engineering. While in college, he maintained his own photo studio. During World War II, he enlisted in the U.S. Army and served in Germany. On his return, he completed his degree at MIT and then moved with his wife to Bogotá. He has a son and two daughters. Throughout the late 1940s and the 1950s, Acebes took expeditions through Africa and South America and started his work as a professional filmmaker and lecturer. By the late 1950s, Acebes Productions had established a reputation for creating excellent documentary and industrial films. Acebes wrote, filmed, directed, and edited each of the forty-three films Acebes Productions released. Hector Acebes died at the age of 96 on April 22, 2017 in Bogotá. For the last ten years, the Hector Acebes Archives has been active in bringing Acebes' work to the attention of galleries, collectors, and museums. It is managed by Ed Marquand.Source: Hector Acebes Archives
Eve Arnold
United States
1912 | † 2012
Eve Arnold was born Eve Cohen in Philadelphia, Pennsylvania, the middle of nine children born to immigrant Russian-Jewish parents, William Cohen (born Velvel Sklarski), a rabbi, and his wife, Bessie (Bosya Laschiner). Her interest in photography began in 1946 while working for Kodak in their Fair Lawn NJ photo-finishing plant. Over six weeks in 1948, she learned photographic skills from Harper's Bazaar art director Alexey Brodovitch at the New School for Social Research in Manhattan. She married Arnold Schmitz (later Arnold Arnold) in 1941. Eve Arnold photographed many of the iconic figures who shaped the second half of the twentieth century, yet she was equally comfortable documenting the lives of the poor and dispossessed, "migrant workers, civil-rights protestors of apartheid in South Africa, disabled Vietnam war veterans and Mongolian herdsmen." Her joyful picture of a Cuban couple with their child was selected in 1955 for the world-touring Museum of Modern Art exhibition The Family of Man and seen by 9 million visitors. For Arnold, there was no dichotomy: "I don't see anybody as either ordinary or extraordinary," she said in a 1990 BBC interview, "I see them simply as people in front of my lens." Arnold was particularly noted for her work using available light, concentrating on the image in the lens and eschewing extensive use of photographic lighting and flash. Of this she said "By the time you set up lights the image is gone" in a Guardian interview in 2000. Arnold's images of Marilyn Monroe on the set of The Misfits (1961) were perhaps her most memorable, but she had taken many photos of Monroe from 1951 onwards. Her previously unseen photos of Monroe were shown at a Halcyon Gallery exhibition in London during May 2005. She also photographed Queen Elizabeth II, Malcolm X, Marlene Dietrich, and Joan Crawford, and traveled around the world, photographing in China, Russia, South Africa and Afghanistan. Arnold left the United States and moved permanently to England in the early 1970s with her son, Francis Arnold. While working for the London Sunday Times, she began to make serious use of color photography. In 1980, she had her first solo exhibition, which featured her photographic work done in China at the Brooklyn Museum in New York City. In the same year, she received the Lifetime Achievement Award from the American Society of Magazine Photographers. In 1993, she was made an Honorary Fellow of the Royal Photographic Society, and elected Master Photographer by New York's International Center of Photography. She did a series of portraits of American First Ladies. In 1997, she was appointed a member of the Advisory Committee of the National Media Museum (formerly the Museum of Photography, Film & Television) in Bradford, West Yorkshire. She was appointed an Honorary Officer of the Order of the British Empire (OBE) in 2003. She lived in Mayfair for many years until her last illness, when she moved to a nursing home in St George's Square, Pimlico. When Anjelica Huston asked if she was still doing photography, Arnold replied: "That's over. I can't hold a camera any more." She said she spent most of her time reading such writers as Fyodor Dostoyevsky, Thomas Mann and Leo Tolstoy. Arnold died in London on January 4, 2012, aged 99. Source: Wikipedia Eve Arnold was born in Philadelphia, Pennsylvania to Russian immigrant parents. She began photographing in 1946, while working at a photo-finishing plant in New York City, and then studied photography in 1948 with Alexey Brodovitch at the New School for Social Research in New York. Arnold first became associated with Magnum Photos in 1951, and became a full member in 1957. She was based in the US during the 1950s but went to England in 1962 to put her son through school; except for a six-year interval when she worked in the US and China, she lived in the UK for the rest of her life. Her time in China led to her first major solo exhibition at the Brooklyn Museum in 1980, where she showed the resulting images. In the same year, she received the National Book Award for In China and the Lifetime Achievement Award from the American Society of Magazine Photographers. In later years she received many other honours and awards. In 1995 she was made fellow of the Royal Photographic Society and elected Master Photographer - the world's most prestigious photographic honour - by New York's International Center of Photography. In 1996 she received the Kraszna-Krausz Book Award for In Retrospect, and the following year she was granted honorary degrees by the University of St Andrews, Staffordshire University, and the American International University in London; she was also appointed to the advisory committee of the National Museum of Photography, Film & Television in Bradford, UK. She has had twelve books published. Source: Magnum Photos
Anthony Iacuzzi
United States
1944
When I was five years old, my family emigrated from Italy to the United States. We settled in Chicago where I attended public and parochial schools and graduated from Loyola University with a B.S. in Social Sciences degree. After graduation in 1966, I began my career with a major retailer as an advertising copywriter. Eventually, I started my own company as a consultant in marketing communications. My interest in photography began as a teenager with a point'n'shoot Kodak camera. In 1967, my passion for photography took flight after purchasing my first 35mm SLR at a PX on a military base in Vietnam. I used that Mamiya-Sekor to document my 13-month experience there. For several years afterwards, I continued to capture images with that camera until it was stolen. Not long after that loss, I decided to seriously pursue photography. In 1974, while still working full-time, I enrolled as a part-time student at Columbia College, Chicago, There, I studied the history of art and photography, and how to view the world in shades of gray. I learned about chemistry and how to manipulate silver gelatin in the darkroom. I learned about esoteric color processes such as dye sublimation. I also studied the difference between good and great composition, the intricacies of a view camera, and how to approach people on the street and get them to pose willingly. In 1977, I finally earned my B. A. in Photography degree. During the 70's and 80's, I continued to pursue my career, married, bought a home, and raised three children. Although I continued to enjoy photography as a serious amateur, it wasn’t until 2009, that I fully focused my attention on fine art photography. That’s when I approached a colleague with the idea of establishing a fine art photography gallery in Evanston, Illinois. In 2010, together with two other colleagues, we co-founded Perspective Group and Photography Gallery, a not-for-profit cooperative of member artists whose mission is to promote fine art photography. I have been actively involved with Perspective Gallery ever since. Statement: My photography ranges widely in style and content. My images encompass everthing from realism through impressionism and abstraction. Artistically, my intent is to offer the viewer a unique, creative encounter with the intrinsic beauty of the ordinary and commonplace.
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AAP Magazine #58 B&W
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Latest Interviews

Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
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Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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