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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
Julie-Anne Davies
Julie-Anne Davies
Julie-Anne Davies

Julie-Anne Davies

Country: Canada

Julie-Anne’s earliest memories consist of lying on the carpet of her childhood home scouring through the pages of her father’s prolific National Geographic collection. Her mind was shaped at a young age by visuals of exotic far off lands, cultures completely unlike her own and wild creatures her imagination barely yet had the capacity to comprehend. On her 10th birthday she received her first camera and recalls a distinct sense of ‘knowing’ from that moment that photography was going to play a central and defining role in her life.

In love with her rural home in the mountains of Western Canada, but unable to suppress her nomad heart, Julie-Anne has spent the past several decades traveling the world, often with her two young children in tow. She leads cultural photography tours for UK based Wild Images and is an expedition photographer and ‘Adventure Specialist’ (yes, this is her real job title) for the world’s largest outdoor female adventure company, Wild Women Expeditions.

Her heart is drawn to remote and challenging to access corners of the world and in particular to regions where lives are still intricately and intrinsically tied to the land on which they depend. The human condition and how it is shaped by its relationship to nature drives an endless curiosity in Julie-Anne and forms the backbone of her photography work. Fascinated by cultural, religious and ethnic diversity, she is often driven by a sense of urgency to document within these remote parts of our planet ‘what still is’ before it becomes ‘what was’. In doing so, she hopes to play her part in contributing to a visual archive of the beautiful but rapidly vanishing cultural diversity among humanity.

She is a five time exhibitor in the prestigious Atlas of Humanity project, an ethnographic showcase of the world’s diverse cultures in Paris, Milan and New York and has been featured in many international publications. At home, her energy is spent, other than with family, in photographing the stunning Canadian landscape and most recently shifting towards documenting our changing natural environment through film and storytelling.

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More Great Photographers To Discover

Sim Chi Yin
Singapore
1978
Sim Chi Yin (born 1978) is a Singaporean photographer, based between Beijing, China, and London. She works as a documentary photographer and artist who pursues self-directed projects in Asia and is "interested in history, memory, and migration and its consequences". As well as photography she uses film, sound, text and archival material. The Long Road Home: Journeys Of Indonesian Migrant Workers was published in 2011. Sim is a nominee member of Magnum Photos. Sim Chi Yin was born in Singapore. She learned history and international relations at the London School of Economics on a scholarship. She worked as a print journalist and foreign correspondent at The Straits Times for nine years. In 2010 she quit to work full time as a photographer. Within four years she was working as a photojournalist, getting regular assignments from The New York Times. Her first major work was The Rat Tribe, about blue-collar workers in Beijing. It has been published widely and was shown at the Rencontres d'Arles in 2012. Sim spent four years photographing Chinese gold miners living with the occupational lung disease silicosis, published in the photo essay Dying To Breathe, much of it about He Quangui, also the subject of a short film. She was commissioned as the Nobel Peace Prize photographer in 2017 to make work about its winner, the International Campaign to Abolish Nuclear Weapons. Her photographs of similarities in landscapes related to nuclear weapons, both in the USA and along the China-North Korea border, were exhibited at the Nobel Peace Center museum in Oslo, Norway. In 2014 she became an interim member of VII Photo Agency, a full member in 2016 then left in 2017. In 2018 she became a nominee member of Magnum Photos. She has been awarded a Magnum Foundation Social Justice and Photography fellowship and the Chris Hondros Award. She is newly based in Berlin.Source: Wikipedia Sim Chi Yin’s work combines deep research with intimate storytelling. She explores history, memory, conflict and migration using photography, film, sound, text and archival material, in a multidisciplinary practice. Chi Yin was commissioned as the Nobel Peace Prize photographer in 2017 and created a solo show for the Nobel Peace Centre museum in Oslo on nuclear weapons, combining video installation and still photography. Other notable projects include One Day We’ll Understand, an ongoing excavation of histories from the anti-colonial resistance movement in British Malaya during the early Cold War, Dying to Breathe which chronicled the slow death of a Chinese gold miner from “Black Lung” disease and Shifting Sands, an on-going visual investigation into world’s dependence on a non-renewable resource. Her work has been exhibited in the Istanbul Biennale (2017), at the Institute of Contemporary Arts Singapore, the Annenberg Space For Photography in Los Angeles, Gyeonggi Museum of Modern Art in South Korea, and other galleries and institutions in Europe, the United States and Asia. Her film and multimedia work have also been screened at Les rencontres d’Arles and Visa pour l'Image festivals in France, and the Singapore International Film Festival. She has worked on assignments for global publications, such as The New York Times Magazine, Time Magazine, National Geographic, The New Yorker and Harper's Bazaar. Chi Yin read history at the London School of Economics and Political Science for her first two degrees and was a staff journalist and foreign correspondent for a decade before quitting to become an independent visual practitioner in 2011. She is currently also a PhD candidate on scholarship at King’s College London, in War Studies. Chi Yin became a Magnum nominee in 2018.Source: Magnum Photos Recent solo exhibitions include One Day We’ll Understand, Les Rencontres d’Arles (2021), One Day We’ll Understand, Landskrona Foto Festival, Sweden (2020), One Day We’ll Understand, Hanart TZ Gallery, Hong Kong (2019) and Most People Were Silent, Institute of Contemporary Arts, LASALLE College of the Arts, Singapore (2018), Fallout, Nobel Peace Museum, Oslo (2017). Her work has also been included in group shows such as Most People Were Silent, Aesthetica Art Prize, York Art Gallery, United Kingdom (2019); UnAuthorised Medium, Framer Framed, Amsterdam, The Netherlands; Relics, Jendela (Visual Arts Space) Gallery, Esplanade, Singapore (both 2018); and the Guangzhou Image Triennial ( 2021), the 15th Istanbul Biennial, Turkey (2017). Sim was commissioned as the Nobel Peace Prize photographer in 2017, nominated for the Vera List Center’s Jane Lombard Prize for Art and Social Justice 2020.Source: chiyinsim.com
Phil Penman
United Kingdom/United States
The British-born, New York-based photographer Phil Penman has documented the ever-changing scene of New York City’s streets for more than 25 years. In his career as a news and magazine photographer, with a large body of work in such publications as The Guardian, The Independent, The New York Review of Books, among others, he has photographed major public figures and historical events. In particular, his reportage following the September 11, 2001 terrorist attack on the World Trade Center has featured on NBC’s Today show, as well as on the BBC, History Channel, and Al Jazeera, and his images have been included in the 9/11 Memorial and Museum’s archives. His work covering the pandemic lockdown in New York City has been acquired by the U.S. Library of Congress, whose collection holds work by such great Depression-era documentarians as Walker Evans and Dorothea Lange. Besides showing at Leica galleries in New York, Washington, D.C., Boston, and London, Penman’s signature street photography has appeared in international exhibitions as far afield as Venice, Berlin, and Sydney. He also tours the world teaching workshops on photography for Leica Akademie. He was recently named among the “52 Most Influential Street Photographers,” alongside such legends as Henri Cartier-Bresson, Sebastião Salgado, Diane Arbus, and Garry Winogrand. Penman’s first book, Street, published in 2019, became a best-seller and was featured at the Museum of Modern Art in New York. New York Street Diaries Phil Penman shows the big city on the east coast of the USA from a side that is rarely seen, calm and tranquil. The pictures were taken partly during the great snowstorm and partly during the Corona Lockdown and are thus contemporary witnesses of the pandemic restrictions that completely turned our previously-known world upside down. Born in Great Britain (Poole, Dorset), he has been photographing the streets of New York for well over two decades. He is known, among other things, for his photographs of famous personalities such as Michael Jackson, Madonna, Jennifer Lopez or Bill Gates. When the biggest tragedy in New York's history shook the city on 11 September 2001, Phil Penman was on the spot and created unique footage of the events with his camera. Penman knows how to capture the city in its most sensitive moments in an impressive way. He catches intimate moments in his black-and-white photographs and shows the people and streets of New York City far away from the hustle and bustle. The city life of the metropolis is presented so closely that some pictures inevitably evoke a smile in the viewer. Penman literally catapults his viewer into the scene with a refreshing directness and the feeling of really being present. New York Street Diaries
Wendel Wirth
United States
1966
Wendel Wirth is an American contemporary fine art photographer. Originally from New York City and Chicago, Wirth lives in the mountains of Ketchum (better known as Sun Valley), Idaho. She in interested in the space between minimalist art and photography, ultimately pushing the viewers attention beyond the subject matter and celebrating the most essential and elemental aspects of the photograph. Wirth is an Idaho Commission on the Arts Fellow and is represented by Gilman Contemporary in Ketchum, Idaho and Dimmitt Contemporary in Houston, TX. THIS IS THE PLACE THIS IS THE PLACE is a photographic exploration of minimalist art as found in the landscape of our fading farmland. Driving highway twenty through central Idaho, the ground stretches for miles, expanding space. The linear landscape feels curated. In the winter months, the muted horizon parades elemental forms; barns and grain elevators, cow houses, cowsheds, granges as they have been called. My mind, in its road trip haze, translates the landscape into fields of Donald Judd's concrete blocks. As a photographer, I flatten the plane, calling to mind Judd's woodblock prints. The structures fade into a cluster of modest rectangles. A perfectly centered horizon line juts from a singular form. Repetition, as found in minimalist art, is used to draw attention to the subtle details & linear interests. As I peer through my viewfinder, I am not only deeply engaged with form and texture, line, color and atmosphere, I am also contemplating the rate at which our farmland in disappearing. It is urgent for me to capture a place that historically has served as a source of health and ecosystem before it is gone. Through intersecting my obsession of minimalist art, photography and farmland, my intent is to inspire you to visually play in and to conserve this precious land. THIS IS THE PLACE I am telling you about.
Filip Gierlinski
United Kingdom
My uncle is a very accomplished craftsman and very keen and skilled amateur photographer. I always loved to see him draw, paint, design and gave me my fist Minolta x370 35mm manual camera when I was about 8, so it started there. At school and Uni I studied art subjects. I graduated in Graphic Design, worked for a year as a junior designer, but all the time thought I wanted to be the guy who came into our office with a contact sheet of commissioned photography, and not the guy sitting at a screen and designing the layouts for his photos. A friend was working in a Commercial Photo studio and needed some summer intern cover, and I jumped at the chance. 3 months tuned into nearly 4 years at the studio, and I learnt the skills, techniques, discipline, equipment and it opened my eyes to the industry and business of commercial photography. I have always had a passion for travel and I was eager to get outside, into the sun, and shoot people and places...we worked on products, catalogues and room sets at the studio which was an amazing experience and training, but not what I most desired to be shooting. I was fortunate enough to learn my trade in the days of film, and came to professional photography just as digital was breaking in and the industry was opening up and shifting. This gave me the technical skills of shooting on film for many years, and the ability to by my first semi-pro digital slr and advertise online for freelance jobs - so I had the best of (understanding) both worlds. After some travel and teaching TEFL with my wife, we came back to the UK and I started to freelance, shooting mostly art projects, working for the Arts Council and delivering educational programmes, and all the time slowly building up my freelance business. So since about 2003 I have worked as a commercial and corporate photographer, covering a wide range of subjects and industries and have had the opportunity to work with some amazing and diverse clients. The work as a tutor gives me the opportunity to travel and practice my craft and I bring that inspiration back to my business. Part of my early freelance work was shooting business portraits, and so I started to advertise specifically for Corporate Headshots and Portraits as a separate arm of my work, and this has become the main source of my income and commissions over the past few years. I have shot for huge companies with 1000's employees, as well as small businesses, professionals and entrepreneurs. I try to bring a sense of style and creativity, and an editorial feel to the ‘Corporate Headshot' and think that defines me with a distinctive look and product. I enjoy bringing a bit of creativity and style into the corporate world in my own little way, and years of shooting 1000s of people means I can read with my sitters quickly, make them feel at ease and connect with them which is something that shows through in my portraits. The skill is to do that within the 4 or 5 minutes I have with each person, sometimes up to 60-100 times a day! Most recently I shot a campaign for a bowling alley company, working with a sports marketing agency, and so in between my corporate work and travels, I work with agencies for hospitality, sports and automotive industries. Working on set with director Shane Meadows was a great experience, as well as shooting the bands I loved since I was a kid from the press pit and back stage at rock festivals - a real pinch yourself moment. As I often photograph a lot of faces and people in my daily work, it is always nice to get a luxury hotel commission where it's all about the rooms and design, architecture and details and make for a pleasurable change of pace. I was born in Poland in 1977, at 2 months packed into basket and flown to Tunis as my father was a civil engineer and contracted out there for a few years. We then lived in Poland and France and then moved to the UK when I was a child and so travel is in my blood. Since then I have been lucky to visit so many amazing countries. I have never really had money to just go travel, but always seeked out jobs where I could see the world. I have spent time as a tour guide in South America, teaching English in Nepal and India, and more recently working as a tutor has taken me all over the world. I have been lucky enough to be able to balance seeing the world, with a family life and earning here in the UK. I don't shoot travel stock or go with any intent to produce a commercial library, but more to see the people, to document their lives, to capture a story, as I feel my travel images are much more personal stories and of a more editorial feel than commercial. This may all change as i shoot new projects and seek to follow my vision. It is still my dream to find a way to move more towards travel and editorial commissions but I am lucky to be able to make ends meet through a job that I love every day.
MD Tanveer Rohan
Bangladesh
1982
Md Tanveer Hassan Rohan is an internationally award-winning Bangladeshi-born American photographer, widely recognized for his powerful visual storytelling in documentary, travel, street, and cultural photography. Based in New York, United States, his work captures authentic human experiences, cultural traditions, and everyday life with emotional depth and narrative clarity. Born and raised in Bangladesh, Rohan developed a strong interest in photography at an early age, drawn to the stories unfolding in ordinary surroundings. He later pursued formal training in photojournalism at the New York Institute of Photography (NYIP), where he refined his documentary approach, visual composition, and storytelling skills. Rohan’s photography is characterized by a thoughtful balance between documentary honesty and artistic expression. His images often focus on people, culture, and place highlighting resilience, dignity, and the subtle moments that define the human condition. Through careful use of light, timing, and composition, he transforms everyday scenes into compelling visual narratives that transcend geographical and cultural boundaries. Over the years, Md Tanveer Hassan Rohan has earned hundreds of international awards, honors, and recognitions, establishing a strong global presence in the photography community. Notably, he achieved back-to-back recognition as National Geographic Travel Photographer of the Year in 2017 and 2018, becoming the first Bangladeshi photographer to receive this distinction consecutively. His work has also been recognized by many of the world’s most prestigious photography competitions, including the Sony World Photography Awards, LensCulture – Magnum Photography Awards, Doha Photography Awards, Prix de la Photographie, Paris (PX3), Siena International Photo Awards, International Photography Awards (IPA), Moscow International Foto Awards (MIFA), Tokyo International Foto Awards (TIFA), Xposure International Photography Awards, and the Balkan Photo Awards, among others. His photographs have been exhibited internationally and featured on leading global photography platforms. He has been selected as a best Authors Six times in the FIAP patronage Photography Contest in Greece, France, Bangladesh, the Czech Republic & USA. He has been awarded an EFIAP distinction from Fédération Internationale de l'Art Photographique (FIAP) in early 2019, AFIAP in 2016, and BEPSS Distinction From The Photographic Society of Singapore (PSS) in November 2016 and PPSA Distinction From the Photographic Society Of America in December 2016 , Gold Exhibitor of APU (GAPU) distinction from Asia Photographers Union in June 2021. He also awarded Honorary Distinction Hon.CPE from Campina Photographic Exhibitions Society in February 2020 and Honorary Fellowship of the New York Photo Association Hon. F. NYPA in 2023. Today, working from New York, Md Tanveer Hassan Rohan continues to document cultures, people, and places around the world. Through his photography, he seeks to foster understanding, preserve cultural narratives, and connect audiences to the shared experiences that unite humanity while proudly representing his Bangladeshi roots on an international stage.
Shams Radwan
Egypt
1988
Shams Radwan, 26 years old from Egypt, is a passionate storyteller and artist dedicated to capturing and sharing the beauty of life through every detail. Growing up in a country rich in diverse cultures and deep-rooted heritage, Shams has been inspired by the vibrant traditions and stories that shape its identity. Her artistic journey began with a deep fascination for Egypt’s cultural tapestry, which she channels into creative works that celebrate heritage. Through her art, Shams transforms the beauty and narratives of Egypt's traditions into pieces that bridge the gap between past and present. With a focus on preserving cultural identity, she highlights the intricate details and timeless stories that make each tradition unique. For Shams, sharing heritage is more than just a passion—it’s a mission to ensure that these traditions remain alive and appreciated by future generations. Her work continues to inspire and unite, reflecting a deep commitment to preserving and celebrating the legacy of her homeland. Statement "As an artist, my work is deeply rooted in preserving and celebrating the diverse cultural heritage of Egypt. Through my creations, I aim to capture the stories, patterns, and traditions that have shaped generations, transforming them into art that bridges the past and present. My mission is to ensure that these invaluable traditions remain alive, appreciated, and understood, while inspiring future generations to explore the richness of their roots. By weaving the timeless beauty of our heritage into modern narratives, I seek to foster a sense of connection and unity through art." Awarded Photographer of the Week - Week 02
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AAP Magazine #57 Portrait
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AAP Magazine #57 Portrait

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