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Jennifer Baron
Jennifer Baron
Jennifer Baron

Jennifer Baron

Country: The Netherlands
Birth: 1971

Jennifer Baron is a Dutch photographer based in Amsterdam. After many years in the field of education, she has decided to pursue her passion for photography. Her journey into the world of visual storytelling has culminated in the recent publication of her self published debut book, ‘Frozen August.’ ‘I translate my feelings in my work using universal themes that deal with grief, trauma, loss and healing. There is always an autobiographical element present. Making visible experiences, pain and traces left behind. In my work, abstraction alternates with intimacy and emotion.’

Statement
Jennifer’s photographic work is a visual dance that encourages the viewer to explore the subtle balance between the intangible and the tangible, the distant and the immediate. It’s in the contrasting elements of her art that a strong feeling emerges, motivating people to explore their own feelings and experiences.

She believes that black and white photography has a unique ability to capture the raw essence of human emotions and experiences. It gives the viewers the opportunity to fill in the colors of their own emotions and interpretations. Her work is deeply rooted in her personal experiences and emotions.

‘I translate my feelings in my work using universal themes that deal with grief, trauma, loss and healing. There is always an autobiographical element present. Making visible the experiences, the pain and the traces left behind. In my work, abstraction alternates with intimacy and emotion.’

Frozen August
When you have experienced a loss, you can go a long time without dealing with it. You get carried away by everyday life. Suddenly that grief is there again. Why you can still grieve intensely even years after the death of a loved one.

‘My work gives an insight into my grieving process over the sudden death of my brother in August 1990. After 33 years of keeping silent about this, this wound is still so palpable. My world in darkness invites you to follow the trail of emotions. Body and nature become landscapes of mourning. Light and dark are about hope and despair. By combining various media; photography, sketches and publication book, my project Frozen August came about.’
 

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Sid Avery
United States
1918 | † 2002
Sid Avery (October 12, 1918 – July 1, 2002) was an American photographer and director who was best known for capturing the private moments of legendary Hollywood celebrities like Elizabeth Taylor, Rock Hudson, James Dean, Marlon Brando, Humphrey Bogart and Audrey Hepburn as showcased in his book Hollywood at Home. Avery was born in Akron, Ohio on October 12, 1918. He was only nine months old when they decided to move out to Los Angeles, California, which is where he grew up. Sid Avery received his high school education at the institution of Roosevelt High School. He discovered his love and talent of photography when he was young due to the fact that he was able to work with his uncle, Max Tatch, who was a landscape and architectural photographer. His uncle was able to teach him the skills required to use cameras, film, and darkrooms. After he graduated from high school, Sid Avery worked in a camera store on Sunset Boulevard, Hollywood where he further gained love and inspiration for photography. While working in the shop, he had opportunities to meet many famous photographers. This also encouraged him to take more photography classes. He also gained the experience of being a darkroom assistant. He served in the Army in World War II. When he returned from the war, he began his work of photographing celebrities. Sid Avery eventually became one of the top advertising photographers in Los Angeles. He was also a director of television commercials. Sid Avery was married to Diana Avery. Together they had three children named Sandra Guttman, Marc Avery, and Ron Avery. Sid Avery also had three grandchildren. He founded the Hollywood Photographer's Archive (HPA) and which is known today as mptvimages.com in an effort to preserve the work of the early Hollywood photographers. Sid Avery's work was commonly featured in publications such as Life, Look, Colliers and The Saturday Evening Post. There is a collection of his work, Hollywood at Home: A Family Album 1950-1965, that was published by Crown in the year of 1990. He is most famous for his work of photography that captured the home life of famous celebrities at the time. He captured the celebrities in their own element aside from the glamour of fame. Sid Avery died at the age of 83 on July 1, 2002, in Los Angeles, California.Source: Wikipedia One of six children, Sid Avery was born in 1918 in Ohio and moved to Los Angeles at a young age. Avery repaired a broken brownie box camera that he had found, and with the tutelage of his architectural photographer uncle he began to learn the basics of the photographic profession. By the time he entered Roosevelt High School, Avery’s talent in photography won him numerous prizes and after graduation he landed a job at Morgan’s Camera store on Sunset Boulevard. Avery was pursuing various odd photography jobs when World War II intervened. He was drafted into the Army, assigned to the Signal Corps, and selected to receive six months of training at Life magazine in New York before being sent overseas. Avery was stationed in London and was placed in charge of the Army Pictorial Service Laboratory, where all the stills and combat footage that came out of the European Theater of Operations passed through his hands. This included the detailed, highly classified photomontages of the French coast which were produced for the Normandy invasion. In order to handle this special material, Avery was granted an immediate commission by General Eisenhower himself. Photojournalism publications proliferated during the post-war years, and interest in film stars and their private lives grew to an all time high. During the 1950’s and early 1960’s, Avery photographed screen legends such as Humphrey Bogart, Lauren Bacall, Clark Gable, James Dean, Marlon Brando, James Stewart, and Alfred Hitchcock. His photographic essays appeared in the pages of The Saturday Evening Post, Look, Photoplay, Collier’s, Reader’s Digest, and many others. Avery’s characteristically low key, unobtrusive manner struck a sympathetic chord with reclusive and difficult personalities like Humphrey Bogart, who generally refused to be photographed. Bogart would eventually allow himself to be photographed by Avery with his pregnant wife Lauren Bacall and his son Stephen at their home. Sid Avery photographs have been exhibited and have been included in the permanent collections of the Museum of Modern Art in New York and San Francisco, the International Center of Photography in New York, the Smithsonian Institute in Washington, D.C., and the Los Angeles County Museum of Art in California.Source: Wikipedia
Odette England
Australia
1975
Odette England is an Australia/British artist who uses photography, performance, writing, and the archive to explore relationships between autobiography, gender, place, and vernacular photography. England is currently Visiting Artist-in-Residence at Amherst College in Massachusetts. She is also a resident artist of the Elizabeth Foundation for the Arts Studio Program in New York. Her work has shown in more than 90 solo, two-person, and group exhibitions worldwide. Notable venues include the George Eastman Museum, Museum of Contemporary Photography Chicago, New Mexico Museum of Art, Fort Wayne Museum of Art, RISD Museum, Center for Photography at Woodstock, Colorado Photographic Arts Center, Philadelphia Photo Arts Center, Photographic Resource Center Boston, MacDonald Stewart Art Center Ontario, Perth Center for Photography in Australia, State Library of South Australia, HOST Gallery London, and the Durham Art Museum & Gallery in England. England has regularly received funding through competitive grants and fellowships. These include the CENTER $5,000 Project Launch Award (2012); two grants - $4,865 and $2,315 - from the Andrew W. Mellon Foundation (2018-2019); the Anonymous Was a Woman $1,500 Grant (2020); Color Lab $2,000 Dean's Council Research Fellowship (2020); and the Center for Fine Art Photography Director's Award (2015), among others. She has received fellowships to attend residencies in Australia, Greece, Hungary, Iceland, Spain, and the United States including the invitation-only Robert Rauschenberg Foundation residency working with Guggenheim Fellow, Jennifer Garza-Cuen. England's first edited volume Keeper of the Hearth was published by Schilt Publishing in March 2020, with a foreword by Charlotte Cotton. The book is part of England's Winter Garden Photograph project which includes an exhibition at the Houston Center for Photography opening September 2020. England's photographs are held in public collections including the Brooklyn Art Library, the Fort Wayne Museum of Art, George Eastman Museum, Hungarian Multicultural Center, Museum of Contemporary Photography, New Mexico Museum of Art, Rhode Island School of Design, Robert Rauschenberg Residency, and Texas A&M University. Award-related exhibitions include the 2015 Australian Photobook of the Year; Magenta Foundation Flash Forward Emerging Photographers awards (UK winner, twice); HotShoe Magazine Photofusion Photography Award (1st prize); Director's Choice Award at the Medium Festival of Photography's ‘Size Matters' exhibition (1st prize); Px3 Prix De La Photographie competition (1st prize, People's Choice Award); and the Photo Review Photography Competition. Her work has been published in contemporary art journals, magazines, and newspapers including American Photo, Photograph, The Brooklyn Rail, The Photo Review, Photo District News, Hotshoe International, British Journal of Photography, Australian Art Monthly, Musee, GUP, SPOT, JRNL, The Guardian (United Kingdom) and Der Standaard (Belgium). England has given artist talks and critiques at Harvard University, Princeton University, Stanford University, Brown University, the School of Visual Arts in New York, Amherst College, the Penumbra Foundation, Kenyon College, Syracuse University, Lesley College of Art & Design, University of Melbourne, and the Art Gallery of South Australia, among others. She received a four-year fully-funded Research Training Program Scholarship to complete her PhD at the Australian National University in 2018. She also has an MFA in Photography with Honors from the Rhode Island School of Design and an MA in Communication, Culture and Language from the University of South Australia. England is a permanent US resident and lives and works in Providence, Rhode Island and New York City. Her work is represented in the US (east coast only) by Klompching Gallery.
Rinko Kawauchi
Rinko Kawauchi is a Japanese photographer. Her work is characterized by a serene, poetic style, depicting the ordinary moments in life. Since she began her photographic career, Kawauchi's photographs contained a unique aesthetic and mood, capturing intimate, poetic, and beautiful moments of the world around her. They often have brilliant and radiant light that gives them a dream-like quality. The sublimity of her photographs is further enhanced by her use of soft colors as well as her awareness of the beauty in even the most average moments. There is not one specific theme or concept that Kawauchi chooses to explore with her image creation; rather, she does it spontaneously, observing and reacting to everything that is around her before doing any sort of editing. She focuses on just shooting, and photographing everything that attracts her eyes before looking back and thinking about why she was interested in those subjects. Another subject that she explored in her book, Ametsuchi, was the practice of religious ceremonies and rituals that hinted at an earthly cycle involving the concepts of time and impermanence. In the book, she depicts Japan's Mount Aso, a sacred site for a Shinto ritual called yakihata, and its volcanic landscape. The ritual is a long-standing tradition dating back about 1,300 years in which farmland is burned yearly to maintain its sustainability for new crops as opposed to using chemicals, and the communities at Aso are among the few that continue this tradition. Ironically, witnessing essentially the rebirth of farmland take place, Kawauchi claims that she burned away her old self and was reborn herself. In her book Halo, she continues to explore that theme with different rituals at other locations. She traveled to Izumo, Japan to witness a ritual that involves the lighting of sacred flames to welcome the gods. She also went to the Hebei province of China to see new year celebrations, including a 500-year-old tradition of throwing molten iron at the city walls to make their own fireworks. Kawauchi became interested in photography while studying graphic design and photography at Seian University of Art and Design where she graduated in 1993. She first worked in commercial photography for an advertising agency for several years before embarking on a career as a fine art photographer. She has mentioned that she continues to work the advertising job. Her background and experience with design have influenced the edits and arrangements of photos in her series. Kawauchi often thinks about new ways to see her photographs, allowing her to continue to find new meaning and significance in her work. There is little known about her personal life and family, but through her photo book Cui Cui she portrays the memories of her family, which she has said to have been shooting for over a decade. The photos in the said book capture all the ordinaries and emotions of life, ranging from the happiness of childbirth to the heartbreak of death. At age 19, she began making prints of her first black-and-white photographs, and it wasn't until five years later that she started printing color photographs. After experimenting with different cameras, she decided to stay with the Rolleiflex, which she still uses. In 2001, three of her photo books were published: Hanako (a Japanese girl's name), Utatane ("catnap"), and Hanabi ("fireworks"). In the following years she won prizes for two of the books in Japan. In 2004 Kawauchi published Aila; in 2010, Murmuration, and in 2011 Illuminance. Kawauchi's art is rooted in Shinto, the ethnic religion of the people of Japan. According to Shinto, all things on earth have a spirit, hence no subject is too small or mundane for Kawauchi's work; she also photographs "small events glimpsed in passing," conveying a sense of the transient. Kawauchi sees her images as parts of series that allow the viewer to juxtapose images in the imagination, thereby making the photograph a work of art and allowing a whole to emerge at the end; she likes working in photo books because they allow the viewer to engage intimately with her images. Her photographs are mostly in 6×6 format. However, upon being invited to the Brighton Photo Biennial in 2010, Kawauchi first photographed digitally and began taking photos that were not square. Kawauchi also composes haiku poems. She lived for many years in Tokyo and in 2018 moved to the countryside on the outskirts of the city.
Craig Varjabedian
United States
1957
"Craig Varjabedian's photographs of the American West would be the perfect illustrations to a Cormac McCarthy book. They have a surreal beauty and poetic emptiness that border on the fictional. It's as if this isn't the real West, but the West of tall tales and American dreams." Claire O'neill, "The Picture Show," National Public Radio Craig Varjabedian is an award-winning photographer, author, and teacher. His stunning photographs of the people and places of the American West are critically acclaimed, not only for their powerful imagery and artistic composition, but also for their ability to transcend the commonplace-immanently engaging the viewer with scenes that passionately reflect the artist's connection to his subjects. Varjabedian achieves this goal through a skillful visionary acuity and intuition, allowing him to make photographs that expand awareness. As a result, viewers are presented with new ways of seeing and experiencing this region so integral to our collective imagination and our unique American identity. Varjabedian's gift lies in his ability to blend both technical expertise and illustrative narrative-depicting lyrical images that reveal the humanity and character of a vast sometimes barren country known for its legendary beauty and dramatic heritage. Varjabedian's photographs tell contemporary stories that continue to inspire today what has historically been recognized as the "spirit of the Great American West." Craig graduated from the University of Michigan witha Bachelor of Fine Arts degree, and received his Master's degree from the prestigious Rochester Institute of Technology. As a fine art photographer for over forty years, Varjabedian has been widely praised for his masterful images ranging from awe-inspiring, expansive landscapes, to intimate soul-revealing portraits. He is also the director of Eloquent Light Photography Workshops in Santa Fe. In further recognition of his work, Varjabedian has received grants from the National Endowment for the Arts, the Samuel H. Kress Foundation, the McCune Charitable Foundation, and the New Mexico Humanities Council. His photographs have been exhibited in, and his prints collected by, museums around the country, including the William Benton Museum of Art, the Baltimore Museum of Art, the Colorado Springs Fine Arts Center, the Harry Ransom Center at the University of Texas at Austin, and the Albuquerque Museum of Art. In 1991, Craig received an Emmy Award for his collaboration with award-winning filmmaker Karl Kernberger on the PBS documentary En Divina Luz: The Penitente Moradas of New Mexico. Photographs from this project were published in a 1994 book by the same name. Craig's other books include By the Grace of Light: Images of Faith from Catholic New Mexico (1998), Four & Twenty Photographs: Stories from Behind the Lens (2007); Ghost Ranch and the Faraway Nearby (2009), which received the prestigious Wrangler Award for Outstanding Photography Book from the National Cowboy and Western Heritage Museum; and Landscape Dreams, A New Mexico Portrait (2012), released to coincide with the New Mexico State Centennial. Varjabedian's latest book, Into the Great White Sands, a photographic celebration of White Sands National Monument, was published by the University of New Mexico Press in 2018. The book received a prestigious New Mexico/Arizona Book Award. Craig Varjabedian's Interview
George Rodger
United Kingdom
1908 | † 1995
George Rodger was a British photojournalist and war photographer, best known for his work documenting World War II and Africa. He was born on May 20, 1908, in Hale, Cheshire, England, and began his career as a photographer in the 1930s, working for magazines such as National Geographic and Illustrated London News. In 1940, Rodger joined the British Army as a war photographer, and covered the North Africa campaign and the invasion of Sicily. He later joined the RAF and covered the Normandy invasion and the liberation of Europe. His photographs from this period captured the harsh realities of war and the human impact of the conflict. When I discovered that I could look at the horror of Belsen—4,000 dead and starving lying around—and think only of a nice photographic composition, I knew something had happened to me and it had to stop. -- George Rodger After the war, George Rodger traveled to Africa and documented the continent's people and cultures. He spent several years living and working in West Africa, and his photographs from this period captured the daily lives of the people and the beauty of the land. He also documented the Mau Mau rebellion in Kenya, which aimed to end British colonial rule, and the effects of the rebellion on the local population. In addition to his work as a photojournalist, Rodger was also a founding member of the Magnum Photos agency, along with other renowned photographers such as Henri Cartier-Bresson, Robert Capa, and David "Chim" Seymour. He served as the first president of the agency and played an important role in establishing its reputation as one of the premier photographic agencies in the world. Rodger's photographs have been widely exhibited and published, and his work is held in several major museums and collections, including the National Portrait Gallery in London, the Museum of Modern Art in New York, and the Bibliothèque Nationale de France in Paris. I had no contact with my contemporaries in the photographic field, nor even knowledge of their work. So I was influenced by no-one and there were no short cuts for me. I was self-taught the hard way, by trial and error... -- George Rodger Throughout his career, George Rodger always sought to document the human experience, whether it was the horrors of war or the beauty of everyday life. He believed that photography had the power to change the world and to bring about social change, and his work continues to inspire and inform photographers and photojournalists today. George Rodger passed away on July 9, 1995, in London, England. His legacy continues to inspire photographers around the world with his dedication to document the human experience, and his work remains iconic and powerful to this day.
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