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Stephanus Meyer
Stephanus Meyer
Stephanus Meyer

Stephanus Meyer

Country: Zambia/United Kingdom

Stephanus Meyer was born in Zambia and spent most of his childhood in South Africa. He moved out of Africa at the beginning of the 1980s to live in Spain where he is now based. He is self-taught and always inspired by his obsession with light, shadows, contrasts and the way they come together in his images. Street, social, documentary and fine art photography are his great passion. He has lived in various environments and travelled to many different places, and his camera has taught him to see the world and how people live in it from a different perspective. Street photography has taught him to see. He is inspired by people who simply live their lives. He bought his first camera at the age of 16 and so the journey began; more than 40 years later it is still going strong.

He has participated in numerous photographic events such as the official section of the international Biennial of Photography of Cordoba 2006 and the International Biennial of Photography and Audiovisual Arts of Granada, among others, and has been a finalist in several international competitions such as the Photography Masters Cup (USA), Chelsea International Photography Competition (New York), Fresh M.I.L.K. (New Zealand) and Festimage (Portugal), in addition to a large number of mentions and national awards.

Statement
Street photography is often seen as a simple capture of the everyday moments that unfold in the bustling streets of our cities. Yet, within each frame lies a profound narrative of our times, a visual testament to the lives we lead, the cultures we inhabit, and the stories we weave amidst the urban tapestry.

In my pursuit of documenting the streets, I find myself drawn not just to the fleeting moments of beauty and serendipity, but also to the deeper layers of societal fabric that unfold before my lens. Each photograph serves as a time capsule, preserving not just the faces and places, but the essence of an era; a social document for future generations to decode and understand.

Just as a historian might study the archives for insights into the past, I see my street photography as a form of contemporary historiography. Through the lens of my camera, I strive to capture not just the surface appearances, but the underlying currents of human existence – the way people dress, interact, and navigate the urban landscape.

In this fast-paced world of ever-evolving trends and technologies, street photography offers a grounding force, reminding us of our shared humanity and collective journey. It is my hope that these snapshots of life on the streets will serve as a bridge across time, connecting us to the past, grounding us in the present, and inspiring us to shape a more compassionate and inclusive future.

Series: Crossing the old city from within
Córdoba, a city that was once a melting pot of religions and civilizations lies in the north-central section of the autonomous community of Andalusia in southern Spain. Córdoba was probably Carthaginian in origin and was occupied by the Romans in 152 BC. In 711 it was captured and largely destroyed by the Muslims. Abd al-Rahman I, a member of the Umayyad family, accepted the leadership of the Spanish Muslims rebuilt it and made Córdoba its capital in 756.

The old city has one of the largest Jewish quarters in Europe with its narrow cobble- stone streets and white houses. It leads out towards the Great Cathedral-Mosque and crosses the Guadalquivir river through the Roman arch and bridge.

I have been living here for almost 30 years, and have walked and crossed the old city with my camera many times. This series begins within the Great Cathedral-Mosque and takes us across the old city. As a passionate street photographer I try to capture the beauty and diversity of modern urban life in this ancient area.

My style is unconventional and experimental, as I use a wide angle lens to create images that are distorted, dynamic, and dramatic. I simply walk and shoot and never engage with my subjects. I want the photos to be as natural as possible.

In this series, in post-production, I used various filters to obtain that yellowish colour that for me creates the ancient mood the old city reminds me of when I walk its streets. I want the observer to feel the textures of the old stone, the mood, the pulse of daily life and the incredible light.
 

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More Great Photographers To Discover

Homai Vyarawalla
India
1913 | † 2012
Homai Vyarawalla, India's first woman photojournalist, is best known for documenting the country's transition from a British colony to a newly independent nation. Vyarawalla was born on 9 December 1913 in the western Indian state of Gujarat. Her family belonged to India's tiny but influential Parsi community. She spent much of her childhood on the move because her father was an actor in a travelling theatre group. But the family soon moved to Mumbai (then Bombay), where she attended the JJ School of Art. She was in college when she met Manekshaw Vyarawalla, a freelance photographer, who she would later marry. It was he who introduced her to photography. She received her first assignment - to photograph a picnic - while she was still in college. It was published by a local newspaper, and soon she started to pick up more freelance assignments. Vyarawalla began to draw more attention after her photographs of life in Mumbai were published in The Illustrated Weekly of India magazine. The Vyarawallas moved to Delhi in 1942 after they were hired to work as photographers for the British Information Service. Homai Vyarawalla, one of few female photojournalists working at the time in Delhi, was often seen cycling through the capital with her camera strapped to her back. She took her most iconic images, however, after India became independent - from the departure of the British from India, to the funerals of Mahatma Gandhi and former prime minister Jawaharlal Nehru. Homai Vyarawalla also photographed most prominent independence leaders. But she said in an interview that her biggest regret was that she missed photographing the meeting where Mahatma Gandhi was assassinated. She was on her way to attend it when her husband called her back for some other work. Her work also includes candid, close-up photographs of celebrities and dignitaries who visited India in the years following independence, including China's first prime minister Zhou Enlai, Vietnamese leader Ho Chi Minh, Queen Elizabeth II and US President John F Kennedy. Vyarawalla photographed many famous people but Mr Nehru figures most prominently in her work as her "favourite subject". She said in an interview that when Mr Nehru died she "cried, hiding my face from other photographers". Ms Vyarawalla clicked her last picture in 1970, retiring after a four-decade-long career. She left Delhi after her husband died in 1969 and moved to Gujarat. She was awarded India's second highest civilian honour, the Padma Vibhushan, in 2011. She died on 16 January 2012 at the age of 92.Source: BBC
Armineh Johannes
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I was born in Tehran, Iran and studied in England where I obtained a Journalism Diploma, and later in France, where I obtained a B.A. in History and a B.A in English. I started my photography career in 1986 with my first assigned in the Atlas Mountains in Morocco. My work has been mainly on the Middle East and ex- Soviet Union countries. I started working on various assignments in Armenia since 1989 and continue to do so up to this day. In 1989, a year after the earthquake in Armenia, I went there for the first time. I am Armenian born and raised in Iran. Setting foot on the land of my ancestors for the first time brought great emotion for me. Since that first trip to Armenia and the deep connection I felt with the people and the land, I have continued to make regular trips to all corners of Armenia and Artsakh, depicting the lives of my fellow Armenians. In 1989-1990, I made my first trip to Artsakh (Nagorno-Karabakh) and photographed the first Nagorno-Karabakh conflict; I was one of the few photojournalists who managed to travel to the village of Getashen and the villages of the Shahumyan/Shahoumyan region (northern Artsakh) just before Operation Ring in 1991. I continued to travel across Armenia for decades and my humanitarian photo stories have been widely published in magazines and newspapers around the world, such as Los Angeles Times (USA), Washington Post, Newsweek, Le Monde, Peuples du Monde, Libération, L 'Express, Révolution (France), Photo Reporter, France - USSR, UN Multimedia, Foto Pratica (Italy), l'Autre Journal, Marie Claire (Italy), Pop Eye (Japan), Asahi Graph (Japan), Asahi Magazine ( Japan), AIM (USA), Photography (England), etc. In 1997 I decided to go to Armenia and stay there for one year in order to have a more profound understanding of their lifestyle and customs. That period was one of the most enriching and interesting experiences of my life… During the past thirty years I has been documenting the life of Armenians in Armenia, in Karabagh as well as in the Middle East and around the world. I held several exhibitions in France in Portugal and in the United States. In 1990, the prestigious French Newspaper “Le Monde” organized a solo photo exhibition of my work in its halls in Paris. I currently work as a freelance documentary photo-journalist but also collaborate with “Les Nouvelles d’Armenie Magazine”, an Armenian magazine published in France. I am working on having a photo book published of my work on Armenia and Artsakh (Karabagh). I started travelling to Armenia since 1989. I am of Armenian origin (born in Iran) and have continued to travel there on regular basis depicting the lives of Armenians. I travelled to Artsakh (H. Karabagh) several times starting in 1990 and covered the first conflict with Azerbaijan which ended in 1994. During my travels to Artsakh I also photographed moments of their daily lives.
Tamara Dean
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Tamara Dean (b. 1976, Sydney, Australia) is a photographic artist whose works explore the informal rites of passage and rituals of young people within the natural world.Her solo shows include Ritualism, Divine Rites, This too Shall Pass and Only Human.Dean has received numerous awards including a $10,000 High Commendation prize in the 2013 Moran Contemporary Photographic Award, the 2011 Olive Cotton Award and 2009 Sydney Life: Art & About.Dean’s works have been widely exhibited both nationally and internationally. Her works have featured in ‘Dangerous Beauty’ curated by Stephan Stoyanov, Bulgaria 2013, the 2013 Aspettando FotoLeggendo festival in Rome, Fotofever Brussels Art Fair, 2012 and Pingyao Photography Festival, China, 2012 as well as at leading Australian galleries including Inheritance 2009 and Hijacked 2 – New Australian & German Photography 2010, both at the Australian Centre for Photography; Sydney Now – New Australian Photojournalism, Museum of Sydney 2007; Terra Australis Incognita at Monash Gallery of Art.Dean has been awarded artist residencies with ArtOmi, New York (2013), and previously Taronga Zoo, Montsalvat and repeatedly in the remote gold-mining town of Hill End, NSW.For a decade Dean was a member of Oculi photographic collective.Dean’s work is held in a number of public and private collections including Artbank, Sydney; The Francis J. Greenburger Collection, New York; the Mordant Family Collection, Australia; and is represented by Olsen Irwin Gallery Sydney and James Makin Gallery Melbourne.Source: www.tamaradean.com
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