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Win the First Solo Exhibition of 2026! Submit your best project now. Open Theme
Win the First Solo Exhibition of 2026! Submit your best project now. Open Theme
Giandomenico Veneziani
Giandomenico Veneziani
Giandomenico Veneziani

Giandomenico Veneziani

Country: Italy
Birth: 1986

My name is Giandomenico Veneziani. I am an Italian photographer. I approached photography from a young age. I have learned over time the techniques and the infinite possibilities of artistic creation. Photographic experimentation finds ample expression during my travels. I was inspired by people, their stories, faces, emotions. Photography for me is an important means of sharing feelings and stories of the people I photograph. I take inspiration mainly from painting, books and films. I also studied the most important photographers who made the history of photography. I really like portraits and fashion photography. I try to make unique and unconventional shots giving my portraits a cinematic vision.

Bringing my point of view to the public eye is my main goal. Getting someone into my inner world is something extraordinary just as photography is extraordinary. In every shot there is my person, my fragility, my emotions. I love photographing people and interacting with them drawing their essence through the photographic medium. My greatest gratification is being told "I feel beautiful because I am just like that". These shots represent me and also the photographed subject. Portrait photography is the testimony of an encounter, in fact the photographer's task is to guide the person so that she is able to bring out herself. Establishing a relationship of trust between the artist and the photographed subject leads to the creation of a connection that enriches both, since in the realization of a photographic project the fundamental element is to create a path whose journey is carried out side by side between photographer and model. I really like using artificial lights to create the right atmosphere. I take great pleasure in presenting my projects that deviate from a usual reality, which everyone sees. Sometimes it is very distorted, I represent parallel and imaginary visions and worlds belonging to a dystopian future. I like it for this because it is different and the different is beautiful because it is unique.
 

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More Great Photographers To Discover

Johnny Kerr
United States
1982
Johnny Kerr is a fine art photographer based in the West Valley of Arizona’s Phoenix Metropolitan Area. Johnny is self-taught in the craft of photography but entered into his study of the medium with many years of art education and design experience. In 2003 he earned a Bachelor’s degree in Media Arts from the Art Institute of Phoenix and went on to make his living as a graphic designer. Johnny began learning and experimenting with photography in 2011 and in 2013 decided to shift his focus, pursuing photography as his primary medium of expression. He cites his graphic design experience, along with his appreciation for minimalist design, as having the largest influence on his vision as a fine art photographer. After deciding to change careers Johnny went back to school, earning his Master of Arts in Education degree in 2010. Johnny currently makes his living as a photography teacher in the greater Phoenix area, where he lives with his wife and daughter. STATEMENT Growing up in Arizona has certainly given me an appreciation for the unique beauty of the desert. However, I have never found my desert surroundings to be particularly inspiring in my artistic endeavors. Lacking the inspiration to capture my natural surroundings in a representational manner, I have found freedom and gratification in abstraction. I found architecture to be an inspiring subject matter for its graphic qualities, but my photographs are not really about the buildings. Each photograph is a study of the rudimentary elements that catch my attention: shape, space, volume, line, rhythm, etc. Drawing heavily from my graphic design experience, each architecture photograph represents an exercise in isolating those basic elements and trying to present them in a harmonious design. Often I have incorporated long exposure techniques to create images that seem to exist outside of the reality our eyes perceive on a daily basis. My goal has not been to abstract the subject beyond recognition, but to simplify, to pull it out of its usual context, and try to see the ordinary surroundings of city life in a new way. The lessons I learned from my exercises in abstracting architecture have also carried through into other subject matter, including landscape and seascape, helping me to find solace and inspiration in unexpected places.
Heinrich Kühn
Austria / Germany
1866 | † 1944
Carl Christian Heinrich Kühn (25 February 1866 in Dresden – 14 September 1944 in Birgitz) was an Austrian–German photographer and photography pioneer. Heinrich Kühn is regarded as one of the forefathers of fine art photography, which helped photography establish itself as an art on its own. His photographs closely resemble impressionist paintings, with their frequent use of soft lighting and focus. Kühn was part of the pictorialist photographic movement. Kühn mainly used the gum bichromate technique, applied in several layers, and thus allowing for previously unseen color tonalities. In 1911, Kühn invented the Gummigravüre technique, a combination of photogravure and Gum bichromate. In 1915 he developed the Leimdruck technique, which uses Animal glue as Colloid and produces pictures similar to gum prints. He also invented the Syngraphie, a forgotten technique that uses two negatives of different sensitivity to obtain a larger tonal spectrum. Kühn used Autochrome from its appearance in 1907; his Autochromes have been called "ethereal dreams of childhood, full of vaulted sunny skies and giddy perspectives, as gloriously cathartic as they are emotionally charged".Source: Wikipedia Heinrich Kühn, originally Carl Christian Heinrich Kühn was born on February 25th, 1866 in Dresden, Germany. Kühn was one of the central figures of international art photography at the beginning of the twentieth century. His lifelong goal was to establish the photographic image as a medium for rendering an artistic vision as precisely and creatively as in painting and drawing. Along with Alfred Stieglitz and other friends, Kühn made the stylized photographic an element of the gesamtkunstwerk, which translates to "ideal work of art", which the Secessionists aspired to create. The most important tool for this was the gum bichromate process that he had perfected and the free choice of paper and pigment, which made the picture look more like a print than a conventional photograph. This allowed him to deliberately alter the brightness contrasts to fit his notion of the image and dissolve its sharpness. Too much sharpness was considered "non-artistic" because it veered away from painting, thus eliminating it where he saw fit. Kühn reduced the romantic cosmos of "Pictorialism" to the point of abstraction, thus exhibiting a sense of timelessness and balance. Kühn's work is represented in many collections, including Eastman House Rochester (New York), Metropolitan Museum of Art (New York), Museum of Modern Art (New York), Museum of Fine Arts (Boston), Kupferstich-Kabinett (Dresden), Hanmburgische Lichtbildstelle (Hamburg), Museum of Fine Arts (Houston), and Musée d'Orsay (Paris).Source: Peter Fetterman Gallery
Raquel Chicheri
Raquel Chicheri is a freelance photographer.I am from Galicia, Northern Spain but because it was cold and wet I decided to move to Fuerteventura, an island off the coast of Africa which has a much better weather. I loved photography since I was a kid, my father is a great photographer and his work inspired me from the beginning. I studied " comercio internacional" (International commerce or trade) but I only worked one year in that field and then decided to study graphic design which I liked better. I worked a few years but when I met my boyfriend who was a professional windsurfer, I began to take pictures of him and of his trips and it is at that time that I began publishing photos in windsurfing magazines. I am inspired by almost everything, kids, water, animals, street... I don't take pictures in a studio, I take my camera everywhere and when I see something that catches my attention I shoot. I spend most of my time on the beach and I broke several cameras with the sand but I don't care as long as I take good photos. If the situation is right I see it right away, I cannot wait for the situation to develop too much because I usually go for a walk with my children and I have to take care of them. I prefer the situation to be casual, I hope to capture nature and the relationship of people around it. Some situations are magical, when I realize I am in front of something special, my heart beats so fast and the happiness is absolute. There are so many cheesy, affected photos all around, I try to be different. I would love to make a complete series of photos about cuba...All about Raquel Chicheri:AAP: When did you realize you wanted to be a photographer?I realized I wanted to be a photographer when I had my children and I couldn't stop taking photos of them.AAP: Where did you study photography?I studied photography on the life school with the people who shared it with me.AAP:Do you have a mentor?LifeAAP: How long have you been a photographer?Since I met my boyfriend. I used to take windsurfing photos of him for magazines.AAP: Do you remember your first shot? What was it?It was a self-portrait.AAP: What or who inspires you?Life, people, animals, lights, situations...AAP: How could you describe your style?I prefer someone else to do it for me...AAP: What kind of gear do you use? Camera, lens, digital, film?Canon Eos Mark II 5D, my favorite lens is the 50mm f:1,4.AAP: Do you spend a lot of time editing your images?NoAAP: Favorite(s) photographer(s)?Cartier-Bresson, Doisneau, Sally Mann, Mccurry, Newton, Cristina Garcia Rodero, Murray Michel, Man Ray, Jock Sturges, Margaret de lange, Koudelka, Eve Arnold, Saudek... so many..AAP: What advice would you give a young photographer?To be what you are and not what everyone else want you to be.AAP: If you could have taken the photographs of someone else who would it be?My grandmother who already died.AAP: Anything else you would like to share?"and that people who make dates are the same kind who need lines on their writing paper, or who always squeeze up from the bottom on a tube of toothpaste" Julio Cortazar, HOPSCOTCH.
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Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
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