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Win a Solo Exhibition this February. Juror: Harvey Stein
Win a Solo Exhibition this February. Juror: Harvey Stein
Giandomenico Veneziani
Giandomenico Veneziani
Giandomenico Veneziani

Giandomenico Veneziani

Country: Italy
Birth: 1986

My name is Giandomenico Veneziani. I am an Italian photographer. I approached photography from a young age. I have learned over time the techniques and the infinite possibilities of artistic creation. Photographic experimentation finds ample expression during my travels. I was inspired by people, their stories, faces, emotions. Photography for me is an important means of sharing feelings and stories of the people I photograph. I take inspiration mainly from painting, books and films. I also studied the most important photographers who made the history of photography. I really like portraits and fashion photography. I try to make unique and unconventional shots giving my portraits a cinematic vision.

Bringing my point of view to the public eye is my main goal. Getting someone into my inner world is something extraordinary just as photography is extraordinary. In every shot there is my person, my fragility, my emotions. I love photographing people and interacting with them drawing their essence through the photographic medium. My greatest gratification is being told "I feel beautiful because I am just like that". These shots represent me and also the photographed subject. Portrait photography is the testimony of an encounter, in fact the photographer's task is to guide the person so that she is able to bring out herself. Establishing a relationship of trust between the artist and the photographed subject leads to the creation of a connection that enriches both, since in the realization of a photographic project the fundamental element is to create a path whose journey is carried out side by side between photographer and model. I really like using artificial lights to create the right atmosphere. I take great pleasure in presenting my projects that deviate from a usual reality, which everyone sees. Sometimes it is very distorted, I represent parallel and imaginary visions and worlds belonging to a dystopian future. I like it for this because it is different and the different is beautiful because it is unique.
 

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More Great Photographers To Discover

Marcos Zegers
Chile
1987
"I am a Chilean photographer, with a background in architecture and with a strong interest in geopolitical, territorial and migration conflicts. My work focuses on long-term documentary projects in which I illustrate urgent situations through a careful and studied proposal. My work has been exhibited in Chile (Animal, Ekho Gallery), and fairs in London, Paris, Shanghai and New York and I participated in photo festivals as PhotoEspaña (Esp), Format (UK) and FIFV (Chile). Recently my documentary project was published on The New York Times which gave me the opportunity to start working as a freelancer for the same newspaper. I teach at the University Diego Portales in Chile where I currently live." About Mining and Exodus in the Atacama Desert This visual essay is the narrative of an endless journey through the desert and the Andes Highlands in Bolivia and Chile. A paused and deep journey through places full of memory. What appears to be photographs of elements randomly dispersed throughout the territory, when consciously grouped together, are transformed into a linear narrative linked to the extractive era. Like a map that is revealed in parts, a harsh story uncovers the relationship between mining activities and cultural displacements, all united under a common element in dispute, water. Following the course of the extractive history of colonial Latin America, what was rubber in Iquitos, cane in the Caribbean, gold in Guanajuato, or silver in Potosi, in Chile was the nitrate (saltpeter). For almost two centuries, the Atacama Desert has been a constant source of mineral resource extraction. The "Saltpetre Offices" has left the mark of an era of wealth and exploitation. Today the situation repeats itself as an exact cycle: what was nitrate, passed to copper, and today, it turns to lithium. Right in the middle of this extractive history are the woman and the man who inhabited the territory. On the one hand, there is the Aymara woman who walks and grazes the cattle in the Andean mountain range. She has not seen the face of the mining company. However, they critically meet in the use of the same resource: water. The excessive water consumption by mining companies has dried the soil, making livestock and agriculture unviable. Consequently, the highlands man has been forced to go down to work in the city, where possible, the job to which he aspires, is precisely in mining. This uncovers a vicious circle which is greatly enhanced by the government's lack of attention to these isolated areas. The risk is profound. The desert has not been completely unravelled. It continues to have lots of minerals, and at the same time, it stalks a climate change that will not stop any time soon. In Chile the water is sold, the water rights belong to private. This situation has alarmed the inhabitants of this territory, amongst organizations and activists who wage real legal battles in the courts. This visual essay, far from addressing the issue on all its extents, seeks to contribute to the latent conversation about extractive practices and the current economic model in Chile. To bring back this apparently scenic desert to an urgent reality, promoting a reflection that contributes to the appreciation of rural territory and its culture.
Asako Naruto
Japan
1974
Asako Naruto is a Japanese photographer living in Madrid since 2005. After obtaining a BA of Science of Design in Tokyo, she studied Art History, specializing in El Greco until she completed doctoral studies. Although she has been taking photographs for some time, it was around 2020 that she began to rediscover and immerse herself in photography as a personal creative activity. Her photographic style is characterized by a sense of introspection while using a street snapshot approach. In 2022, she won the annual Grand Prix of Digital Camera Magazine (Impress, Japan). Since then, she has received numerous awards from various international photography competitions including VIEPA, PISPA, IPA, BIFA, TIFA and many more. Recently, she has been working on a series of fantastical urban fragments using prismatic filters, one of which, "Reverve+Graphy", won the Gold Medal at the Paris International Street Photography Awards (2023). Statement: Press the shutter button to take a picture. I like the simplicity of it. For me, the real pleasure of photography lies in this physicality of moving my hands and feet and feeling the connection between sight and brain. For me, photographic expression may be an attempt to translate my inner thoughts, which are difficult to verbalize, while capturing fragments of my daily life with a camera. I feel that I want to be a storyteller more than an observer. I try to reveal or represent the scenes I collect in the city by overlaying them with the stories that unfold in my mind. Nevertheless, I carefully avoid encouraging the viewer to have a fixed interpretation of my work by explaining in detail the message it may contain. I want my work to be open to gradations of interpretation and to stimulate the viewer's personal emotional recall.
Ed Kashi
United States
1957
Ed Kashi is a photojournalist, filmmaker and educator dedicated to documenting the social and political issues that define our times. A sensitive eye and an intimate relationship to his subjects are signatures of his work. As a member of the prestigious photo agency VII, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition. “I take on issues that stir my passions about the state of humanity and our world, and I deeply believe in the power of still images to change people’s minds. I’m driven by this fact; that the work of photojournalists and documentary photographers can have a positive impact on the world. The access people give to their lives is precious as well as imperative for this important work to get done. Their openness brings with it a tremendous sense of responsibility to tell the truth but to also honor their stories.” Kashi’s images have been published and exhibited worldwide. Another of Kashi’s innovative approaches to photography and filmmaking produced the Iraqi Kurdistan Flipbook with MediaStorm, which premiered on MSNBC.com in December 2006. Using stills in a moving image format, this creative and thought-provoking form of visual storytelling has been shown in many film festivals and as part of a series of exhibitions on the Iraq War at the George Eastman House. Also, an eight-year personal project completed in 2003, Aging in America: The Years Ahead, created a traveling exhibition, an award-winning documentary film, a website and a book which was named one of the best photo books of 2003 by American Photo. Along with numerous awards, including Second Prize Contemporary Issues Singles in the 2011 World Press Photo contest, UNICEF’s Photo of the Year 2010, a Prix Pictet 2010 Commission and honors from Pictures of the Year International, Communication Arts and American Photography, Kashi’s images have been published and exhibited worldwide, and his editorial assignments and personal projects have generated six books. In 2008, Curse of the Black Gold: 50 Years of Oil in the Niger Delta was published, and June 2009, saw the publication of Kashi’s latest book THREE, based on a series of triptychs culled from more than 20 years of image making. In 2002, Kashi and his wife, writer/filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous short films and multimedia pieces that explore significant social issues. The first project resulted in a book and traveling exhibition on uninsured Americans called, Denied: The Crisis of America’s Uninsured. “Ed Kashi is intelligent, brave and compassionate. He always understands the nuances of his subjects. He fearlessly goes where few would venture. And he sympathetically captures the soul of each situation. Ed is one of the best of a new breed of photojournalistic artists.” -- David Griffin, Visuals Editor, The Washington Post Articles Ed Kashi talks about Climate Change 1 in 6 by 2030 Books Abandoned Moments A Period in Time
Eugène Atget
France
1857 | † 1927
Eugène Atget was a French photographer who is celebrated for his mixture of urban documentary photography and street photography which recorded the disappearing neighborhoods, street scenes and architecture of Paris. Taken during the period 1897 until his death in 1927, his images formed a huge archive of architectural ornamentation, featuring metalwork, stairways, door knockers and shop signs. Jean-Eugène-Auguste Atget was born 12 February 1857 in Libourne. His father, carriage builder Jean-Eugène Atget, died in 1862, and his mother, Clara-Adeline Atget née Hourlier died shortly after. He was brought up by his maternal grandparents in Bordeaux and after finishing secondary education joined the merchant navy. Atget moved to Paris in 1878. He failed the entrance exam for acting class but was admitted when he had a second try. Because he was drafted for military service he could attend class only part-time, and he was expelled from drama school. Still living in Paris he became an actor, performing in the Paris suburbs and the provinces. He met actress Valentine Delafosse Compagnon, who became his companion until her death. He gave up acting because of an infection of his vocal chords in 1887, moved to the provinces and took up painting without success. His first photographs, of Amiens and Beauvais, date from 1888. 1890 Atget moved back to Paris and became a professional photographer, supplying documents for artists: studies for painters, architects and stage-designers. Starting 1898 institutions such as the Musée Carnavalet and the Bibliothèque historique de la ville de Paris bought his photographs. The latter commissioned him ca. 1906 to systematically photograph old buildings in Paris. 1899 he moved to Montparnasse. While being a photographer Atget still also called himself an actor, giving lectures and readings. During World War I, Eugène Atget temporarily stored his archives in his basement for safekeeping and almost completely gave up photography. Valentine's son Léon was killed at the front. 1920-1921 he sold thousands of his negatives to institutions. Financially independent he took up photographing the parks of Versailles, Saint-Cloud and Sceaux and produced a series of photographs of prostitutes. Berenice Abbott visited Atget in 1925, bought some of his photographs, and tried to interest other artists in his work. 1926 Valentine died and Man Ray published several of Atget's photographs in la Révolution surréaliste. Abbott took Atget's portrait in 1927. Eugène Atget died 4 August 1927 in Paris.Source: Wikipedia Eugène Atget (1857–1927) turned to photography in his late 40s, building a body of work that described the city of Paris and its environs. In its simplicity and clarity of vision, this project, resulting in over 10,000 photographs, became a modern urban portrait that has influenced many photographers since. Inspired to make a portrait of Paris at the moment when historic Paris was becoming Haussman’s modern Paris, Atget captured the changing city with eloquence and sensitivity. Atget received little recognition before his death in 1927, but due to the posthumous efforts of photographer Berenice Abbott, his work was preserved, promoted, and gained its rightful place in history. A significant number of his prints, including many negatives, are held by the Museum of Modern Art, New York City, the National Gallery of Art, Washington D.C., along with the Bibliothèque Nationale de France.Source: Fraenkel Gallery Photos © Library of Congress, Prints & Photographs Division
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All About Photo Awards 2026
Win a Solo Exhibition in February
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry