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Win an Online Solo Exhibition this December! Deadline: November 19, 2024
Win an Online Solo Exhibition this December! Deadline: November 19, 2024
Thibault Gerbaldi
Thibault Gerbaldi
Thibault Gerbaldi

Thibault Gerbaldi

Country: France
Birth: 1986

Thibault Gerbaldi is a self-taught photographer and enthusiastic traveler whose adventures have spanned the globe. His sensitivity enables him to establish a unique rapport with the subjects he photographs, reflecting strong emotions and authentic narratives in his work.

Over the past four years, Thibault has self-published four photographic books: "CROSSROADS" (2020) featuring Ethiopia, "THE SANDS OF TIME" (2022) showcasing Namibia, "SAILING UNDER THE ARCTIC SKY" (2023) exploring Greenland and “FACES OF PERU” (2024) capturing Peru. He is currently working on two projects on Mongolia and Iceland.

Beyond his passion for photography, Thibault is driven by a desire to promote cultural understanding and support charitable causes. In 2019, he joined the board of directors for The Forgotten International, leveraging his photography to raise funds for communities in need. Through the sale of his books and prints, Thibault aims to shed light on the challenges faced by marginalized populations in developing countries and contribute to meaningful projects that make a positive impact.
 

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More Great Photographers To Discover

Alexander Anufriev
Alexander Anufriev is a Russian photographer, born in Ukhta (Komi Republic, Russia) in 1988. Before photography, Anufriev worked in international advertising agencies. Currently, he is a Moscow-based photographer who works on projects describing and analysing social landscape of contemporary Russia. Alexander Anufriev’s Russia Close-Up series is a zoomed-in look at what makes a modern Russia, through a highly subjective lens. He got the idea for it while he was studying at The Rodchenko Art School in Moscow, after becoming disillusioned with documentary photography. “At the time, it was important for me to tell stories and for them to be the truth, but it started to feel like a little bit of a lie,” he explains. “Even if you’re trying to be totally objective, it is always a bit subjective." “I stopped shooting for six months, and I was about to quit photography, but then I thought, ‘What if I tried to be completely subjective?’ So I cropped the images very tightly, and included only the elements I wanted to show. It was a farewell to convention.” Unconventional it may be, but the series has already had some success, exhibited in Cardiff, Sydney, and Saint Petersburg, and winning third place in the Moscow Photobookfest Dummy book award. Anufriev’s past projects have included a series on homeless people celebrating New Year’s Eve in a Moscow train station, and portraits of market sellers on the city’s streets. But for this project, he wanted find a way to visualise the mood of a whole country. Born in 1988, he doesn’t remember life in the Soviet Union, behind the Iron Curtain. But over the last few years, against a backdrop of political apathy, he has began to realise the underlying forces of patriotism and nationalism in modern Russia. This series is an attempt to bring the image of Russia up to date, he says. “There are inner processes that are not obvious to the rest of the world,” he adds, “the strengthening of censorship and propaganda. This series is an attempt to visualise these processes.”Source: British Journal of Photography
Andrea Modica
United States
1960
Andrea Modica, born in 1960 in New York City, is an American photographer renowned for her intimate and evocative black-and-white portraits. Modica's fascination with photography began at an early age, inspired by her father's passion for the craft. She pursued her interest in photography at Yale University, where she studied under the mentorship of renowned photographers such as Walker Evans and Tod Papageorge. Modica's work often explores themes of memory, identity, and human connection, capturing the essence of her subjects with profound sensitivity and depth. She is particularly known for her portrait series, which often feature individuals from marginalized communities or overlooked subcultures. One of Modica's most acclaimed projects is "Treadwell," a series of portraits documenting the residents of a rural community in upstate New York. Taken over the course of several years, these intimate portraits offer a glimpse into the lives of the people living in this close-knit community, celebrating their resilience and humanity. In addition to her portrait work, Modica is also recognized for her hauntingly beautiful landscapes, which evoke a sense of timelessness and contemplation. Her images often feature desolate rural landscapes or abandoned buildings, imbued with a sense of mystery and nostalgia. Modica's photographs have been exhibited in galleries and museums around the world, including the Museum of Modern Art in New York City and the San Francisco Museum of Modern Art. She has received numerous awards and accolades for her work, including a Guggenheim Fellowship and a Fulbright Grant. In addition to her artistic endeavors, Modica is also a dedicated educator, sharing her passion for photography with students at various institutions, including the University of Oregon and Drexel University. She is known for her compassionate and nurturing approach to teaching, inspiring her students to explore their own creativity and develop their unique artistic voices. Modica's work continues to resonate with audiences, inviting viewers to contemplate the complexities of the human experience and the beauty of the world around us. Through her evocative imagery, she reminds us of the power of photography to transcend boundaries and forge connections between people from all walks of life.
Henry Horenstein
United States
1947
Born in Massachusetts in 1947, Henry Horenstein was on a path to becoming a historian when he discovered photography. Captivated by the work of Robert Frank and Danny Lyon, Horenstein entered the Rhode Island School of Design (RISD) where he studied with Harry Callahan and Aaron Siskind. After completing his MFA at RISD in 1973, Horenstein's first major project was a documentary survey of the people and character of country music. As a long-time fan, Horenstein recognized that the culture of country music was changing, losing the homey, down-to-earth character of "hillbilly" music, and adopting the slicker nature of contemporary country music. His goal was to preserve a vanishing culture by capturing it in photographs, and for nearly a decade, he traveled throughout the United States, documenting the artists and audiences at honky-tonk bars, outdoor festivals, and community dances. The body of work that Horenstein created (published in 2003 as Honky Tonk) is a remarkable portrait of a distinct period in American cultural history. Some of Horenstein's later work has followed a similar theme, creating documentary portraits of distinct American sub-cultures, such as the worlds of horse racing, boxing clubs, and baseball. In recent years, Horenstein has also developed an extensive body of work that combines elements of portraiture, abstraction, clinical documentation, and landscape photography. Working with animals as well as human subjects, Horenstein creates compelling and frequently ambiguous images that explore the patterns, textures and geography of skin, scales and hair. Mixing the exotic and the ordinary, and making it difficult to tell which is which, Horenstein causes the viewer to pause and look closely. In doing so, we are made to re-examine ourselves as well as the world around us. Horenstein's work has been exhibited in galleries and museums both nationally and internationally, including the Smithsonian Institution's National Museum of American History, Washington, D.C.; the International Museum of Photography, George Eastman House, Rochester, New York; the Museum of Fine Arts, Boston; and Fabrik der Kunste, Hamburg, Germany. Photographs by Henry Horenstein can be found in many public and private collections including the Library of Congress, the Museum of Fine Arts, Houston, and the High Museum of Art in Atlanta, Georgia. Horenstein is the author of over 30 books including several monographs and a series of highly successful photography textbooks that have been used by hundreds of thousands of students around the country. Horenstein currently lives in Boston and is a professor of photography at RISD. Henry Horenstein & Leslie Tucker: We Sort Of People
 Atom
Japan
1980
ATOM is a Japanese photographer, born in 1980, based in Tokyo. ATOM spent years travelling around the world to take pictures; he visited 64 countries in total and encountered many cultures and many people. The experience gained from the trip raised many questions for himself. What does it mean to life, coexistence with nature, happiness and purpose of living for? And the fundamental question is, "Why am I born in Japan in this age?" By leaving Japan, he reconsidered his homeland and pondered about living as a Japanese and a modern people. Conscious of his identity as a Japanese, he uses the motifs of symbols that symbolize Japan, takes a photo of the present age, and prints it on the most precious handmade Japanese paper in Japan. Using these media, ATOM decided to deliver the message to the world. In today's diverse world, ATOM hope that you will face yourself and think about the future through the work of ATOM. ATOM has been active as a photographer in the world. His works have been published internationally in publication such as Washington Post(USA), My Modern Met(USA), Weather Channel(USA), 20minutos(Spain), incredibilia(Italy), Hong Kong and others. He also won many international awards. ATOM will continue to experience many things, and explore and express the meaning of living in the present age as a Japanese. HINOMARU, KIMONO and TORII HINOMARU is an alias name of the Japanese flag. KIMONO is a Japanese traditional costume. TORII is a gate commonly found at the shrine. In the photos, ATOM use the Japanese flag, traditional costume and shrine to symbolize money (economic power), declining birthrate and dilution of community. For some, they may seem to represent Japanese religion (Buddhism, Christianity, and Shinto). For others, they may associate the "red circle" with harmony, coins (money), countries or peace; the "red kimono" with their lover, health or cross (religion); the "red torii" with home or relationship with their family. This minimalistic photo is two colors red and white. The colors of red and white represent Japan's national color. And in this photo, he shoot it so that it looks like a Japanese painting without a shadow. This minimalistic photography series raises questions to the modern society, makes the viewer face and think about the present age as well as imagine the future. Today, we live in a rational, material world; we have too much information, and too much stuff. We can get almost anything with a single click. In exchange, however, there are things we have lost: health, appreciation for things we are given, time to spend with our families, time to think and question ourselves, the definition of happiness... Get promoted. Be rich. Become famous. Are you not bound by these stereotypes? How long will you keep pretending to be something you are not, just to gratify your vanity? What is happiness to you? What does abundance mean to you? What is it that you really need? From the age of materialism to the age of mind. Look at these minimal photos. How do they look to you?
Claudio Allia
Italy
1962
Claudio Allia (1962), is an Ophthalmologist, jazz and classical music producer, and an amateur awards-winning photographer living in Sicily. Music and photography have always been his main passions that he has cultivated all his life since childhood. Fascinated by fine art and conceptual photography, at early 90's Claudio began to devote himself to the creation of photographic projects and series trying to transfigure and filter most disparate social themes, even the most crude and brutal, through his personal sensitivity and imagination. Since 2005, started to experiment with new visual and creative approaches into his photographic world, exploring and developing as well his knowledges in the digital editing field and spacing his body of work from fine art to surrealistic or conceptual photo collections/series up to pure social/documentary photography. Slum Glam series Despite the harsh living conditions I have recognised the high level of dignity shown by the Mathare residents and my Slum Glam series attempted to depict this. A hand painted, makeshift wooden chair rests in front of a multi coloured shack wall that the women have decorated using brightly coloured designs wearing their best clothes to pose for my camera. Flower Pots series (Mathare Valley Slum - Nairobi) "Now we go into the vulnerable realm of an impossible privacy, constantly threatened and modified by all that's happening outside; rooms as decorated trenches of a never-ending battle; 9 square meters where to try a claustrophobic but worthy independence, where to keep dignity at low cost. Now focus in the flowerpots; the picture is a transparent flowerpot allowing you to check every corner of these rooms... look again: the dwellers are the flowers." --Claudio Torres Remote Control series (Mathare Valley Slum – Nairobi) For the Remote Control series some of the children of Mathare joined me on a photo shoot, turning up well dressed and carrying a favourite, or only toy. As they walked through the area of corregated dwellings I handed them a remote control i had brought withme in preparation and they instinctively grasped the significance and started pointing it towards areas that they wished to see change to improve their existence.
Landry Major
United States
Landry Major is an American artist based in Los Angeles, California. Her work explores the ideas of home, culture and our relationship to the land and animals that we steward. Her work has led her to connect her family's heritage ranching in Canada, with the family-owned ranches in the American West. It is this connection that brings the grace and poetry to her images. Her work has been exhibited in a number of notable exhibitions, including a solo exhibition at The Griffin Museum of Photography in Boston, Massachusetts. Keepers of the West My childhood summers were spent on a family dairy farm in Nova Scotia. Waking at dawn and herding cows alone in the field, where the only sounds were the birds waking and the gentle murmurs of the cows. The smell of fresh milk and fields of grass were the touchstones of my youth. The barn where I helped my uncle hand-milk the cows is now gone back into the earth. My ongoing series Keepers of the West took me back to fields at dawn, this time on the family-run ranches of the American West. Visions of the West have long been central to our culture, but the way of life of the cowboy and the family-run ranch is fast disappearing. Over half of all family owned ranches in Montana are run by people over 65 and many of their children are not choosing to remain in ranching. It is because I recognize these struggles that my series celebrates the beauty of family-run ranches. The lives of these people are framed by hardship, yet they thrive in the simpler way of life that remains their routine, and in the stewardship of the land and the animals they tend. Over the past four years I have witnessed the strength, determination and commitment of these families to continue this way of life, and pass it on to their children. The images are made up of the places, people, and creatures that have welcomed me into their world to remind us of the arresting moments of grace and beauty found in a life lived under the wide-open western skies. Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed ... We simply need that wild country available to us, even if we never do more than drive to its edge and look in. Wallace Stegner, The Sound Of Mountain Water
Sebastian Sardi
Sweden
1983
Sebastian Sardi was born in 1983 in Stockholm, Sweden. At the age of 22 he started taking classes in analog photography at the Peoples University in Stockholm. In 2009 he moved to Denmark to study photography at Fatamorgana the Danish school of art and photography. In 2011 he received a Bachelor’s degree in Art History and Visual Studies. He published his first photobook “A Cirkusz” in 2012. Sebastian began his work on photographing mines in 2008 after reading an article on how mining related injuries and deaths are systematically covered up by many authorities. 2019 his second book “Black Diamond” was published on Kehrer Verlag. Today Sebastian Sardi lives and works in Malmö and Copenhagen. Black Diamond It is an apocalyptic landscape. There are huge man-made craters everywhere that make up the visible landscape, the ground is burning, and a vast area is oozing with toxic gases, fire and smoke. Amongst all of this, there are men, woman and children digging in the soil with their bare hands. Coal is mined everywhere in Jharkhand, India, and large parts of it is sorted by hand. The locals call it; Kalaheera; or ”Black Diamond”.
Energy produced by the burning of coal is the single biggest contributor to the man-generated carbon dioxide emissions on this planet. Coal is a major part in the issue of global warming. In Jharkhand many people have been forced away from their lands when companies and authorities recognised the richness that hides in the ground. Underground fires force people to relocate. The mining companies claim they are unable to put out the fires, while the locals blame the companies for letting the fires burn so the coal can be reached and excavated from underneath their villages.

 There is a fragile balance between nature and mankind. A sense of discomfort is felt in the slow but seemingly unavoidable struggle towards the collapse of nature. The human inability to break patterns is painstakingly visible in these photographs, as we knowingly keep on extracting the ground beneath our own feet. Black Diamond is a close (self-)portrait of the people who work with extracting coal from the ground to supply the ever growing demands.


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Solo Exhibition December 2024
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