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Win a Solo Exhibition this February. Juror: Harvey Stein
Win a Solo Exhibition this February. Juror: Harvey Stein
Hana Peskova
Hana Peskova
Hana Peskova

Hana Peskova

Country: Czech Republic
Birth: 1967

Hanka Peskova - passionate self-taught photographer whose journey began at the renowned Skola Kreativni Fotografie in Prague. In 2021, she was honored with the prestigious International Title of Excellence FIAP (EFIAP) by the FIAP (Artiste de la Fédération Internationale de l'Art Photographique), a testament to her artistic prowess and dedication to the craft.

Nestled in the picturesque town of Cesky Krumlov, Czech Republic, she has turned the globe into her canvas, capturing the ephemeral beauty and indescribable energy of moments and people. Her work transcends the mere act of memory preservation to unveil the essence of life itself, through the eye of her camera. As a freelance photographer, her lens has intimately explored the vibrancy of street and documentary photography for years. With a focus on the tapestry of social life, her work dives deep into the heart of ordinary life, cultural narratives, and contemporary issues. She possesses a unique attraction to the narratives of old, the allure of isolated places, and the stories of people living beyond the limelight.

Her photography is not just a window to the world but an invitation to view it through her unique perspective. Capturing not only the bustling life on the streets and the untouched facets of nature, she also ventures into the realm of creative photography. Each frame is a story, a whisper of the past or a shout of the present, always aiming to evoke emotion and provoke thought.

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More Great Photographers To Discover

Mohammad Sorkhabi
Mohammad Sorkhabi was born in Mashhad-Iran in 1985. He has been engaged in portrait photography since 2013. Most of his artworks are inspired by Renascence and Baroque portrait paintings so he mostly uses the classical lighting techniques and pictorial editing of the works with a subtle expression-filled by emotions and poetic feelings that indicate social issues. Mood Photography is the style of Mohammad which makes the audience communicate with the poetic feeling of his art better. His portraits emphasizing on social issues through deep abstract feelings and delicate expressions in the eyes of his models. Awards: Fine Art's first reward in Canada Tirgan Festival-2015. Two artworks of him have been chosen for the final section and have been displayed in Malaysia-Kuala Lumpur portrait contest-2015. Also second and third place in beauty and portrait category and four honorable mention in Moscow photo awards(MIFA)-2015. Winning medal in Asahi Shimbun photo contest, Japan 2017 Mourning for the father War is defined as a long-term structured conflict involving the use of arms and weapons between nations, governments and different groups, which is associated with severe hostility, social disruption, and excessive financial loss and casualties. Today, we constantly witness such conflicts across the world, with the media spotlighting the loss of thousands of soldiers and death of civilians during wars. However, we are rarely informed on the survivors of wars and their destiny. What becomes of them? How does war influence the lives of those who have lost their loved ones? How do women mourn the deaths of their husbands, fathers, and brothers and cope with such grave tragedies? These contemplations have urged me to start a project in order to shed light on these events and reflect the grand suffering of war survivors only partly. My photographs have been inspired by the works of Renaissance painters, and this can be seen in the classical lighting techniques and pictorial editing of the works. In addition, the black veils on the models signify the spiritual aspect of the photographs, symbolizing the catharsis born out of a plethora of grief and agony.
Gary Beeber
United States
1951
Gary Beeber is an award-winning American photographer/filmmaker who has exhibited in galleries and museums throughout the United States and Europe. His documentary films have screened at over 75 film festivals. Solo (photography) exhibitions include two at Generous Miracles Gallery (NYC), the Griffin Museum of Photography (Wincester, MA), and upcoming exhibitions at PRAXIS Photo Arts Center, and the Rhode Island Center for Photographic Arts. Beeber’s work has also been included in juried exhibitions throughout the world. Among Fortune 500 companies who collect his work are Pfizer Pharmaceutical, Goldman Sachs and Chase Bank. Sylvester Manor, Shelter Island As an artist I am drawn to subjects I find to be incongruous, and always like to experiment with composition, lighting and perspective. As I'm taking pictures I think a lot about the passage of time and how things evolve over the decades. When living in Sag Harbor, NY one of my great pleasures was taking the 10 minute ferry trip to Shelter Island (whose sleepy beauty starkly contrasts with the glitz and glamor of the Hamptons) and exploring/documenting Sylvester Manor. The island was originally inhabited by indigenous peoples, but was officially established as a slave holding provisioning plantation in 1652 by Nathaniel Sylvester, a sugar merchant from Barbados, who purchased the entire island for 1600 pounds of sugar. Sylvester Manor has been in the Sylvester family for 11 generations. Descendants of Nathaniel Sylvester used slaves to work the plantation until early in the 19th century when slavery was abolished in the north. People relate to this series because of Sylvester Manor's history and mystery. I was drawn to it for those same reasons, and of course it's sad, dark haunting beauty.
Jan Saudek
Czech Republic
1935
Jan Saudek is an art photographer and painter. He and his twin brother Kaja Saudek are holocaust survivors. Jan Saudek's art work represents a unique technique combining photography and painting. In his country of origin, Czechoslovakia, Jan was considered a disturbed artist and oppressed by authorities. His art gained more prominence during the 1990s, thanks to his collaboration with the publisher Taschen. During the 2000s, Saudek lost all his photo negatives in a matrimonial dispute and his pictures are now displayed on the internet for free. Jan claims they were stolen from him. Jan is the author of many “mise en scene” that were re-taken and copied by other artists. The cliché of a naked man holding a naked newborn baby with tenderness became a picture that was reproduced so many times that the composition became as commonplace as posing for a graduation picture. I still dream of the day when I will take a photograph so beautiful that it can be called love. -- Jan Saudek During his life in communist Czechoslovakia, Jan was labeled by the totalitarian regime as a pornographer. He lived in poverty using the only room in his basement as his studio. A disintegrating wall and a window giving a glimpse into the backyard became the witnesses of his fantasies and collaborations with models of all different sizes and origins. Jan Saudek and his twin brother Karel (also known as Kája) were born to a Slavic (Czech) mother and Jewish father in Prague in 1935. Their mother's family came to Prague from Bohemia, and their father from the city of Děčín in the northwest part of that area. During World War II and after the invasion of the German Nazis, both sides of his family were racially persecuted by the invaders. Many of his Jewish relatives died in the Theresienstadt concentration camp during the war. Jan and his brother Karel were sent to a children's concentration camp for Mischlinge (mixed-blood in German, as Nazis classified Jews as a race distinct from "Aryans"), located in Silesia near the present Polish-Czech border. Their father Gustav was deported to Theresienstadt concentration camp in February 1945. Although their mother and many other relatives died, both sons and father survived the war. A Communist-dominated government gained power after the war to rule the country, enforced by the Soviet Union and considered to be behind the Iron Curtain. According to Saudek's biography, he acquired his first camera, a Kodak Baby Brownie, in 1950. He apprenticed to a photographer, and in 1952 started working in a print shop; he was restricted to this work by the Communist government until 1983. In 1959, he started using the more advanced Flexaret 6x6 camera, and also engaged in painting and drawing. After completing his military service, he was inspired in 1963 by the catalogue for American photographer Edward Steichen's The Family of Man exhibition, and began to work to become a serious art photographer. In 1969, Saudek traveled to the United States, where he was encouraged in his work by curator Hugh Edwards of the Art Institute of Chicago. I have no way of portraying the lives of others. I portray my own. -- Jan Saudek Returning to Prague, Saudek had to work on his photography clandestinely in a cellar, to avoid the attention of the secret police. With his work turning to themes of personal erotic freedom, he used implicitly political symbols of corruption and innocence. In the late 1970s, he became recognized in the West as the leading Czech photographer, and also developed a following among photographers in his own country. In 1983, the first book of Saudek's work was published in the English-speaking world. The same year, he became a freelance photographer; the Czech Communist authorities allowed him to stop working in the print shop, and gave him permission to apply for a permit to work as an artist. In 1987, the archives of his negatives were seized by the police, but later returned. His best-known work is notable for its hand-tinted portrayal of painterly dream worlds, often inhabited by nude or semi-nude figures surrounded by bare plaster walls or painted backdrops. He frequently re-uses elements (for instance, a clouded sky or a view of Prague's Charles Bridge). In this his photographs suggest the studio and tableaux works of mid-19th century erotic photographers, as well as the works of the 20th-century painter Balthus, and of Bernard Faucon. Saudek's early art photography is noted for its evocation of childhood. His later works often portrayed the evolution from child to adult (re-photographing the same composition/pose, and with the same subjects, over many years). Religious motifs and the ambiguity between man and woman have also been some of Saudek's recurring themes. During the 1990s, his work at times generated censorship attempts in the West because of its provocative sexual content. Saudek's imagery has sometimes had a mixed reception internationally. He gained early shows in 1969 and 1970 in the United States and in Australia. In 1970 his work was shown at the Australian Centre for Photography and was welcomed by curator Jennie Boddington at the National Gallery of Victoria. Decades later, by contrast, his photograph Black Sheep & White Crow, which features a semi-naked pre-pubescent girl, was removed from the Ballarat International Foto Biennale in Victoria, Australia just before the opening on 21 August 2011; objections had been made related to allegations of child prostitution for his subject. Saudek's photographs have been featured as covers for the albums of Anorexia Nervosa (New Obscurantis Order), Soul Asylum (Grave Dancers Union), Daniel Lanois (For the Beauty of Wynona), Rorschach (Remain Sedate), and Beautiful South (Welcome to the Beautiful South). Saudek lives and works in Prague. His brother Kája Saudek was also an artist, the best-known Czech graphic novelist.Source: Wikipedia Saudek's pictures display a fondness for sequences that can be traced back to his childhood appreciation of comic books. More obviously, his work is often inspired by the nineteenth-century tradition of photographs of large women posed in lingerie reproduced as postcards (quite possibly also the source of inspiration for Saudek's collection 30 Postcards). His formal training occurred from 1950 to 1952, when Saudek attended Graphic Arts school and took a photography class. Saudek first exhibited in Prague in 1963 at the Hall of the Theatre on the Balustrade; though he continues to show work in his home country occasionally, Saudek's pictures are most widely exhibited in the United States. His work is held by such institutions as the Art Institute of Chicago; Museum of Fine Arts, Boston; The Bibliothèque nationale de France, Paris; Musée Nicephore Nièpce, Chalon-sur-Saone, France; National Gallery of Victoria, Melbourne, Australia; and Photo Art, Basel, Switzerland. Saudek continues to live and work in the Czech Republic.Source: Museum of Contemporary Photography
Dimitris Lambridis
Dimitris Lambridis was born in Athens, Greece. He has studied photography at the NewYork Film Academy and Film Production at the University for The Creative Arts, in Farnham, UK. He works as a photographer and cinematographer between London and Athens, while creating personal projects in the medium of photography. These projects focus mostly on stories that involve themes such as loss, the margins, community and irreversibility. Red Willow: "Red Willow" is the name of the Native American tribe of Pueblo Indians residing in the Taos Pueblo, in the city of Taos, New Mexico. The Red Willow tribe operates as an independent sovereign state, with its own hospital, school system and governing body. The Taos Pueblo was probably built between 1000 and 1450, making it one of the oldest continuously inhabited communities in the United States. It is also said that the Red Willow tribe is one of the first forms of society in the US - prior to the arrival of the Spanish in 1598 and other colonizers who played a definitive role in the history of the country and the fate of all Native Americans. A really important establishment introduced to the Natives was Christianity, which fit within the already highly spiritual culture, without pushing their spiritual practices away. It fit, and was accepted as it functioned in a different layer. Faith plays a large role in Native American art and other forms of expression. The history of relations between the US government and the Native American Indians has been a difficult one. Increasingly, today's Native American groups are sovereign within their own territory but continue to have close connections with the US federal government. Access to higher education for Native Americans is limited as the opportunities afforded them are not broad. The people's attitude in conjunction with the endless desert, allowed for a clarity of mind, which was almost taking me by the hand and pointing the camera towards the things that really did matter. The earth, the mountain, and the deepest bond that will never be taken away from Red Willow - their connection to their land. Photographic approach As soon as I was granted access to photograph within the pueblo in Taos, New Mexico. I started thinking about the form in which the narrative would be best preserved. The magnitude of this culture in relation to the history that comes after they encountered the colonizers, is one to be deeply respected. Appropriately, I thought that the clean strong image of a medium format camera, will function also as an update to Ansel Adams' documentation of the tribe- made in the 1930's- yet with elements of our times, such as the colour film and the inevitably modern landscape within and around the Pueblo, such as cars, clothing and establishments. Approaching the Pueblo in relation to the outside environment of the town of Taos, was something that I wanted to establish after I witnessed a certain codependence, which might not be preferred by the tribal members, but seems necessary.
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All About Photo Awards 2026
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry