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Roberta Vagliani
Roberta Vagliani
Roberta Vagliani

Roberta Vagliani

Country: Italy
Birth: 1987

Roberta Vagliani (born 1987) is a photographer residing in a small town in the province of Mantua, Canneto s/O. The leitmotif of her shots revolves around three fundamental aspects: Emotion, Love, and Simplicity.

She embarked on her photographic journey at the age of 17, delving into the realms of reportage and visual communication. For her, traveling signifies discovery and the longing to capture the emotions she experiences, aiming to evoke them in those who view her work. Photography serves as the medium through which she narrates, wordlessly, the scenes her eyes behold.
 

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More Great Photographers To Discover

Joakim Eskildsen
Denmark
1971
Joakim Eskildsen was born in Copenhagen in 1971 where he trained with Royal Court photographer, Mrs. Rigmor Mydtskov. In 1994, he moved to Finland to learn the craft of photographic book making with Jyrki Parantainen and Pentti Sammallahti at the University of Art and Design in Helsinki, graduating with an MA degree in photography in 1998. He often collaborates on projects with writer Cia Rinne, and his publications include Nordic Signs (1995), Blue-tide (1997), iChickenMoon (1999), which was awarded Best Foreign Title of 2000 in the Photo-Eye Books & Prints Annual Awards, the portfolio al-Madina (2002), which was made in collaboration with Kristoffer Albrecht and Pentti Sammallahti, and the book The Roma Journeys (Steidl 2007), which a.o. has been awarded with the Amilcare Ponchielli Award in 2008, Deutscher Fotobuchpreis (Gold) 2009, the Otto Pankok Promotion Prize, and the David Octavius Hill-medal awarded by Deutsche Fotografsche Akademie in 2009. Joakim lives and works in Berlin.Source: www.joakimeskildsen.com Joakim Eskildsen (born 1971 in Copenhagen) is a Danish art photographer. Eskildsen was a pupil of Rigmor Mydtskov in Copenhagen and went to Finland in 1994 to study photographic book making with Pentti Sammallahti at the University of Art and Design Helsinki. He lives near Copenhagen and has shown some of his works in Europe (including Germany, Denmark, Finland, Sweden, France, England, Italy), China, and South Africa. From 2000-2006, together with the writer Cia Rinne, Eskildsen sought out Roma in various (mainly Eastern European) countries and other ethnic groups in India who are possibly related to the Roma. The fruits of this work have found their way into the book The Roma Journeys, which delivers insight into the life of the Roma by its text and more than 200 photographs. Source: Wikipedia
Thomas Michael Alleman
Thomas Michael Alleman was born and raised in Detroit, where his father was a traveling salesman and his mother was a ceramic artist. He graduated from Michigan State University with a degree in English Literature. During a fifteen-year newspaper career, Tom was a frequent winner of distinctions from the National Press Photographer’s Association, as well as being named California Newspaper Photographer of the Year in 1995 and Los Angeles Newspaper Photographer of the Year in 1996. As a magazine freelancer, Tom’s pictures have been published regularly in Time, People, Business Week, Barrons, Smithsonian and National Geographic Traveler, and have also appeared in US News & World Report, Brandweek, Sunset, Harper’s and Travel Holiday. Tom has shot covers for Chief Executive, People, Priority, Biz Tech, Acoustic Guitar, Private Clubs, Time, Investment Advisor, Diverse and Library Journal. Tom teaches “The Photographer’s Eye” at the Julia Dean Photo Workshops, and “Vision and Style” at the New York Film Academy, both in Hollywood. Tom exhibited “Social Studies”, a series of street photographs, widely in Southern California. He’s currently finishing Sunshine & Noir, a book-length collection of black-and-white “urban landscapes” made in the neighborhoods of Los Angeles. Sunshine & Noir had it’s solo debut at the Afterimage Gallery in Dallas in April, 2006. Subsequent solo exhibitions include: the Robin Rice Gallery in New York in November 2008, the Blue Sky Gallery in Portland, OR, in October 2009, the Xianshwan Photo Festival in Inner Mongolia, China, in 2010 and California State, Chico, in 2011. In the summer of 2012, a dozen pictures from Sunshine & Noir were featured in the “Photo Menage” exhibiton at the St. Petersburg Mueum of Art, in Russia, and ten prints will be shown during the RAYKO Gallery’s annual Plastic Camera Show in San Francisco in March, 2013, where Tom will be the Featured Artist. Also in early 2013, Tom will mount his first LA solo show, at the Duncan Miller Gallery, and his second solo show at the Robin Rice Gallery in New York City,
Marco Guerra
Chile
1965
Marco was born in Santiago, Chile, in July 1st 1965. In September 11th of 1973, as the president of Chile was being overthrown by a military coup in the city center, he was struck by the bravery of the photojournalist in the center of it all, risking their life to tell the news story. That day he started to dream in becoming a photographer. Marco got his first photo assistant job at the age of 12, holding a portable flash to photograph Saturday Night Fever children's party, and was amazed how people became egocentric as soon as he pointed the flash in their direction. In 1979 he emigrated with his family to New York city. There he was offered a job working for a photographer who was capturing nights in Studio 54 for Andy Warhol's Interview Magazine. That allowed Marco, to start his aesthetic exploration, and to learn how media and politics shaped the world he was living in. In 1990 he became determined to be a full time artist. He did not allowed himself to do anything that was not related to photography, the history of aesthetic and how we humans interpreted visual information. He started assisting the top International photographers, artist and creative directors of the time and learned to see, analyzed and ask questions. By the mid 1990s he started getting professional assignments as an art, fashion, travel, portrait and advertising photographer for top brands and top magazines like French Vogue, Condé Nast Travel UK, Elle, Harper's Bazaar, New Yorker Magazine, New York Times, and luxury brands such as Levis, Rolex, Ralph Lauren and Bergdorf Goodman, to mention few. By 2001 he started producing, directing and shooting Art films for Ralph Lauren, Rolex and LVMH. In 2002 after meeting and being enchanted by a vision of the American/French/ Moroccan artist Yasmina Alaoui in NYC, they decided to collaborate and explored new areas in Photography, which was changing rapidly because of digital media. By mixing old and new techniques they create "1001 Dreams" series. A project of Love: large formats prints, combining photography and drawing. This work has been exhibited around the world and is part of important collections. Eventually Marco decided to stop doing commercial work and completely focus and explore contemporary art photography. In 2007 after years of soul searching for a non orientalist way to portrait Morocco, he started photographing his Tangiers series over the course of 2 years: Documenting the same street intersection taken from the top of a building, always around 4:30 am in the morning, capturing the intersection of the world of the sexes: the men running home from a long night, and the women starting the work day. This Series was part 2016 Marrakech Biennale, The Pierre Berge Cinematheque Benefit Auction in 2011 in Arle's and Scope Miami 2011 as well print reside in Important collection Internationally. In 2008 to 2012, inspired by a Weston and a paragraph of Neruda ( It is good, at certain hours of the day and night, to look closely at the world of objects at rest.) he set himself with his Rolleiflex , to photograph his “ Volume and lines” series, capturing the stillness and poetry of water cisterns in the palmeraie of Marrakech. This will take several years to shoot. A meditative project, for which he started to spend a lot of time in North Africa. In 2012, Cacerolazo project came alive. Commissioned for the 2012 Marrakech Biennale and inspired by the mood of the time, “Jasmine Revolution” and his childhood memories, marching along the women of Santiago who gathered at dusk , to bang their empty pots and pans in loud and peaceful protest in his native Chile streets. Cacerolazo is a personal examination of the strength and integrity of women and of their power to effect transformation. 10 pieces emerges, each from a mosaic of 119 moments capture with Polaroids, arrayed as tiles. In 2014 he started capturing Moroccan Landscape series, which look natural but have been transformed by humans, and photographed in contemporary neutral tones opposite of a folkloric approach to capturing Morocco. This is an on going project. Next his photography took a big dive to abstraction. Inspired by Sir, Francis Galton and his techniques of composite images, for the next 7 years he would work on composite nudes, cities, monuments and museums. He felt it was the proper choice to speak about time and space repetition. He currently working on composite photography, sculpture project and living between New York and Marrakech.
Petros Kotzabasis
Petros Kotzabasis was born in Komotini, a small town in north of Greece, where he has chosen to live. He has teaching photo, to the cultural club of students of Democritos University of Thrace, since 2007.The procedure of taking pictures has an affect on him, similar to psychoanalysis, as he says, he feels as if he is the one and only viewer of an act that takes place daily and his camera is the diary that captures, in this moving reality which surrounds us, pictures that only last for split seconds. Lines and shapes formed and get lost instantly, changing every minute and in this constant alteration and movement he works by isolating several instant expressions of real through this lens. A photo is a creation of the reality, in which there are not the spots of the world that he does not want to include in his picture. It' s the total of the thinks that the photographer has lived, others that he has read, listen or he has imagined. The power of an artist is his knowledge that, by using something real simple, such as a different composition of colours, or the change of the contrast, or the standing of a head, or the shoot from a lower angle, makes the difference between the indifferent and the genius. His pictures are spontaneous and quite personal. There are no special events in them, he searches for magic in common people of the street, his neighbors, passers-by. He believes that the everyday routine of the object is what leaves plenty of space for elements to create the "art" of photography. He takes photographs of "everyday life" on a daily basis, urged by a habit he used to have when he was little. As he describes: "Every day I used to stand on our doorstep with my grandmother and observe the street and the passers-by for hours, making up stories between us. Without exchanging a single word, we had absolute communication. That habit, as I was growing up, directed me to photography." With a canon 5D and a 35 mm lens he tries to create a photograph which possesses elements of poetry, he would call it 'visual poetry', thus intending to communicate with the viewers as he used to do with his grandmother, without explanations and messages, permitting them total freedom. His starting point is the phrase by Odysseas Elytis, the great Greek poet that says: "with lime twigs you may capture birds, yet you never capture their singing. It takes a different kind of twig...." This very singing is what he tries to capture with his photographs.All about Petros Kotzabasis:AAP: When did you realize you wanted to be a photographer?It’s rather hard to answer such a question as I still haven’t realized that I am a photographer. What I am doing is actually due to an urge to create and express myself. Here in Greece, you see, you are deemed a photographer if you are professionally involved with wedding photography or photojournalism.AAP: Where did you study photography?I haven’t actually studied photography; I am self-taught. I have come upon everything by looking up in books.AAP:Do you have a mentor?Strange though it may sound, I could regard as my “mentor” the distinguished Greek poet, Odysseas Elytis, Fernando Pessoa or Marcel Proust, as they help me find my way whenever I reach a deadlock.AAP: How long have you been a photographer?I became involved with photography in 1985 but in 1994 I reached a stalemate and for almost a decade I stopped photographing. I didn’t shoot a single photo. I couldn’t even lay my hands on the camera; not even on holidays when a tourist asked me to take a photo. Then a certain incident urged me to take it up again in 2004 and since then I keep on photographing on a daily basis. I have never seen the photos of that first phase and I dumped the films in the basement of the house I used to live at that time.AAP: Do you remember your first shot? What was it?It’s been quite a while and I can’t remember my first shot. Instead, I could recount the story of a photo of mine, which may be indicative of the way I act. A few years ago, I set off for a traditional fete that takes place on the mountains, almost a two-hour drive from home. I set off equipped with several memory cards with a view to taking loads of photos during the 3 days the fete lasted. As soon as I reached my destination and opened the car door, I saw the frame that was created , took the picture and felt such a fulfillment that I realized there was no point in taking any more photos; so I instantly closed the door and returned with that one single photo.AAP: What or who inspires you?Literature and poetry have always been a source of inspiration for me.AAP: How could you describe your style?I would characterize what I am trying to do as visual poetry. In my photos there are no extraordinary events; I seek magic in the ordinary people on the street, in my neighbors, in passers-by. I seek the moment when narration is no longer needed with the aim of creating a new universe where all will be evident yet something will be left unrevealed, not with symbols but with hints. Starting point for me has been a quote by Odysseas Elytis “with lime twigs you may capture birds; yet you will never capture their singing…”AAP: What kind of gear do you use? Camera, lens, digital, film?The gear that I use is rather simple; a digital camera-Canon 5D- and a 35mm/f1,4 lens. I am against using several kinds of gear that may give you more opportunities; I like putting limitations and making particular choices, as they render you less “garrulous” and more conscious.AAP: Do you spend a lot of time editing your images?Once I take a picture, I don’t spend so much time on it. At the end of the day I have a look at what I’ve shot and in very few minutes I sort out the one or ones that I am interested in. I always show the selected lot to a specific person who is not in any way involved with photography or any other form of art, but who I trust otherwise, and once I get their opinion, I make my final choice. Because I browse through the photos very quickly every evening, I feel that in my hard disks there may be photos I have never noticed and I have always had the urge to have another look at them but I never did.AAP: Favorite(s) photographer(s)?A lot of photographers are my favorite. The first one I had ever studied and really made an impression on me was Koudelka, then I “met” and fell in love with Kertész and Bresson. Also, Robert Frank , Plossu , my compatriot, Economopoulos and many others.AAP: What advice would you give a young photographer?The most important thing for someone who is about to take up photography is to gain a deep insight into themselves; it’s this process of personal development and cultivation that will enable them to express themselves through photography and take photos that will be the real them and provoke the interest of others.AAP: What mistake should a young photographer avoid?When one sets out on this photographic trip, they browse through the internet and magazines and try to shoot at some point what they have seen. I consider this a great mistake since they are drifted away in an attempt to imitate and they are caught in a deadlock.AAP: An idea, a sentence, a project you would like to share?Since my intention is not to depict something specific or recount an event through my pictures, I couldn’t claim that I am currently working on some kind of project and once this is over, I’ll start with another one. The point is to decode what’s inside me and this “project” will be over once I am over with photography or once I am no longer alive.AAP: Your best memory has a photographer?What I find important, is that some say or write that one of my photos triggered a burst of emotion in them. I find this the most significant gift photography could grant me. AAP: Your worst souvenir has a photographer?Since I mainly photograph on the streets, the police have arrested me twice as a suspect. I believe these are my worst experiences as a photographer. AAP: If you could have taken the photographs of someone else who would it be?As I mentioned before, I love and admire the work of many photographers; thus, it would be impossible for me to pick one.
David Plowden
United States
1932
David Plowden was a renowned American photographer known for his evocative and poignant images of America's vanishing landscapes. Plowden's work documented the changing face of the American landscape, particularly the decline of small towns, historic structures, and industrial sites, with a deep sense of reverence for the past. Plowden's interest in photography began at a young age, and he honed his skills while studying at the Institute of Design at the Illinois Institute of Technology, where he was mentored by renowned photographer Harry Callahan. Plowden's work was influenced by the work of Edward Steichen and Walker Evans, and he developed a distinct style that combined technical precision with emotional depth that resonated with viewers. Plowden's photography focused on capturing the essence and character of a rapidly disappearing America throughout his career. His black-and-white photographs were hauntingly beautiful, providing a glimpse into the past while raising questions about progress and preservation. Plowden's documentation of small towns and rural landscapes is one of his most notable bodies of work. He sought out areas untouched by modern development, photographing the fading facades of main streets, weathered barns, and decaying structures. He revealed the stories etched into the architectural details through his lens, conveying a sense of nostalgia and longing for a simpler time. David Plowden’s work is sometimes compared to that of the great WPA photographers—Walker Evans, Bernice Abbot, Russell Lee, Dorothea Lange—but he’s been in the field decades longer than any of them were. What he has done is nothing less than capture a whole nation passing through fifty years of changes as momentous as those unleashed by the Industrial Revolution. -- Richard Snow (from the forward of Vanishing Point) Plowden also focused on America's disappearing industrial landscape. He chronicled the decline of once-thriving industries like steel mills, factories, and coal mines. His photographs captured the stark beauty and melancholy atmosphere of these abandoned spaces, conveying the human impact of industrial decline and its toll on communities. Plowden's work was not limited to photography. He was a successful author, having written a number of books that combined his stunning images with thoughtful narratives. His books, such as "Vanishing Point: Fifty Years of Photography," provided an extensive visual record of his lifelong investigation of disappearing landscapes. Plowden's work received critical acclaim and was shown in prestigious galleries and museums around the world throughout his career. He received numerous honors for his contributions to photography, including a Guggenheim Fellowship. David Plowden's photographs are a visual testament to the importance of preserving our common history and America's vanishing landscapes. His photographs convey a sense of loss, prompting viewers to consider the impact of progress and the fragility of our built environment. The legacy of Plowden as a master photographer lives on, inspiring future generations to document and appreciate the landscapes and structures that define our collective memory.
Anne Helene Gjelstad
Anne Helene Gjelstad is an award-winning photographer and educator. After graduation from the Norwegian National Academy of Craft and Art Industry in 1982 she had her own fashion studio in Oslo for 25 years. Among her clients were HM Queen Sonja, Norwegian artists, magazines and the textile industry. In 2006 she felt the need for a change and decided to follow her childhood dream and become a photographer. She took the two-year class in photography at Bilder Nordic School of Photography (2007-08) as well a numerous workshops by some of the leading photographers of our time such as Joyce Tenneson, Mary Ellen Mark, Greg Gorman and Vee Speers. Anne Helene's works has been has been exhibited worldwide; in the National Art Museum of China in Beijing, in Centro Fotografico Alvarez Bravo in Mexico, in Ljubljana in Slovenia, around Estonia including the Lobby in the Estonian Parliament in Tallinn and in the National Museum in Tartu as well as in The House of Photography in Oslo. Anne Helene Gjelstad has her photo studio in an old barn surrounded by beautiful landscape just outside of Oslo. She also gives lectures and teaches portrait photography and postproduction. For her portraits, she is rewarded numerous awards. Statement For eleven years, since 2008, I have worked on portraying the lives of the older women on the small Estonian islands of Kihnu and Manija in the Baltic Sea. Colourful, interesting and friendly, they represent a culture and a way of life that is changing despite the strong anchor of tradition. These robust women are used to working hard, and take care of almost everything. They bring up the children, make the clothes, plough the fields, drive the tractors and take care of the animals. The men spend much time away from home, fishing or working on the mainland or abroad. Life is often hard. This is normal here. Nobody asks questions. You do what you must. This is how you get a big heart and strong hands. The voices of these hushed culture bearers need to be heard and kept for generations to come in a small society that is rapidly changing towards western standards, and where the traditional culture and identity is naturally slipping away. I have aimed to tell the women's stories truthfully and I have photographed their daily lives and activities, clothing and bedrooms, kitchens and farmhouses, the details, the surroundings and landscapes as well as the ceremony held in a deceased person's kitchen only three hours after she had passed away. To tell the fuller story, I have also interviewed some of the women about their lives, their experiences during war and occupation, family life, work, food and thoughts about the future. My book is my contribution to record and help preserve this unique culture for the future and give these old, wise women the voice they deserve as the quiet nation builders they really are.
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Latest Interviews

Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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