All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Last Call AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Last Call AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Shinji Ichikawa
Shinji Ichikawa
Shinji Ichikawa

Shinji Ichikawa

Country: Japan

Born into a family that ran a photo studio, I grew up surrounded by cameras and photographs. After graduating from Tokyo Visual Arts in 1993, I entered the world of commercial photography as an assistant. In 1999, my artistic journey took me to New York, where I began a self-taught exploration into photographic expression, drawing inspiration from Surrealism and other artistic movements. My work often delves into the themes of space and presence that envelop the subject. In 2002, I returned to Shimane Prefecture and continued to produce and exhibit my photographic works while managing my family's studio.

Winner AAP Magazine 39 Shadows
Exclusive Interview with Shinji Ichikawa
 

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Ludovica Limido
Born in 1995 in Varese, Italy, Ludovica Limido is a documentary photographer whose work centers on countercultures and human connection. After graduating from art school, her travels through Australia and Southeast Asia deepened her need for photography. In 2019, Ludovica was awarded a photography scholarship at Milan’s John Kaverdash Academy, which led to new collaborations and recognition. Her projects explore diverse themes, from life in small Italian villages to European body suspension subcultures, folklore, and the experiences of adolescence in provincial settings. Her work delves into the complexities of belonging, identity, and the interplay between individuality and group dynamics. In 2023, she discovered an online community in the world of love dolls, inspiring her project The Doll Next Door, which focuses on the companionship between humans and their synthetic counterparts. Her photography has earned her recognition in several competitions and festivals. In 2024, Ludovica was a finalist at the InCadaqués Photo Festival, the Indian Photo Festival, the ND Awards, the Golden Shot Awards, Les Boutographies, and was shortlisted for the 2024 Un/Fund Artist Grant. In addition, she received honorable mentions at both the Passepartout Photo Prize and the International Photography Awards, and was a finalist at the Gomma Grant Awards. The Doll Next Door: For centuries, humanity has been intrigued by the idea of artificial companionship. Rumors suggest that as far back as the 1600s, sailors carried early versions of sex dolls crafted from cotton and fabric on their long sea voyages. Despite the ambiguity surrounding their origins, the allure of these synthetic companions has persisted through time. In the modern era, the landscape of synthetic relationships has undergone a profound transformation. Since 2018, catalyzed further by the upheavals of the Covid era, the adult doll market has seen rapid growth, fostering a global community of individuals who opt for “synthetic” relationships. Far from fitting the stereotype of isolated introverts, doll owners defy easy categorization. They come from diverse backgrounds, span various age groups, and pursue a range of professions, challenging societal norms with their embrace of unconventional connections. Their homes become gateways to a secret, private world dedicated to their dolls; neat, compact spaces filled with accessories, clothes, jewelry, shoes—everything their dolls might need if only they were alive. Despite the undeniable significance of these relationships, most remain shrouded in secrecy. Fueled by societal stigma and misconceptions, many who are part of this subculture often find themselves hiding it from even their closest friends and family. Through private forums, blogs, and social media, doll enthusiasts build connections, share advice, and celebrate the intricacies of their lives. These online networks serve as lifelines, offering a sense of belonging in a world that often fails to understand their reality. As technology advances, love dolls represent the brink of a new era—the emergence of genuine robot companionship. With each innovation, the line between fantasy and human reality blurs, offering a glimpse into a future where the boundaries of intimacy are redefined. “The Doll Next Door” explores the deep emotional connections formed between individuals and their synthetic counterparts, revealing how companion dolls serve as confidants, companions, and even surrogate family members. Moreover, it delves into the concept of identity for both doll owners and their synthetic companions. Through this project, I aim to highlight the depth within these unconventional relationships and bring to life a contemporary, romantic story that reflects something deeply human: our need for connection, acceptance, and the desire to feel understood.
Erberto Zani
Italy
1978
Erberto Zani (Parma, Italy, 1978) is a journalist and documentary photographer who specializes in human rights issues. Graduate at school of applied Arts Paolo Toschi in graphic design, after the studies in History of Art at University of Parma he worked as a photographer in advertisement sector (1998-2004). Journalist and photographer for the newspaper Gazzetta di Parma (2004-2007) and editor in chief for some local magazines, he becomes freelance in 2008. During these years he documented the destruction created by the earthquake in Haiti, the climate crises in Sahel, the Maha Kumbh Mela in India, the daily life inside the ship breaking yards in Bangladesh, the exodus of Rohingya from Myanmar, the refugee camps in Lebanon, Greece and Uganda, the effects of the war in Marawi city / Philippines. Actually, Zani is working on two long term documentary projects, both around the world: Dark World, about the illegal mineral's extraction, and Survivors, about acid attack victims. Awarded in several international contests, his images are published on several books and dozens of international magazines. He lives in Basel, Switzerland. Books Urban Visions (ed. Blurb, 2021), Elemental Fashion (ed. Blurb,2019), Exodus (ed. Blurb, 2018), Kied Pologo (ed. Stamperia, 2017), Aftermath (ed. Stamperia, 2016), Black World (ed. Stamperia, 2015), Maha Kumbh Mela (ed. Stamperia, 2014), Tsiry (ed. Stamperia, 2014), Babanagar-Colombia (ed. Stamperia, 2013), Sahel (ed. Stamperia, 2012), Hope (ed. Stamperia, 2011), Haiti, fragments (ed. Stamperia, 2010), Drops of Life (ed. Stamperia, 2010), Da Borgo San Donnino al Passo della Cisa (ed. Publiprint, 2006). Publications WHO (World Health Organization), UNESCO (United Nations Educational Scientific and Cultural Organization), USAID (United States Agency for International Development), AMURT Global Network, John Hopkins Bloomberg School of Public Health, Development Gateway, Id21 (Institute of Development Studies University of Sussex), Planeta Salud, ICF Macro, GTZ (Deutsche Gesellschaft für Technische Zusammenarbeit), UNIPID (Finnish University Partnership for International Development), March (Maternal Reproductive & Child Health), The Appalachian Voice, AIP (Journal of Chemical Physics), Gazzetta di Parma, L'Informazione di Parma, Diario, Africa, Nigrizia, Popoli, Redattore Sociale, Repubblica.it, Treatment Action Campaign, CORE Group, Solidarietà e Cooperazione CIPSI, Witness Journal, Tsiry Parma Onlus, E gli Altri? Onlus, Solidarietà Muungano Onlus, Dodho Magazine, Phosmag, Terra Nuova, L'Espresso, Rex Shutterstock agency, Associated Press agency, Fotodom agency, Sipa agency, Scanpix agency, Puzzlepix agency, Le Journal du Dimanche, DeStandaard, Enough Project, Life Force Magazine, LesEchos.fr, vdi-nachtrichten.com, 20 minutes.fr, stimmenafrikas.de, wisdom wander.pl, Loveless, Illume Oy, Global Witness, QCode magazine, Street Art United States, Art Works Projects, Libéma Fun Factory, TheJournal.ie, MSN.com, Fotopolis.com, Mymodernmet.com, Traveller24.com, The Telegraph, Metro.se, All About Photo, Click Magazine, Musagetes Foundation, Vogue Italia, Alamy.com, DeAbyDay, Rai3 Tg3 Mondo, FotoNostrum, Camilo Egas Museum - MuNa, DocuMagazine, Korper magazine. Awards All About Photo: 2nd place Portrait, 2021 Art Limited: 3rd place in Reportage & Press Awards, 2021 Umbra International Photography Awards: Main category "People" winner, 2020 Smithsonian Photo Contest: Finalist, 2020 Art Limited Awards: 1st place in Reportage & Press Awards 2019 Chromatic Photography Awards: 1st place in Wildlife / Animal and 2nd place in Portrait, 2019 PX3 - Prix de la Photographie Paris: 1st place in Advertising / Book cover and 1st place in Book / People categories, 2019 Moscow Photography Awards: Gold medal in "Book / People" category , 2018 Monochrome Photography Awards: 1st and 2nd place, category "Photojournalism", 2017 IPA - International Photography Awards: 2nd place, category Book Documentary, 2016 PX3 - Prix de la Photographie Paris: Gold medal in Professional Book Documentary and Bronze medal in Professional Book People category, 2016 Exhibitions 2021 Town Hall, Möhlin, Switzerland (30/04 - 30/06) 2020 Museo Camilo Egas - MuNa, Quito, Ecuador, 16/10 - 05/12 2019 MIPA - Malta International Photo Award exhibition, Malta Postal Museum 16/02 - 16/03 (Valletta, Malta) 2018 ImagOrbetello Festival, Sale di Piazza del Popolo, 25/08 - 08/09 Orbetello (Italy), 2018 PX3 - Paris Photography Prize winner’s exhibition at the Espace Beaurepaire (Paris, 10-14 July) 2017 ImagOrbetello Festival, Sala Imago, Piazza del Popolo, Orbetello (Italy) 2017 "Black World" book at Image Text Ithaca Symposium, Ithaca College Campus (June 30th)2017 "Black World" book at Reading room at MAGNUM Foundation, New York City (June 17th) 2017 "Black World" book at Carnegie Museum of Art, PGH Photo Fair, Pittsburgh (29-30 April) 2016 Photo "Finding coltan" for permanent collection at The Design Museum, Londo, UK 2014 IPA Best of Show, Thonglor - Roof top gallery, Bangkok, Thailand 2009 "Sguardi a Sud-Est", Sorbolo (PR, Italy) Centro Civico 2007 "Sguardi a Sud-Est", Fidenza (PR, Italy) Palazzo Orsoline.
Carrie Mae Weems
United States
1953
Considered one of the most influential contemporary American artists, Carrie Mae Weems has investigated family relationships, cultural identity, sexism, class, political systems, and the consequences of power. Determined as ever to enter the picture—both literally and metaphorically—Weems has sustained an on-going dialogue within contemporary discourse for over thirty years. During this time, Carrie Mae Weems has developed a complex body of art employing photographs, text, fabric, audio, digital images, installation, and video. In a New York Times review of her retrospective, Holland Cotter wrote, ''Ms. Weems is what she has always been, a superb image maker and a moral force, focused and irrepressible." Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, Solomon Guggenheim Museum in New York, and the Centro Andaluz de Arte Contemporáneo in Seville, Spain. Weems has received numerous awards, grants, and fellowships, including the prestigious Prix de Roma, The National Endowment of the Arts, The Alpert, The Anonymous was a Woman, and The Tiffany Awards. In 2012, Weems was presented with one of the first US Department of State’s Medals of Arts in recognition for her commitment to the State Department’s Art in Embassies program. In 2013 Weems received the MacArthur “Genius” grant as well as the Congressional Black Caucus Foundation’s Lifetime Achievement Award. She has also received the BET Honors Visual Artist award, the Lucie Award for Fine Art photography, was one of four artists honored at the Guggenheim’s 2014 International Gala, a recipient of the ICP Spotlights Award from the International Center of Photography, The WEB Dubois Award from Harvard University, as well as Honorary Degrees from: California College of the Arts, Colgate University, Bowdoin College, the School of Visual Arts and Syracuse University. She is represented in public and private collections around the world, including the Metropolitan Museum of Art, NY; The Museum of Fine Arts, Houston; the Museum of Modern Art, NY; Museum of Contemporary Art, Los Angeles; and The Tate Modern, London. Weems has been represented by Jack Shainman Gallery since 2008, and is currently Artist in Residence at the Park Avenue Armory. She lives in Syracuse, New York, with her husband Jeffrey Hoone who is Executive Director of Light Work.
Laura Aguilar
Mexico/United States
1959 | † 2018
Laura Aguilar, a pioneering photographer, used her lens as a powerful tool for social empowerment and representation. Born with a keen eye and a deep sense of empathy, Aguilar sought to challenge the traditional narratives of art history by capturing the beauty and dignity of marginalized communities often overlooked by mainstream society. Aguilar's work defied convention, focusing on subjects that had long been excluded from the artistic canon. From lesbians and Latinas to individuals with disabilities and those whose bodies did not conform to societal norms, Aguilar fearlessly confronted stereotypes and celebrated the diversity of human experience. Her photographs were a testament to the strength, resilience, and inherent worth of each individual, regardless of their background or identity. I wouldn't know what to do with the perfect body. Can we get comfortable with the imperfections? – Laura Aguilar What set Aguilar apart as an artist was not only her choice of subjects but also her meticulous attention to the formal aspects of photography. Drawing inspiration from both modernist and Social Documentary traditions, Aguilar infused her work with a unique perspective informed by her own lived experience as a lesbian Latina. Through her lens, she sought to capture the essence of her subjects in a way that transcended superficial appearances, inviting viewers to connect with the humanity and complexity of each individual. Above all, Aguilar viewed art as a means of giving voice to those who had been silenced or marginalized. Her photographs served as a powerful form of advocacy, challenging viewers to confront their own biases and preconceptions while fostering empathy and understanding. Through her art, Aguilar sought to create a more inclusive and compassionate society, one where all individuals were valued and respected for who they are. I know some people see me as very childlike, naïve. Maybe so. I am. But I will be damned if I let this part of me die! – Laura Aguilar Despite facing obstacles and adversity throughout her life, Aguilar remained steadfast in her commitment to social justice and equality. Her work continues to inspire and provoke, reminding us of the importance of representation and the transformative power of art. Laura Aguilar's legacy lives on through her photographs, which serve as a testament to the enduring strength of the human spirit and the possibility of positive change.
Jacques Henri Lartigue
France
1894 | † 1986
Jacques Henri Lartigue is 69 years old in 1963 when he first presents a selection of his many photographs taken throughout his life in New York’s MoMa. That same year there is a photo spread of his work in the famous Life Magazine issue which commemorates the death of John Fitzgerald Kennedy, and which is publicized worldwide. To his great surprise, Lartigue becomes, overnight, one of the renowned photographers of the twentieth century. Jacques learns about photography from his father as early as the year 1900. Henri Lartigue rewards Jacques’s enthusiasm by buying him his first camera when he is 8 years old. Thus begins the endless coverage of his childhood, including automobile outings, family holidays and especially his older brother Maurice’s (nicknamed Zissou) inventions. Both brothers are fascinated by cars, aviation, and all sports with increasing popularity at the time. Jacques’s camera freezes each moment. As an adult he continues to attend sporting events and to take part in elite sports such as skiing, skating, tennis and golf. However, ever mindful of the passage of time, photography is not quite enough to capture his childhood memories. A snapshot cannot encompass all there is to say and to remember. He thus begins keeping a journal and will continue to do so his whole life. Furthermore, as if to engage in a more renowned activity, he takes up drawing and painting. In 1915 he briefly attends the Julian Academy and thus painting becomes and remains his main professional activity. From 1922 on he exhibits his work in shows in Paris and in the south of France. In the meantime, in 1919, Jacques marries Madeleine Messager, the daughter of the composer André Messager, and their son Dani is born in 1921. Jacques and Madeleine get a divorce in 1931. He revels in high society and luxury until the beginning of the 1930’s until the decline of the Lartigue fortune forces him to search for other sources of income. He refuses however to take on a steady job and thus lose his freedom, and so he scarcely gets by with his painting during the 30’s and 40’s. In the beginning of the 1950’s and not in accordance with the legend in which he is a complete unknown, his work as a photographer is noticed. He nevertheless continues to paint. He embarks on a cargo ship to Los Angeles in 1962 with his third wife Florette. In a roundabout way, they stop on the East Coast and meet Charles Rado of the Rapho Agency who in turn contacts John Szwarkoski, MoMa’s photography department young curator. There is all-around enthusiasm. The first retrospective of his work is held in Paris’ “Musée des Arts Décoratifs” in 1975. One year earlier, Lartigue was commissioned by the President of France Valéry Giscard d’Estaing to shoot an official portrait photograph. In 1979 the Donation Agreement is signed and Lartigue becomes the first living French photographer to donate his work to the nation. He authorizes the Association des Amis de Jacques Henri Lartigue to preserve and promote the fund. In 1980, his dream of having his own museum comes true with the Grand Palais’ exhibit “Bonjour Monsieur Lartigue”. He continued his work as a photographer, painter and writer until his death in Nice on September 12th 1986. He was 92 years old. He left us with more than 100 000 snapshots, 7 000 pages of diary, 1 500 paintings. Source: Jacques-Henri Lartigue Donation
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes