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Final Deadline Extended to Friday — Win a Solo Exhibition in February
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Shinji Ichikawa
Shinji Ichikawa
Shinji Ichikawa

Shinji Ichikawa

Country: Japan

Born into a family that ran a photo studio, I grew up surrounded by cameras and photographs. After graduating from Tokyo Visual Arts in 1993, I entered the world of commercial photography as an assistant. In 1999, my artistic journey took me to New York, where I began a self-taught exploration into photographic expression, drawing inspiration from Surrealism and other artistic movements. My work often delves into the themes of space and presence that envelop the subject. In 2002, I returned to Shimane Prefecture and continued to produce and exhibit my photographic works while managing my family's studio.

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Bruce Weber
United States
1946
Bruce Weber (born March 29, 1946) is an American fashion photographer and occasional filmmaker. He is most widely known for his ad campaigns for Calvin Klein, Ralph Lauren, Pirelli, Abercrombie & Fitch, Revlon, and Gianni Versace, as well as his work for Vogue, GQ, Vanity Fair, Elle, Life, Interview, and Rolling Stone magazines. Weber was born in Greensburg, Pennsylvania, to a Jewish family. His fashion photography first appeared in the late 1970s in GQ magazine, where he had frequent cover photos. Nan Bush, his longtime companion and agent, was able to secure a contract with Federated Department Stores to shoot the 1978 Bloomingdales mail catalog. He came to the attention of the general public in the late 1980s and early 1990s with his advertising images for Calvin Klein, and his portrait of the then young actor Richard Gere. His straightforward black-and-white shots, featuring an unclothed heterosexual couple on a swing facing each other, two clothed men in bed, and model Marcus Schenkenberg barely holding jeans in front of himself in a shower, catapulted him into the national spotlight. His photograph for Calvin Klein of Olympic athlete Tom Hintnaus in white briefs is an iconic image. He photographed the winter 2006 Ralph Lauren Collection. Some of Weber's other earliest fashion photography appeared in the SoHo Weekly News and featured a spread of men wearing only their underwear. The photos became the center of controversy and Weber was told by some that he would never find work as a fashion photographer again. This reputation stuck with him, as he says: "I don't really work editorially in a large number of magazines because a lot of magazines don't want my kind of photographs. It's too risky for them". After doing photo shoots for and of famous people (many of whom were featured in Andy Warhol's Interview magazine), Weber made short films of teenage boxers (Broken Noses), his beloved pet dogs, and later, a longer film entitled Chop Suey. He directed Let's Get Lost, a 1988 documentary about jazz trumpeter Chet Baker. Weber's photographs are occasionally in color; however, most are in black and white or toned shades. They are gathered in limited edition books, including A House is Not a Home and Bear Pond, an early work that shows Eric Nies from MTV's The Real World series, among other models. Weber began collaborating with crooner Chris Isaak in the mid-1980s, photographing Isaak in 1986 for his second album, Chris Isaak. In 1988, Weber photographed a shirtless Isaak in bed for a fashion spread in Rolling Stone. Isaak appeared in Let's Get Lost and Weber has directed a music video for Isaak. Weber photographed Harry Connick, Jr. for his 1991 album Blue Light, Red Light. In 1993, Weber photographed singer-songwriter Jackson Browne for his 1993 album I'm Alive.Source: Wikipedia
Matthew Brandt
United States
1982
Matthew Brandt (born 1958 in Los Angeles) is a American photographer and visual artist. Calling his approach "a little bit messy and experimental," Brandt produces large-scale photographs through labor-intensive processes recalling the 19th-century origins of photography, often incorporating the physical matter of the subject itself. Attuned to the history of his medium — and its resolute physicality — and inspired by classical American landscape photographs, Brandt traverses the West, photographing and collecting material samples from nature and cities. The reciprocal relationships that Matthew Brandt creates between his subjects and the materials used to represent them are always conceptually grounded, often in response to social and environmental issues. He is deeply inquisitive, even fearless, in his exploration of subjects, materials, and processes, reinvigorating the medium of photography with a sense of wonder.Source: The Lapis Press Matthew Brandt received his BFA from Cooper Union and MFA from UCLA. Brandt has been the subject of institutional solo shows at the Newark Museum, the Columbus Museum of Art, Virginia Museum of Contemporary Art and SCAD Museum of Art, Savannah. Recent group exhibitions include works in New Territory: Landscape Photography Today at the Denver Art Museum, The Magic Medium at the Los Angeles County Museum of Art; Light, Paper, Process: Reinventing Photography at the J. Paul Getty Museum, Los Angeles; Second Chances at the Aspen Art Museum; What is a Photograph? at the International Center of Photography, New York; and Land Marks at the Metropolitan Museum of Art, New York. Brandt was shortlisted for the prestigious Prix Pictet Award in 2015 and had his work showcased in an exhibition at the Musée d’Art Moderne de la Ville de Paris. His work can be found in the permanent collections of the Metropolitan Museum of Art, New York; National Gallery of Art, Washington, DC; J. Paul Getty Museum, Los Angeles; Guggenheim Collection, NY; Brooklyn Museum, New York; Art Gallery of South Wales, Sydney, Australia; Virginia Museum of Fine Arts, Richmond; Cincinnati Art Museum; Los Angeles County Museum of Art; Hammer Museum, Los Angeles; Royal Danish Library, National Museum of Photography, Copenhagen; Denver Art Museum, Colorado; High Museum, Georgia; Detroit Institute of Arts, Michigan; and the Columbus Museum of Art, among others. In 2014 a monograph devoted to Brandt’s work was published by Damiani. Matthew Brandt lives and works in Los Angeles.Source: matthewbrandt.com Matthew Brandt's photography conflates subject and material, incorporating physical elements from the sources he’s depicting to create unique compositions that are technically inventive and conceptually sly. For Lakes and Reservoirs, his landscapes were bathed in the water of their subjects; 2014’s Dust featured reproductions of historical photographs of demolished structures, rendered in pigments borne of debris collected from those buildings’ contemporary sites. For 1864, his first exhibition at Jackson Fine Art, Matthew Brandt again turns to the archives, reinterpreting George N. Barnard’s photographs of a post-Sherman Atlanta by making images of a shattered city into peach pie.Source: Jackson Fine Art
Ed Kashi
United States
1957
Ed Kashi is a photojournalist, filmmaker and educator dedicated to documenting the social and political issues that define our times. A sensitive eye and an intimate relationship to his subjects are signatures of his work. As a member of the prestigious photo agency VII, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition. “I take on issues that stir my passions about the state of humanity and our world, and I deeply believe in the power of still images to change people’s minds. I’m driven by this fact; that the work of photojournalists and documentary photographers can have a positive impact on the world. The access people give to their lives is precious as well as imperative for this important work to get done. Their openness brings with it a tremendous sense of responsibility to tell the truth but to also honor their stories.” Kashi’s images have been published and exhibited worldwide. Another of Kashi’s innovative approaches to photography and filmmaking produced the Iraqi Kurdistan Flipbook with MediaStorm, which premiered on MSNBC.com in December 2006. Using stills in a moving image format, this creative and thought-provoking form of visual storytelling has been shown in many film festivals and as part of a series of exhibitions on the Iraq War at the George Eastman House. Also, an eight-year personal project completed in 2003, Aging in America: The Years Ahead, created a traveling exhibition, an award-winning documentary film, a website and a book which was named one of the best photo books of 2003 by American Photo. Along with numerous awards, including Second Prize Contemporary Issues Singles in the 2011 World Press Photo contest, UNICEF’s Photo of the Year 2010, a Prix Pictet 2010 Commission and honors from Pictures of the Year International, Communication Arts and American Photography, Kashi’s images have been published and exhibited worldwide, and his editorial assignments and personal projects have generated six books. In 2008, Curse of the Black Gold: 50 Years of Oil in the Niger Delta was published, and June 2009, saw the publication of Kashi’s latest book THREE, based on a series of triptychs culled from more than 20 years of image making. In 2002, Kashi and his wife, writer/filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous short films and multimedia pieces that explore significant social issues. The first project resulted in a book and traveling exhibition on uninsured Americans called, Denied: The Crisis of America’s Uninsured. “Ed Kashi is intelligent, brave and compassionate. He always understands the nuances of his subjects. He fearlessly goes where few would venture. And he sympathetically captures the soul of each situation. Ed is one of the best of a new breed of photojournalistic artists.” -- David Griffin, Visuals Editor, The Washington Post Articles Ed Kashi talks about Climate Change 1 in 6 by 2030 Books Abandoned Moments A Period in Time
Gregory Halpern
United States
1977
Gregory Halpern (born 1977) is an American photographer and teacher. He currently teaches at the Rochester Institute of Technology and is a nominee member of Magnum Photos. Halpern has published a number of books of his own work; Zzyzx won PhotoBook of the Year at the 2016 Paris Photo–Aperture Foundation PhotoBook Awards. He received a Guggenheim Fellowship in 2014. Halpern grew up in Buffalo, New York. He holds a BA in history and literature from Harvard University and an MFA from California College of the Arts. He has taught at California College of the Arts, Cornell University, School of the Museum of Fine Arts, Boston, Harvard University and the Harvard Graduate School of Design. He currently teaches at the Rochester Institute of Technology. Halpern is married to the American photographer, Ahndraya Parlato. Omaha Sketchbook (2009) is an artist's book portrait of the titular city. Harvard Works Because We Do (2003) is a book of photographs and text, presenting a portrait of Harvard University through the eyes of the school's service employees. A (2011) is a photographic ramble through the streets of the American Rust Belt. East of the Sun, West of the Moon is a collaboration with Halpern's wife, the photographer Ahndraya Parlato. Zzyzx (2016) contains photographs from Los Angeles. Let the Sun Beheaded Be (2020) was made over several months in the French archipelago of Guadeloupe.Source: Wikipedia Gregory Halpern is known for his intuitively rich colour photography that draws attention to harsh social realities as well as the unerring strangeness of everyday life. His work is rooted in both the real and the sublime and this approach has lead him to photograph life in post-industrial towns of the American Rust Belt, the people and places of Los Angeles and the uniquely unifying experience of a total solar eclipse. “What’s interesting to me about the world is its chaos and contradictions, the way opposites can be so beautiful in relation to each other,” says Halpern of his practice. Though Halpern says he is primarily motivated by the desire to “create” rather than “document”, his work is powerfully affecting. A study of working conditions for janitorial staff at Harvard, created while he was a student there, resulted in a successful bid for the minimum wage and was published as a book, Harvard Works Because We Do (2003). While his images of life in post-industrial towns of the American Rust Belt were published to critical acclaim in A (2011), and show resilience in the face of harsh social and economic realities. Selected clients include The New York Times Magazine, Vogue, Le Monde, Bloomberg Businessweek, Sports Illustrated and VICE.Source: Magnum Photos
Byung-Hun Min
South Korea
1955
Byung-hun Min was born in Seoul, South Korea, in 1955. Min started out as a musician and vocalist, then a student of electronic engineering, before finally discovering photography. He turned to study photography in his late 20’s at the Soon-tae Hong studio, from where he has pursued a successful career in photography. He has been awarded the Dong-A International Photography Salon’s silver medal (1984). Min's work has been widely exhibited and collected by institutions including the Los Angeles County Museum of Art; Brookings Institution, Washington, DC; Centre National des Arts Plastiques, Paris; Seoul Art Center; and National Museum of Contemporary Art, Gwachon, Korea. Min's work was included in the Museum of Contemporary Photography exhibition Alienation and Assimilation: Contemporary Images and Installations from The Republic of Korea, presented April 4 through May 30, 1998. Byung-hun Min takes inspiration from the Korean landscape and culture; his photographs embody a blend of beauty, intricacy, and metaphor. Min's photographs of grasses were taken on repeated visits to the same site where weeds have grown up against vinyl greenhouses and dried to their surfaces. In these austere works, Min captures patterns that masterfully rephrase a delicacy and sensitivity to nature inherited from traditional Korean art.Source: Miyako Yoshinaga Min’s black-and-white photography often represents nature and the environment; and his pictures aim to capture the essence of the Korean landscape. His photographs also draw references to traditional Korean and East Asian art and culture, with a resemblance to ink scroll paintings, floral themes, and a focus on simplicity and minimalist compositions. His pictures are often attributed to being able to capture the delicacy and silence of nature. Min’s photographs also require effort on the part of the viewer. The subject of his pictures may be obscured, like the canvas of a greenhouse in his Weeds series, or obscured by light, like in the Snowland series. The subject may be in the distance beyond a fog-like veil, forcing the viewer to focus his attention persistently in order to have the subject of the picture revealed, as in the Trees and Flowers series. Min's poised and gentle approach to photography has granted him with a distinct, naturalistic style. Source: Peter Fetterman Gallery
Paul Fusco
United States
1930 | † 2020
John Paul Fusco (August 2, 1930 – July 15, 2020) was an American photojournalist. Fusco is known in particular for his photographs of Robert F. Kennedy's funeral train, the 1966 Delano Grape strike and the human toll of the Chernobyl nuclear disaster. Fusco began his career as a photographer for Look magazine, and was a member of Magnum Photos from 1973 until his death in 2020. Paul Fusco was born in Leominster, Massachusetts, and started pursuing photography as a hobby at the age of 14. During the Korean War, from 1951 to 1953, he gained more experience while he worked as a photographer for the United States Army Signal Corps. He first studied at Drake University and in 1957 received a Bachelor of Fine Arts in photojournalism from Ohio University. He then moved to New York City to work professionally as a photographer. Fusco first worked for Look Magazine in New York City. While working there, in 1968, he took what would become a well-known series of photographs of mourners along the route of Robert F. Kennedy's funeral train. His photography often documented social issues and injustices, such as poverty, ghetto life, the early days of the HIV crisis, and cultural experimentation across America. His 1966 photos of California's Delano grape strike documented migrant farmworkers' struggles to form a union, supported by Caesar Chavez. The photos were released as a book, with text by George D. Horowitz, titled La Causa: The California Grape Strike. Fusco moved to Mill Valley, California in the 1970s. In 1973 he became an associate of Magnum Photos and a full member a year later. Over the years, Fusco also contributed to such publications as Life, Mother Jones, The New York Times Magazine, Newsweek, Psychology Today, and TIME Magazine. Fusco also worked internationally covering events in Europe, the Middle East, and Southeast Asia. In the late 1990s, he spent two months making photographs of the lingering effects of the Chernobyl nuclear disaster in Belarus, eventually published in the book Chernobyl Legacy, which featured a foreword by Kofi Annan. In the early 2000s, Fusco pursued a personal project he called Bitter Fruit, documenting the funerals of US service members killed in the Iraq War. He left Mill Valley for New Jersey in 1993, but later returned to California, in 2009, to live in Marin County. Fusco died on July 15, 2020, aged 89, in San Anselmo, California. Many of his photographs are in the Magnum Photos archive currently held at the Harry Ransom Center at the University of Texas at Austin. Two hundred of his photographs of the United Farm Workers Organizing Committee and Caesar Chavez, taken during a farm worker's strike in Delano, California, are held by the Library of Congress, as are 1,800 Kodachrome slides taken in June 1968 from the funeral train carrying Robert Kennedy's body from New York City to Washington, D.C., for burial in Arlington National Cemetery.Source: Wikipedia
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry