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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
Nirav Solanki
Nirav Solanki
Nirav Solanki

Nirav Solanki

Country: Zambia/United States
Birth: 1980

Nirav is a Zambian-American photographer living in Southern California. He graduated with a degree in business. He has been an avid sailor for ten years, who is licensed to sail vessels as large as catamarans. He is also licensed to scuba dive as well as with the FAA to operate drones. He has work featured in Glasgow Gallery of Photography, Decode Gallery, and in Better Photography magazine. Nirav enjoys a minimalist approach to his works and is ever expanding his skill set and knowledge.

Statement:
I found the farming landscapes of Northern California to show as canvases from an aerial point of view. I saw the labor that was and continues to be done and how this affects not only ourselves but our land. I enjoyed the very earthy colours and found it to be grounding. Being mindful about how we appreciate our earth throughout the seasons and what it brings us in the beauty of a birds' eye view is something that I wanted to share.
 

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More Great Photographers To Discover

Joël Tettamanti
Switzerland
1977
Joël Tettamanti was born in 1977 in Efok, Cameroon, and grew up in Lesotho and Switzerland. He studied photography at ECAL, Lausanne, where his teachers were Pierre Fantys and Nicolas Faure. Following his studies, he worked as an assistant to the photographer Guido Mocafico in Paris. Tettamanti is established as a commercial and media photographer for clients such as Wallpaper*, Kvadrat, and international architects. His work has been featured in solo and group exhibitions in Europe, and has been the subject of several monographs, including Local Studies (2007) and Davos (2009). He lives in Lausanne. The Swiss photographer Tettamanti creates works that focus on the impact of human settlement on the landscape, from Asia to the Arctic Circle. The images are often without people, examining instead the contradiction of human frailty and resilience, and the relationships people form with the land. His work is a vast archive of the structures, villages, and cities people create, and of the landforms and climates that shape them. Like many photographers who have been drawn to archive the world, Tettamanti’s interest lies beyond collecting artifacts of the human imprint on the land. The questions he asks of a place – why things look the way they do, and how they came about – lead to profoundly social narratives about the people who are uplifted and sometimes defeated by the land they inhabit. Tettamanti gravitates toward inhospitable environments where these relationships play out in spectacle: the juxtaposition of sublime natural beauty and buildings of startling banality, or ingenuity, or of land seemingly without limit and the meager architecture put upon it. The story can be one of use and misuse, where urban sprawl or industrial incursions have degraded the land and corrupted its beauty, as well as one of human adaptability and resourcefulness. The land is shaped by people as much as it shapes them. His quest as an artist recalls the expeditionary photography of the American West in the nineteenth century, when territories previously unexplored by Americans were opened to visual imagination by the camera. Today, when technology and globalization make distant cultures accessible, there is still a sense of revelation in Tettamanti’s work. For this artist, much like the nineteenth-century pioneers of the medium, photography remains a means of understanding the world, and retains the power to astonish with images of places that exist beyond the imagination. Source: MIT Museum
Alexandro Pelaez
Venezuela
1977
Alexandro Pelaez is a Caracas-born analogue photographer based in London with a BA in Communication (Advertising) at Jacksonville University in Florida and was headhunted as an art director in the advertising agency BVK Meka in Miami. Having moved to London in 2001, where he completed his second BA (Hons) in Graphic at Central Saint Martins, University of the Arts London, Alexandro has worked over the years on various photography projects with different clients in the UK, Latvia, Germany, Italy, France, Vietnam, Hong Kong, Shanghai and USA. In 2014 Alexandro received the Highly Commended Award by the London Photographic Association for his "HEROES & VILLAINS". In 2017 Alexandro was the finalist with the "Londoners" series at the ACCI "Art of Living" Photography Competition in California, and won two Honourable Mentions by International Photographer of the Year for both categories of Fine Art: Conceptual and People: Portrait; and by Density Neutral Photography Awards for the category Fine Art: Conceptual. Recently, Alexandro received three Honourable Mention Awards by the IPA International Photography Awards in New York (2019) with the OneShot Street Photography competition New York (single image) Category: Specials; also received the Finalist Award by the Fine Art Photography Awards (2019) Category: Cityscape (series). Alexandro received the 2nd place award by the IPA International Photography Award 2019 in New York in the category of: Analogue/ Film, Other. Artist Statement "When I am shooting in double exposure with my 35mm film camera, in my way and style, I am trying to capture the true essence of a city or an area. What I want to convey is my perspective of “what you see is what you get" by capturing those unique moments when I catch an image. The double exposure allows me to capture all that but can take my images to a different level where I can be more creative by holding double layered scenarios that will give the viewer a magical, almost surreal perspective and sense of unnatural futurism." Alexandro Pelaez and the Magical in the Realism
Laurence Demaison
Having practiced various means of artistic expression (painting, drawing, sculpture) since childhood, and completing formal training in architecture in 1988, Laurence began her self-taught journey into photography in 1990. Particularly interested in the female portrait and nude, and finding it difficult to adequately convey her mental images into words and direction, she gave up on the use of models and began to use herself exclusively as the subject of her photographs. Freed from the burden of words and the presence of others, she embraced the solitude, silence and freedom, while struggling to confront the image of her own body. Rather than portraying her body as it was, she sought to conceal, modify, even destroy it and reconstruct it in a form more acceptable to her. The result is a series of self-portraits which expertly use the reflective and distortive qualities of her materials along with the shadowy effects of light and negative images to create "paper phantoms", ghosts of herself that are there, yet disappear in an instant. Laurence creates all of her images in camera and executes the silver gelatin prints in her own darkroom, with no alteration of the image after shooting. She has been the recipient of numerous awards and honors from European photographic organizations and her work has been exhibited extensively in Paris and elsewhere in France, Germany, Spain, Switzerland, Luxembourg and Belgium. This is the first gallery exhibition of her work in the United States. Source: Galerie BMG
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AAP Magazine #57 Portrait
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Latest Interviews

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Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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