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Mariana Basurto
Mariana Basurto
Mariana Basurto

Mariana Basurto

Country: Mexico
Birth: 1976

My name is Mariana Basurto. I was born in Mexico City and I'm passionate about exploring the world with my camera in hand. My photography seeks to invade the intimacy of the streets, to extract and represent the magic that is perceived in everyday life and show the world from my eyes.

Through my lens I seek to capture the unique and different everyday life with a personal stamp. With every click of my camera I connect with people through a smile or conversation where I have achieved spontaneity, intimacy and respect.

There are three people and a country that triggered my passion for street photography at various times in my life. My grandfather and my father taught me to never stop being surprised in life and this fueled the action of exploring the planet. Today, I have visited more than seventy-five countries in the world and I have had the opportunity to live in five of them. My sister inspired me to photography when we traveled together and she captured moments with her Kodak camera from the 1980’s. Finally, having lived in a city like Shanghai motivated me to tell with my lens the fascinating stories that are lived every day in a country as special as China.

I hold an Industrial Engineering degree and Professional Cook but abandoned both careers to focus on photography. I’m a member the Women street photography and Mexican Street Photography Collectives. I’m interested in documentary, travel and street photography.

My medium-long-term documentary projects are:
• At their home – Show how people live around the world. Through my connection on the street I have managed to enter people's homes and they have shown me how they live.
• Elder beauty portrait- Document the expressions, textures and stories of elderly men and women from different cultures who through their skin show a unique beauty
• Quirks – Fun and unique things from everyday life that represent cultures, places or people

I have recently participated in worldwide exhibitions in Hong Kong, New York, Iran, Mexico but my greatest reward is seeing people's expressions when I show them their photo. They feel happy, heard, and represented. I currently live in Charlotte, North Carolina, in the United States in constant search of new places to visit and stories that my lens can tell

Statement
My photography is a unique, personal dialogue between the images and viewer, crafted with the passion and privilege of capturing human connections and truths, often challenging prevailing narratives without compromise,. My main belief is that: “Never stop being amazed”

Websites

@maribasurtophotography

www.worldfrommyeyes.com

 

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Kathleen Meier
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Jesús Umbría Brito
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Jesús Umbría Brito is a photographer whose gaze not only observes, but also engages in dialogue with both the world and the passage of time. He has completed PHotoESPAÑA’s Master of Photographic Projects Program, as well as training in narrative and in the photobook discipline with Ricardo Cases. His work has been exhibited in major galleries, including the Bondi Pavilion in Sydney, House of Lucie in Athens, the Lúcio Craveiro da Silva Library in Braga, and the Royal Botanical Gardens of Madrid. He has been a finalist in awards, such as the Gomma Grant, Head On, ReFocus, Analog Sparks, and the Enaire Foundation Photography Awards. He was recently invited to participate in 2025 Chico Review. STATEMENT: The photographer's gaze often deals with the legacy of the past, constantly returning us to the present as the only place from which we can examine history and relive it. Some of the most powerful images of the 20th and 21st centuries emerged from the clash between gaze and otherness, in that interstitial space of encounter between the photographer and the communities that inhabit the margins. Retaguardia is part of that more underground tradition, establishing a stylistic bridge with the work of other photographers such as Bruce Davidson, Larry Clark and Mary Ellen Mark. Like them, the author asks himself: What does it mean to inhabit a subculture? How are identities forged on the edges of the norm? What is the role of photography in representing those who live outside the spotlight? Retaguardia is a photographic project that dwells in the edges of mass society, in the periphery of the normative, in its penumbra. Far removed from dogma and convention, it unfolds a portrait of post-pandemic youth identified with the counterculture surrounding punk music and aesthetics: a mosaic of faces and expressions that seek each other in the mirror of the past to shape their present. From there, the author weaves a dialogue between times and generations. This exercise in memory and exploration becomes a testimony, an act of resistance against oblivion. On the one hand, the author revisits his own memory, three decades ago, when he went through these very spaces of transgression and belonging. On the other, he immerses himself in the present, where new generations rewrite history, adopting yesterday's dilemmas and facing their own. Young people who wear nostalgia like a second skin, who dance to the rhythm of inherited sounds, reconstructing with their own pulse the aesthetics and ideals of times that still resonate in their bodies. In this back-and-forth, the images emerge as witnesses to an immutable life cycle: that of youth seeking its mark on the margins, in the rearguard of dogma and norms. Through portraiture, the artist not only documents, but also questions. He explores identity as a constellation of signs and gestures, the need for belonging as an unbreakable drive, and social transversality as a contested territory. His camera is not a mere observer, but an active accomplice of those who find their place in what is different. The gaze —of the artist, the subject, and the spectator—unfolds as a narrative resource, a temporal bridge connecting generations. It acts as that contact zone that calls us from the past and seeks answers in the present. In this way, the exchange of gazes activates the dialogue between the observer and the observed, engaging us emotionally, blurring the boundaries between time and space, subject and spectator.
Brad Patocka
Brad Patocka
United States
Born in Upstate NY, USA to a blue-collar upbringing, I was quickly drawn to the rugged environments of the outdoors. This inevitably led to an unrelenting quest for exploration and travel, always driven by a curiosity of what the world is and what it can be. Like many, I first became interested in the photography from Nat Geo magazines, looking at images of the vastly different cultures and habitats around the globe produced by the countless photographers who would grow to be my idols. The aesthetic quality of a physical print really drew me in, photos that can depict a specific situation while also speaking to a larger issue or narrative resonated with me and inspired me to first pick up a camera. I believe we are all story tellers in some way, shape, or form. For me being able to effectively do just that in a single frame has always been the goal. Having the opportunity to cover important issues, and to present them in a powerful light that will ideally create some sort of change or impact others to consider the world we live in, is the ultimate goal. Traveling the globe in pursuit of various projects, I have found my works range from humanitarian aid, human rights, and environmental issues. Discover Brad Patocka's Interview
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