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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Michael Potts
Michael Potts
Michael Potts

Michael Potts

Country: United States
Birth: 1977

Mike grew up in Pennsylvania and in 2005 moved to Arizona where he’s rarely cold and doesn’t have to shovel snow. He graduated from Bucknell University with a major in English and a minor in Chemistry and still wonders what to do with them. He currently works as a nuclear medicine technologist mainly so he has someone to talk to. This lets him photograph on the side without having to live on ramen and sleep on friends’ couches. The rest of his time is devoted to various cats. They don’t like ramen, but they do like couches. His ultimate dream would be to visit Mars (and ideally make the trip back too). In the meantime he keeps making pictures.
 

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More Great Photographers To Discover

Rodney Smith
United States
1947 | † 2016
Rodney Smith was a New York-based fashion and portrait photographer. Smith primarily photographed with a 35mm Leica M4 before he transitioned to a 120/6x6 (medium format) Hasselblad with an 80mm lens. He preferred natural light to illuminate his subjects, but occasionally used continuous lighting. Smith shot predominantly in black and white, until 2002, when he first began to experiment with color film. His work is commonly referred to as classic, minimalistic, and whimsical. Rodney Smith was born December 24, 1947 in Manhattan, New York. His father, Sanford Smith, was president of fashion industry giant. Smith recalls, "A sense of style, a sense of proportion and a sense of beauty and a sense of grace – all of those things were very important in my upbringing." After he studied English Literature and Religious Studies at University of Virginia in 1970, Smith went for his graduate degree in Theology at Yale University in 1973. Smith said in an interview with Kodak, "I absolutely knew I wanted to be a photographer, but I didn't feel that studying in an art school or a photography department full time was the way to address the issues that were interesting to me – so I sort of entwined the two." While at Yale, he also studied under photographer, Walker Evans. In 1976 Mr. Smith spent 100 days photographing the people of the Holy Land, in Jerusalem. From the 88 Rolls of film shot, Smith ended up compiling two portfolios, which later became his first book: In the Land of the Light: Israel, a Portrait of Its People (1983). Published by Houghton Mifflin Company in Israel. After returning from Jerusalem, Smith spent a short time as an adjunct professor of photography at Yale University. As Smith continued his career into the nineties he slowly shifted from corporate executives to fashion photography. "My feelings about photography are exactly the same today as when I was 20. That is, I have a love/hate relationship with making pictures." Looking at pictures is one thing, he qualifies, "But making pictures – making pictures for me is hard, hard work." Rodney Smith's work has been featured in The Wall Street Journal to Martha Stewart, from Time to Bloomingdales. In addition to his work as a photographer, Smith lectured and gave workshops. Rodney Smith lived and worked in New York City, with his wife, Leslie Smolan, and daughter, Savannah, and son Jonah Smith. His wife, Leslie, is co-founder of graphic design and branding firm, Carbone Smolan Agency. He is currently represented by a number of galleries both in the US and internationally; acte2galerie of Paris, France, The PhotoGallery AB of Halmstad, Sweden, FOST Gallery of Singapore, Fahey Klein Gallery of Los Angeles, California, Galerie Greenwich of Greenwich, Connecticut, Galerie Sono of Norwalk, Connecticut, Gilman Contemporary of Ketchum, Idaho, and Staley-Wise Gallery of New York, New York. In the past 25 years, Smith received 50+ awards including First Prize for his book The End from International Photography Awards (IPA). He has also received several Communication Arts and Photo District News (PDN) awards. Smith died in his sleep on December 5, 2016 at the age of 68.Source: Wikipedia
Claudia Tombini
Born in Rome in 1968, after an initial artistic training, Claudia Tombini studied Architecture at La Sapienza University. After graduating, she followed a PhD in Architecture - Theories and Design at the DIAR department of the same University. Professionally active in her hometown since 2006, she carries out her work independently after a three-year collective experience with studio A4, winner of several mentions and awards. Specialized in architectural design, she has always combined research and design. Her latest work is the restoration of the Troisi Cinema in Trastevere. In 2016 she began her own photographic research, collaborating in some of Officine Fotografiche's activities. In 2019/20 she participates in "Human" curatorial workshop with Luigi Cecconi and Francesco Rombaldi, from Yogurt Magazine, during which she elaborates her own project MoveTo LineTo. Moveto Lineto "'Living is an art of spacing,' as Jean-Marc Besse teaches us, and living is mainly a question of geography. After a lifelong dedication to architecture I now discover, thanks to these words, that living is not about architecture or city planning, nor, more generally, about construction: living is geography. There is a human sense to architecture, which even preexists architecture, as we actually live our lives outside of it, in an unbroken series of passages, intersections, and places which all leave their own special resonance and memory inside us. As I move through these, without ever pausing in the gaps — sometimes more, sometimes less consciously — I find myself measuring out the distances I have covered. Not in terms of space, though, as when it comes to landscapes distance is actually temporal, and measuring it out in its complexity is no easy task. As Matteo Meschiari has said, what I am after is “an altered state of conscience in which the landscape is simultaneously medium and recipient, cause and effect, reactor and reaction”: it is a matter of sensorial dilation. I gaze back on these landscapes, “before” and “after”, I scrutinize them to reproduce them virtually, searching for the same old viewpoints, as if they were light years away. This is the effect any catastrophic event will have on us, namely making us believe that all linearity is forever lost, as if time actually flowed in a linear way. Knowledge will not do, knowing that history is all but linear is not enough: we won’t give up our linear idea of it, and we will feel lost when confronted with any interruption of it, with any interval, any blank gap, no matter how temporary. I have been ceaselessly trying to heal the wounds that the surface of things displays, because it is on the surface that we move, it is the surface we perceive, with its naked spaces, where only the absence or the lost track of what has happened is visible. Indeed, any figuration registers an appearance that is destined to vanish, and it is through imagination that we manage to value what is actually not there. It is through the abstraction of a virtual image, an image never completely resolved in its structure and its appearance, that I have been trying to turn the image itself into matter, and thereby restore to it a potential wholeness that I feel is unattainable to me today. This new matter will do, for the time being, to represent the times and places of our passages, and the gaps in between. Like a postscript file, it will be readable in its own right, by its own definition. " -- Claudia Tombini
Fran Forman
United States
Fran's photo paintings have been exhibited widely, both locally and internationally, and are in many private collections as well the permanent collections of the Museum of Fine Arts Boston, the Smithsonian National Air and Space Museum (Washington, DC), the Museum of Fine Arts, Houston, The Grace Museum (Texas), the Sunnhordland Museum (Norway), Western Carolina University Fine Art Museum, the Comer Collection at the University of Texas, and the County Down Museum (Northern Ireland). Fran's 2nd major monograph, The Rest Between Two Notes, with 100 color plates and 224 pages is published by Unicorn Publishing and available March 2020. Escape Artist: The Art of Fran Forman was published by SchifferBooks and was selected as one of the Best PhotoBooks of 2014 by Elizabeth Avedon and won First Place in an international competition. Monographs of Fran's solo exhibitions were published by Pucker Gallery in 2018, 2016, and 2014. Fran is also featured in Contemporary Cape Cod Artists: People and Places, 2014, Photoshop Masking and Compositing, 2012, and Internationales Magazin fur Sinnliche Fotografie (Fine Art Photo), 2014, The Hand Magazine, 2016, Blur Magazine (2016), two Pucker Gallery publications, and Shadow and Light, 2015 and 2018. She was Artist in Residence at Holsnoy Kloster, Norway, in 2016 and at The Studios of Key West in 2015. Additionally, she is often asked to juror and curate photo exhibitions. Most recently, Fran has mounted solo exhibitions at The Fox Talbot Museum, Lacock Abbey, England, The Massachusetts State House (The Griffin Museum of Photography), AfterImage Gallery (Dallas), the University of North Dakota, Galeria Photo/Graphica (Mexico), and the Pucker Gallery (Boston), as well as numerous group shows. In the past decade, Fran has won numerous significant awards and prizes; most recently, first place from the Julia Margaret Cameron awards and three awards (First Place, Gold and Silver) from PX3 Prix de la Photographie, Paris. In 2011, she exhibited at the 2nd Biennial International Exhibition, Lishui, China (one of only thirty Americans); she also won the second prize from the World Photography Gala Award (out of over 8000 entries) in People and Portraits; in 2010, she won 1st place in Collage for the Lucie Foundation's International Photo Awards (IPA). She was also a finalist for four straight years in PhotoLucida's Critical Mass. She is represented by Pucker Gallery (Boston), AfterImage Gallery (Dallas), SusanSpiritus Gallery (California), and Galeria Photo/Graphica (Mexico). She is an Affiliated Scholar at the Women's Studies Research Center at Brandeis University, a recipient of several grants and Artist Residencies, and teaches advanced photo-collage internationally. Fran studied art and sociology at Brandeis University, received an MSW in psychiatric social work, and then an MFA from Boston University. She resides in the New England area.
Sebastián Machado
Angela Bacon-Kidwell
Angela Bacon-Kidwell is an award winning photographer and visual artist that lives and works in Texas. Angela has a BFA from Midwestern State University, Wichita Falls, Texas, with specialization in painting and photography. Her work emerges from her journey of recovering a sense of self, strength and spirituality through an examination of her identities as daughter, granddaughter, wife, mother and artist. Her photographic work has received numerous awards and honors and has been exhibited and published both nationally and internationally. Recent awards and recognition’s include: nominated for the Santa Fe Prize for Photography in 2011, Finalist for the John Clarence Laughlin Award, First place in the Palm Springs Photo Festival, First Place in the Texas Photographic Society International Competition and 2012 lecture at the Annenberg Space for Photography in Los Angeles.She is currently represented by Afterimage Gallery, Dallas, Texas, Wallspace Gallery, Santa Barbara, CA and Galerie BMG, Woodstock, NYHome by Nightfall (2012-2014)Silence ceased for him in 2011 not a whisper, but a relentless roaring thunder molding his spirit into mourning In his misery, a new vaporous malice was brewing the ringing was a warning tinnitus and cancer were converging Every known eradication was pursued He and I, separated by many miles, shared a need for solitude cultivated by lucid country drives We drove separately through the dark districts of our minds invariably contemplating what was to come, a symbiotic transitory landscape emerged and the thunder soared in 2013 Questions, Answers, Questions, Answers Questions, Answers, Questions, Answers Questions, Answers, Questions, Answers all tedious throbbing answers How many miles in a life? What shape is the color grey? When does an echo become whole? During the three years of relentless discord, I created images of these ambiguous queries emoting, sensing, seeking There is a truth in "big" questions with small answers Clarity in the midst of chaos Hope in the face of despair Silence returned for him on May 24, 2014 He was my father.
Jesse Alexander
United States
1929 | † 2021
Jesse Alexander is an American photographer that covers motorsports, portraits, birds and travel. He also published several books. One of his first photo expeditions was in 1953 to the Carrera Panamericana race in Mexico. Since 1954, he covered large European races such as 24 Hours of Le Mans in France, and the Mille Miglia and Targa Florio of Italy. While in Europe he also photographed culture celebrities for New York Times, and was the European editor for Car and Driver magazine. He has exhibited at the Birmingham Museum of Art, the Akron Art Museum, and the Santa Barbara Museum of Art.Source: Wikipedia Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours of Le Mans, the Mille Miglia and Targa Florio. In that period of time he also photographed theater and music personalities for the New York Times. “As a young boy growing up during World War II, I was captivated by the imagery that came out of the war through the eyes of legendary photographers like Edward Steichen and W. Eugene Smith. My other heroes include Henri Cartier-Bresson, Jacques Henri Lartigue, Mary Ellen Mark, Bruce Davidson and Robert Capa”, he said. Jesse’s current body of work includes travel photographs of Iceland, the Galapagos Islands, and birds.Source: Fahey/Klein Gallery In the wake of World War II, a golden age of motor sports emerged in Europe, pitting competing countries against each other on the racetrack instead of the battlefield. A young photographer at the time, Jesse Alexander followed "the circus" and captured on film the adventure, glamour and innocence of this influential period in racing. In one image, Phil Hill waves after winning the 1960 Italian Grand Prix in his Ferrari; in another, Piero Taruffi celebrates his 1957 victory at the Mille Miglia in Brescia, Italy. Since then, Jesse Alexander has remained one of the most acclaimed and commercially successful racecar photographers in the history of the sport. Jesse Alexander's photographs have been exhibited in numerous museums and galleries in the United States, including the Birmingham Museum of Art, the Akron Art Museum, and the Santa Barbara Museum of Art. Source: Robert Klein Gallery
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AAP Magazine #54 Nature
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