All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Frank Baudino
Frank Baudino
Frank Baudino

Frank Baudino

Country: United States
Birth: 1947

Frank Baudino is a self-trained photographer who works almost exclusively in black and white. His interest in photography began at the age of 8 when he started working in the "wet" darkroom under the supervision of his father. His early cameras included the standard "Brownie" and a battered Speed-Graphic 4x5. HIs previous work concentrated on landscapes and social commentary ("street") photography. Some of the latter was obtained during medical service overseas. Currently he mainly does portraiture, the nude, and (most recently) photogravures.

Statement:
"I hope to make images that bring joy to viewers by expressing the beauty of humankind in light and shadow."
 

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Ralph Milewski
Germany
1968
My name is Ralph Milewski, and I am a passionate photographer from Germany. Born with Limb-Girdle Muscular Dystrophy (LGMD), despite significant physical limitations, I have found my creative voice. My photographic journey is marked by the fixed positioning of my camera between my legs, just 27 inches above the ground. Photography, for me, is not just a creative passion but a window to art and self-expression. As an introverted individual with a strong curiosity for people and their stories, I find in photography a unique way to simultaneously create intimacy and distance. The camera, my tool of choice, becomes the medium that strengthens my self-confidence and elevates my self-worth. Despite moments of frustration and grappling with my own limits, photography motivates me to creatively transcend my physical constraints and achieve extraordinary results. My work not only provides insights into my world from an unconventional perspective but also invites a reevaluation of existing perceptions. Photography, for me, is more than a visual medium; it keeps my mind alert and inspires me to develop bold ideas, even if their realization often relies on support. Photography compels me out of my comfort zone, helps me overcome social anxieties, and facilitates the forging of new connections. My view of the world through the lens is unique and perhaps exactly what can enrich your photo project. I invite you to consider my photography as a contribution to your project, not out of pity for my disability, but as an enrichment through a distinctive perspective and the creative process that I infuse into each image. Rear Seat Diaries: The series "Perspectives in Motion" is derived from my "Rear Seat Diaries," captured from a moving car – my wheelchair-accessible VW Caddy with a rear ramp. Let me briefly explain the unique setting of these window shots: I sit in my electric wheelchair at the back of my Caddy, facing forward. Until recently, the camera was always fixed on a tripod (gooseneck) attached to my wheelchair, positioned higher in the car to be at eye level with the window. I now use a mini-tripod, which I can position in my left hand, supported on my wheelchair. The camera is positioned at a right angle to me, aimed at the side window of the Caddy. The camera was adjusted and set before the trip began. Due to my physical limitations, I couldn't operate the camera in this elevated position directly. With the mini-tripod, I can now adjust the camera settings during the ride. I trigger the shots via remote control. I can only see the camera display sideways in my field of view, as it is flipped up 180°. The shots are taken while driving. Since the wheelchair is not firmly connected to the vehicle, it is subjected to stronger vibrations and centrifugal forces. Overall, it's a pretty bumpy affair. The idea for this project gradually developed out of necessity. If I could lift my arms like any other person, this series probably wouldn't have come about in this form. From my elevated position in the car, I can only visually capture a small part of the surroundings. I can turn my head slightly left and right but cannot move my shoulders or the wheelchair in the desired direction. Photographing from a moving car proved challenging, especially with a phone and a selfie stick. The results were unsatisfactory as the car window frame was always partially and never fully in the picture. The actual development began on the way to Spain in 2022, when I tried to dedicate photos of his hometown Lyon to a street photographer friend while passing through. Despite improvements to the selfie stick's position, there were still limitations. A few months later, I began photographing my hometown this way. By chance, I moved the phone further away from the car window. Upon later review, I noticed some pictures had the entire window frame as a frame. This caught my attention when I manually corrected the perspective with Lightroom in early February 2023. Since then, I have been continuously working on optimizing and further developing this project. Using an APS-C camera with an extended tripod attached to the wheelchair brought new insights. The mini-tripod and the ability to now change camera settings during the ride have sparked a creative boost. Despite challenges such as reflections, unwanted mirror images, sunlight, and disruptive elements like smeared or rainy windows affecting autofocus. Manual focusing is impossible as I can operate the camera very limitedly, and the subject constantly changes while driving. A self-built shading device now minimizes some reflections. However, there are still difficulties with backlighting and dirt on the windows. The "Rear Seat Diaries" present a diverse mix of my travels and experiences. I invite people to explore this unique perspective and see the world through my windows. It has long become an ongoing project, constantly being developed. Most of the shots are taken during my everyday trips, like drives to the grocery store or the doctor. Occasionally, I make specific trips just for photography. Targeted subject selection requires a lot of planning and time, especially since I need someone willing to drive me when I want to. The compiled images include beginnings with the phone, first steps, and the development with an APS-C camera, up to the latest attempts within the "Rear Seat Diaries" series to create intentional blur in the foreground through motion effects using extended exposure times. This approach aims to depict the outer environment in dynamic blur while keeping the subframe, the interior of the car, deliberately sharp. The challenge lies in the unavoidable vibrations caused by the vehicle while driving, complicating this endeavor. Nevertheless, longer exposure times are deliberately experimented with to add a dynamic and artistic dimension to the images.
Francesca Woodman
United States
1958 | † 1981
Francesca Woodman was an American photographer best known for her black and white pictures featuring herself and female models. Many of her photographs show young women who are nude, blurred (due to movement and long exposure times), merging with their surroundings, or whose faces are obscured. Woodman attended public school in Boulder, Colorado, between 1963 and 1971 except for second grade, which she attended in Italy. She began high school in 1972 at the private Massachusetts boarding school Abbot Academy, where she began to develop her photographic skills and became interested in the art form. Abbot Academy merged with Phillips Academy in 1973; Woodman graduated from the public Boulder High School in 1975. Through 1975, she spent summers with her family in Italy. She spent her time in Italy in the Florentine countryside, where she lived on an old farm with her parents. Beginning in 1975, Woodman attended the Rhode Island School of Design (RISD) in Providence, Rhode Island. She studied in Rome between 1977 and 1978 in a RISD honors program. As she spoke fluent Italian, she was able to befriend Italian intellectuals and artists. She went back to Rhode Island in late 1978 to graduate from RISD. Woodman moved to New York City in 1979. After spending the summer of 1979 in Stanwood, Seattle whilst visiting her boyfriend at Pilchuck Glass School, she returned to New York "to make a career in photography." She sent portfolios of her work to fashion photographers, but "her solicitations did not lead anywhere. In the summer of 1980 she was an artist-in-residence at the MacDowell Colony in Peterborough, New Hampshire. In late 1980 Woodman became depressed due to the failure of her work to attract attention and to a broken relationship. She survived a suicide attempt, after which she lived with her parents in Manhattan. On January 19, 1981, she committed suicide by jumping out a loft window in New York. An acquaintance wrote, "things had been bad, there had been therapy, things had gotten better, guard had been let down." Her father has suggested that Woodman's suicide was related to an unsuccessful application for funding from the National Endowment for the Arts.Source: Wikipedia Francesca Woodman photographed herself, often nude, in empty interiors. But her pictures are not traditional self-portraits. She is usually half-hidden by objects or furniture or appears as a blur. The images convey an underlying sense of human fragility. This fragility is exaggerated by the fact that the photographs are printed on a very small scale – they seem personal and intimate. Most of the photographs in the ARTIST ROOMS collection come from Francesca’s former boyfriend Benjamin P. Moore. She gave him the photographs, and many of them include intimate messages written in their margins. The messages become part of the artwork. Woodman continuously explored and tested what she could do with photography. She challenged the idea that the camera fixes time and space – something that had always been seen as one of the fundamentals of photography. She playfully manipulated light, movement and photographic effects, and used carefully selected props, vintage clothing and decaying interiors to add a mysterious gothic atmosphere to the work. Her importance as an innovator is significant, particularly in the context of the 1970s when the status of photography was still regarded as less important than painting and sculpture. She led the way for later American artists who used photography to explore themes relating to identity such as Cindy Sherman and Nan Goldin. Francesca Woodman’s entire body of work was produced as a young person and created over just eight short years. Her photographs explore many themes that affect young people such as relationships, sexuality, questions of self, body image, alienation, isolation and confusion or ambiguity about personal identity.Source: Tate
Olivier Unia
France
1969
I'm French and I've been living in Morocco for 15 years. I like to say that my work is music and everything else is my passion. I discovered photography at a young age via album covers, storm thorgerson, the square format. but I'd never dared try. In the early days of covid, we had so much free time that I watched a lot of videos on the internet about photo techniques, the triangle, etc. I borrowed a camera and went out, in the rare moments I was allowed, to shoot at the skatepark. It took me 10 minutes to set up and trigger the first shot, the skateboard levitating, in focus, the sun behind, I had, thanks to a lot of luck, succeeded in taking my first photo. What a shock, if I'd missed it I'd have put the camera away in my bag forever, but since then I've done almost nothing else, since then I've had my first solo exhibition, I've been lucky enough to win a few prizes, to be published in a magazine and I travel for photography and the craziest thing is that I get paid for it. Statement I look out the window, what's the weather like? Is it raining? How's the sky? And the light?... especially the light. I prepare the bag, the camera, the lenses, which ones to choose? Who am I going to meet? What will I run into? I take several, I take too many, I know... but you never know. I set off at random, music in my ears, I look for beauty, architecture, the street, people, a look, a cat, shadows and light... especially light. I go out photographing like others go fishing, not because I like fish, but because I love these moments, the silence inside me, and if I come back with a beautiful photo or a 50-kilo trout, that's fine with me, but if I come back empty-handed? I still come back happy.
Sam Heydt
United States
1986
Sam Heydt (born April 20, 1986) is an American social practice and recycled media artist born/raised in New York City. She has lived/worked in Paris, Venice, Amsterdam, Athens, Buenos Aires, Sydney, Reykjavík, Udaipur and Vienna [current]. As a published author, producer and lifelong social activist and environmentalist, Heydt has undertaken a range of altruistic, non­-profit work and anchors her practice in advocacy. Through her unique manner of expression, she illustrates a world exploited beyond use and increasingly reduced to a bottom line. Esteemed as one of the pioneers of the recycled media movement, she works across different media- film, video, installation, photography, sculpture, sound and text and employs a range of materials, often reinventing and trespassing their associative use. Marrying images of destruction with portrayals of the American Dream, her work confronts the disillusionment of our time with the ecological and existential nightmare it is responsible for. Heydt's work has been shown in galleries, museums, art fairs and film festivals worldwide. Statement The edge is closer than we think, but illusion won't free us from reality, even as the sustained narrative of tabloids becomes history and the myth of progress continues to perpetuate inequality. As the natural world is liquidated and substituted with an artificial one, public discourse is being defined by even narrower bandwidths Our time is marked by mass extinction, product fetishism, diminishing resources, and patented seeds. The skeletons of old factories serve as caveats for a world exploited beyond use, a world increasingly reduced to a bottom line. Dissidence is drowned out by the white noise of the media, which holds the social psyche captive in with the empty promises it proposes for the future it truncates. Working across different media- film, video, installation, photography, sculpture, sound and text, Heydt presents an abstract proposition for a world on the periphery of history, one that not only appears haunted by the ghosts of the past, but built on it. Conflating time and place, her layered imagery collides, merges and disrupts logical relationships between occurrences. Through adding and subtracting meaning by combining images of destruction with portrayals of the virtues born from the American Dream, Heydt confronts the disillusionment of our time with the ecological and existential nightmare it is responsible for.
Ernie Luppi
United States
1954
San Francisco native Ernie Luppi became involved with photography in 1973 when he started using his mother's Instamatic 126 camera that he and his brothers had given to her as a Christmas gift the previous year. During this time, Ernie was attending the City College of San Francisco and decided to switch his major to photography. The CCSF Photography Department offered one of the finest programs in the area and it helped Ernie unearth the creativity within him. To this day, Ernie is an avid black and white film and darkroom enthusiast. In 1975, Ernie graduated from CCSF with an Associate of Science degree in Photography and has spent the past 39 years in retail photography sales, first working at Adolph Gasser, Inc. for 23 years, followed by 16 years at Keeble and Shuchat in their respective film and darkroom supply departments. Ernie's photographic vision is varied. It ranges from travel, portraiture, street, and the urban landscape. Ernie has often quoted, “I am a jack of all trades and a master of none,” but really he is just curious about everything that he sees through his camera lens. An association with RayKo Photo Center was established in June of 1992 when Ernie had a solo exhibition of photographs, all of them gelatin silver prints, that he had taken during trips to Italy in 1981 and 1991. For the past decade, with the guidance of gallery director Ann Jastrab, Ernie has been a member of RayKo's Photographers Marketplace. Ernie's images have also been selected for RayKo exhibitions such as the documentary show "With Our Own Eyes", "The Perimeter of the World: Contemporary Travel Photography", as well as several Plastic Camera Show exhibits. He continues to photograph daily and can usually be found in his darkroom.
Jonathan Chritchley
United Kingdom
Jonathan Chritchley is one of the foremost fine art photographers in the world today. His instantly recognizable work is seen around the world in exhibitions, galleries, magazines and books, and form part of many fine art collections internationally. His regular clients include Ralph Lauren, Hilton International, Fortuny and P&O Luxury Cruises. Jonathan also speaks and presents his work at photography and sailing events worldwide, and is the founder and owner of Capture Earth and Ocean Capture, two companies specializing in luxury photography workshops & tours. Born in London, England, Jonathan became infatuated with the sea after moving to the famous sailing town of Lymington on the country's south coast at the age of 14. Years later, having moved to the South of France, he gave up a successful career as a marketing and brand director in order to return to his true passion; a combination of the sea and fine art photography. He has now worked in over 35 countries, including Mozambique, Japan, China, Cambodia, Chile, Greenland and South Africa. Jonathan was named one of the 'Top 100 Photographers of All Time' by the Sunday Times. His first book, SILVER, a 136 page fine art art edition, was published in 2014, and in 2016 he was made a Fellow of the Royal Geographical Society (FRGS). An active supporter of ocean conservation, Jonathan currently resides in the South of France with his wife and young family. Source: www.jonathanchritchley.com Jonathan Chritchley is a detail-obsessed perfectionist of black-and-white photography. Sections and details of his work allow us to delve into landscapes of the soul and are both relaxing and contemplative. Natural beauty does not mean perfection: to him it means uniqueness. And accordingly his photographs look like visions of the unknown and new. The atmosphere of his landscapes is not loud or spectacular but rather teases out a picturesque silence while playing with the power of nature, which he encounters in clearings in the forest, in the middle of the sea, or the panorama of a seascape. He explores the scene with his camera like a hiker and captures forces of nature – a stormy collection of clouds and treetops bent by the winds, or the tautly pulled and suddenly billowing sails – in impressive images. We can truly inhale the landscape in Chritchley’s works – sense the wind, the cold, the distance, the resistance – because he has confronted them confidently and persistently with his camera. Chritchley learned to sail as a boy on the south coast of England. He still preserves his excitement for the sport as well as sailing’s creativity and his inherent love of discovery, and he lives these actively in his photos. He abstractly choreographs the play of the wind in the sails. Billowing, cleverly cropped, sometimes full-bodied like a sculpture and momentarily rising to formidable heights, they can then in a split second give way in a windless sky. This creates an exciting scenario and offers aesthetic moments that fascinate more than just passionate sailors. He does not necessarily see himself as the “master of images” but rather as a curious observer of the canvas’s unpredictable moods. As a globetrotter, Chritchley has been a guest not only on all continents but also on the pages of many magazines and in many galleries. His singular sailing portraits are known and loved internationally. The landscapes and sailing scenes specially selected for LUMAS attest to the photographer’s creative diversity, above all in the realm of abstraction. Source: LUMAS
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes