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Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Thomas Rumprath
Thomas Rumprath
Thomas Rumprath

Thomas Rumprath

Country: Germany
Birth: 1983

Thomas Rumprath is a German natural scientist and photo artist based in Frankfurt am Main. His professional interests include optics and image processing at the limits of what is technically possible. When taking photos, digital technology should only be a means to an end - without significant image processing, in black and white and with natural light. His portfolio features portraits that combine elements of fine art, dance, and still life. He works closely with artists - such as painters, dancers, and photographers themselfes - to develop a shared creative vision. The resulting work emphasizes emotion, movement, and form, often exploring themes of introspection and vulnerability. Collaboration with the model is essential, as they actively contribute to the creative process.
 

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Shawn Theodore
United States
1970
Shawn Theodore (b. 1970, Germany) is an award-winning photographer whose work opens broad conversations regarding the role of the photographer in the shaping of agency and imagery, engages in new forms of storytelling, and impacts the trajectory of the collective black consciousness. Theodore has participated in exhibitions at various institutions, galleries and fairs, including the African American Museum in Philadelphia (2017, 2018), Mennello Museum of American Art (2018), The Barnes Foundation (2017, 2018, 2019), Steven Kasher Gallery (2018), AIPAD (2018, 2019), Hudson Valley Community College (2018), Catherine Edelman Gallery (2017), The Bakalar & Paine Galleries at MassArt (2017), Snap! Orlando (2018), Richard Beavers Gallery (2018), PRIZM Art Fair, Scope Art Fair, Philadelphia Photo Arts Center, Rush Arts Gallery (2017, 2018), and the University of the Arts (2019). His commercial projects include works for Apple, Showtime Networks, RocNation, PAPER Magazine, New York Magazine, Smithsonian Magazine, The Atlantic, The New York Times, PDN and others. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ (2018) grant and a grant from the Knight Foundation for ‘A Dream Deferred’ (2018). He is a two-time nominee of The Pew Center for Arts & Heritage Fellowship, and a nominee of the Magnum Foundation Fund. Theodore earned his BA in JPRA (Journalism, Public Relations and Advertising) from Temple University. He currently attends the MFA for Photography program at Savannah College of Art and Design (SCAD Atlanta). Theodore is a current trustee of the Rush Philanthropic Arts Foundation and the Philadelphia Photo Arts Center. Source: www.shawntheodo.re
Edmund Teske
United States
1911 | † 1996
Edmund Rudolph Teske (March 7, 1911 – November 22, 1996) was a 20th-century American photographer who combined a career of taking portraits of artists, musicians and entertainers with a prolific output of experimental photography. His use of techniques like: combined prints, montages and solarizations led to "often romantic and mysterious images". Although he exhibited extensively and was well known within artistic photography circles during his lifetime, his work was not widely known by the public. He has been called "one of the forgotten greats of American photography."Source: Wikipedia Born in Chicago, Edmund Teske began taking photographs at age seven with his mother's Kodak Scout 2-C camera. In 1931, while attending evening classes at the Huttle Art Studio, he installed a photographic studio in his family's basement. Soon he purchased a view camera and started photographing the streets of his hometown. After working for a commercial studio in Chicago, Teske was awarded a photographic fellowship in 1936 that enabled him to study under the guidance of the architect Frank Lloyd Wright. Teske taught in the late 1930s at Chicago's New Bauhaus (later the Institute of Design), then moved to New York to work as Berenice Abbott's assistant. In 1943, Teske settled in Los Angeles, where he became interested in cinema, and in the early 1950s he was active with several small theater groups. During this period Teske refined the experimental photographic processes that he had begun to explore in the 1930s, such as solarization, combination printing, and chemical toning, and began to regularly exhibit and publish his work. In the 1960s, Teske was an influential visiting professor of photography at UCLA and other schools.Source: International Center of Photography Edmund Teske believed in the transformative potential of photography. He was interested in more than the inherent characteristic of the medium to record a specific moment in time. For Teske photography was a way to explore the soul of his subjects and creating the negative was only the beginning. His composites of multiple negatives and his use of solarization, as well as his exquisite gelatin silver prints, express the complexity and depth of his personal vision. His composites often layered images from different periods and places and sometimes outside sources. As the assemblage artist George Herms suggested, Teske's composites and solarizations are like Jazz variations on a theme. Though they often contain allegory and symbolism, they are not nostalgic. Rather, they exist as expressions of his various beliefs. Teske believed in the coexistence of both the masculine and the feminine within every individual. Furthermore, he believed in the connectedness of all life and that time is both fluid and cyclical. In the 1930s, Edmund Teske gained experience in theater and portraiture photography and became friends with Nathan Lerner, who introduced Teske to Laszlo Moholy-Nagy. During the depression, he photographed for Frank Lloyd Wright, Paul Strand (for his film, Native Land), and the U.S. Army Corps of Engineers and he printed for Berenice Abbott. In 1943 Teske traveled to Arizona to photograph at Wright’s Taliesin West and continued on to Los Angeles where he became friends with Man Ray and Anaïs Nin. Teske was introduced to Vedantic thought, a Hindu philosophy, and its mythology and symbolism greatly influenced Teske’s later work. In 1950 he moved to Topanga Canyon where he became a part of an enclave of artists, black-listed actors and intellectuals, including Wallace Berman, Will Geer, George Herms, Walter Hopps and Dean Stockwell. It was during this time within a nurturing environment of like-minded, creative, free-thinking individuals that Teske's singular style evolved. Teske’s work was included in Museum of Modern Art’s 1960 The Sense of Abstraction show and it was Edward Steichen who named Teske’s innovative process “duotone solarization.” While teaching at UCLA in the 1960s, Teske was a colleague of Robert Heineken and became a mentor to many local photographers.Source: Gitterman Gallery
Raghu Rai
India
1942
Raghu Rai (born in December 1942) qualified as a civil engineer, started photography at the age of 23 in 1965. He joined The Statesman newspaper as their chief photographer (1966 to 1976), and was then Picture Editor with Sunday—a weekly news magazine published from Calcutta (1977 to 1980). In 1971, impressed by Rai’s exhibition at Gallery Delpire, Paris, the legendary photographer Henri Cartier Bresson nominated him to Magnum Photos, the world’s most prestigious photographer’s cooperative which Rai could start only in 1977, Rai took over as Picture Editor-Visualiser- Photographer of India Today, India’s leading news magazine in its formative years. He worked on special issues and designs, contributing trailblazing picture essays on social, political and cultural themes of the decade (1982 to 1991). He was awarded the "Padmashree" in 1972 for the body of works he produced on Bangladesh refugees, the war and its surrender. In 1992 he was awarded “Photographer of the Year” in the United States for the story “Human Management of Wildlife in India” published in National Geographic. In 2009 he was conferred Officier des Arts et des Lettres by French Government. His photo essays have appeared in many of the world’s leading magazines and newspapers - including Time, Life, GEO, Le Figaro, Le Monde, Die Welt, The New York Times, Sunday The Times-London, Newsweek, Vogue, GQ, D magazine, Marie Claire, The Independent and The New Yorker. He has been an adjudicator for World Press Photo contest, Amsterdam and UNESCO’s International Photo Contest for many times. Currently, Raghu Rai lives in New Delhi and is working on his 57th book.Source: raghuraifoundation.org Rai has specialized in extensive coverage of India. He has produced a lot of books, including Raghu Rai's Delhi, The Sikhs, Calcutta, Khajuraho, Taj Mahal, Tibet in Exile, India, and Mother Teresa. His photo essays have appeared in many magazines and newspapers. For Greenpeace, he has completed an in-depth documentary project on the chemical disaster at Bhopal in 1984, which he covered as a journalist with India Today, and on its ongoing effects on the lives of gas victims. This work resulted in a book, Exposure: A Corporate Crime and three exhibitions that toured Europe, America, India and southeast Asia after 2004, the 20th anniversary of the disaster. Rai wanted the exhibition to support the many survivors through creating greater awareness, both about the tragedy, and about the victims – many who are still uncompensated – who continue to live in the contaminated environment around Bhopal. In 2003, while on an assignment for Geo Magazine in Bombay City, he switched to using a digital Nikon D100 camera "and from that moment to today, I haven't been able to go back to using film." In 2017, Avani Rai, his daughter followed her father on one of his trips to Kashmir to get an insight into his life and know him better. She documented this journey and released a documentary on it called Raghu Rai: An Unframed Portrait. It depicts a historical narrative through Raghu Rai's photographs through time, as he tells some of his unique experiences that not only affected him deeply but also important landmarks in the young yet crucial history of India. It was executive produced by Anurag Kashyap.Source: Wikipedia Rai was awarded the "Padmashree" in 1971, one of India’s highest civilian awards ever given to a photographer. In 1992, his National Geographic cover story Human Management of Wildlife in India won him widespread critical acclaim for the piece. Besides winning many national and international awards, Rai has exhibited his works in London, Paris, New York, Hamburg, Prague, Tokyo, Zurich and Sydney. His photo essays have appeared in many of the world’s leading magazines and newspapers. He has served three times on the jury of the World Press Photo and twice on the jury of UNESCO’s International Photo Contest. Raghu Rai lives in Delhi with his family and continues to be a correspondent of Magnum Photos.Source: Magnum Photos
Christopher Felver
United States
1946
Christopher Felver (born October 1946) is a photographer and filmmaker who has published several books of photos of public figures, especially those in the arts, most notably those associated with beat literature. He has made numerous films (as director, cinematographer, or producer), including a documentary on Lawrence Ferlinghetti, Ferlinghetti: A Rebirth of Wonder, released in 2013. Christopher Felver has photographed numerous writers, intellectuals and filmmakers such as Charles Bukowski, William Burroughs, Noam Chomsky, Gregory Corso, Clint Eastwood, Lawrence Ferlinghetti, Allen Ginsberg, Dennis Hopper, Oliver Stone, Elizabeth Taylor, Hunter S. Thompson and Kurt Vonnegut. His photography has been exhibited internationally, with solo photographic exhibitions at the Arco d'Alibert, Rome (1987); the Art Institute for the Permian Basin, Odessa, Texas (1987); Torino Fotografia Biennale Internazionale, Turin, Italy (1989); Centre Georges Pompidou, Paris (1994); Roosevelt Study Center, Middelburg, Netherlands (1998); Fahey/Klein Gallery, Los Angeles (2002); the Maine Photographic Workshop (2002); Robert Berman Gallery, Los Angeles (2007); the San Francisco Public Library (2018)[3] and other galleries and museums. His works have also appeared in major group exhibitions, including The Beats: Legacy & Celebration, New York University (1994) and Beatific Soul: Jack Kerouac On The Road, New York Public Library (2007). A collection of his photographs is held by the University of Delaware. Source: Wikipedia Christopher Felver is a cultural documentarian. His distinctive visual signature is a lasting contribution to the legacy of our national cultural community. Felver’s films & photographs reads like a roster of American mid-century avant-garde. Aside from portraits, Christopher Felver has also produced another body of work entitled: Ordered World. About this body of work, curator, James Crump writes, “Mr. Felver celebrates the elemental essences manmade and natural objects that tend to elude observation. Working in a manner not unlike Karl Blossfeldt, Albert Renger-Patzsch and the New Objectivity artists of 1920s and ’30s Germany, Felver asserts his own contemporary vision here. His pictures are informed by Minimalism and the keen, refined observation of a poet unwilling to discard the mundane or topical content that surrounds us but, nevertheless, is overlooked in the quickened pace of our technologically frenzied age. The series, while concerned with monumentalizing and focusing our attention on the ordered and structured surfaces of objects, resists any historical referencing to the hardened gaze of the twentieth century. It asks the viewer to ruminate on the overlooked beauty which surrounds us, the wonderment that unfolds, with careful and refined examination.” In 1994 Felver attended a Connecticut gathering of Native American dancers in ceremonial dress. These 20 photographs capture a traditional gathering of Northeastern tribes in Felver’s direct portrait style. As visiting artist in 1988 & 1989 at the American Academy in Rome, Christopher Felver made over 250 portraits of European artists across the continent. Felver’s 1350 portraits represent American and European cultural icons. In 1984 Christopher Felver traveled as a journalist to Japan, Hong Kong and Beijing documenting the customs and social conditions. Writers Lawrence Ferlingetti, Robert Creeley, David Amram, Amiri Baraka, George Plimpton, David Shapiro, Luc Sante, Lee Ranaldo, William Parker, Douglas Brinkley, Gary Snyder, Lance Henson, Linda Hogan and Simon Ortiz have written introductions for Christopher Felver’s books. Source: chrisfelver.com "With his gravelly voice, Felver would have made a great gumshoe in a mystery serial during the Golden Age of American radio, which ended around 75 years ago. Luckily for us, he did not miss his calling, which is to take portraits of the people who make up the cultural backbone of America — its artists, writers, composers, and musicians — people in the public eye, even if that audience is tiny." "Felver didn’t just take a photograph, as each portrait is accompanied by a short poem or line of poetry written by the subject in his or her own hand. He finds another way to be a witness." "I cannot think of another person who has given us such intimate portraits of Sherman Alexie, Amiri Baraka, Louise Erdrich, Lawrence Ferlinghetti, Allen Ginsberg, Joy Harjo, Eartha Kitt, Jasper Johns, Toni Morrison, Patti Smith, and Anne Waldman. He has made photographic portraits of Native American writers, and of composers and musicians from John Cage and Doc Watson to Mavis Staples and Ozzy Osbourne. He spent a week in Nicaragua in early part of 1984 with Lawrence Ferlinghetti, five years after the 1979 July revolution there. The photographs in Felver’s book, The Late Great Allen Ginsberg (2002), were taken between 1980 and 1997, in which various other people make appearances: Philip Glass, Ray Manzarek, Ed Sanders, Norman Mailer, Robert Frank, and Gary Snyder." "Each of these projects reveals another side of Felver’s capacity to engage with others and the world, as well as to stand aside and let his subjects speak. I cannot think of anyone who has been as devoted as Felver has been to his subjects. Perhaps it is time we find a way to return that devotion." -- John Yau Source: Hyperallergic
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All About Photo Awards 2026
Win a Solo Exhibition in February
All About Photo Awards 2026

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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry