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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
Pol Viladoms
Pol Viladoms
Pol Viladoms

Pol Viladoms

Country: Spain
Birth: 1981

As an artist, his work is based on the documentation of the territory in its broadest sense. Showing a special interest in the representation of landscape and architecture as symbols of territorial and cultural identity, his photographs show a delicate attention to the desolate and inhospitable space. Peripheries, forgotten and obsolete places, ruins... all of them testimony and memory of human activity. His work, halfway between the past and the present, tries to reformulate the intentions of the documentary image, trying to balance form and content. Through a personal approach, he shows the relationship between human beings and nature in a world with a disturbing and uncertain future.

In 2010 he self-published the book of photographs “Home” exhibited at the Centro de Arte Reina Sofía in Madrid, and which is currently part of its Library. The government of the Canary Islands awarded him the first prize in the Septenio International photographic competition “El suelo” (2012). Between 2014 and 2024 he has been awarded 6 LUX prizes from the AFP (Association of Professional Photographers of Spain). His work on Casa Bloc was exhibited at the Fundació Miró (2016) and he participated in the group exhibition “El Gran Tour” (Finalist at Joan Casablancas Award 2017). In 2018 he received the second prize in the photographic contest “Paisajes cuotidianos” of the Urban Landscape Institute of Catalonia. Among others, he has participated in the art fairs Art Fair Cologne and Affordable Art Fair Amsterdam (2019). In 2020 he was a finalist for the Vila Casas Photography Award. In 2021 he was awarded in the Photography Exhibition of the XV Spanish Biennial of Architecture and Urbanism as well as finalist of the ENAIRE Foundation Award. In 2022 he was finalist of the International Photography Award ECA Espai d’Art Contemporani in Riba-Roja de Túria. He has participated in several collective and individual art exhibitions in Spain as well as in France and the USA (New York and Detroit).
 

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Vee Speers
Australia
or over two decades, Australian Paris-based artist Vee Speers has established herself in the art world with her unforgettable portraits. Her carefully choreographed images are painterly and ethereal, with a visual and metaphorical ambiguity which challenges established narratives. In her iconic series The Birthday Party, she eternalises the innocence of childhood with timeless portraits that are at once hauntingly beautiful and provocative. She dresses, styles and sometimes masks her characters, creating enigmatic stories to blur the line between reality and fiction and highlighting our need to escape into fantasy. Speers succeeds in choreographing characters that offer allegorical glimpses into life, triggering memories and emotions from our own childhood. From the legend of the Phoenix, Speers draws inspiration for her most recent work Phoenix, an evocative story about passion, love and loss and an homage to the anonymous women. In this series Phoenix, the battles are over and the flames and ashes disappear. Emerging is the emboldening force of liberation as these women of all ages are on the threshold of new beginnings. At once powerful and vulnerable, Speers' portraits are timeless symbols of transformation between life and loss and the renaissance of a new identity. Speers' work has been exhibited in museums, galleries, art fairs and festivals around the world, and published in features and on covers of more than 60 international magazines, with 3 sold-out monographs of her work. Her photographs have been acquired by Sir Elton John Collection, Michael Wilson Collection, Hoffman Collection U.S. , Carter Potash Collection, Morten Viskum Collection, Alan Siegel, Lawrence Schiller, DZ Bank, Museum of Fine Arts Houston, Museum 21C, Kentucky, George Eastman House, Beth Rudin Dewoody, Hudson Bay Company Art Fund, CB Collection, Tokyo. More about Vee Speers: AAP: When did you realize you wanted to be a photographer? Vee Speers: I’ve always thought photography was magical as my father had his own darkroom. When I went to art school, I realized that the instant way of capturing an image suited my impatient personality. Where did you study photography?QCA, Brisbane, Australia Do you have a mentor or role model?Not really. I don’t like to follow. What or who inspires you?The cinema is a constant source of inspiration. A story is told, and the way it is filmed can transport you to another time or place. Still images can be the same. How could you describe your style?Playful, beautiful, strange, melancholic, obvious and unexpected. Do you have a favorite photograph or series?The Birthday Party and Bulletproof This is two series photographed 6 years apart using the same children. What kind of gear do you use?Polaroid film and medium format cameras. Do you spend a lot of time editing your images? For what purpose?No, I know right away when I’ve taken a good shot. Or if I haven’t. What advice would you give a young photographer?Know what you want and don’t be distracted from your goal. Don’t listen to what anybody else says. What mistake should a young photographer avoid?Accepting to shoot anything that will compromise his or her personal journey. An idea, a sentence, a project you would like to share?Don’t be afraid.What are your projects?Portraits, portraits and more portraits. Your best memory as a photographer?There are so many. Every time I take a great image, I feel so excited, like everything has lined up perfectly. These are the best memories. The compliment that touched you most?A woman once told me that my work had changed her life. If you were someone else who would it be?Diane Arbus, with all those wonderful and strange people to photograph. Your favorite photo book?Lord of the Flies by William Golding.
Álvaro Vegazo
Álvaro Vegazo was born in the city of Sanlúcar de Barrameda, south of Andalucia, in 1977. He's Civil Engineer, but his authentic passion is photography. From his adolescence he was involocruded with it, but since 2015 he has been working seriously about street and documentary photography. The mostly Alvaro's work is about the life in the streets around his closest environment, mainly in "La Costa de la Luz" in Andalucía, although in last years he was in Portugal practicing too. Really he takes advantage any place he goes, beacuse he always carry on his camera. Although he does not rule out the use of black and white, his work focuses more on color. As can be seen in his photos, the colors fill a large part of the frame and he also intends to play with different layers. In relation with his projects, Álvaro has finished two of them: "Tránsitos de Luz" (2018) in book format, where he show his photos during more of three years in the street. And the second one, "Carmen de Bonanza" is a documentary project that for four years documents the religious event that takes place in that coastal neighborhood and it was exhibited in different locations in Spain. On the other hand, the “Underxpose”, publishing house, published my her 37th fanzine dedicated to my serie "That time we coincide". His photographs and articles were published in some relevant media such as Street Photography Magazine, Inspired Eye , Lensculture or “El País”. He also showed his photos in collective exhibitions nationally and internationally: Seville, Florence, Miami, Siena, New York, Warsaw and Vienna. And among the most important awards we can mention: finalist in The Miami Street Photography Festival (MSPF, Miami 2019), finalist in Street Photography International (SPI, London 2020), finalist in Urban Photo Awards Contest, with a serie (Triestre, 2021), honorable mentions in Siena International Photography Awards (SIPA, Siena 2019) and International Photography Awards (IPA, New York 2019), Juror’s Pick’ Lensculture 2023, finalist and gold medalist Paris International Photo Awards 2023, second place Italian Street Photo Festival 2024, and finalist in Leica Street Photo 2025.
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