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Mital Patel
Mital Patel
Mital Patel

Mital Patel

Country: United States

Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty in all its forms—whether natural or manmade. From architecture and landscapes to the creatures of the wild, Patel has a distinct passion for capturing the most remarkable elements of life through his visual representation of movement, emotion and mood. From behind the lens, he strives to bring viewers his very unique view of nature, telling a story without words and conveying a feeling in the abstract. He challenges his audience to let their imaginations run free, taking the journey with him on his travels and opening their minds beyond the confines of static photography.

In each of his pieces, Patel hopes to offer his audience a way to view the world around them a bit differently – to appreciate the beauty of moments and places that are often overlooked. An intrepid traveler and lover of adventure, Patel’s passion for creative and imaginative photography is a great asset to his exploration of the world, which spans six out of the seven continents. His work is admired worldwide for its unique and artistic perspective.

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www.mitalpatelphotography.com

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Carl Mydans
Carl Mydans
United States
1907 | † 2004
Carl Mydans was an American photographer who worked for the Farm Security Administration and Life magazine. Mydans grew up playing on the Mystic River near Medford, near Boston, Massachusetts. His father was an oboist. Mydans became devoted to photography while in college at Boston University. While working on the Boston University News he abandoned childhood dreams of being a surgeon or a boat builder in favor of journalism. His first reporting jobs were for The Boston Globe and the Boston Herald. After college, he went to New York as a writer for American Banker and then in 1935 to Washington to join a group of photographers in the Farm Security Administration. There he worked with other photographers like Dorothea Lange and Ben Shahn to document the conditions of the American rural workers. In 1935, he traveled throughout New England and America's South, documenting the end of a rural-based economy, and gained a measure of renown for his images of bedraggled Arkansas farmers and their families. It was the Great Depression, and the poorest of America's poor were devastated by the economic downturn. "One picture, of a Tennessee family living in a hut built on an abandoned truck chassis, portrays the misery of the times," noted Mydans' Times of London obituary, "as starkly as any photographs by his more celebrated contemporaries." In 1936, he joined Life as one of its earliest staff photographers (Alfred Eisenstaedt, Margaret Bourke-White, Thomas McAvoy and Peter Stackpole were the original staff photographers) and a pioneering photojournalist. Mydans recorded photographic images of life and death throughout Europe and Asia during World War II traveling over 45,000 miles (72,000 km). In 1941, the photographer and Shelley Mydans were the first husband and wife team on the magazine's staff. Shelley and Carl were captured by the invading Japanese forces in the Philippines and interned for nearly a year in Manila, then for another year in Shanghai, China, before they were released as part of a prisoner-of-war exchange in December 1943. After their release, Mydans was sent back into Europe for pivotal battles in Italy and France. By 1944, Mydans was back in the Philippines to cover MacArthur's return. Mydans snapped the moment when General Douglas MacArthur purposefully strode ashore in the Philippines in 1945, The legendary officer had declared, when the Japanese came in 1942, "I shall return," and Mydans' photograph of the formidable general immortalized that claim for posterity. Some asserted that it must have been staged, but Mydans resolutely defended the photograph as entirely spontaneous, though he did admit that MacArthur was savvy about public-relations opportunities. The general had appeared in Mydans' other memorable image from that assignment, watching with other top U.S. brass as a Japanese delegation signed the official documents of surrender on an early September day in 1945. "No one I have ever known in public life had a better understanding of the drama and power of a picture," Mydans, said about MacArthur. Mydans also captured the signing of Japan's surrender aboard the U.S.S. Missouri. Some of Mydans's other famous pictures include the bombing of Chongqing, angry French citizens shaving the heads of women accused of sleeping with Germans during the occupation in 1944; a roomful of excited royal youngsters and their staid older relatives in 1954; and a 1950 portrait of Douglas MacArthur smoking a pipe. But he also photographed the war from the viewpoint of the ordinary soldier or sailor. "Resourceful and unruffled, Mr. Mydans sent back pictures of combat that even now define how some remember World War II, Korea, and other conflicts," noted The New York Times. Despite his two years in captivity, Mydans bore no ill will toward the Asian nation, and accepted an assignment to head Time-Life's Tokyo bureau with his wife. Time-Life was the publisher of Time, Life and other top magazines, which Mydans continued to provide with an array of visual stories. In 1948, he just happened to be in the city of Fukui when a destructive earthquake struck; some of his shots were taken on the street while buildings were collapsing around him. After covering the Korean War, Mydans traveled the globe for the next two decades for Life before the publication folded in 1972. When it was relaunched several years later, he was still listed as one of its contributing photographers. He died on August 16, 2004, of heart failure at his home in Larchmont, New York, at the age of 97. Widowed in 2002, Mydans was survived by his daughter, Misty, a California attorney; and his son, Seth, Asia correspondent for The New York Times.Source: Wikipedia Having started out as a newspaper reporter, Carl Mydans switched over to the camera and at the height of the Depression worked for the Farm Security Administration, documenting the travails of migrant farm families. After signing on with LIFE, he and his wife, Shelley, became the magazine’s first roaming photographer-reporter team. In 1941 they were sent to China to cover Japanese bombing raids there; late in the year they were trapped in Manila when the Japanese overran the Philippines, and they were held captive for nearly two years before being repatriated in a POW exchange. When the prison camp was about to be liberated, Douglas MacArthur sent Mydans in with the first tanks. Of course, Mydans’s picture of MacArthur “returning” to the Philippines is one of history’s most celebrated photographic images. Mydans was known also for his intriguing portraits of such as Pound and Faulkner. In the words of David Hume Kennerly, “Carl Mydans is a photographer’s photographer and a human’s human.” In the prison camp at Santo Tomas in the Philippines, said Shelley Mydans, “they didn’t feed us, so we were very hungry, and we were sick sometimes.” Rogers and Todd, at right, were among the three dozen men with whom Carl shared a room at the prison. Between them, the duo lost 131 pounds during their four years of internment.Source: LIFE
William Heick
William Heick
United States
1916 | † 2012
William Heick (October 6, 1916 – September 13, 2012) was a San Francisco-based photographer and filmmaker. He is best known for his ethnographic photographs and documentary films of North American Indian cultures. W.R. Heick served as producer-director and chief cinematographer for the Anthropology Department of the University of California, Berkeley on their National Science Foundation supported American Indian Film Project. His photographs capture the life and culture of Native Americans from the Kwakiutl, Kashaya Pomo, Hupa, Navajo, Blackfoot and Sioux. He filmed a number of award winning films in this series along with the documentaries Pomo Shaman and Sucking Doctor, a Pomo doctoring ceremony considered by anthropologists to be one of the most complete and outstanding films of an aboriginal ceremony made to date. William Heick's career in photography began as a naval intelligence photographer during World War Two in the Pacific. After the war he studied photography at California School of Fine Arts (now the San Francisco Art Institute) under such notable teachers as Ansel Adams and Minor White. He became lifelong friends with Imogen Cunningham and Dorothea Lange and regards these two photographers as the primary influences on his photographic work. William Heick filmed two documentaries about Pacific Northwest Indian tribes, Blunden Harbour (1951) and Dances of the Kwakiutl (1951). W.R. Heick worked through most of the 1950s and 1960s as producer-director, assistant historian and cinematographer for the worldwide engineering firm of Bechtel Corporation. While with Bechtel he wrote and filmed documentaries of their major projects with special emphasis on ethnic and social consideration in remote areas of the Arctic, South America, Africa, Greenland, Europe, The Middle East, Australia, Indonesia and the islands of New Guinea and Bougainville. From 1956 to 1964 Heick was involved with C. Cameron Macauley in the American Indian Film Project, a project to document Native American cultures through film and sound recordings, working closely with Alfred Kroeber and Samuel Barrett. William Heick produced two documentaries for the Quakers. Beauty for Ashes documents the Quaker's project to rebuild 40 churches that had been burned by nightriders during Mississippi's racial strife in the turbulent 1960s. Voyage of the Phoenix documents the controversial voyage of the yacht Phoenix, which sailed through the American battle fleet during the Vietnam War to deliver medical supplies to North Vietnam when the bombing of that beleaguered country was at its peak. In the late 1960s and early 1970s W.R. Heick served as cinematographer on three feature films, all for the director/artist Fredric Hobbs: Troika (1969, co-directed by Gordon Mueller), Alabama's Ghost (1973), and The Godmonster of Indian Flat (1973). During the mid-1970s, working as an independent producer with Gordon Mueller, W.R. Heick produced the Indonesian Dance Series. This series, funded with grants from Caltex Pacific Indonesia and Pertamina, documents fourteen traditional dance performances from the islands of Java, Bali, Sumatra and Kalimantan. W.R. Heick's later films include The Other China, a four-part mini-series filmed on location in Taiwan in 1988 documenting the social and cultural fabric of Taiwan. His fine art photography has been exhibited at the San Francisco Museum of Modern Art, the California Palace of the Legion of Honor, the de Young Museum, the Seattle Museum of Art, the Henry Gallery (University of Washington), the Phoebe A. Hearst Museum of Anthropology, and the University Art Gallery (Cal State at Chico) among others. His photographs have been selected for the permanent collections of the Museum of Modern Art, New York, the Smithsonian Institution, the High Museum of Art, Atlanta, the Santa Barbara Museum of Art, and the Monterey Peninsula Museum of Art. In a published Art Scene review Monterey landscape artist and art critic Rick Deregon wrote: "The special qualities of W.R. Heick's images come from the simple relationship between the photographer and subject. With no agenda other than to capture the decisive inspirational moment and to illustrate the human parade Mr. Heick's work transcends straight journalism and aspires to an art of nobility and compassion."Source: Wikipedia William Heick was born October 6th, 1916. Spanning seven decades, Heick's career in photography and filmmaking has covered locations all over the world. Heick grew up in Kentucky and attended the University of Cincinnati. He married Jeanne Ridge in 1942, and served as a naval intelligence photographer in the Pacific during World War II. After the war, he continued his education at San Francisco State University. He also attended the California School of Fine Arts (now known as the San Francisco Art Institute), where he studied photography, painting, and sculpture under distinguished instructors such as Ansel Adams and Minor White. It was during this period that he met and made lifelong friends with photographers Imogen Cunningham and Dorothea Lange, both of whom he regards as primary influences on his photographic work. His fine art photography has been exhibited in institutions such as San Francisco Museum of Modern Art, DeYoung Museum, and Seattle Museum of Art, among many others. He has produced over 200 films and thousands of photographs. At the age of 94, when asked to sum up his prolific career, he simply stated, "it sure beats working!"Source: Peter Fetterman Gallery
Ian McFarlane
Ian McFarlane
United States
1970
Ian McFarlane is a portrait and commercial photographer living in Athens Georgia. Ian began his love for photography his senior year in high school, knowing he would go in to the arts, he attended The University of Georgia Lamar Dodd School of Art. By his senior year he already knew that photography would be the path he would travel for the rest of his life. During his last year at UGA he became custom darkroom printer and photo consultant for Michael Stipe, lead singer for the band REM. For the next 8 years Ian worked closely with Michael, printing his personal photos and helped guide him on his journey back to his love for photography. In 1998 Ian printed the photographs for Micheals first book, 2 Times Intro: On The Road with Pattie Smith. Ian had his first solo show in 1998 with Jane Jackson Fine Art in Atlanta Ga. Where he was represented until 2005. In 2000 Ian took the leap to open his own studio and began shooting for Publication all over the country. Over the last 23 years Ian has continued to work as a freelance photographer as well as shooting personal B/W portrait projects. During the last 3 years Ian has worked on two portrait series dear to his heart. My Mother's Daughter, which is based on the loss of his mother to dementia and currently shooting, Welcome Ukrainian Refugees in Georgia. ''My true love for photography is the portrait. I only use natural light, finding that special patch of light and allowing the silent dance to begin.''
Aurelien Morissard
Aurelien Morissard
France
1982
Aurélien Morissard, born in 1982, is a self-taught photographer based in Paris. After studying graphic design and computer graphics, he dropped everything in 2013 to devote himself to his passion: photography. He then trained as an author photographer to confirm his years of personal practice. In parallel to his corporate commissions, he discovers a real attraction for photojournalism. In 2015, he joined the IP3 Press agency where he covers all types of news, from daily life to politics, from economy to social, from illustration to corporate. For 3 years, he has been working regularly with Xinhua agency on various news topics.
Marcel Van Balken
Marcel Van Balken
Netherlands
Marcel van Balken is a self-taught photographer from the Netherlands for about 40 years. As a photographer he is interested in specific themes and conceptual photography. He believes in working thematically with an absolute preference for surrealistic and creative photography. He gives himself a kind of theme or assignment and will not stop making photographs unless he thinks he got everything out of this assignment. Marcel moves as a photographer ideally in the field of surrealism and magic realism. He prefers to create photographic images inspired by everyday reality combined with his own imagination. He strives to carefully compose photographic compositions of realistic looking scenes in unreal and sometimes magical spheres. With his pictures he wants to tell a story with some level of abstraction: the image is not an explicit example of the concept, but a general expression of the idea. His goal in conceptual photography is to create a concrete image of abstract definition; to take a concept or idea and create a visual representation of it. A way of looking at the world in a completely different, sometimes surrealistic, manner.
David Peabody
David Peabody
United States
David Peabody is an American architect and photographer. He was born and raised in Natchez, Mississippi. After college, inspired by the work of Walker Evans, David spent a year working odd jobs and moving around Mississippi, documenting rural life. Now, nearly 50 years later, he is completing the project, digitally scanning and printing that early work. In the process, he is photographing the changed landscape of rural Mississippi. David went on to study and practice architecture, but has always returned to taking pictures Currently he is following the progress of several young couples building homesteads in rural Maine. In one way or another, most of his work is an attempt to find beauty and see beyond the corporate veneer that increasingly covers our built environment. David lives with his wife Ginger in Alexandria, Virginia and East Blue Hill, Maine.
Michael Jackson
Michael Jackson
United Kingdom
1966
British b.1966, in Wokingham, Berkshire. Jackson trained as a painter at West Dean College, England. After moving to Wales In 2007 he started work on an extensive study of a single remote beach, Poppit Sands, which lasted for eight years until 2015. Jackson won the Chris Beetles Award in 2013 and became a Hasselblad Masters Award finalist three times in 2008, 2009 and 2012. Now regarded as a leading exponent of the luminogram process, he works with uniquely developed techniques and response mirroring using silver gelatin paper in the darkroom. In 2017 his luminogram work was paired with theologian Edwin A.Abbott in a book published by 21st Editions, titled after Abbott's famous work 'FLATLAND' and premiered at the Grand Palais in Paris. His work is held at the National Gallery of Art in Washington and the collection of the University of Minnesota. Artist Statement "I am a British photographer based in rural Wales, UK. Born 1966. Studied art at West Dean College then apprenticed under the landscape painter Christopher W. Baker. Since moving to Wales in 2007 I have been photographing a single beach - Poppit Sands. This seems to be something that I am compelled to do as I have not yet tired of it. My goal is to keep on looking harder and hope that through studying a single subject I can find something new. The images have toured with the Hasselblad Masters On Tour twice and have been exhibited in Copenhagen, Hong Kong, Beijing, Berlin, New York, Cardiff, London & Los Angeles as well being featured in magazines such as LENSWORK, SILVERSHOTZ and SHOTS as well as blogs such as LENSCRATCH, CNN & FEATURESHOOT. The images have also reached the Hasselblad Masters Finals three times."Source: www.mgjackson.co.uk
Jan Grarup
Jan Grarup
Denmark
1968
Born in Denmark in 1968. In 1991, the year he graduated, Grarup won the Danish Press Photographer of the Year award, a prize he would receive on several further occasions. In 1993, he moved to Berlin for a year, working as a freelance photographer for Danish newspapers and magazines. During his career, Grarup has covered many wars and conflicts around the world including the Gulf War, the Rwandan genocide, the Siege of Sarajevo and the Palestinian uprising against Israel in 2000. His coverage of the conflict between Palestine and Israel gave rise to two series: The Boys of Ramallah, which also earned him the Pictures of the Year International World Understanding Award in 2002, followed by The Boys from Hebron. His book, Shadowland (2006), presents his work during the 12 years he spent in Kashmir, Sierra Leone, Chechnya, Rwanda, Kosovo, Slovakia, Ramallah, Hebron, Iraq, Iran, and Darfur. In the words of Foto8's review, it is "intensely personal, deeply felt, and immaculately composed." His second book, Darfur: A Silent Genocide, was published in 2009. In 2017 he realised the prizewinning bestseller AND THEN THERE WAS SILENCE and he is one of the most hired keynote speakers and lectures for world issues around the word. Jan has won an incredible amount of prizes, but to mention a few he has won 8 World Press Awards, Pictures of the Year International World Understanding Award, UNICEF Children photo of the year award, Visa d'or, Leica Oskar Barnack Award, just to mention a few of the more prestigious ones Per Folkver, Picture Editor in Chief of the Copenhagen daily Politiken, where Grarup has worked, has said of Grarup that "He is concerned about what he is seeing and doing longer stories and returning to the same places." The Country that Drowned
Denis Karasev
Denis Karasev
Russian Federation
1981
Denis Karasev is a photographer born in 1981 in the USSR. He runs a design agency and is involved in theatre lighting design. His work includes architecture, street and art photography. Since 2019 he has been making ZINes, shooting series and projects. He is interested in exploring the constantly changing world and capturing it in the present moment as is - for himself and for history. Owns a Siberian cat. Awards, Shows and Mentions - Travel 2018 Smithsonian Institution Magazine, USA - Finalist of the Brussels Street Photography Festival 2018 - Finalist of the London Street Photography Festival 2019 - Honorable Mention in the 2019 International Photography Awards (Architecture) - Urban Photo Awards 2020 finalist (Spaces) - Photo Union 2022 (Russia), Architecture ('SVO Project')
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Exclusive Interview with Carolyn Moore
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Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Matthew Finley
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Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
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Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
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Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
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Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
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Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
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Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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